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Portal:Poetry

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Welcome to the Poetry Portal

The first lines of the Iliad
The first lines of the Iliad
Great Seal Script character for poetry, ancient China
Great Seal Script character for poetry, ancient China

Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.

Poets use a variety of techniques called poetic devices, such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm (via metre), and sound symbolism, to produce musical or other artistic effects. They also frequently organize these effects intos, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often use rhythmic metre (patterns of syllable stress or syllable (mora) weight). They may also use repeating patterns of phonemes, phoneme groups, tones (phonemic pitch shifts found in tonal languages), words, and entire phrases. These include consonance (or just alliteration), assonance (as in the dróttkvætt), and rhyme schemes (patterns in rimes, a type of phoneme group). Poetic structures may even be semantic (e.g. the volta required in a Petrachan sonnet).

Most written poems are formatted in verse: a series or stack of lines on a page, which follow the poetic structure. For this reason, verse has also become a synonym (a metonym) for poetry. (Full article...)

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Rural landscape with grassy cliff top to the right, sea and shore in the background to the left. Shepherd in a blue smock stands on cliff top to the right, leaning on his staff, with a flock of sheep grazing around him.
A classic pastoral scene, depicting a shepherd with his livestock; a pastoral subject was the initial distinguishing feature of the villanelle. Painting by Ferdinand Chaigneau [fr], 19th century.

A villanelle, also known as villanesque, is a nineteen-line poetic form consisting of five tercets followed by a quatrain. There are two refrains and two repeating rhymes, with the first and third lines of the first tercet repeated alternately at the end of each subsequent stanza until the last stanza, which includes both repeated lines. The villanelle is an example of a fixed verse form. The word derives from Latin, then Italian, and is related to the initial subject of the form being the pastoral.

The form started as a simple ballad-like song with no fixed form; this fixed quality would only come much later, from the poem "Villanelle (J'ay perdu ma Tourterelle)" (1606) by Jean Passerat. From this point, its evolution into the "fixed form" used in the present day is debated. Despite its French origins, the majority of villanelles have been written in English, a trend which began in the late nineteenth century. The villanelle has been noted as a form that frequently treats the subject of obsessions, and one which appeals to outsiders; its defining feature of repetition prevents it from having a conventional tone. (Full article...)

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Poetry WikiProject

Charles Baudelaire
Charles Baudelaire
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Selected biography

Rabindranath Tagore (Bengali pronunciation: [rəˈbindrəˈnɑt ˈtɑɡɔr] ), also written Rabīndranātha Thākura (pronounced [rəˈbindrəˈnɑtə ˈtɑkʊrə]), (7 May 1861 – 7 August 1941), sobriquet Gurudev, was a Bengali polymath who reshaped Bengali literature and music in the late 19th and early 20th centuries. Author of Gitanjali and its "profoundly sensitive, fresh and beautiful verse", he became the first non-European to win the Nobel Prize in Literature in 1913. In translation his poetry was viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal. Tagore introduced new prose and verse forms and the use of colloquial language into Bengali literature, thereby freeing it from traditional models based on classical Sanskrit. He was highly influential in introducing the best of Indian culture to the West and vice versa, and he is generally regarded as the outstanding creative artist of the modern Indian subcontinent, being highly commemorated in India and Bangladesh, as well as in Sri Lanka, Nepal and Pakistan. (Full article...)

Selected poem

Adonais verses 1-4 by Percy Bysshe Shelley

1
I weep for Adonais - he is dead!

O, weep for Adonais! though our tears

Thaw not the frost which binds so dear a head!

And thou, sad Hour, selected from all years

To mourn our loss, rouse thy obscure compeers,

And teach them thine own sorrow, say: "With me

Died Adonais; till the Future dares

Forget the Past, his fate and fame shall be

An echo and a light unto eternity!"

2
Where wert thou, mighty Mother, when he lay,

When thy Son lay, pierced by the shaft which flies

In darkness? where was lorn Urania

When Adonais died? With veiled eyes,

Mid listening Echoes, in her Paradise

She sate, while one, with soft enamoured breath,

Rekindled all the fading melodies

With which, like flowers that mock the corse beneath,

He had adorned and hid the coming bulk of death.

3
O, weep for Adonais - he is dead!

Wake, melancholy Mother, wake and weep!

Yet wherefore? Quench within their burning bed

Thy fiery tears, and let thy loud heart keep

Like his, a mute and uncomplaining sleep;

For he is gone, where all things wise and fair

Descend; - oh, dream not that the amorous Deep

Will yet restore him to the vital air;

Death feeds on his mute voice, and laughs at our despair.

4
Most musical of mourners, weep again!

Lament anew, Urania! - He died,

Who was the Sire of an immortal strain,

Blind, old, and lonely, when his country's pride,

The priest, the slave, and the liberticide

Trampled and mocked with many a loathed rite

Of lust and blood; he went, unterrified,

Into the gulf of death; but his clear Sprite

Yet reigns o'er earth; the third among the sons of light.

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