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Portal:Theatre

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The Theatre Portal

Ancient Greece theatre in Taormina, Sicily, Italy

Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present experiences of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe").

A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. (Full article...)

Featured article

This naval battle was one of the sets for Elkanah Settle's Empress of Morocco
The Restoration spectacular, or elaborately staged "machine play", hit the London public stage in the late 17th-century Restoration period, enthralling audiences with action, music, dance, moveable scenery, baroque illusionistic painting, gorgeous costumes, and special effects such as trapdoor tricks, "flying" actors, and fireworks. These shows have always had a bad reputation as a vulgar and commercial threat to the witty, "legitimate" Restoration drama; however, they drew Londoners in unprecedented numbers and left them dazzled and delighted. Basically home-grown and with roots in the early 17th-century court masque, though never ashamed of borrowing ideas and stage technology from French opera, the spectaculars are sometimes called "English opera". The expense of mounting ever more elaborate scenic productions drove the two competing theatre companies into a dangerous spiral of huge expenditure and correspondingly huge losses or profits.

In this month

Constantin Stanislavski

Colley Cibber
Colley Cibber was an English actor-manager, playwright, and Poet Laureate. His colorful Apology for the Life of Colley Cibber (1740) started a British tradition of personal, anecdotal, and even rambling autobiography. He wrote some plays for performance by his own company at the Theatre Royal, Drury Lane, and adapted many more from various sources, receiving frequent criticism for "miserable mutilation" of dramatists like Shakespeare and Molière. He regarded himself as first and foremost an actor and had great popular success in comical fop parts. Cibber's brash, extroverted personality did not sit well with his contemporaries, and he was frequently accused of tasteless theatrical productions, social and political opportunism, and shady business methods. He rose to herostratic fame when he became the chief target, the head Dunce, of Alexander Pope's satirical poem The Dunciad. Cibber's importance in British theatre history rests on his being the first in a long line of actor-managers, and on the value of his autobiography as a source for our knowledge of the 18th-century London stage.
  • ... that the organ console at the Loew's Jersey Theatre was originally installed at another theater by mistake?
  • ... that at the premiere of The Cage, a ballet about female insects preying on their male counterparts, choreographer Jerome Robbins's mother walked out of the theater?
  • ... that at the time of its construction in 1920, the Howard Theatre in Atlanta was the second-largest movie theater in the world, with a seating capacity of 2,700?
  • ... that the framework of One Astor Plaza was "a humdinger of an engineering feat" because it was built over the Minskoff Theatre?
  • ... that the Little Theatre, once deemed a "gem among playhouses", was later planned to be replaced by a driveway for The New York Times?
  • ... that the Chinese theatre dance known as wuju blends influences of ballet and traditional opera?

Selected quote

William Shakespeare
All the world's a stage / And all the men and women merely players / They have their exits and their entrances / And one man in his time plays many parts ...

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