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The new wave of British heavy metal began in the late 1970s and achieved international attention by the early 1980s. Encompassing diverse mainstream and underground styles, the music often infused 1970s heavy metal music with the intensity of punk rock to produce fast and aggressive songs. The do-it-yourself ethic of the new metal bands led to the spread of raw-sounding, self-produced recordings and a proliferation of independent record labels. Song lyrics were usually about escapist themes from mythology, fantasy, horror or the rock lifestyle. The movement involved mostly young, white, male musicians and fans of the heavy metal subculture, whose behavioural and visual codes were quickly adopted by metal fans worldwide after the spread of the music globally. The movement spawned perhaps a thousand bands, but only a few survived the rise of MTV and glam metal. Among them, Motörhead (singer pictured) and Saxon had considerable success, and Iron Maiden and Def Leppard became international stars. (Full article...)
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January 25: Feast day of Saint Gregory of Nazianzus (Eastern Christianity) and Dwynwen (Wales); Tatiana Day (Russia)
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Commons picture of the day This stained glass window from Église Sainte-Madeleine, a church in Gramond, France, depicts Saints Victor of Damascus and Paul the Apostle. Though they were not contemporaries, both men have a connection to Damascus. Moreover, legend has it that each were martyred by beheading, hence they are displayed holding swords. Today is the feast of The Conversion of St. Paul and the conclusion of the Week of Prayer for Christian Unity in much of Western Christianity. The Monarch of the Glen is an oil-on-canvas painting of a red deer stag completed in 1851 by the English painter Sir Edwin Landseer. It was commissioned as part of a series of three panels to hang in the Palace of Westminster in London. As one of the most popular paintings throughout the 19th century, it sold widely in reproductions in steel engraving, and was finally bought by companies to use in advertising. The painting had become something of a cliché by the mid–20th century, as the "ultimate biscuit tin image of Scotland: a bulky stag set against the violet hills and watery skies of an isolated wilderness", according to the Sunday Herald. The work is now in the Scottish National Gallery in Edinburgh.Painting credit: Edwin Landseer
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