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The Voices of Morebath: Reformation and Rebellion in an English Village
AuthorEamon Duffy
LanguageEnglish
SubjectEnglish Reformation, Morebath, Prayer Book Rebellion
PublisherYale University Press
Publication date
2001
Publication placeUnited States
Media typePrint (hardback, paperback)
Pagesxvi + 232
ISBN9780300091854

The Voices of Morebath: Reformation and Rebellion in an English Village is a 2001 non-fiction history book by Eamon Duffy and published by Yale University Press about Morebath, England, during the English Reformation and Tudor period of the 16th century. Using the detailed parish accounts maintained by Sir Christopher Trychay, the vicar of Morebath's parish, Duffy recounts the religious and social implications of the Reformation in a small conservative Catholic community through the reign of Henry VIII, during the violent 1549 Prayer Book Rebellion, and into the Elizabethan era. Trychay's accounts–first reprinted in 1904–had been used in other scholarly works and was first encountered during Duffy's research for his 1992 The Stripping of the Altars on pre-Reformation English traditional religion. The Voices of Morebath depicts both Morebath and Trychay through their strong early resistance to the Reformation to their eventual adoption of new religious norms under the Protestant Elizabethan Religious Settlement.

The Voices of Morebath was praised for its coverage of parochial and local matters, particularly its personal treatment of Trychay. It drew critiques for instances where Duffy uses examples from Morebath to engage in broader discussions, with other reviewers noting that Duffy conceded these limitations. Though popular, the book was appraised as overly complex for the broad audience it had been written and marketed towards. Lucy Wooding, a historian of the Tudor period, called the work "invaluable" as "a contribution to debate on the English Reformation" and suggested that Duffy's own views had developed during his time writing the book. Robert M. Kingdon, a historian of the Reformation, acknowledged that the number of wider conclusions that could be drawn from the book was limited but lauded Duffy's "remarkable empathy and impressive technical research skills". In 2002, The Voices of Morebath won the Hawthornden Prize and was shortlisted for both the Samuel Johnson Prize and British Academy Book Prize.

Background

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Picture of Eamon Duffy speaking into a microphone
Eamon Duffy in 2010

In the 16th century, Morebath was a Devon village of sheepherders with a "remote and poor" parish that served roughly 33 families of 150 people. Sir Christopher Trychay[note 1] was Morebath's vicar for 54 years, a period during which England had four monarchs and Morebath transitioned from a conservative Catholic community rebelling against the government-imposed English Reformation into a village conforming to the Protestant Elizabethan Religious Settlement.[2][3][4][5][6] Religion played a significant role in the daily lives of Morebath's residents, though they conformed their practices to the oscillating theologies imposed under the monarchies of Henry VIII, Edward VI, Mary I, and Elizabeth I. However, the strain of the Edwardian government's religious and financial demands proved the most trying: Devon and Cornwall revolted with the implementation of 1549 Book of Common Prayer, and the Morebath parish sponsored five of its men to join the doomed Prayer Book Rebellion at Exeter.[6][4]

Sir Christopher Trychay's signature
Sir Christopher Trychay's signature from the parish accounts

Trychay maintained meticulous parish accounts during his vicarage at Morebath. These records have been utilized by scholars researching 16th-century England since a version of them was first published in J. Erskine Binney's 1904 The Accounts of the Wardens of the Parish of Morebath, Devon, 1520–1573. Binney was an antiquarian who, like Sir Christopher Trychay, had been vicar of St George's Church in Morebath. The 1904 edition was edited on behalf of a local record society.[2][7] Trychay's accounts are among the few surviving 16th-century accounts of Morebath's parish, as many of its records were destroyed in bombing raids on Exeter during the Second World War.[2] While Binney had sorted the original manuscript records, they were later dropped and then randomly rebound at Exeter Library.[8] Eamon Duffy utilized Binney's edition and the original manuscript in compiling The Voices of Morebath.[9] Duffy had first encountered Trychay's records during his research for the 1992 book.[5]

Scholarship published before The Voices of Morebath had been split on the popularity of the Reformation among the Tudor English population. Historian A. G. Dickens argued that Protestantism was quickly and voluntarily accepted across England in his 1964 The English Reformation. Initially well-received by reviewers, Dickens's thesis saw revisionist challenges by other scholars. Catholic historian Jack Scarisbrick, in his 1984 The Reformation and the English People, held that the 16th-century English were generally unwilling to surrender their Catholicism. Using Dickens's approach of examining local records, Margaret Bowker's 1981 The Henrician Reformation and Susan Brigden's 1989 London and the Reformation contradicted Dickens and held that Protestantism made inroads slowly among the English.[2]

Duffy, an Irish Catholic historian of British religion,[10] published The Stripping of the Altars in 1992. Called "magisterial" by Tudor period historians Robert M. Kingdon and Robert Tittler,[6][11] this work described the traditional religious practices that permeated all elements of pre-Reformation English society. Duffy's scholarship contended that the Reformation was "a violent disruption, not the natural fulfilment, of most of what was vigorous in late medieval piety and religious practice". The Stripping of the Altars and its conclusions proved popular, despite criticisms that Duffy has neglected addressing negative cultural components of the medieval church and that Duffy's explanation that Catholic England had been killed by a "royal deus ex machina" was unconvincing. Duffy would describe The Stripping of the Altars as "a runaway success".[2] When The Voices of Morebath published in 2001, Duffy was the president of Magdalene College at the University of Cambridge.[12]

Contents

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Pieter Bruegel the Elder's 1559 painting Netherlandish Proverbs, containing literal depictions of Dutch proverbs and idioms
Netherlandish Proverbs (1559) by Pieter Bruegel the Elder appears on the book's dust jacket.

"The Voices of Morebath is about a small Devon village over the most traumatic and revolutionary 50 years of the 16th century, about what happened to their lifestyle because of the Reformation. The center of the story, the center of the village, is a priest, Sir Christopher Trychay [...] who kept the parish accounts, which he read out to his parishioners and into which he put the story of all their common concerns."

Eamon Duffy[13]

The Voices of Morebath: Reformation and Rebellion in an English Village, written by Duffy and published by Yale University Press in 2001, features 16 pages of front matter and 232 pages of body matter.[11] It has been printed in both a cloth hardcover edition and a paperback edition, the latter released in 2003.[3][14] The dust jacket features a detail from the painting Netherlandish Proverbs (1559) by Pieter Bruegel the Elder. Color plates, woodcuts, and illustrated endpapers are also included.[15]

Duffy intended The Voices of Morebath to serve as a "pendant" for The Stripping of the Altars.[11] Trychay's parish accounts, which span his tenure as Morebath's vicar from 1520 to 1574, are used extensively.[2][6] Duffy holds that these "uniquely expansive and garrulous" parish accounts were read aloud to the congregation.[12][13] The second impression, released several weeks after the first, contains details of Trychay's vicarage from an early 17th-century survey Duffy rediscovered too late for inclusion in the first printing.[2] A fourth impression includes additional material drawn from ecclesiastical court records to detail a labourer's 1557 sword attack on Trychay.[16]

The book details the Devon village of Morebath, its parish, and the priest Sir Christopher Trychay as they reluctantly accept English Protestantism despite their Catholic sympathies.[12] The Voices of Morebath comprises seven chapters. The first chapter identifies the parish, the parish's congregants, and their medieval context. The second chapter addresses Trychay's accounts and introduces the benefits and drawbacks of churchwardens' accounts.[note 2] Chapter three is devoted to how the accounts depict the parish's disputes and their resolutions. Chapter four traces the financial support for the parish and the parish's expenditures to identify the religious experience of Morebath. Chapters four and five address Morebath during the Reformation and include details on Morebath's parish subsidizing five men to join the 1549 Prayer Book Rebellion. Chapter seven depicts the resurgence of pre-Reformation community and devotions under Mary I followed by Elizabeth I's accession and the ultimate conformity of the parish.[3]

Traditional, pre-Reformation life among Morebath's residents is depicted as showing little separation between the religious and the secular, with descriptions of how the villagers grazed the parish's sheep alongside their own flocks and partook in raucous "church ales", replete with homemade beer and visiting minstrels at the parish's church house, to financially support the congregation.[12][17] Trychay's faith is shown as reflecting the beliefs of his congregation, with Duffy saying "[h]is religion in the end was the religion of Morebath". With Henry VIII's 1534 separation of the Church of England from the Catholic Church, Trychay assented to the King's claims of supremacy over the pope and witnessed the dissolution of the monasteries replace the parish's proprietor with speculators.[12] Though complying with the Edward VI's religious impositions, Trychay is recorded as having hidden expensive vestments that he had recently purchased after 20 years of saving up for them.[18] The parish subsidized five of its congregants to join the calamitous Prayer Book Rebellion at Exeter, after which the parish was gutted of its ornamental items.[12][19]

While Trychay rejoiced at Mary I's restoration of Catholicism, he accepted Protestantism and gladly embraced the duties and income of a second parish under her successor, Elizabeth I.[12] The Elizabethan Religious Settlement reinstated some of the unpopular elements from Edward's time, though it is depicted as less jarring and affording certain concessions to traditional practices. By 1570, when Trychay's ministry was coming to a close, the secular government's presence in Morebath is portrayed as more intrusive while the saints and their associated objects, once familiar and venerated, are absent. Despite the changes in doctrine, Duffy establishes that the "rhythms of life" had resumed.[20][note 3]

The Voices of Morebath's account of Morebath's involvement in the Prayer Book Rebellion deviates from previous narratives. Duffy had previously identified that Binney's edition of Trychay's records had misread "at their goyng forthe to sent davys down ys camppe" as "sent denys down" when Binney transcribed the account of five men armed and funded by the parish in 1549. In an earlier essay on Morebath, Duffy had corrected the error and recognized Saint David's Down as the site of the rebel camp outside Exeter, though Duffy believed these five men were sent as reinforcements for the besieged government troops. Duffy's stance changed with input from Diarmaid MacCulloch, however, and The Voices of Morebath instead argues that these five men were sent to support the rebellion.[16] Three of the five men from the parish's contingent are presented as likely among those killed in the Battle of Clyst St Mary.[2][note 4]

Reception

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Black-and-white photo of Emmanuel Le Roy Ladurie
Duffy's micro-historical approach in The Voices of Morebath has been compared to the work of medievalist Emmanuel Le Roy Ladurie.

Upon release, due to popular demand for work by Duffy, The Voices of Morebath sold better than Yale University Press had anticipated. The second impression was subsequently printed within a few weeks of the first's publication.[2] In reviewing the book for Church History, Eric Josef Carlson noted the book's "manageable length, lavish illustrations, and reasonable price demonstrate that author and publisher intended this book for a wide audience".[5] However, he held that occasionally "description is so densely detailed that all but a few scholars will find their attention wandering", adding that "most undergraduates will find themselves overwhelmed" and advised that the book was better suited for "students who have some experience reading historical scholarship".[5] A 2002 review in the Virginia Quarterly Review said "[t]his book deserves a wide readership".[23]

Keith Thomas's wrote on The Voice of Morebath in 2002 for The New York Review of Books and said that the reliance on Trychay's accounts resulted in Morebath's history being recalled from the perspective of a Catholic priest without input from its lay population. Thomas acknowledged Duffy's efforts to mitigate this narrow perspective, and recommended the fourth impression – with its "tantalizing" account of the sword attack on Trychay – to readers on the grounds that it indicated a greater diversity of religious persuasions in Reformation Morebath.[16] Kingdon, writing in a 2003 review for the Journal of Interdisciplinary History, said the book was limited in what conclusions it could claim regarding the English Reformation due to its reliance on a single source but lauded Duffy's "remarkable empathy and impressive technical research skills".[6] Carlson approved of Duffy's "refusal" to "claim too much", citing a lecture Duffy gave shortly after the book's publication that described using Trychay's accounts as "trying to describe a house by looking through a keyhole"; Carlson responded in his review, remarking, "But what a keyhole!"[5]

In his 2002 review for London Review of Books, English historian Patrick Collinson contextualized The Stripping if the Altars with Dickens's work and the revisionist studies that challenged it, noting The Voices of Morebath's role as a pendant to Duffy's earlier work. Collinson, calling the work "a microhistorical threnody and lament", identified "Trychay's centrality" in the 2001 book as the result of "our almost total dependence on his accounts" following the destruction of Morebath's other records in the Second World War. In Collinson's view, this resulted in The Voices of Morebath not providing a comprehensive view of the parish, its people, and Trychay himself. Saying "Duffy's regret for a little world lost is understandable and even justified", Collinson added that history "can never hope to recapture what it might have meant actually to live in those worlds".[2]

A scan of Trychay's account of the parish's support for the Prayer Book Rebellion
Trychay's account detailing the equipping of five parishioners to join the 1549 Prayer Book Rebellion at St David's Down outside Exeter. An image of this record appears in the book.

Lucy Wooding, a historian of the Tudor period, called the work "invaluable" as "a contribution to debate on the English Reformation" in a 2001 review for Reviews in History.[7] She said that there was evidence Duffy's own views had developed during his time writing the book. However, she said "the evidence is too slender to sustain any very broad conclusions". Referencing "Duffy’s suggestion that women were perhaps treated better in an era where the Virgin and St. Sidwell were widely venerated", Wooding said it could remain only "interesting speculation".[7]

David Loades, a specialist in Tudor era history, called The Voices of Morebath "local history at its best" in a 2003 review for Albion.[20] Agreeing with Duffy that "you cannot write the history of the English Reformation on such a narrow base", Loades said "we should be grateful" towards Duffy and Trychay "for this fascinating glimpse of the past; even if the latter was something of an unamiable busybody".[20] J. P. D. Cooper, in a review for the Sixteenth Century Journal, called the "a splendid book: a good detective story, offering fine writing and some valuable reflections on the nature of the community in the Tudor era".[8]

The Voices of Morebath has been recognized as a micro-history in the tradition established by Emmanuel Le Roy Ladurie's seminal 1975 book Montaillou on 14th-century French Pyrenean peasants.[24] Thomas said The Voices of Morebath "is a fine piece of microhistory, even if it is not the English Montaillou", and that a thorough understanding of the English Reformation required a "look at the movers in the shakers: the politicians and the bishops, the evangelical preachers and the godly laymen".[16] Thomas added that Duffy lacked sympathy for such major figures, "but, like many Catholic historians before him, he has a deep sympathy for a vanished world".[16]

Awards

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Duffy was awarded the Hawthornden Prize for Literature for The Voices of Morebath in June 2002. Carlson's review compared it to a previous Hawthornden Prize winner, Graham Greene's novel The Power and the Glory. Holding that "it is hard to think of Voices of Morebath as a masterpiece equal to Greene's novel", Carlson said that both books "give us the life of an all-too-human priest, an insignificant figure in the grand scheme of history but someone nonetheless rather representative of his time".[5]

The Voices of Morebath was shortlisted for the 2002 Samuel Johnson Prize for Non-Fiction, an award for non-fiction works.[25] It was also shortlisted for the British Academy Book Prize for "accessible scholarly writing within the humanities and social sciences" in that award's second year. The judges for the British Academy Book Prize described The Voices of Morebath as a "jewel of a book. A subtle exposition of the human significance of a major transition in English religious history."[26]

Award Date Result Ref.
Hawthornden Prize for Literature June 2002 Won [5]
British Academy Book Prize 2002 Shortlisted [26]
Samuel Johnson Prize for Non-Fiction 2002 Shortlisted [25]

Legacy

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Cultural

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Photo of St George's Church in Morebath
Trychay was vicar of St George's Church (pictured). The parish has reported hundreds of visitors coming after reading Duffy's account of its 16th-century history in The Voices of Morebath.

Engagement with The Voices of Morebath has spanned a variety of groups. Following the book's publication, an English Heritage sign has been installed in Morebath and the church reported that hundreds of people have come to visit after reading about it in Duffy's work. Since being featured in the book, Morebath has also been featured on historical television programming regarding the English Reformation: Ann Widdecombe's 2009 series Christianity: A History included an interview with Duffy and utilized Morebath to describe the Reformation's impact on the English rural class, while the Reformation episode of BBC Two's 2012 The Great British Story: A People's History also focussed on Morebath.[27] Playwright Alan Bennett listed The Voices of Morebath as a "key work" in 2005.[28]

In 2023, the Vicar of St Ives in Cornwall drew criticism after installing beer pumps in St Ia's Church for that year's St Ives Festival. In light of the debate around St Ia's Church, Christopher Howse of The Daily Telegraph noted the use of churches for social events has been controversial in England for centuries. Howse cited The Voices of Morebath to establish that, in the West Country from the 1450s onward, parishes constructed church houses that were built adjacent to churchyard specifically for hosting social events, such as the highly profitable church ales.[29][note 5] The National Churches Trust, a charity dedicated to preserving British church buildings, published a report in 2024 that suggested churches should host social events to ensure their survival in the face of increased secularization. An editorial in The Guardian positively compared this proposal to Duffy's description of church ales and suggested "historic places of communal worship can still find a social vocation in the 21st century".[31]

Academic

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Historian Dominic Selwood, in a 2018 review of Duffy's Royal Books and Holy Bones for the Catholic Herald, identified The Stripping the Altars and The Voices of Morebath as Duffy "punching irreparable holes through accepted wisdom".[32] In a 2021 review for Church Times on Duffy's essay collection A People’s Tragedy: Studies in Reformation, Richard Chartres, former Church of England Bishop of London, credited Duffy's work in The Stripping the Altars and The Voices of Morebath with revising the understanding of English religion on the eve of Reformation and resistance among the laity and clergy to early Protestantism.[33]

Robert Lutton's Lollardy and Orthodox Religion in Pre‐Reformation England, published in 2006 by the Royal Historical Society and Boydell Press, explicitly responded to Duffy's The Voices of Morebath. In detailing religious practices in Tenterden's parish during the period of Lollardy in early 16th-century England up to 1535, Lutton emulated Duffy's use of a parochial study. However, rather than utilizing churchwardens' accounts like Trychay's with their unitary narratives, Lutton utilized the community's wills. These wills offered multiple perspectives, which Lutton used to challenge Duffy's revisionist stance of a unified medieval English religion. Lutton's argument promoted a theory of diverse pieties during this period and asserted that some were compatible with the Reformation's doctrines.[34]

Sheilagh O'Brien, a historian at the University of Divinity's St Francis College, identified The Voices of Morebath as an example of a micro-history on the English Reformation that is accessible to readers who do not find history compelling or encountered it inaccurately portrayed in popular works of fiction. She noted that The Voices of Morebath and The Return of Martin Guerre and their emphases on the lives of ordinary people had inspired further micro-histories, such as Suzannah Lipscomb's 2019 The Voices of Nîmes on women brought before Huguenot ecclesiastical courts.[35] Justin Colson, reviewing Christopher Dyer's 2012 A Country Merchant, 1495-1520 for Reviews in History, found Dyer's description of medieval economics through the study of a specific individual similar to Duffy's use of Trychay's life to illustrate English Reformation religion.[36]

Notes

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  1. ^ Duffy noted that the period of English Reformation, Catholic priests were referred to with the formal title of Sir, rather than the modern title of Father that was popularized in the late 19th century.[1] Trychay is pronounced "Trickey".[2]
  2. ^ Patrick Collinson said that referring to the records used in The Voices of Morebath "would be misleading, if conventional", as Trychay audited and recorded them for not only the wardens but also other elements of the parish.[2]
  3. ^ While Collinson said Trychay is described as developing into "some kind of Protestant", Collinson said "to call him a Vicar of Bray would be an insulting caricature".[2]
  4. ^ Duffy's essay acknowledging Binney's error but identifying Morebath's arming of five men as in support of government forces was published in 1997. Writing on the essay in The Voices of Morebath, Duffy said he "was unwilling to credit that Sir Christopher could have documented in detail the parish's involvement in armed rebellion".[21] However, in the 2001 book, Duffy recognized two elements as contradicting his earlier thinking: that Tudor parishes demanded accountability of all expenditures–"[l]egal or illegal, money spent was money to be accounted for"–and that the parishioners of Morebath likely did not see themselves as rebels, but rather defenders of "ancient traditions against the King's bad counsellors, not the king".[22]
  5. ^ Morebath received an order to cease celebrating church ales in 1548.[29] However, the parish resumed fundraising through the sale of ale in 1551, albeit not in the context of an event.[30] Its church house, built with volunteers from the community, no longer stands.[29]

References

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Citations

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  1. ^ Inman 2019
  2. ^ a b c d e f g h i j k l m Collinson 2002
  3. ^ a b c McGlynn, Margaret (Winter 2004). "The Voices of Morebath: Reformation and Rebellion in an English Village, by Eamon Duffy. New Haven and London, Yale University Press, 2001. xvi, 232 pp. $25.00 US (cloth), $14.00 US (paper)". Canadian Journal of History. 39 (3): 577–579. doi:10.3138/cjh.39.3.577.
  4. ^ a b Key, Newton E. (Winter 2003). "The Voices of Morebath: Reformation and Rebellion in an English Village. By Eamon Duffy. (New Haven: Yale University Press, 2001. Pp. xvii, 232. $22.50.)". The Historian. 65 (6): 1453–1454.
  5. ^ a b c d e f g Carlson, Eric Josef (2003). "The Voices of Morebath: Reformation and Rebellion in an English Village. By Eamon Duffy. New Haven, Conn.: Yale University Press, 2001. xvi + 232 pp. $22.50 cloth". Church History. 72 (3): 662–664. doi:10.1017/S0009640700100605.
  6. ^ a b c d e Kingdon, Robert McCune (Winter 2003). "Review of The Voices of Morebath: Reformation and Rebellion in an English Village". Journal of Interdisciplinary History. 33 (3): 463–464 – via Project MUSE.
  7. ^ a b c Wooding, Lucy (December 2001). "Review of The Voices of Morebath: Reformation and Rebellion in an English Village". Reviews in History. Institute of Historical Research. Retrieved 5 July 2024.
  8. ^ a b Cooper 2002
  9. ^ Collinson 2002; Murphy 2002
  10. ^ Tucker 2007
  11. ^ a b c Tittler, Robert (Spring 2001). "[Untitled]". Renaissance and Reformation. 25 (2): 71–73. JSTOR 43445347.
  12. ^ a b c d e f g Lewis, Paul (28 October 2001). "Pope or King?". Book Review/Section 7. The New York Times. p. 17. Archived from the original on 11 July 2024. Retrieved 11 July 2024.
  13. ^ a b The Voices of Morebath. BBC Four. 24 April 2008. Retrieved 11 July 2024.
  14. ^ Binski 2005
  15. ^ French 2002
  16. ^ a b c d e Thomas 2002
  17. ^ The Guardian 2024; Howse 2023
  18. ^ Pindar 2003; Collinson 2002
  19. ^ Pindar 2003
  20. ^ a b c Loades 2003
  21. ^ Duffy 2001, p. 136
  22. ^ Duffy 2001, p. 139
  23. ^ Virginia Quarterly Review 2002
  24. ^ Telegraph 2023
  25. ^ a b REF 2014; Samuel Johnson Prize 2002
  26. ^ a b The Guardian 2002
  27. ^ REF 2014
  28. ^ Wroe 2005
  29. ^ a b c Howse 2023
  30. ^ Duffy 2001, p. 146
  31. ^ The Guardian 2024
  32. ^ Selwood 2018
  33. ^ Chartres 2021
  34. ^ Little 2007
  35. ^ O'Brien 2022
  36. ^ Colson 2012

Sources

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Category:21st-century history books Category:2001 non-fiction books Category:English-language books Category:English Reformation Category:History books about Christianity Category:History books about England‎ Category:History books about the 16th century Category:Monographs Category:Yale University Press books