User:Dgljr5121973/sandbox

Johann Sebastian Bach composed cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, cello, flute, chamber ensemble and orchestra.

There are over 1000 known compositions by Bach. Nearly all of them are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Listing Bach's compositions

The earliest lists of Bach's compositions are given by his biographers, starting from his obituary which gives a list of instrumental works printed during the composer's lifetime (from Clavier-Übung I to The Art of Fugue), followed by a list which groups other types of compositions he wrote. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same setup: its ninth chapter first lists printed works (adding four-part chorales that were published in the second half of the 18th century), followed by a rough overview of the unpublished ones. In the first half of the 19th century more works were published, so the next biographies (Schauer and Hilgenfeldt in 1850) had more elaborate appendices listing printed works, referring to these works by publisher, and the number or page number given to the works in these publications. So, for example, the Prelude and Fugue in E-flat major can be indicated as "C. F. Peters Vol. III No. 1", or any of the variants ("Griepenkerl and Roitzsch Vol. 3 p. 2", "Peters Book 242 p. 2", "P. S. V., Cah. 3 (242), No. 1", etc.)

BG

In the second half of the 19th century the Bach-Gesellschaft (BG) published all of Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA).^[1] This offered a unique identification of all of Bach's known works, a system that was quickly adopted, for instance by the biographers: Philipp Spitta used it complementarily to the Peters edition numbering for the BG volumes that had appeared when he was writing his Bach-biography in the second half of the 19th century (e.g. "B. G., III., p. 173" for the above-mentioned Prelude in E-flat major), and Terry used it in the third Appendix to his 20th-century translation of Forkel's biography.^[2]

But there was still a lot of confusion: some authors preferred to list Bach's works according to Novello's editions, or Augener's, or Schirmer's,... giving rise to various conversion tables at the end of books on Bach's compositions (e.g. Harvey Grace's in a 1922 book on Bach's organ compositions).

NBG

In 1900 the BG published its last volume, and dissolved itself, as its primary goal, publishing all of Bach's known works, was accomplished. The BG was succeeded by the Neue Bachgesellschaft (NBG), with a new set of goals (Bach yearbook, Bach festivals, and a Bach museum). Occasionally however the NBG published newly discovered works, or variants not published in the BGA. For instance the 1740s version of O Jesu Christ, meins Lebens Licht was published in NBG XVII¹ in 1916 (the 1730s version of the same piece, with a different orchestration, had been published in BG 24, pp. 185–192).^[2]

BWV

In 1950 the Bach-Werke-Verzeichnis was published, allocating a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following BG for the collation (e.g. BG cantata number = BWV number of the cantata):^[3]

The BWV is a thematic catalogue, thus it identifies every movement of every composition by its first measures, like the opening of BWV 1006, movement 2 (Loure) above.

Kantaten (Cantatas), BWV 1–224
Motetten (Motets), BWV 225–231
Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243
Passionen, Oratorien (Passions, Oratorios), BWV 244–249
Vierstimmige Choräle (Four-part chorales), BWV 250–438
Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439–524
Werke für Orgel (Works for organ), BWV 525–771
Werke für Klavier (Keyboard compositions), BWV 772–994
Werke für Laute (Lute compositions), BWV 995–1000
Kammermusik (Chamber music), BWV 1001–1040
Orchesterwerke (Works for orchestra), BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071)
Kanons (Canons), BWV 1072–1078
Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080

For instance, the Prelude and Fugue in E-flat major now became BWV 552, situated in the range of the works for organ. In contrast to other catalogues such as the Köchel catalogue for Mozart's compositions there is no attempt at chronological organization in the BWV numbering, for instance BWV 992 is an early composition by Bach. Exceptionally BWV numbers are also indicated as Schmieder (S) numbers (e.g. S. 225 = BWV 225).^[4]

Another consequence of the ordering principles of the BWV was that it tore known collections apart, for instance Clavier-Übung III was partly in the organ compositions range (BWV 552 and 669–689), with the four duets listed among the keyboard compositions (BWV 802–805).

BWV Anh.

The Anhang (Anh.), i.e. Appendix, of the BWV listed works that were not suitable for the main catalogue, in three sections:

I – lost works, or works of which only a tiny fraction had survived (Anh. 1–23)
II – works of dubious authenticity (Anh. 24–155)
III – works that were once attributed to Bach, but for which it had been established they were not composed by him (Anh. 156–189)

Within each section of the Anhang the works are sorted by genre, following the same sequence of genres as the main catalogue.

BWV^2a

Minuet in G major, BWV Anh. 114 (1:38)

Minuet in G major, BWV Anh. 114

Minuet in G minor, BWV Anh. 115 (1:57)

Minuet in G minor, BWV Anh. 115
Both Minuets were moved from Anh. II (doubtful works) to Anh. III (spurious works) in BWV^2a, after they were attributed to Christian Petzold.

Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the Anhang. A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. For example, BWV 11, formerly listed as a Cantata, was moved to the fourth chapter of the main catalogue as an Oratorio. Rather than renumbering a composition, an arrow indicated where the composition was inserted: "BWV 11/249b→" meaning "BWV 11, inserted after BWV 249b" (4th chapter). Similarly, BWV 1083/243a→ meant BWV 1083, inserted after BWV 243a (3rd chapter). Also authenticity discriminations, based on new research, could lead to such repositionings within the catalogue, e.g. "BWV Anh. II 114" became "Anh. II 114/Anh. III 183→ indicating it was now considered a spurious work.^[5]

In 1998 Alfred Dürr and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV^2a, contained a few further updates and collation rearrangements.^[6]

New additions (Nachträge) to BWV²/BWV^2a included:

BWV 1081–1126
BWV Anh. 190–213

A few exceptions to the principle that compositions weren't renumbered were when a composition from the Anhang could be recovered and/or authenticated as Bach's, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWV Anh. 205 (BWV²) → BWV 1121 (BWV^2a, where it is in section 7 as a work for organ).^[7]

Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. Examples:

BWV 243a: 1723 E♭ major version of the 1733 Magnificat in D major BWV 243
BWV 1071 renumbered to BWV 1046a (early version of the first Brandenburg Concerto)
BWV Anh. 198 renumbered to BWV 149/1a (earlier abandoned version of the opening movement of Cantata BWV 149)

Some versions were completely removed from the catalogue, e.g. BWV 655b and c

Slashes indicate movements: e.g. BWV 149/1 indicates the first movement of the Cantata BWV 149. Another example: the Agnus Dei of the Mass in B minor can be indicated as BWV 232/22 (22nd movement of the composition), or alternatively as BWV 232^IV/4 (BWV 232, fourth movement of Part IV).

21st-century additions

Numbers above BWV 1126 were added in the 21st century.

Reconstructed versions

An upper case R added to a BWV number indicates a reconstructed version, that is a conjectured earlier version of a known composition. One of such reconstructions, the Concerto for oboe and violin, as published in NBA VII/7 (Supplement) p. 75, based on the double harpsichord concerto BWV 1060, is known as BWV 1060R.

BWV³

As of mid-2018 the Bach digital website started to implement the new numbers of the 3rd edition of the Bach-Werke-Verzeichnis, which had been announced for publication in that year.^[8] For example, the Leipzig version of the Christ lag in Todes Banden cantata used to be BWV 4 in previous versions of the catalogue, and, in BWV³, has become BWV 4.2.^[9]

NBA

The NBA illustrates its score editions with facsimiles from manuscripts or contemporary editions: for instance NBA Series IV Volume 4 (*Clavier-Übung III*) contains a facsimile of the title page of the 1739 first edition of that collection.

In the meantime, the New Bach Edition (Neue Bach-Ausgabe, abbreviated as NBA) was being published,^[10] offering a new system to refer to Bach's works, e.g. NBA IV/4: 2, 105, which is Series IV, Volume 4, p. 2 (Prelude) and p. 105 (Fugue), for BWV 552.

NBArev

Some years after the completion of the NBA in 2007 its publisher Bärenreiter joined with the Bach Archive again to publish revised editions of some of Bach's scores. These revised editions, aligning with the NBA editions (format, layout), but outside that group of publications, were published under the name Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition (Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke – Revidierte Edition), in short: New Bach Edition – Revised (Neue Bach-Ausgabe – Revidierte Edition), abbreviated as NBArev. Where the original NBA editions were exclusively in German, the volumes of the Revised series have their introductions both in German and English. Its first volume, NBArev 1, was a new edition of the Mass in B minor, appearing in 2010.^[11]

BC

The Bach Compendium (BC), a catalogue covering Bach's vocal works, was published in 1985.^[12] Occasionally works that have no BWV number can be identified by their BC number, e.g. BC C 8 for "Der Gerechte kömmt um" an arrangement attributed to Bach on stylistic grounds, however unmentioned in the BWV.^[13]

BNB

Bachs Notenbibliothek (BNB) is a list of works Bach had at his disposition. Works of other composers which were arranged by Bach and/or which he (had) copied for performance usually have a BNB number.^[14]

SBB

The Berlin State Library (Staatsbibliothek zu Berlin = SBB) holds an important collection of composition manuscripts relating to Bach. Some versions of works are best known by their principal manuscript in the SBB, for instance BWV 525a = SBB St 345, or according to the abbreviations used at the Bach-digital website D-B Mus. ms. Bach St 345.

By opus number, and chronological lists

Title page of Bach's Opus 1 (*Clavier-Übung I*, 1731), the only time he seems to have used an opus number

Apart from indicating his first published keyboard composition as Opus 1, Bach didn't use opus numbers, so Bach's works can't be listed by opus number. Lists following publication chronologies are for example implied in the first list in Bach's obituary, and BG numbers (within the BGA sequence of publication) – overall lists covering all of Bach's compositions in order of first publication are however not a way Bach's compositions are usually presented.

Listing Bach's works according to their time of composition can't be done comprehensively: for many works the period in which they were composed is a very wide range. For Bach's larger vocal works (cantatas, Passions,...) research has led to some more or less generally accepted chronologies, covering most of these works: a catalogue in this sense is Philippe (and Gérard) Zwang's list giving a chronological number to the cantatas BWV 1–215 and 248–249.^[15] This list was published in 1982 as Guide pratique des cantates de Bach in Paris, ISBN 2-221-00749-2. A revised edition was published in 2005 (ISBN 2747598888).

Other composers

Various catalogues with works by other composers have intersections with collections of works associated with Bach:^[16]

BR-WFB (or) BR

Bach-Repertorium numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = BR A49

Other BRs:

BR-CPEB: works by Carl Philipp Emanuel Bach (for this composer Helm and/or Wotquenne numbers are however more often used)
BR-JCFB: works by Johann Christoph Friedrich Bach

Fk (or) F: Falck catalogue numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = F 25/2
H: Helm numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = H 569
HWV: Works by George Frideric Handel, e.g. BWV Anh. 106 = HWV 605
TWV: Compositions by Georg Philipp Telemann, e.g. BWV 824 = TWV 32:14
Warb (or) W: Warburton numbers for works by Johann Christian Bach, e.g. BWV Anh. II 131 = W A22 (or: Warb A 22)
Wq: Wotquenne numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = Wq 145

Works in Bach's catalogues and collections

There are over 1500 works that feature in a catalogue of works by Bach, like the Bach-Werke-Verzeichnis, and/or in a collection of works associated with Bach (e.g. in one of the Notebooks for Anna Magdalena Bach). Of these around a thousand are original compositions by Bach, that is: more than a mere copy or transcription of an earlier work by himself or another composer.

Table sections (collated as in BWV^2a for BWV 1–1126 and Anhang)
BWV (original ranges in parentheses)
1. Cantatas (1–224) • 2. Motets (225–231) • 3. Masses, Mass movements, Magnificat (232–243) • 4. Passions, Oratorios (244–249) • 5. Four-part chorales (250–438) • 6. Songs, Arias and Quodlibet (439–524) • 7. Works for organ (525–771) • 8. Keyboard compositions (772–994) • 9. Lute compositions (995–1000) • 10. Chamber music (1001–1040) • 11. Works for orchestra (1041–1071) • 12. Canons (1072–1078) • 13. Musical Offering, The Art of Fugue (1079–1080) • Later additions (1081–...) • Reconstructions
BWV Anhang (Appendix)
I: Lost/fragmentary (1–23) • II: Doubtful (24–155) • III: Spurious (156–189) • N: Nachträge (New additions, 190–213)
Not in BWV (BWV deest)
Sorted by BC, BGA, BNB, NBA, etc.

Background colors
Color	Meaning
green	partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision
yellow	manuscript (copy) in whole or in part by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. / C. P. E. / J. C. F. / J. Christian) or son-in-law (Altnickol)
orange-brown	manuscript (copy) by close friend and/or pupil (Kellner, Krebs, Kirnberger, Walther, ...), or distant family member

Collections
Without resorting the table (i.e. collection kept together in BWV^2a)
Cello Suites BWV 1007–1012 • Christmas Oratorio, BWV 248 • Clavier-Übung IV = Goldberg Variations BWV 988 • Inventions BWV 772–786 • Sinfonias BWV 787–801 • Sonatas and partitas for solo violin BWV 1001–1006
Using the sort function (not available in all browsers)
Cantatas by function (Advent I → Trinity XXVII; other Feasts, celebrations and church services; Secular cantatas): sort by NBA → I/1 Clavier-Übung I (1731): sort by NBA → V/1 Clavier-Übung II (1735): sort by NBA → V/2 Clavier-Übung III (1739): sort by NBA → IV/4 Goldberg Variations (Clavier-Übung IV) (1741): (1735): sort by NBA → V/2 Kirnberger collection of chorale preludes: sort by BWV → BWV 690 Klavierbüchlein für Wilhelm Friedemann Bach (1720): sort by NBA → V/5 Twelve Little Preludes: sort by BG → 36: 118 Neumeister Chorales by J. S. Bach (without BWV 601, 639, 723 and 751): sort by NBA → IV/9 Notebook for Anna Magdalena Bach (1722): sort by Name → Notebook A. M. Bach (1722) Notebook for Anna Magdalena Bach (1725): sort by Name → Notebook A. M. Bach (1725) Vivaldi arrangements: sort by Additional info → after Vivaldi The Well-Tempered Clavier book I (1722): sort by BG → Vol. 14 The Well-Tempered Clavier book II (1739–1742): sort by NBA → V/6.2 The Well-Tempered Clavier book II (1744): sort by BG → 14: 91

See also Legend to the table below

Works in Bach's catalogues and collections
BWV	BC	Other Catalogue #s	Date	Name	Title Page Name	Autograph Score Heading Name	Name on Parts	Key	Scoring	NBA	Additional info
1.	Cantatas (see also: List of Bach cantatas, Church cantata (Bach) and List of secular cantatas by Johann Sebastian Bach)
1	A 173		1725-03-25	Cantata Wie schön leuchtet der Morgenstern (Annunciation)			Festo Annunciationis Mariae. Wie schön leuchtet der Morgenstern â 4. Voc. 2 Corn. 2. Hautbois 2. Violini Concert. 2-. Violini Rip. Viola. e Continuo di Signor J. S.Bach	F major	stbSATB 2Hn 2Odc 2Vl Str Bc	I/28.2: 3
2	A 98		1724-06-18	Cantata Ach Gott, vom Himmel sieh darein (Trinity II)	Domin: 2 post Trin: Ach Gott vom Himel sieh darein â 4 Voc: 4 Tromb: 2 Hautb: 2 Violini Viola e Continuo di Sign. J S. Bach	J. J. Dominica 2 . post Trinitatis. Ach Gott vom Himmel sieh darein	Dominica 2. post Trinit. Ach Gott vom Himel sieh darein â 4. Voc: 4. tromb. 2. Hautbois 2 Violini Viola. e Continuo di Signore J. S.Bach	G minor	atbSATB 4Tbn 2Ob Str Bc	I/16: 81
3	A 33		1725-01-14	Cantata Ach Gott, wie manches Herzeleid (Epiphany II)	Dominica 2 post Epiphanias. Ach Gott! Wie manches Hertzeleyd. à 4 Voci. 2 Hautb: d'Amour 2 Violini Viola. e Continuo di J. S. Bach	J. J. Dominica 2. post Epiphanias Ach Gott! Wie manches Hertzeleyd.	Dominica 2. post Epiphan. Ach Gott, wie manches Herzeleyd â 4. Voci 2. Hautb: d'Amour 2. Violini Viola e Continuo di J. S.Bach	A major	satbSATB Hn Tbn 2Oba Str Bc	I/5: 189
4.1	A 54a		1707-04-24 1708-04-08	Cantata Christ lag in Todes Banden (Easter; early version, lost-can be reconstructed)			Feria Paschatos. Christ lag in Todesbanden a.4. Voc: 2 Violini 2 Viole con Continuo Di Signore Joh.Seb.Bach	E minor	satbSATB 2Vl 2Va Bc	I/9	text by Luther; → BWV 4.2 (Movement 8 (Versus VII) music= Movement 2 (Versus I))
4.2	A 54b (Version 1724)		1724-04-09	Cantata Christ lag in Todes Banden (Easter)			Feria Paschatos. Christ lag in Todesbanden a.4. Voc: 2 Violini 2 Viole con Continuo Di Signore Joh.Seb.Bach	E minor	satbSATB 2Vl 2Va Bc	I/9: 1	text by Luther; after BWV 4.1 (Movement 8 (Versus VII) four-part chorale)
4.3	A 54b (Version 1725)		1725-04-01	Cantata Christ lag in Todes Banden (Easter)			Feria Paschatos. Christ lag in Todesbanden a.4. Voc: Cornetto 3 Trombon. 2 Violini 2 Viole con Continuo Di Signore Joh.Seb.Bach	E minor	satbSATB Cnt 3Tbn Str Bc	I/9: 1	text by Luther; after BWV 4.2
5	A 145		1724-10-15 rep. 1732/1735	Cantata Wo soll ich fliehen hin (Trinity XIX)	Dom: 19 post Trinit. Wo soll ich fliehen hin? Weil ich etc. à 4 Voc: Tromba 2 Hautbois 2 Violini Viola con Continuo di Sign: J. S:Bach	J. J.Dominica 19 post Trinit. Wo soll ich fliehen hin? Concerto	Dominica 19. post Trinit. Wo soll ich fliehen hin, weil ich etc. â 4. Voc: Tromba. 2 Hautbois. 2 Violini Viola e Continuo. di Signore J. S.Bach	G minor	satbSATB Tdt 2Ob Str Bc	I/24: 133	Repeat performance: without Organ in movements 2-4 & 6
6.1	A 57a		1725-04-02	Cantata Bleib bei uns, denn es will Abend werden (Easter 2)	Feria 2 Paschatos. Bleib bey uns, denn es will Abend werden a 4 Voci. 2 Hautb. da Caccia 2 Viol. Viola Viola pomposa e Continuo di J .S.Bach	J.J.Feria 2 Paschatos Xsti. Concerto	Feria 2 Paschatos. Bleib bey uns den es will abend werden â 4. Voc: 2 Hautbois Hautb: da Caccia 2 Violini Viola Viola pomposa e Continuo di Sign: Johann Sebastian Bach.	C minor	satbSATB 2Ob Odc Str Va pomposa Bc	I/10: 43	→ BWV 649 without Violoncello piccolo, substitution: Viola pomposa Movement 2 with Odc
6.2	A 57b (Middle Version)		1727-04-03?	Cantata Bleib bei uns, denn es will Abend werden (Easter 2)	Feria 2 Paschatos. Bleib bey uns, denn es will Abend werden a 4 Voci. 2 Hautb. da Caccia 2 Viol. Viola Violoncello piccolo e Continuo di J .S.Bach	J.J.Feria 2 Paschatos Xsti. Concerto	Feria 2 Paschatos. Bleib bey uns den es will abend werden â 4. Voc: 2 Hautbois Hautb: da Caccia 2 Violini Viola Violoncello piccolo e Continuo di Sign: Johann Sebastian Bach.	C minor	satbSATB 2Ob Odc Str Vc picc Bc	I/10: 43	→ BWV 649 Movement 2 with Va
6.3	A 57b (Later Version)		1736/1740	Cantata Bleib bei uns, denn es will Abend werden (Easter 2)	Feria 2 Paschatos. Bleib bey uns, denn es will Abend werden a 4 Voci. 2 Hautb. da Caccia 2 Viol. Viola Violoncello piccolo e Continuo di J .S.Bach	J.J.Feria 2 Paschatos Xsti. Concerto	Feria 2 Paschatos. Bleib bey uns den es will abend werden â 4. Voc: 2 Hautbois Hautb: da Caccia 2 Violini Viola Violoncello piccolo e Continuo di Sign: Johann Sebastian Bach.	C minor	satbSATB 2Ob Odc Str Vc picc Bc	I/10: 43	→ BWV 649 Movement 2 with Odc
7	A 177		1724-06-24	Cantata Christ unser Herr zum Jordan kam (24 June: feast of John the Baptist)			Fest S.Joannis Bapt. Christ unser Herr zum Jordan kam â 4. Voc. 2 Hautb, d'Am our 2. Violino Conceret. 2. Violini. Viola Violoncello e Continuo di Signore J. S.Bach	E minor	atbSATB 2Oba 2Vl Str Bc	I/29: 25	Repeat performance possibly with harpsichord in basso continuo
8.1	1724-09-24	Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 1st version)	E major	satbSATB Hn Fl Fl 2Oba Str Bc	I/23: 105	→ BWV 8.2
8.2	1747-09-17	Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 2nd version)	D major	satbSATB Fl 2Oba Tai 2Vl Str Bc	I/23: 163	after BWV 8.1
9	1732-07-20	Cantata Es ist das Heil uns kommen her (Trinity VI)	E major	satbSATB Fl Oba Str Bc	I/17.2: 83	→ BWV 648
10	1724-07-02	Cantata Meine Seel erhebt den Herren a.k.a. German Magnificat (Visitation)	G minor	satbSATB Tr 2Ob Str Bc	I/28.2: 131
12	1714-04-22 1724-04-30	Cantata Weinen, Klagen, Sorgen, Zagen (Jubilate; two versions)	F Dorian G minor	atbSATB Tr Ob 2Vl 2Va Bas Bc	I/11.2: 1	text by Franck, S.?; → BWV 69.1/6
13	1726-01-20	Cantata Meine Seufzer, meine Tränen (Epiphany II)		satbSATB 2Fl Odc Str Bc	I/5: 229	text by Lehms (except /6)
14	1735-01-30	Cantata Wär Gott nicht mit uns diese Zeit (Epiphany IV)		stbSATB Hn 2Ob Str Bc	I/6: 139
16	1726-01-01	Cantata Herr Gott, dich loben wir (New Year/Circumcision)	C major	atbSATB Hn 2Ob Odc Str Va Bc	I/4: 103	text by Lehms
17	1726-09-22	Cantata Wer Dank opfert, der preiset mich (Trinity XIV)		satbSATB 2Ob Str Bc	I/21: 147	→ BWV 236/6
18.2	1724-02-13	Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima)	A minor Kammer- ton	stbSATB 2Fl Bas 4Va Vc Bc	I/7: 107	text by Neumeister; after BWV 18.1
18.1	1715-02-24	Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima; early version)	G minor Chorton	stbSATB Bas 4Va Vc Bc	I/7: 81	text by Neumeister; → BWV 18.2
19	1726-09-29	Cantata Es erhub sich ein Streit (Michaelmas)		stbSATB 3Tr Tmp 2Ob 2Oba Tai Str Bc	I/30: 55	text by Picander
20	1724-06-11	Cantata O Ewigkeit, du Donnerwort (Trinity I)		atbSATB Tdt Tmp 3Ob Str Bc	I/15: 133
21.1	1713-10-08	Cantata Ich hatte viel Bekümmernis (1st version: in ogni tempore; funeral for Amelia Maria Harreß)	C minor	sSATB Ob Str Bc	I/16: 109	text by Franck, S.?; → BWV 21.2-5 consists of Movements II-VI, IX & X only.
21.2	before Dec. 1713	Cantata Ich hatte viel Bekümmernis (2nd version: in ogni tempore; trial for post of Organist at Marktkirche Unser Lieben Frauen, Halle/Saale)	C minor	sbSATB 3Tr Tmp Ob Str Bc	I/16: 109	text by Franck, S.?; → BWV 21.3-5
21.3	1714-06-17	Cantata Ich hatte viel Bekümmernis (3rd version: Trinity III)	C minor	tbSATB 3Tr Tmp Ob Str Bc	I/16: 109	text by Franck, S.?; after BWV 21.2; → BWV 21.4-5
21.4	November 1720	Cantata Ich hatte viel Bekümmernis (4th version: : in ogni tempore; trial for post of Organist at St. James' Church, Hamburg)	D minor	sbSATB 3Tr Tmp Ob Str Bc	I/16	text by Franck, S.?; after BWV 21.2; → BWV 21.5
21.5	1723-06-13	Cantata Ich hatte viel Bekümmernis (5th version: Trinity III)	C minor	stbSATB 3Tr Tmp 4Tne Ob Str Bc	I/16	text by Franck, S.?; after BWV 21.2
22	1723-02-07	Cantata Jesus nahm zu sich die Zwölfe (Estomihi)		satbSATB Ob Str Bc	I/8: 1
23.1	1723	Cantata Du wahrer Gott und Davids Sohn (1st version, 3 movements: Estomihi)	C minor	satbSATB 2Ob Str Bc	I/8: 35	→ BWV 23.2, .3
23.2	1723-02-07	Cantata Du wahrer Gott und Davids Sohn (2nd version, 4 movements: Estomihi)	B minor	satbSATB Crn 3Tbn 2Oba Str Bc	I/8: 71	after BWV 23.1; → .3
23.3	1728–1731	Cantata Du wahrer Gott und Davids Sohn (3rd version, 4 movements: Estomihi)	C minor	satbSATB 2Ob Str Bc	I/8: 35	after BWV 23.1, .2
24	1723-06-20	Cantata Ein ungefärbt Gemüte (Trinity IV)	F major	satbSATB Cl 2Ob 2Oba Str Bc	I/17.1: 47	text by Neumeister
25	1723-08-29	Cantata Es ist nichts Gesundes an meinem Leibe (Trinity XIV)		stbSATB Crn 3Tbn 3Fl 2Ob Str Bc	I/21: 79
26	1724-11-19	Cantata Ach wie flüchtig, ach wie nichtig (Trinity XXIV)	A minor	satbSATB Hn Fl 3Ob Str Bc	I/27: 29
27	1726-10-06	Cantata Wer weiß, wie nahe mir mein Ende? (Trinity XVI)		satbSSATB Hn 2Ob Odc Str Org Bc	I/23: 221	after BWV Anh. 170
28	1725-12-30	Cantata Gottlob! nun geht das Jahr zu Ende (Christmas I)	A minor	satbSATB Cnt 3Tbn 2Ob Tai Str Bc	I/3.2: 75	text by Neumeister; → BWV 28/2a, Anh. 160/2
28/2a	1725?	Motet Sei Lob und Preis mit Ehren	C major	SATB	III/3: 15	after BWV 28/2; → Anh. 160/2; was BWV 231
29	1731-08-27	Cantata Wir danken dir, Gott, wir danken dir (council election)	D major	satbSATB 3Tr Tmp 2Ob Str Org Bc	I/32.2: 1	after BWV 120.2/4
30.2	1738-06-24	Cantata Freue dich, erlöste Schar (24 June: feast of John the Baptist)		satbSATB 2Fl 2Ob Oba Vl Str Bc	I/29: 59	text by Picander?; after BWV 30.1 (parody)
30.1	1737-09-28	Secular cantata Angenehmes Wiederau (for Hennicke [de] at Wiederau [de] manor)	D major	satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Bc	I/39: 51	text by Picander?; → BWV 30.2, 195, v2/6, /8
31.2	1724-04-09	Cantata Der Himmel lacht! Die Erde jubilieret (Leipzig version: Easter)		stbSSATB 3Tr Tmp Ob 2Oba Bas 2Vl 2Va Bc	I/9: 41 rev 2	text by Franck, S; after BWV 31.1
31.1	1715-04-21	Cantata Der Himmel lacht! Die Erde jubilieret (Weimar version: Easter)	C major	stbSSATB 3Tr Tmp 3Ob Tai Bas 2Vl 2Va Bc	I/9 rev 2	text by Franck, S; → BWV 31.2
32	1726-01-13	Cantata Liebster Jesu, mein Verlangen (Epiphany I)	E minor	sbSATB Ob Str Bc	I/5: 143	text by Lehms
33	1724-09-03	Cantata Allein zu dir, Herr Jesu Christ (Trinity XIII)	A minor	atbSATB 2Ob Str Bc	I/21: 23
34.1	1727-06-01	Cantata O ewiges Feuer, o Ursprung der Liebe (Pentecost)	D major	atbSATB 3Tr Tmp 2Fl 2Ob Str Bc	I/13: 129	→ BWV 34.2
34.2	after 1727	Cantata O ewiges Feuer, o Ursprung der Liebe (wedding; incomplete)		satbSATB Vl Va Bc	I/33: 27	after BWV 34.1
35	1726-09-08	Cantata Geist und Seele wird verwirret (Trinity XII)		a 2Ob Tai Str Org Bc	I/20: 215	text by Lehms
36.4	1725–1730	Cantata Schwingt freudig euch empor (Advent I; early version)		stbSATB Oba Str Bc	I/1: 17	after BWV 36.1; → BWV 36.5
36.5	1731-12-02	Cantata Schwingt freudig euch empor (Advent I)		satbSATB 2Oba Str Bc	I/1: 41	after BWV 36.4
36.2	1726-11-30 or 1725-11-30	Secular cantata Steigt freudig in die Luft (birthday of Charlotte Friederike Wilhelmine of Anhalt-Köthen; music lost)		stbSATB Oba Va Str Bc (?)	I/35	text by Picander; after BWV 36.1/1, /3, /5, /7, /9
36.3	1735-07-27	Secular cantata Die Freude reget sich (birthday of Rivinus, J. F. [de]?)		satSATB Fl Oba Str Bc	I/38: 255	after BWV 36.1/1, /3, /5, /7, /8
36.1	April–May 1725	Secular cantata Schwingt freudig euch empor (birthday of Mencke, J. B. [de]?)		stbSATB Oba Str Va Bc	I/39: 1	→ BWV 36.2–.4
37	1724-05-18	Cantata Wer da gläubet und getauft wird (Ascension)	A major	satbSATB 2Oba Str Bc	I/12: 79
38	1724-10-29	Cantata Aus tiefer Not schrei ich zu dir (Trinity XXI)	E minor	satbSATB 2Ob 4Tbn Str Bc	I/25: 217
39	1726-06-23	Cantata Brich dem Hungrigen dein Brot (Trinity I)		sabSATB 2Fl 2Ob Str Bc	I/15 179
40	1723-12-26	Cantata Darzu ist erschienen der Sohn Gottes (Christmas 2)	F major	atbSATB 2Hn 2Ob Str Bc	I/3.1: 3	→ BWV 233/6
41	1725-01-01	Cantata Jesu, nun sei gepreiset (New Year)	C major	satbSATB 3Tr Tmp 3Ob Str Vc Bc	I/4: 37
42	1725-04-08	Cantata Am Abend aber desselbigen Sabbats (Quasimodogeniti)		satbSATB 2Ob Bas Str Bc	I/11.1: 61
43	1726-05-30	Cantata Gott fähret auf mit Jauchzen (Ascension)		satbSATB 3Tr Tmp 2Ob Str Bc	I/12: 133	after BWV 43/11
44	1724-05-21	Cantata Sie werden euch in den Bann tun (Exaudi)		satbSATB 2Ob Str Bc	I/12: 165
45	1726-08-11	Cantata Es ist dir gesagt, Mensch, was gut ist (Trinity VIII)	E major	atbSATB 2Fl Ob Oba Str Bc	I/18: 197
46	1723-08-01	Cantata Schauet doch und sehet, ob irgend ein Schmerz sei (Trinity X)		atbSATB Tdt Hn 2Fl 2Odc Str Bc	I/19: 109
47	1726-10-13	Cantata Wer sich selbst erhöhet, der soll erniedriget werden (Trinity XVII)	G minor	sbSATB 2Ob Str Org Bc	I/23: 319	text by Helbig
48	1723-10-03	Cantata Ich elender Mensch, wer wird mich erlösen (Trinity XIX)	G minor	atSATB Tr 2Ob Str Bc	I/24: 105
49	1726-11-03	Cantata Ich geh und suche mit Verlangen (Trinity XX)	G minor	sb Oba Str Vl Org Bc	I/25: 107	→ BWV 1053/3
50		Cantata Nun ist das Heil und die Kraft (single movement; arrangement or fragment of a cantata for Michaelmas?)	D major	2SATB 3Tr Tmp 3Ob Str Bc	I/30: 141	text after Rev. 12: 10; in SBB P 136
51	1730-09-17	Cantata Jauchzet Gott in allen Landen (Trinity XV)	C major	s (2)Tr (Tmp) Str Bc	I/22: 77
52	1726-11-24	Cantata Falsche Welt, dir trau ich nicht (Trinity XXIII)	F major	sSATB 2Hn 3Ob Bas Str Bc	I/26: 131	text by Birkmann; after BWV 1046a/1
54	1714–1717?	Cantata Widerstehe doch der Sünde (Oculi)	E♭ major	a 2Vl 2Va Bc	I/18: 3	text by Lehms; → BWV 247/53?
55	1726-11-17	Cantata Ich armer Mensch, ich Sündenknecht (Trinity XXII)	G minor	tSATB Fl Oba Str Bc	I/26: 55	text by Birkmann
56	1726-10-27	Cantata Ich will den Kreuzstab gerne tragen (Trinity XIX)		bSATB 2Ob Tai Str Vc Bc	I/24: 173	text by Birkmann
57	1725-12-26	Cantata Selig ist der Mann (Christmas 2)	G minor	sbSATB 2Ob Tai Str Bc	I/3.1: 83	text by Lehms
58.2	1733-01-04 or 1734-01-03	Cantata Ach Gott, wie manches Herzeleid (New Year I)	C major	sb 2Ob Tai Vl Str Bc	I/4: 217	text by Birkmann; after BWV 58.1
58.1	1727-01-05	Cantata Ach Gott, wie manches Herzeleid (New Year I; early version)	C major	sb Vl Str Bc	I/4: 241	text by Birkmann; → BWV 58.2
59	1724-05-28	Cantata Wer mich liebet, der wird mein Wort halten (Pentecost)	C major	sbSATB 2Tr Tmp Str Bc	I/13: 65	text by Neumeister; → BWV 74/1 and /2, 175/7
60	1723-11-07	Cantata O Ewigkeit, du Donnerwort (Trinity XXIV)	D major	atbSATB Hn 2Oba Str Bc	I/27: 1
61	1714-12-02	Cantata Nun komm, der Heiden Heiland (Advent I – first setting)		stbSATB Fag 2Vl 2Va Bc	I/1: 1	text by Neumeister
62	1724-12-03	Cantata Nun komm, der Heiden Heiland (Advent I – second setting)	B minor	satbSATB Hn 2Ob Str Bc	I/1: 75
63	1714-12-25 1723-12-25	Cantata Christen, ätzet diesen Tag (Christmas; two versions)	C major	satbSATB 4Tr Tmp 3Ob Bas Str Bc	I/2: 1	text by Heineccius, J. M.?
64	1723-12-27	Cantata Sehet, welch eine Liebe hat uns der Vater erzeiget (Christmas 3)	E minor	sabSATB Cnt 3Tbn Oba Str Bc	I/3.1: 113	text by Knauer (modified)
65	1724-01-06	Cantata Sie werden aus Saba alle kommen (Epiphany)		tbSATB 2Hn 2Fl 2Odc Str Bc	I/5: 1
66.2	1724-04-10	Cantata Erfreut euch, ihr Herzen (Easter 2)		atbSATB Tr 2Ob Str Bc	I/10: 1	after BWV 66.1/8, /1–/4
66.1	1718-12-10	Secular cantata Der Himmel dacht auf Anhalts Ruhm und Glück (birthday of Leopold of Anhalt-Köthen)		atbSATB 2Ob Bas Str Bc (?)	I/35	text by Hunold; → BWV 66.2/1–/5
67	1724-04-16	Cantata Halt im Gedächtnis Jesum Christ (Quasimodogeniti)	A major	atbSATB Hn Fl 2Oba Str Bc	I/11.1: 1	→ BWV 234/2
68	1725-05-21	Cantata Also hat Gott die Welt geliebt (Pentecost 2)	D minor	sbSATB Hn Cnt 3Tbn 2Ob Tai Str Vc Bc	I/14: 31	text by Ziegler, C. M.; after BWV 208/13 and /7
69.2	1748-08-26	Cantata Lobe den Herrn, meine Seele (council election)	D major	satbSATB 3Tr Tmp 3Ob Oba Bas Str Bc	I/32.2: 111	after BWV 69.1/1, /3 and /5
69.1	1723-08-15	Cantata Lobe den Herrn, meine Seele (Trinity XII)		satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc	I/20: 117	text by Knauer (modified); after BWV 12/7; → BWV 69.2/1, /3 and /5
70.2	1723-11-21	Cantata Wachet! Betet! Betet! Wachet! (Trinity XXVI)	C major	satbSATB Tr Ob Str Vc Bc	I/27: 107	text by Franck, S (reworked); after BWV 70.1
70.1	1716-12-06	Cantata Wachet! Betet! Betet! Wachet! (Advent II)		satbSATB Tr Ob Str Vc Bc	I/1	text by Franck, S; → BWV 70.2/1, /3, /5, /8, /10, /11
71	1708-02-04	Cantata Gott ist mein König (council election)	D major	satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org	I/32.1: 3	text by Eilmar?
72	1726-01-27	Cantata Alles nur nach Gottes Willen (Epiphany III)	A minor	sabSATB 2Ob Str Bc	I/6: 59	text by Franck, S; → BWV 235/2
73	1724-01-23	Cantata Herr, wie du willt, so schicks mit mir (Epiphany III)	G minor	stbSATB Hn 2Ob Str Bc	I/6: 3
74	1725-05-20	Cantata Wer mich liebet, der wird mein Wort halten (Pentecost)		satbSATB 3Tr Tmp 2Ob Odc Str Bc	I/13: 83	text by Ziegler, C. M.; after BWV 59/1, /4
75	1723-05-30	Cantata Die Elenden sollen essen (Trinity I)		satbSATB Tr 2Ob Oba Bas Str Bc	I/15: 85	→ BWV 100/6
76	1723-06-06	Cantata Die Himmel erzählen die Ehre Gottes (Trinity II)	C major	satbSATB Tr 2Ob Oba Str Vdg Bc	I/16: 1	→ BWV 528/1
77	1723-08-22	Cantata Du sollt Gott, deinen Herren, lieben (Trinity XIII)		satbSATB Tdt 2Ob Str Bc	I/21: 1	text by Knauer
78	1724-09-10	Cantata Jesu, der du meine Seele (Trinity XIV)	G minor	satbSATB Hn Fl 2Ob Str Vne Bc	I/21: 115
79	1725-10-31	Cantata Gott der Herr ist Sonn und Schild (Reformation Day; two versions: Fl associated with 2nd c.1730)	G major	sabSATB 2Hn Tmp (2Fl) 2Ob Str Bc	I/31: 1	→ BWV 236/2, /4, 234/5
80.3	1727-10-31 1731-10-31	Cantata Ein feste Burg ist unser Gott (Reformation Day; 2nd Leipzig v.; Tr & Tmp in BGA likely W. F. Bach's addition)	D major	satbSATB 3Ob 2Oba Odc Str Bc	I/31: 71	text by Franck, S; after BWV 80.1, .2
80.1	1715-03-24 1716-03-16	Cantata Alles, was von Gott geboren (Oculi; music lost)		satb(?)SATB Ob Str Bc	I/8.2: V	text by Franck, S; → BWV 80.2, .3
80.2	1723-10-31 1731-10-31	Cantata Ein feste Burg ist unser Gott (Reformation Day; 1st Leipzig version)		sbSATB Ob Str Bc	I/31: 65	text by Franck, S; after BWV 80.1; → BWV 80.3
81	1724-01-30	Cantata Jesus schläft, was soll ich hoffen? (Epiphany IV)	E minor	atbSATB 2Fl 2Oba Str Bc	I/6: 111
82.1	1727-02-02	Cantata Ich habe genug (Purification; 1st version)	C minor	b Ob Str Bc	I/28.1: 111	text by Birkmann; → BWV 82.2–.4
82.2	1731-02-02	Cantata Ich habe genug (Purification; 2nd version)	E minor	s Fl Str Bc	I/28.1: 155	text by Birkmann; after BWV 82.1; → 82.3–.4
82.2/2–/3	c.1731 (AMB)	Notebook A. M. Bach (1725) No. 34 Recitative "Ich habe genug"; Aria "Schlummert ein, ihr matten Augen"	E minor	s Bc	V/4	text by Birkmann; after BWV 82.2
82.2/3	c.1731 (AMB)	Notebook A. M. Bach (1725) No. 38 Aria "Schlummert ein, ihr matten Augen" (incomplete)	E minor	s Bc	V/4	text by Birkmann; after BWV 82.2
82.3	c.1735	Cantata Ich habe genug (Purification; 3rd version)	C minor	b or mezzo Ob Str Bc	I/28.1: 111	text by Birkmann; after BWV 82.1–.2; → 82.4
82.4	1746–1748	Cantata Ich habe genug (Purification; 4th version)	C minor	b (or mezzo) Ob Odc Str Bc	I/28.1: 111	text by Birkmann; after BWV 82.1–.3
83	1724-02-02	Cantata Erfreute Zeit im neuen Bunde (Purification)		atbSATB 2Hn 2Ob Vl Str Bc	I/28.1: 3
84	1727-02-09	Cantata Ich bin vergnügt mit meinem Glücke (Septuagesimae)	E minor	sSATB Ob Str Bc	I/7: 21	text by Picander (reworked)?
85	1725-04-15	Cantata Ich bin ein guter Hirt (Misericordias Domini)	C minor	satbSATB 2Ob Str Vc Bc	I/11.1: 157
86	1724-05-14	Cantata Wahrlich, wahrlich, ich sage euch (Rogate)	E major	satbSATB 2Oba Str Bc	I/12: 45
87	1725-05-06	Cantata Bisher habt ihr nichts gebeten in meinem Namen (Rogate)	D minor	atbSATB 2Ob 2Odc Str Bc	I/12: 61	text by Ziegler, C. M. (reworked)
88	1726-07-21	Cantata Siehe, ich will viel Fischer aussenden (Trinity V)	D major B minor	satbSATB 2Hn 2Oba Tai Str Bc	I/17.2: 33
89	1723-10-24	Cantata Was soll ich aus dir machen, Ephraim? (Trinity XXII)		sabSATB Hn 2Ob Str Bc	I/26: 1
90	1723-11-14	Cantata Es reißet euch ein schrecklich Ende (Trinity XXV)	D minor	atbSATB (Tr) Str Bc	I/27: 59
91.2	after 1740	Cantata Gelobet seist du, Jesu Christ (Christmas; later version)	G major	satbSATB 2Hn Tmp 3Ob Str Bc	I/2: 131	after BWV 91.1
91.1	1724-12-25	Cantata Gelobet seist du, Jesu Christ (Christmas; early version)	G major	satbSATB 2Hn Tmp 3Ob Str Bc	I/2: 164	→ BWV 91.2
92	1725-01-28	Cantata Ich hab in Gottes Herz und Sinn (Septuagesimae)	B minor	satbSATB 2Oba Str Bc	I/7: 41
93	1724-07-09	Cantata Wer nur den lieben Gott läßt walten (Trinity V)	C minor	satbSATB 2Ob Str Bc	I/17.2: 3	→ BWV 647
94	1724-08-06	Cantata Was frag ich nach der Welt (Trinity IX)	D major	satbSATB Fl 2Ob 2Oba Str Bc	I/19: 43
95	1723-09-12	Cantata Christus, der ist mein Leben (Trinity XVI)	G major	stbSATB Hn or Cnt 2Ob 2Oba Str Bc	I/23: 65
96	1724-10-08	Cantata Herr Christ, der einge Gottessohn (Trinity XVIII)	F major	satbSATB Hn or Tbn Fl/Fl or Vl 2Ob Str Bc	I/24: 1
97	1734-07-25 ?; after 1735	Cantata In allen meinen Taten (two versions; Trinity V?)	B♭ major	satbSATB 2Ob Str Bc	I/34: 197	text by Fleming
98	1726-11-10	Cantata Was Gott tut, das ist wohlgetan (Trinity XXI)	B♭ major	satbSATB 2Ob Str Bc	I/25: 241	text by Birkmann
99	1724-09-17	Cantata Was Gott tut, das ist wohlgetan (Trinity XV)	G major	satbSATB Hn Fl Oba Str Bc	I/22: 41	text by Rodigast (reworked); → BWV 100/1
100	1732–1735	Cantata Was Gott tut, das ist wohlgetan	G major	satbSATB 2Hn Tmp Fl Oba Str Bc	I/34: 239	text by Rodigast; after BWV 99/1, 75/7
101	1724-08-13	Cantata Nimm von uns, Herr, du treuer Gott (Trinity X)	G major	satbSATB 2Hn Tmp Fl Oba Str Bc	I/19: 173
102	1726-08-25	Cantata Herr, deine Augen sehen nach dem Glauben (Trinity X)	G minor	atbSATB Fl Vl 2Ob Str Bc	I/19: 229	→ BWV 235/1, 233/4, /5
103	1725-04-22 1731-04-15	Cantata Ihr werdet weinen und heulen (Jubilate, 2 versions)	B minor	atSATB Tr Fl Fl (or) Vl 2Oba Str Bc	I/11.2: 25	text by Ziegler, C. M.
104	1724-04-23	Cantata Du Hirte Israel, höre (Misericordias)		tbSATB 2Ob 2Oba Tai Str Bc	I/11.1: 113
105	1723-07-25	Cantata Herr, gehe nicht ins Gericht mit deinem Knecht (Trinity IX)	G minor	satbSATB Hn 2Ob Str Bc	I/19: 1
106	1708-09-16?	Cantata Gottes Zeit ist die allerbeste Zeit (funeral; "Actus tragicus")	E♭ major	satbSATB 2Fl 2Vdg Bc	I/34: 1	text by Olearius (reworked)
107	1724-07-23	Cantata Was willst du dich betrüben (Trinity VII)	B minor	stbSATB Hn 2Fl 2Oba Str Bc	I/18: 55	text by Heermann
108	1725-04-29	Cantata Es ist euch gut, daß ich hingehe (Cantate)	A major B minor	atbSATB 2Oba Str Bc	I/12: 17	text by Ziegler, C. M.
109	1723-10-17	Cantata Ich glaube, lieber Herr, hilf meinem Unglauben (Trinity XXI; 2 versions)	D minor	atSATB (Hn) 2Ob Str Bc	I/25: 157
110	1725-12-25	Cantata Unser Mund sei voll Lachens (Christmas)	D major B minor	satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc	I/2: 71	text by Lehms
111	1725-01-25	Cantata Was mein Gott will, das g'scheh allzeit (Epiphany III)	A minor	satbSATB 2Ob Str Bc	I/6: 27
112	1731-04-08	Cantata Der Herr ist mein getreuer Hirt (Misericordias)	G major	satbSATB 2Hn 2Oba Str Bc	I/11.1: 179	text by Meuslin after Ps. 23
113	1724-08-20	Cantata Herr Jesu Christ, du höchstes Gut (Trinity XI)	B minor	satbSATB Fl 2Oba Str Bc	I/20: 79
114	1724-10-01	Cantata Ach, lieben Christen, seid getrost (Trinity XVII)	G minor	satbSATB Hn Fl 2Ob Str Bc	I/23: 287
115	1724-11-05	Cantata Mache dich, mein Geist, bereit (Trinity XXII)	G major	satbSATB Hn Fl Oba Str Vc Bc	I/26: 21	text by Freystein (reworked)
116	1724-11-26	Cantata Du Friedefürst, Herr Jesu Christ (Trinity XXV)	A major	satbSATB Hn 2Oba Str Bc	I/27: 79	text by Ebert (reworked)
117	1728–1731	Cantata Sei Lob und Ehr dem höchsten Gut	G major	atbSATB 2Fl 2Ob 2Oba Str Bc	I/34: 151	text by Schütz, J. J.
119	1723-08-30	Cantata Preise, Jerusalem, den Herrn (council election)	C major	satbSATB 4Tr Tmp 2Fl 3Ob 2Odc Str Bc	I/32.1: 129
120.1	1729 or earlier	Cantata Gott, man lobet dich in der Stille (council election)		satbSATB 3Tr 2Ob 2Oba Vl Str Bc	I/32.2: 53	↔ BWV 120.2/6, /1, /3, 1019a/3 ; → BWV 120.3/1, /2, /4, 232^II/9
120.2	1729?	Cantata Herr Gott, Beherrscher aller Dinge (wedding; incomplete)		satbSATB 3Tr Tmp 2Ob 2Oba Str Org Bc	I/33: 75	after BWV 1006/1, 137/5; ↔ BWV 120.1/2, /4, /6, 1019a/3; → BWV 120.3/2, /4, /1, 232^II/9, 29/1
120.3	1730-06-26	Cantata Gott, man lobet dich in der Stille (200th anniversary of the Augsb. Confess.; music lost, partially reconstructable)		saSATB 3Tr Tmp 2Oba Vl Str Bc ?	I/34 I/32.2	text by Picander; after BWV 120.1/1, /2, /4, 120.2/6, /1, /3, 1019a/3; → 232^II/9
121	1724-12-26	Cantata Christum wir sollen loben schon (Christmas 2)		satbSATB Cnt 3Tbn Oba Str Bc	I/3.1: 57
122	1724-12-31	Cantata Das neugeborne Kindelein (Christmas I)	G minor	satbSATB 3Fl 2Ob Tai Str Bc	I/3.2: 53
123	1725-01-06	Cantata Liebster Immanuel, Herzog der Frommen (Epiphany)	B minor	atbSATB 2Fl 2Oba Str Bc	I/5: 47
124	1725-01-07	Cantata Meinen Jesum laß ich nicht (Epiphany I)	E major	satbSATB Hn Oba Str Bc	I/5: 115
125	1725-02-02	Cantata Mit Fried und Freud ich fahr dahin (Purification)	E minor	atbSATB Hn Fl Ob Oba Str Bc	I/28.1: 31
126	1725-02-04	Cantata Erhalt uns, Herr, bei deinem Wort (Sexagesimae)	A minor	atbSATB Tr 2Ob Str Bc	I/7: 155
127	1725-02-11	Cantata Herr Jesu Christ, wahr' Mensch und Gott (Estomihi)	F major	stbSATB Tr 2Fl 2Ob Str Bc	I/8: 107	→ BWV 127/1 (variant)
127/1 (var.)	c.1750	Chorus "Herr Jesu Christ, wahr' Mensch und Gott" (Passion oratorio movement)	E♭ major	SATB 2Fl 2Ob Str Bc	I/41: 95	after BWV 127/1; → BC D 10
128	1725-05-10	Cantata Auf Christi Himmelfahrt allein (Ascension)	G major	atbSATB Tr 2Hn 2Ob 2Oba Odc Str Bc	I/12: 101	text by Ziegler, C. M.
129	1727-06-08	Cantata Gelobet sei der Herr, mein Gott (Trinity)	D major	sabSATB 3Tr Tmp Fl 2Ob Oba Str Bc	I/15: 37	text by Olearius
130.1	1724-09-29	Cantata Herr Gott, dich loben alle wir (Michaelmas; 1st version)	C major	satbSATB 3Tr Tmp Fl 3Ob Str Bc	I/30: 48	text by Eber (reworked); → BWV 130.2
130.2	1732–1735	Cantata Herr Gott, dich loben alle wir (Michaelmas; 2nd version)	C major	satbSATB 3Tr Tmp Fl 3Ob Str Bc	I/30: 48	text by Eber (reworked); after BWV 130.1
131	1707–1708	Cantata Aus der Tiefen rufe ich, Herr, zu dir	G minor	satbSATB Ob Bas Str Bc	I/34: 67	text by Bach or Eilmar after Ps. 130; → BWV 131a
132	1715-12-22	Cantata Bereitet die Wege, bereitet die Bahn (Advent IV)	A major	satbSATB Ob Bas Str Vc Bc	I/1: 99 rev 2	text by Franck, S.
133	1724-12-27	Cantata Ich freue mich in dir (Christmas 3)	A major	satbSATB Cnt 2Oba Str Bc	I/3.1: 135	text by Ziegler, C. (/1, /6)
134.3	1731-03-27 1735-04-12	Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; later version)		atSATB 2Ob Str Bc	I/10: 69	after BWV 134.2
134.2	1724-04-11	Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; early version)		atSATB 2Ob Str Bc	I/10: 106	after BWV 134.1; → BWV 134.3
134.1	1719-01-01	Secular cantata Die Zeit, die Tag und Jahre macht (congratulation for New Year)		atSATB 2Ob Str Bc	I/35: 49	text by Hunold; → BWV 134.2
135	1724-06-25	Cantata Ach Herr, mich armen Sünder (Trinity III)		atbSATB Cnt Tbn 2Ob Str Bc	I/16: 197
136	1723-07-18	Cantata Erforsche mich, Gott, und erfahre mein Herz (Trinity VIII)		atbSATB Hn 2Ob 2Oba Str Bc	I/18: 129	→ BWV 234/6
137	1725-08-19	Cantata Lobe den Herren, den mächtigen König der Ehren (Trinity XII)		satbSATB 3Tr Tmp 2Ob Str Bc	I/20: 171	text by Neander; → BWV 650
138	1723-09-05	Cantata Warum betrübst du dich, mein Herz (Trinity XV)		satbSATB 2Oba Str Bc	I/22: 19	→ BWV 236/3
139	1724-11-12	Cantata Wohl dem, der sich auf seinen Gott (Trinity XXIII)		satbSATB 2Oba Str Bc	I/26: 97	text by Rube (reworked)
140	1731-11-25	Cantata Wachet auf, ruft uns die Stimme (Trinity XXVII)		stbSATB Hn 2Ob Tai Vl Str Bc	I/27: 149	text by Nicolai (reworked); → BWV 645
143		Cantata Lobe den Herrn, meine Seele (New Year)		stbSATB 3Hn Tmp Bas Str Bc	I/4: 165 rev 2
144	1724-02-06	Cantata Nimm, was dein ist, und gehe hin (Septuagesima)		satSATB 2Ob Oba Str Bc	I/7: 1
145	1729-04-19	Cantata Ich lebe, mein Herze, zu deinem Ergötzen (Easter 3)		stbSATB Tr Fl 2Ob Str Bc	I/10: 111	text by Picander; after BWV 145/b
146	1726-05-12	Cantata Wir müssen durch viel Trübsal (Jubilate)		satbSATB Fl 2Ob 2Oba Tai Str Org Bc	I/11.2: 65	after BWV 1052R/1, /2?; → BWV 1052/1, /2
147.2	1723-07-02	Cantata Herz und Mund und Tat und Leben (Visitation)	D major	satbSATB Tr 2Ob Oba 2Odc Str Bc	I/28: 63	text by Franck, S. (reworked); after BWV 147.1
147.1	1716-12-20	Cantata Herz und Mund und Tat und Leben (Advent IV)	D major	satbSATB Tr Ob Str Bc	I/1	text by Franck, S.; → BWV 147.2/1, /3, /7, /5
148	1723-09-19	Cantata Bringet dem Herrn Ehre seines Namens (Trinity XVII)		atSATB Tr 2Oba Odc Str Bc	I/23: 253	text by Picander
149	1729-09-29	Cantata Man singet mit Freuden vom Sieg (Michaelmas)		satbSATB 3Tr Tmp 3Ob Bas Str Vne Bc	I/30: 97	text by Picander; after BWV 208/15
149/1a	Fall 1729	Cantata opening: "Concerto" (incomplete; abandoned alternative start of BWV 149?)	D major	SATB 3Tr Tmp 2Ob Str Bc	I/40 I/30	in SBB P 175; was BWV Anh. 198
150	1707-07-10	Cantata Nach dir, Herr, verlanget mich (Trinity III)		satbSATB Bas 2Vl Bc	I/41: 3
151	1725-12-27	Cantata Süßer Trost, mein Jesus kömmt (Christmas 3)		satbSATB Fl Vl Oba Str Bc	I/3.1: 169	text by Lehms
152	1714-12-30	Cantata Tritt auf die Glaubensbahn (Christmas I)		sb Fl Ob Va Vdg Bc	I/3.2: 3	text by Franck, S.; ↔ BWV 536/2; → 536a/2
153	1724-01-02	Cantata Schau, lieber Gott, wie meine Feind (Christmas II)		atbSATB Str Bc	I/4: 199
154	1724-01-09	Cantata Mein liebster Jesus ist verloren (Epiphany I)		atbSATB 2Oba Str Hc Bc	I/5: 89
155	1716-01-19 1724-01-16	Cantata Mein Gott, wie lang, ach lange? (Epiphany II)		satbSATB Bas Str Bc	I/5: 173	text by Franck, S.
156	1729-01-23	Cantata Ich steh mit einem Fuß im Grabe (Epiphany III)	F major	satbSATB Ob Str Bc	I/6: 91	text by Picander; after BWV 1056R/2?; → BWV 1056/2
157.2	1727-02-06	Cantata Ich lasse dich nicht, du segnest mich denn (funeral; later: Purification)		tbSATB Fl Ob Oba Va Str Bc	I/34: 41	text by Picander; after BWV 157.1
157.1	before 1727-02-06	Cantata Ich lasse dich nicht, du segnest mich denn (funeral)		tbSATB Fl Oba Va Str Bc	I/34	text by Picander; → BWV 157.2
158		Cantata Der Friede sei mit dir (Purification; later: Easter 3)		sbSATB Ob Vl Bc	I/10: 129	in SBB P 1047, St 634
159	1729-02-27	Cantata Sehet, wir gehn hinauf gen Jerusalem (Estomihi)		satbSATB Ob Str Bc	I/8: 153	text by Picander
161	1716-09-27	Cantata Komm, du süße Todesstunde (Trinity XVI; 1st version)		atSATB 2Fl Str Org Bc	I/23: 1	text by Franck, S.; → BWV 161, v2
161, v2	1723–1750?	Cantata Komm, du süße Todesstunde (Trinity XVI; 2nd version)		satSATB 2Fl Str Bc	I/23: 33	text by Franck, S.; after BWV 161
162.1	1716-10-25	Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX)	A minor	satbSATB Str Bc	I/25: 1	text by Franck, S.; → BWV 162.2
162.2	1723-10-10	Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX)	B minor	satbSATB Hn Str Bc	I/25: 23	text by Franck, S.; after BWV 162.1
163	1715-11-24	Cantata Nur jedem das Seine (Trinity XXIII)		satbSATB Str 2Vc Bc	I/26: 77	text by Franck, S.
164	1725-08-26	Cantata Ihr, die ihr euch von Christo nennet (Trinity XIII)		satbSATB 2Fl 2Ob Str Bc	I/21: 57	text by Franck, S.
165	1715-06-16 1724-06-04	Cantata O heilges Geist- und Wasserbad (Trinity)		satbSATB Fag Str Bc	I/15: 1	text by Franck, S.; in SBB Am.B 105
166	1724-05-07	Cantata Wo gehest du hin? (Cantate)		satbSATB Ob Str Bc	I/12: 1	text by Franck, S.; → BWV 584
167	1723-06-24	Cantata Ihr Menschen, rühmet Gottes Liebe (24 June: feast of John the Baptist)		satbSATB Tr Ob Odc Str Bc	I/29: 1
168	1725-07-29	Cantata Tue Rechnung! Donnerwort (Trinity IX)		satbSATB 2Oba Str Bc	I/19: 87	text by Franck, S.
169	1726-10-20	Cantata Gott soll allein mein Herze haben (Trinity XVIII)		aSATB 2Oba Tai Str Org Bc	I/24: 59	text by Birkmann; → BWV 1053/1, /2
170	1726-07-28	Cantata Vergnügte Ruh, beliebte Seelenlust (Trinity VI)		a Oba Fl Str Org Bc	I/17.2: 61	text by Lehms
171	1729-01-01	Cantata Gott, wie dein Name, so ist auch dein Ruhm (New Year)		satbSATB 3Tr Tmp 2Ob Str Bc	I/4: 131	text by Picander; after BWV 205
172.1	1714-05-20	Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 1st version = Weimar version; incomplete)	C major	(SATB) 3Tr Tmp (Fl? Ob 2)Vl 2Va Vc Bas (Bc)	I/13	text by Franck, S.?; → BWV 172.2
172.2	1724-05-28	Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 2nd version = 1st Leipzig version)	D major	satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc Bc	I/13: 1	text by Franck, S.?; after BWV 172.1; → BWV 172.3
172.3	1731-05-13	Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 3rd version = 2nd Leipzig version)	C major	satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc	I/13: 33	text by Franck, S.?; after BWV 172.2
173.2	1727-06-02 1731-05-14	Cantata Erhöhtes Fleisch und Blut (Pentecost 2)		satbSATB 2Fl Str Bc	I/14: 1	after BWV 173.1
173.1	1722-12-10	Secular cantata Durchlauchtster Leopold (birthday of Leopold of Anhalt-Köthen)		satbSATB 2Fl Str Bc	I/35: 95	→ BWV 173.2
174	1729-06-06	Cantata Ich liebe den Höchsten von ganzem Gemüte (Pentecost 2)		atbSATB 2Cdc 2Ob Tai 3Vl 3Va 3Vc Str Bc	I/14: 63	text by Picander; after BWV 1048/1
175	1725-05-22	Cantata Er rufet seinen Schafen mit Namen (Pentecost 3)		atbSATB 2Tr 3Fl Str Vc Bc	I/14: 147	text by Ziegler, C. M.
176	1725-05-27	Cantata Es ist ein trotzig und verzagt Ding (Trinity)		sabSATB 2Ob Odc Str Bc	I/15: 17	text by Ziegler, C. M.
177	1732-07-06	Cantata Ich ruf zu dir, Herr Jesu Christ (Trinity IV)		satSATB 2Ob Odc Bas Vl Str Bc	I/17.1: 77	text by Agricola, J.
178	1724-07-30	Cantata Wo Gott der Herr nicht bei uns hält (Trinity VIII)		atbSATB Hn 2Ob 2Oba Str Bc	I/18: 159
179	1723-08-08	Cantata Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Trinity XI)		stbSATB 2Ob 2Odc Str Bc	I/20: 55	→ BWV 236/1, /5, 234/4
180	1724-10-22	Cantata Schmücke dich, o liebe Seele (Trinity XX)		satbSATB 2Fl Fl Ob Odc Str Vc Bc	I/25: 41
181	1724-02-13	Cantata Leichtgesinnte Flattergeister (Sexagesima)		satbSATB Tr Fl Ob Str Bc	I/7: 133
182	1714-03-25 1724-03-25 1728-03-21	Cantata Himmelskönig, sei willkommen (Palm Sunday)	G major	atbSATB Fl (Ob 2)Vl 2Va Bc	I/8.2: 1	text by Franck, S.?
183	1725-05-13	Cantata Sie werden euch in den Bann tun (Exaudi)		satbSATB 2Oba 2Odc Str Vc Bc	I/12: 187	text by Ziegler, C. M.
184.2	1724-05-30 1727-06-03 1731-05-15	Cantata Erwünschtes Freudenlicht (Pentecost 3)		satSATB 2Fl Str Bc	I/14: 119	after BWV 184.1/1–/4, /6
184.1	1721-01-01	Secular cantata (incomplete)		sb 2Fl Vl Str Bc (?)	I/35	→ BWV 184.2/1–/4, /6
185.1	1715-07-14	Cantata Barmherziges Herze der ewigen Liebe (Trinity IV)		satbSATB Ob Str Bc	I/17.1: 1	text by Franck, S.; → BWV 185.2
185.2	1723-06-20	Cantata Barmherziges Herze der ewigen Liebe (Trinity IV)	G minor	satbSATB Tr Ob Str Bc	I/17.1: 1	text by Franck, S.; after BWV 185.1
186.2	1723-07-11	Cantata Ärgre dich, o Seele, nicht (Trinity VII)		satbSATB 2Ob Tai Bas Str Bc	I/18: 15	text by Franck, S. (reworked); after BWV 186.1/1–/5
186.1	1716-12-13	Cantata Ärgre dich, o Seele, nicht (Advent III; incomplete)		stbSATB 2Ob Odc Tai Bas Str Bc	I/1	text by Franck, S.; → BWV 186.2/1, /3, /5, /8, /10
187	1726-08-04	Cantata Es wartet alles auf dich (Trinity VII)		sabSATB 2Ob Str Bc	I/18: 91	→ BWV 235/6, /4, /3, /5
188	1728-10-17	Cantata Ich habe meine Zuversicht (Trinity XXI)	D minor	satbSATB 2Ob Tai Str Org Bc	I/25: 265	text by Picander; after BWV 1052R/3?; → BWV 1052/3
190.1	1724-01-01	Cantata Singet dem Herrn ein neues Lied (New Year; incomplete)		atbSATB 3Tr Tmp 3Ob Oba Bas Str Bc	I/4: 1	→ BWV 190.2/1, /2, /3, /5
190.2	1730-06-25	Cantata Singet dem Herrn ein neues Lied (200th anniversary of the Augsb. Confess.; incomplete)		atbSATB 3Tr Tmp 3Ob Str Bc (?)	I/34	text by Picander; after BWV 190/1, /2, /3, /5
191	1743–1746	Cantata Gloria in excelsis Deo (Christmas)		stSSATB 3Tr Tmp 2Fl 2Ob Str Bc	I/2: 171	after BWV 232/4, /5, /8, /12
192	autumn 1730?	Cantata Nun danket alle Gott (incomplete)		sbSATB 2Fl 2Ob Str Bc	I/34: 107	text by Rinkart
193.2	1727-08-25	Cantata Ihr Tore zu Zion (council election; incomplete)		saSA(TB) 2Ob Str (Bc)	I/32.1: 201	after BWV 193.1/1, /7, /9
193.1	1727-08-03	Secular cantata Ihr Häuser des Himmels, ihr scheinenden Lichter (name day of Friedrich August II; incomplete)		saSA(TB) 2Ob Str (Bc)	I/36	text by Picander; → BWV 193.2/1, /3, /5
194.3	1724-06-04 1731-05-20	Cantata Höchsterwünschtes Freudenfest (Trinity; 1st Leipzig version)	B♭ major	stbSATB 3Ob Bas Str Bc	I/31	after BWV 194.2; → BWV 194.4
194.4	1726-06-16	Cantata Höchsterwünschtes Freudenfest? (Trinity; 2nd Leipzig version)	B♭ major	stbSATB 3Ob Bas Str Bc	I/31: 235	after BWV 194.3/12, /2, /3, /4, /5, /7, /10
194.2	1723-11-02	Cantata Höchsterwünschtes Freudenfest (Störmthal version: consecration of church and organ)	B♭ major	sabSATB 3Ob Bas Str Bc	I/31: 123	after BWV 194.1/1, /3, /5, /7, /9; → BWV 194.3
194.1	1717–1723?	Secular cantata model for church cantata versions of BWV 194 (incomplete)	B♭ major	3Ob Str &?	I/35	→ BWV 194.2/1, /3, /5, /8, /10
195.3	c.1748–1749	Cantata Dem Gerechten muß das Licht (wedding; last version)		satbSATB 3Tr Tmp 2Hn 2Fl 2Ob 2Oba Str Bc	I/33: 171	after BWV 195.2
195.1	1727–1731	Cantata Dem Gerechten muß das Licht (wedding; 1st version, lost)		SATB 3Tr Tmp 2Fl 2Ob Str Bc	I/33	→ BWV 195.2
195.2	c.1742	Cantata Dem Gerechten muß das Licht (wedding; 2nd version, incomplete)		SATB &?	I/33	after BWV 195.1, 30a/5, /1; → BWV 195.3
196	1708-06-05?	Cantata Der Herr denket an uns (wedding)		stbSATB Str Bc	I/33: 1	text after Ps. 115: 12–15
197.2	1736–1737	Cantata Gott ist unsre Zuversicht (wedding)		sabSATB 3Tr Tmp 2Ob 2Oba Bas Str Bc	I/33: 117	after BWV 197.1
197.1	1728-12-25	Cantata Ehre sei Gott in der Höhe (Christmas; incomplete)		abSATB 2Fl Oba Bas Str Vc Bc	I/2: 63	text by Picander; → BWV 197.2
198	1727-10-17	Secular cantata Laß, Fürstin, laß noch einen Strahl a.k.a. Trauer-Ode (funeral ceremony for Christiane Eberhardine)		satbSATB 2Fl 2Ob 2Oba Str 2Vdg 2Lu Bc	I/38: 179	text by Gottsched, J. C.; ↔ BWV 244a, 247
199.2	1720–1721	Cantata Mein Herze schwimmt im Blut (Trinity XI; Köthen version; incomplete)	D minor	s Ob Str Vdg Bc	I/20: 48	text by Lehms; after BWV 199.1; → 199.3
199.3	1723-08-08	Cantata Mein Herze schwimmt im Blut (Trinity XI; Leipzig version)	D minor	s Ob Str Vc Bc	I/20: 23	text by Lehms; after BWV 199.2
199.1	1714-08-12	Cantata Mein Herze schwimmt im Blut (Trinity XI; Weimar version)	C minor	s Ob Str Bc	I/20: 1	text by Lehms; → BWV 199.2
200	1742–1743 (JSB)	Aria Bekennen will ich seinen Namen (from a cantata for Purification?)		a (2Vl) Bc	I/28.1: 189	by Stölzel; arr. by Bach
201	autumn 1729	Secular cantata Geschwinde, ihr wirbelnden Winde a.k.a. Der Streit zwischen Phoebus und Pan (dramma per musica)		sattbb 3Tr Tmp 2Fl 2Ob Oba Str Bc	I/40: 117	text by Picander
202	c.1718?	Secular cantata Weichet nur, betrübte Schatten (wedding)	G major	s Ob Str Bc	I/40: 1	in D-LEb Peters Ms. R 8
203	c.1720?	Secular cantata Amore traditore	A minor	b Hc	I/41: 31
204	1726–1727	Secular cantata Ich bin in mir vergnügt a.k.a. Von der Vergnügsamkeit	B♭ major	s Fl 2Ob Str Bc	I/40: 79	text by Hunold (reworked)
205.1	1725-08-03	Secular cantata Zerreißet, zersprenget, zertrümmert die Gruft a.k.a. Der zufriedengestellte Aeolus (dramma per musica for August Friedrich Müller)	D major	satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc	I/38: 1	text by Picander; → BWV 205.2/1–/7, /9–/11, /13, /15, 171/4, 216/7
205.2	1734-02-19	Secular cantata Blast Lärmen, ihr Feinde (dramma per musica; music lost but largely reconstructable; coronation of Augustus III)	D major	satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc	I/37	after BWV 205.1/1–/7, /9–/11, /13, /15
206.1	1736-10-07 (1734?)	Secular cantata Schleicht, spielende Wellen (dramma per musica; 1st version: birthday of Augustus III)	D major	satbSATB 3Tr Tmp 3Fl 2Oba Str Bc	I/36: 157	→ BWV 206.2
206.2	1740-08-03	Secular cantata Schleicht, spielende Wellen (dramma per musica; 2nd version: name day of Augustus III)	D major	satbSATB 3Tr Tmp 3Fl 2Ob 2Oba Str Bc	I/36: 157	after BWV 206.1
207.1	1726-12-11	Secular cantata Vereinigte Zwietracht der wechselnden Saiten (dramma per musica; appointment of professor Gottlieb Kortte)	D major	satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc	I/38: 97	after BWV 1046/3; → BWV 207.2/1, /3, /5, /7–/9
207.2	1735-08-03	Secular cantata Auf, schmetternde Töne der muntern Trompeten (dramma per musica; name day of Augustus III)	D major	satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc	I/37: 1	after BWV 207.1/1, /3, /5, /7–/9
208.1	1713-02-23	Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (1st version: birthday of Christian of Saxe-Weissenfels)	F major	sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)	I/35: 1	text by Franck, S.; → BWV 208.2, 1040, 68/4, /2, 149/1
208.2	c.1715	Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (2nd version: for Ernst August I of Saxe-Weimar)	F major	sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)	I/35: 1	text by Franck, S.; after BWV 208.1; → BWV 208.3
1040	1713-02-23	Trio (a.k.a. (Canonic) Trio Sonata; postlude to the Hunting Cantata?)	F major	Vl Ob Bc	I/35: 1	after BWV 208.1/13; =BWV 208.1/13a
208.3	1742-08-03	Secular cantata Was mir behagt, ist nur die muntre Jagd (3rd version: name day of Augustus III)	F major	sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)?	I/37	text by Franck, S.; after BWV 208.2
209	1747?	Secular cantata Non sa che sia dolore (farewell of Lorenz Albrecht Beck?)	B minor	s Fl Str Bc	I/41: 43
210.2	1741-09-19	Secular cantata O holder Tag, erwünschte Zeit (wedding)	A major	s Fl Oba Str Hc Vne	I/40: 35	after BWV 210.1/1–/2, /4, /8, /10
210.1	1729-01-12	Secular cantata O angenehme Melodei (incomplete; homage to Christian of Saxe-Weissenfels)	A major	s (Fl Oba Str Bc)?	I/39: 141	→ BWV 210.2/1–/2, /4, /8, /10
211	c.1734	Secular cantata Schweigt stille, plaudert nicht a.k.a. Coffee Cantata	G major	stb Fl Str Hc Bc	I/40: 193	text by Picander
212	1742-08-30	Secular cantata Mer hahn en neue Oberkeet a.k.a. Peasant Cantata (Cantate burlesque; homage to Carl Heinrich von Dieskau)	G major	sb Hn Fl Str Bc	I/39: 151	text by Picander
213	1733-09-05	Secular cantata Laßt uns sorgen, laßt uns wachen a.k.a. Hercules auf dem Scheidewege (dramma per musica; birthday of Frederick Christian of Saxony)		satbSATB 2Hn 2Ob Oba 2Vl 2Va Bc	I/36: 1	text by Picander; → BWV 248
214	1733-12-08	Secular cantata Tönet, ihr Pauken! Erschallet, Trompeten! (birthday of queen Maria Josepha)	D major	satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Vne Bc	I/36: 89	text by Picander; → BWV 248
215	1734-10-05	Secular cantata Preise dein Glücke, gesegnetes Sachsen (anniversary of the election of Augustus III as king of Poland)	D major	stb2SATB 3Tr Tmp 2Fl 2Ob Oba Str Va Bc	I/37: 85	text by Clauder
216.1	1728-02-05	Secular cantata Vergnügte Pleißenstadt (wedding; incomplete)		sa &?	I/40: 21	text by Picander; after BWV 205/13; → BWV 216.2/1, /3, /5, /7
216.2	1728–1731	Secular cantata Erwählte Pleißenstadt a.k.a. Apollo et Mercurius (incomplete)		sa &?	I/39	after BWV 216.1/1, /3, /5, /7
1083	1745–1747 (JSB)	Cantata Tilge, Höchster, meine Sünden		sa 2Vl Str Vne Vc Bc	I/41: 169	by Pergolesi; arr. by Bach; text after Ps. 51
2.	Motets (see also: List of motets by Johann Sebastian Bach)
225	1726–1727 New Year?	Motet Singet dem Herrn ein neues Lied	B♭ major	2SATB (+colla parte instruments?)	III/1: 1	text by Gramann (/2: after Ps. 103), after Ps. 149: 1–3 (/1) and Ps. 150: 2, 6 (/3)^[17]
226	1729-10-20	Motet Der Geist hilft unser Schwachheit auf (funeral of Johann Heinrich Ernesti)	B♭ major	2SATB Str Vc 2Ob Tai Bas	III/1: 39	text by Luther and after Rom. 8: 26–27^[17]
227	before c.1735	Motet Jesu, meine Freude (funeral)	E minor	SSATB (+colla parte instr.?)	III/1: 77	text by Franck, J. and after Rom. 8: 1–2, 9–11^[17]
228	c.1715	Motet Fürchte dich nicht (funeral)	A major	2SATB (+colla parte instr.?)	III/1: 107	text by Gerhardt and after Is. 41: 10 and 43: 1^[17]
229	before 1731–1732	Motet Komm, Jesu, komm (funeral)	G minor	2SATB (+colla parte instr.)	III/1: 127	text by Thymich^[17]
230	?	Motet Lobet den Herrn, alle Heiden	C major	SATB Bc (+colla parte instr.?)	III/1: 149	text after Ps. 117^[17]
231						see BWV 28/2a
118.1	1736–1737	Motet O Jesu Christ, meins Lebens Licht (funeral)		SATB 2Hn Cnt 3Tbn	III/1: 163	text by Behm; → BWV 118.2^[17]
118.2	1746–1747	Motet O Jesu Christ, meins Lebens Licht (funeral)		SATB 2Ob Tai Bas 2Hn Str Bc	III/1: 171	text by Behm; after BWV 118.1^[17]
3.	Masses, Mass movements, Magnificat (see also: List of Masses, Mass movements and Magnificats by Johann Sebastian Bach)
232	Aug. 1748 – Oct. 1749 (compilation, completion)	Mass a.k.a. Hohe Messe, Mass in B minor	B minor	ssatbSSAATB 3Tr Tmp Hn 2Fl 3Ob 2Oba 2Bas Vl Str Bc	II/1 rev 1	after BWV 232^I e. v., ^II/1 e. v., ^III e. v., 171/1, 12/2, 120/2, Anh. 11/1, Anh. 196/3
232^I e. v.	1733-07-27	Kyrie–Gloria Mass for the Dresden court (Mass in B Minor, Part I: Missa; early version)	B minor	ssatbSSATB 3Tr Tmp Hn 2Fl 2Oba 2Bas Vl Str Bc	II/1a	after BWV 29/1, 46/1; → BWV 191, 232^I
233	1738–1739?	Kyrie–Gloria Mass	F major	sabSATB 2Hn 2Ob Bas Str Bc	II/2: 197	after BWV 233a, 102/3, /5, 40/1
233a	1708-04-06?	Kyrie "Christe, du Lamm Gottes"	F major	SSATB Bc	II/2: 285	text after Ordinarium Missae; → BWV 233/1
234	c.1738	Kyrie–Gloria Mass	A major	sabSATB 2Fl Str Bc	II/2: 1	after BWV 67/6, 138/5, 179/5, 79/2
235	1738–1739?	Kyrie–Gloria Mass	G minor	atbSATB 2Ob Str Bc	II/2: 127	after BWV 102/1, 72/1, 187/4, /3, /5, /1
236	1738–1739?	Kyrie–Gloria Mass	G major	satbSATB 2Ob Str Bc	II/2: 61	after BWV 179/1, /3, 79/1, /5, 138/5, 17/1
1081	c.1747 – Aug. 1748	Credo intonation for Mass No. 5 in F major of G. B. Bassani's Acroama Missale	F major	SATB Bc	II/2	→ BNB I/B/48
237	1723-06-24?	Sanctus	C major	SATB 3Tr Tmp 2Ob Str Bc	II/2: 311
238	1723-12-25 1736–1737	Sanctus	D major	SATB Cnt Str Bc	II/2: 325
240	1742 (JSB)	Sanctus	G major	SATB 2Ob Str Bc	II/9: 3
241	Jul. 1747 – Aug. 1748 (JSB)	Sanctus of Missa superba	D major	2SATB 2Oba 2Vl 3Va Bas Vc Vne Bc	II/9: 45	by Kerll; arr. by Bach
242	1727–1732 (JSB)	Christe eleison for a Kyrie-Gloria Mass in C minor by F. Durante	G minor	SA Bc	II/2: 295	→ BWV Anh. 26/2
243.2	1733-07-02? 1732–1735	Magnificat (2nd version: Visitation?)	D major	ssatbSSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bas Vc Vne Bc	II/3: 65	after BWV 243.1
243.1	1723-07-02 1723-12-25	Magnificat (1st version:Visitation, and with 4 laudes added: Christmas)	E♭ major	ssatbSSATB 3Tr Tmp 2Fl 2Ob Str Bc	II/3: 1	→ BWV 243.2
1082	1740–1742 (JSB)	Suscepit Israel from a Magnificat by A. Caldara	E minor	SATB 2Vl Bc	II/9: 59	by Caldara (BNB I/C/1); arr. by Bach
4.	Passions, Oratorios (see also: List of Passions and Oratorios by Johann Sebastian Bach)
244.2	1736-03-30 1742-03-23 1743–1746	Passion St Matthew Passion (later versions; Good Friday)	E minor	2satb2SATB 2Fl 4Fl 4Ob 4Oba 2Odc 2Str 2Vdg 2Bc	II/5	text by Picander, Albert of Prussia, Decius, Gerhardt, Heermann, Heyden, Reusner, Rist; after BWV 244.1
244a						see BWV 1143
244.1	1727-04-11 1729-04-15	Passion St Matthew Passion (early version; Good Friday)	E minor	satb2SATB 4Fl 4Ob 4Oba 2Odc 2Str Lu Bc	II/5a II/5b	text by Picander, Albert of Prussia, Decius, Gerhardt, Heermann, Keymann, Reusner, Rist; ↔ BWV 198, 244a; → BWV 244.2
245.1	1724-04-07	Passion St John Passion (1st version; Good Friday)		satbSATB (2Fl?) 2Ob 2Odc Str 2Va Vdg Lu Bc	II/4: 40	text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling, Brockes, Postel, Weise; → BWV 245.1–v4
245.2	1725-03-30	Passion St John Passion (2nd version; Good Friday)		satbSATB 2Fl 2Ob 2Odc Str Vdg Bc	II/4: 167	text by Heyden, Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling, Brockes, Postel, Weise, Birkmann; after BWV 23/4, 245.1; → BWV 244/29, 245.3
245.3	1732-04-11	Passion St John Passion (3rd version; Good Friday)		satbSATB 2Fl 2Ob Str Vdg Org Bc	II/4: 206	text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling, Brockes, Postel, Weise; after BWV 245.1–.2; → BWV 245, inc. rev., v4
245.5	1739-1749	Passion St John Passion		satbSATB Fl 2Ob Str Bc	II/4	text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling, Brockes, Postel, Weise; after BWV 245.1–.3; → BWV 245.4
245.4	1749-04-04	Passion St John Passion (4th version; Good Friday)		satbSATB 2Fl 2Ob 2Oba Odc Bas Str Vdg Hc Bc	II/4	text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling, Brockes, Postel, Weise; after BWV 245.1–inc. rev.
246/40a	1743–1745 (JSB)	Chorale Aus der Tiefen rufe ich, No. 40 of St Luke Passion		t Str Bc (?)	II/9: 65	after BWV 246/40
247	1731-03-23 1744-04-03	Passion St Mark Passion (Good Friday; music lost but in part reconstructable)		satbSATB 2Fl 2Ob 2Oba 2Vl 2Va (2Vdg 2Lu) Org Bc (?)	II/5	text by Picander, Jonas, Reusner, Gerhardt, Rist, Kritzelmann [de], Schein, Stockmann, Franck, J., Homburg [de], Luther, Spee; after BWV 198/1, /5, /3, /8, /10 (or 244a/7), 54/1, 248/28?, /45, 7/2?
1088	c.1750?	Arioso So heb ich denn mein Auge sehnlich auf, No. 20 in Passion Oratorio Wer ist der, so von Edom kömmt (Good Friday)		b 2Bas Bc (?)	I/41: 125
248^I	1734-12-25	Cantata ''Jauchzet, frohlocket! Auf, preiset die Tage (Christmas Oratorio, Part I; Christmas)	D major	satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc	II/6	text by Picander?, Gerhardt, Luther; after BWV 214/1, /7, 213/9
248^II	1734-12-26	Cantata Und es waren Hirten in derselben Gegend (Christmas Oratorio, Part II; Christmas 2)	G major	satbSATB 2Fl 2Oba 2Odc Str Bc	II/6	text by Picander?, Rist, Gerhardt; after BWV 214/5, 213/3
248^III	1734-12-27	Cantata Herrscher des Himmels, erhöre das Lallen (Christmas Oratorio, Part III; Christmas 3)	D major	satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc	II/6	text by Picander?, Gerhardt, Luther, Runge; after BWV 214/9, 213/11
248^IV	1735-01-01	Cantata Fallt mit Danken, fallt mit Loben (Christmas Oratorio, Part IV; New Year)	F major	satbSATB 2Hn 2Ob Str Bc	II/6	text by Picander?, Rist; after BWV 213/1, /5, /7
248^V	1735-01-02	Cantata Ehre sei dir, Gott, gesungen (Christmas Oratorio, Part V; New Year I)	A major	satbSATB 2Oba Str Bc	II/6	text by Picander?, Weissel, Franck, J.; after BWV 247/39b, 215/7
248^VI	1735-01-06	Cantata Herr, wenn die stolzen Feinde schnauben (Christmas Oratorio, Part VI; Epiphany)	D major	satbSATB 3Tr Tmp 2Ob 2Oba Str Bc	II/6	text by Picander?, Gerhardt, Werner; after BWV 248^VIa
248^VIa	1734 or earlier	Cantata model for BWV 248^VI	D major	satbSATB 3Tr Tmp 2Ob 2Oba Str Bc	II/6	after BWV Anh. 10/1; → 248/54, /56–/57, /61–/64
249.5	1743–1746 1749-04-06 1750-03-26	Oratorio Kommt, eilet und laufet (Easter Oratorio; Easter)		satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str Bc	II/7: 1	text by Picander?; after BWV 249.3
249.3	1725-04-01 c.1738	Cantata Kommt, fliehet und eilet (Easter Oratorio, early versions: first version as cantata; Easter)		satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Vl Str Bc	II/7: 97	text by Picander?; after BWV 249.1; → BWV 249.5
249.1	1725-02-23	Secular cantata Entfliehet, verschwindet, entweichet, ihr Sorgen, a.k.a. Shepherd Cantata (birthday of Christian of Saxe-Weissenfels; music lost but in part reconstructable)		satbSATB 3Tr Tmp Fl 2Fl 2Ob Str Bc	I/35	text by Picander; → BWV 249.3/1–/3, /5, /7, /9, /11; 249.2
249.2	1726-08-25	Secular cantata Verjaget, zerstreuet, zerrüttet, ihr Sterne a.k.a. Die Feier des Genius (dramma per musica; birthday of Joachim Friedrich von Flemming [de]; music lost but in part reconstructable)			I/39	text by Picander; after BWV 249.1/1–/3, /5, /7, /9, /11
11	1735-05-19	Oratorio Lobet Gott in seinen Reichen (Ascension Oratorio; Ascension)		satbSATB 3Tr Tmp 2Fl 2Ob Str Bc	II/8	text by Picander?, Rist, Sacer
5.	Four-part chorales (see also: List of chorale harmonisations by Johann Sebastian Bach)
250	1734–1738	Chorale Was Gott tut, das ist wohlgetan (Three wedding chorales No. 1)		SATB 2Hn Ob Oba Str Bc	III/2.1: 3	text by Rodigast
251	1734–1738	Chorale Sei Lob und Ehr dem höchsten Gut (Three wedding chorales No. 2)		SATB 2Hn Ob Oba Str Bc	III/2.1: 4	text by Schütz, J. J.
252	1734–1738	Chorale Nun danket alle Gott (Three wedding chorales No. 3)		SATB 2Hn Ob Oba Str Bc	III/2.1: 5	text by Rinkart
253		Chorale Ach bleib bei uns, Herr Jesu Christ		SATB	III/2	text by Calvisius; ↔ BWV 414
254		Chorale Ach Gott, erhör mein Seufzen		SATB	III/2
255		Chorale Ach Gott und Herr		SATB	III/2
256		Chorale Ach lieben Christen, seid getrost		SATB	III/2
259		Chorale Ach, was soll ich Sünder machen		SATB	III/2
260		Chorale Allein Gott in der Höh sei Ehr		SATB	III/2
261		Chorale Allein zu dir, Herr Jesu Christ		SATB	III/2
262		Chorale Alle Menschen müssen sterben		SATB	III/2
263		Chorale Alles ist an Gottes Segen		SATB	III/2
264		Chorale Als der gütige Gott		SATB	III/2
265		Chorale Als Jesus Christus in der Nacht		SATB	III/2
266		Chorale Als vierzig Tag nach Ostern warn		SATB	III/2
267		Chorale An Wasserflüssen Babylon (or) Ein Lämmlein geht und trägt die Schuld		SATB	III/2
268		Chorale Auf, auf, mein Herz, und du mein ganzer Sinn		SATB	III/2
269		Chorale Aus meines Herzens Grunde		SATB	III/2
270		Chorale Befiehl du deine Wege		SATB	III/2
271		Chorale Befiehl du deine Wege		SATB	III/2
272		Chorale Befiehl du deine Wege		SATB	III/2
273		Chorale Christ, der du bist der helle Tag		SATB	III/2
274		Chorale Christe, der du bist Tag und Licht		SATB	III/2
275		Chorale Christ, du Beistand deiner Kreuzgemeine		SATB	III/2
276		Chorale Christ ist erstanden		SATB	III/2
277		Chorale Christ lag in Todesbanden		SATB	III/2
278		Chorale Christ lag in Todesbanden		SATB	III/2
279		Chorale Christ lag in Todesbanden		SATB	III/2
280		Chorale Christ unser Herr zum Jordan kam		SATB	III/2
281		Chorale Christus, der ist mein Leben		SATB	III/2
282		Chorale Christus, der ist mein Leben		SATB	III/2
283		Chorale Christus, der uns selig macht		SATB	III/2
284		Chorale Christus ist erstanden, hat überwunden		SATB	III/2
285		Chorale Da der Herr Christ zu Tische saß		SATB	III/2
286		Chorale Danket dem Herrn, denn er ist sehr freundlich		SATB	III/2
287		Chorale Dank sei Gott in der Höhe		SATB	III/2
288		Chorale Das alte Jahr vergangen ist		SATB	III/2
289		Chorale Das alte Jahr vergangen ist		SATB	III/2
290		Chorale Das walt Gott Vater und Gott Sohn		SATB	III/2
291		Chorale Das walt mein Gott		SATB	III/2
292		Chorale Den Vater dort oben		SATB	III/2
293		Chorale Der du bist drei in Einigkeit		SATB	III/2
294		Chorale Der Tag, der ist so freudenreich		SATB	III/2
295		Chorale Des Heilgen Geistes reiche Gnad		SATB	III/2
296		Chorale Die Nacht ist kommen		SATB	III/2
297		Chorale Die Sonn hat sich mit ihrem Glanz gewendet		SATB	III/2
298		Chorale Dies sind die heilgen zehn Gebot		SATB	III/2
299		Chorale Dir, dir, Jehova, will ich singen		SATB	III/2	↔ BWV 299 AMB2
300		Chorale Du großer Schmerzensmann		SATB	III/2
301		Chorale Du, o schönes Weltgebäude		SATB	III/2
302		Chorale Ein feste Burg ist unser Gott		SATB	III/2
303		Chorale Ein feste Burg ist unser Gott		SATB	III/2
304		Chorale Eins ist not, ach Herr, dies Eine		SATB	III/2
305		Chorale Erbarm dich mein, o Herre Gott		SATB	III/2
306		Chorale Erstanden ist der heilig Christ		SATB	III/2
307		Chorale Es ist gewisslich an der Zeit		SATB	III/2
308		Chorale Es spricht der Unweisen Mund wohl		SATB	III/2
309		Chorale Es stehn vor Gottes Throne		SATB	III/2
310		Chorale Es wird schier der letzte Tag herkommen		SATB	III/2
311		Chorale Es woll uns Gott gnädig sein		SATB	III/2
312		Chorale Es woll uns Gott gnädig sein		SATB	III/2
327		Chorale Vor deinen Thron tret ich hiermit		SATB	III/2
313		Chorale Für Freuden lasst uns springen		SATB	III/2
314		Chorale Gelobt seist du, Jesu Christ		SATB	III/2
315		Chorale Gib dich zufrieden und sei stille		SATB	III/2	text by Gerhardt; ↔ BWV 512
316		Chorale Gott, der du selber bist das Licht		SATB	III/2
317		Chorale Gott der Vater wohn uns bei		SATB	III/2
318		Chorale Gottes Sohn ist kommen		SATB	III/2
319		Chorale Gott hat das Evangelium		SATB	III/2
320		Chorale Gott lebet noch		SATB	III/2
321		Chorale Gottlob, es geht nunmehr zum Ende		SATB	III/2
322		Chorale Gott sei gelobet und gebenedeiet		SATB	III/2
323		Chorale Gott sei uns gnädig und barmherzig		SATB	III/2
325		Chorale Heilig, heilig (or) Sanctus, Sanctus Dominus Deus Sabaoth		SATB	III/2
326		Chorale Herr Gott, dich loben alle wir		SATB	III/2
328		Chorale Herr Gott, dich loben wir		SATB	III/2
329		Chorale Herr, ich denk an jene Zeit		SATB	III/2
330		Chorale Herr, ich habe missgehandelt		SATB	III/2
331		Chorale Herr, ich habe missgehandelt		SATB	III/2
332		Chorale Herr Jesu Christ, dich zu uns wend		SATB	III/2
333		Chorale Herr Jesu Christ, du hast bereit'		SATB	III/2
334		Chorale Herr Jesu Christ, ich schrei zu dir (or) Herr Jesu Christ, du höchstes Gut		SATB	III/2
335		Chorale Herr Jesu Christ, meins Lebens Licht (or) O Jesu, du mein Bräutigam		SATB	III/2
336		Chorale Herr Jesu Christ, wahr' Mensch und Gott		SATB	III/2
337		Chorale Herr, nun lass in Friede		SATB	III/2
338		Chorale Herr, straf mich nicht in deinem Zorn		SATB	III/2
339		Chorale Wer in dem Schutz des Höchsten ist (or) Herr, wie du willt, so schicks mit mir		SATB	III/2
340		Chorale Herzlich lieb hab ich dich, o Herr		SATB	III/2
341		Chorale Heut ist, o Mensch, ein großer Trauertag		SATB	III/2
342		Chorale Heut triumphieret Gottes Sohn		SATB	III/2
343		Chorale Hilf, Gott, dass mirs gelinge		SATB	III/2
344		Chorale Hilf, Herr Jesu, lass gelingen		SATB	III/2
345		Chorale Ich bin ja, Herr, in deiner Macht		SATB	III/2
346		Chorale Ich dank dir, Gott, für deine Wohltat		SATB	III/2
347		Chorale Ich dank dir, lieber Herre		SATB	III/2
348		Chorale Ich dank dir, lieber Herre		SATB	III/2
349		Chorale Ich dank dir schon durch deinen Sohn		SATB	III/2
350		Chorale Ich danke dir, Herr Gott, in deinem Throne		SATB	III/2
351		Chorale Ich hab mein Sach Gott heimgestellt		SATB	III/2
366		Chorale Ihr Gestirn, ihr hohlen Lüfte		SATB	III/2
367		Chorale In allen meinen Taten		SATB	III/2
368		Chorale In dulci jubilo		SATB	III/2
352		Chorale Jesu, der du meine Seele		SATB	III/2
353		Chorale Jesu, der du meine Seele		SATB	III/2
354		Chorale Jesu, der du meine Seele		SATB	III/2
355		Chorale Jesu, der du selbsten wohl		SATB	III/2
356		Chorale Jesu, du mein liebstes Leben		SATB	III/2
357		Chorale Jesu, Jesu, du bist mein		SATB	III/2
358		Chorale Jesu, meine Freude		SATB	III/2
360		Chorale Jesu, meiner Seelen Wonne		SATB	III/2
359		Chorale Jesu, meiner Seelen Wonne		SATB	III/2
361		Chorale Jesu, meines Herzens Freud		SATB	III/2
362		Chorale Jesu, nun sei gepreiset		SATB	III/2
364		Chorale Jesus Christus, unser Heiland, der den Tod überwand		SATB	III/2
363		Chorale Jesus Christus, unser Heiland		SATB	III/2
365		Chorale Jesus, meine Zuversicht		SATB	III/2
369		Chorale Keinen hat Gott verlassen		SATB	III/2
370		Chorale Komm, Gott Schöpfer, Heiliger Geist		SATB	III/2
371		Chorale Kyrie, Gott Vater in Ewigkeit		SATB	III/2
372		Chorale Lass, o Herr, dein Ohr sich neigen		SATB	III/2
373		Chorale Liebster Jesu, wir sind hier		SATB	III/2
374		Chorale Lobet den Herren, denn er ist sehr freundlich		SATB	III/2
375		Chorale Lobt Gott, ihr Christen, allzugleich		SATB	III/2
376		Chorale Lobt Gott, ihr Christen allzugleich		SATB	III/2
377		Chorale Machs mit mir, Gott, nach deiner Güt		SATB	III/2
378		Chorale Mein Augen schließ ich jetzt in Gottes Namen zu		SATB	III/2
379		Chorale Meinen Jesum lass ich nicht		SATB	III/2
380		Chorale Meinen Jesum lass ich nicht		SATB	III/2
324		Chorale Meine Seele erhebet den Herren		SATB	III/2
381		Chorale Meines Lebens letzte Zeit		SATB	III/2
382		Chorale Mit Fried und Freud ich fahr dahin		SATB	III/2
383		Chorale Mitten wir im Leben sind		SATB	III/2
384		Chorale Nicht so traurig, nicht so sehr		SATB	III/2
385		Chorale Nun bitten wir den Heiligen Geist		SATB	III/2
386		Chorale Nun danket alle Gott		SATB	III/2
387		Chorale Nun freut euch, Gottes Kinder all		SATB	III/2
388		Chorale Nun freut euch, lieben Christen gmein		SATB	III/2
389		Chorale Nun lob, mein Seel, den Herren		SATB	III/2
390		Chorale Nun lob, mein Seel, den Herren		SATB	III/2
391		Chorale Nun preiset alle Gottes Barmherzigkeit		SATB	III/2
392		Chorale Nun ruhen alle Wälder		SATB	III/2
396		Chorale Nun sich der Tag geendet hat		SATB	III/2
397		Chorale O Ewigkeit, du Donnerwort		SATB	III/2	text by Rist; ↔ BWV 513
398		Chorale O Gott, du frommer Gott		SATB	III/2	↔ BWV 197a/7
399		Chorale O Gott, du frommer Gott		SATB	III/2
400		Chorale O Herzensangst		SATB	III/2
401		Chorale O Lamm Gottes, unschuldig		SATB	III/2
402		Chorale O Mensch, bewein dein Sünde groß		SATB	III/2
403		Chorale O Mensch, schau Jesum Christum an		SATB	III/2
404		Chorale O Traurigkeit, o Herzeleid		SATB	III/2
393		Chorale O Welt, sieh hier dein Leben		SATB	III/2
394		Chorale O Welt, sieh hier dein Leben		SATB	III/2
395		Chorale O Welt, sieh hier dein Leben		SATB	III/2
405		Chorale O wie selig seid ihr doch, ihr Frommen		SATB	III/2
406		Chorale O wie selig seid ihr doch, ihr Frommen		SATB	III/2
407		Chorale Es ist gewisslich an der Zeit		SATB	III/2
408		Chorale Schaut, ihr Sünder		SATB	III/2
409		Chorale Seelenbräutigam		SATB	III/2
410		Chorale Sei gegrüßet, Jesu gütig		SATB	III/2
411		Chorale Singt dem Herrn ein neues Lied		SATB	III/2
412		Chorale So gibst du nun, mein Jesu, gute Nacht		SATB	III/2
413		Chorale Sollt ich meinem Gott nicht singen		SATB	III/2
414		Chorale Uns ist ein Kindlein heut geborn		SATB	III/2
415		Chorale Valet will ich dir geben		SATB	III/2
416		Chorale Vater unser im Himmelreich		SATB	III/2
417		Chorale Von Gott will ich nicht lassen		SATB	III/2
418		Chorale Von Gott will ich nicht lassen		SATB	III/2
419		Chorale Helft mir Gotts Güte preisen (or) Von Gott will ich nicht lassen		SATB	III/2
257		Chorale Wär Gott nicht mit uns diese Zeit		SATB	III/2
420		Chorale Warum betrübst du dich, mein Herz		SATB	III/2
421		Chorale Warum betrübst du dich, mein Herz		SATB	III/2
422		Chorale Warum sollt ich mich denn grämen		SATB	III/2
423		Chorale Was betrübst du dich, mein Herze		SATB	III/2
424		Chorale Was bist du doch, o Seele, so betrübet		SATB	III/2
425		Chorale Was willst du dich, o meine Seele, kränken		SATB	III/2
426		Chorale Weltlich Ehr und zeitlich Gut		SATB	III/2
427		Chorale Wenn ich in Angst und Not		SATB	III/2
428		Chorale Wenn mein Stündlein vorhanden ist		SATB	III/2
429		Chorale Wenn mein Stündlein vorhanden ist		SATB	III/2
430		Chorale Wenn mein Stündlein verhanden ist		SATB	III/2
431		Chorale Wenn wir in höchsten Nöten sein		SATB	III/2
432		Chorale Wenn wir in höchsten Nöten sein		SATB	III/2
433		Chorale Wer Gott vertraut, hat wohl gebaut		SATB	III/2
434		Chorale Wer weiß, wie nahe mir mein Ende (or) Wer nur den lieben Gott lässt walten		SATB	III/2
435		Chorale Wie bist du, Seele, in mir so gar betrübt		SATB	III/2
436		Chorale Wie schön leuchtet der Morgenstern		SATB	III/2
437		Chorale Wir glauben all an einen Gott		SATB	III/2
258		Chorale Wo Gott der Herr nicht bei uns hält		SATB	III/2
438		Chorale Wo Gott zum Haus nicht gibt sein Gunst		SATB	III/2
500a	1726-04-19	Chorale So gehst du nun, mein Jesu, hin (in Bach's Leipzig versions of St Mark Passion attributed to Keiser)		SATB Str Bc	II/9: 75	text by Nachtenhöfer [de]; ↔ BWV 500
1084	1726-04-19	Chorale O hilf Christe, Gottes Sohn (in Bach's Leipzig versions of St Mark Passion attributed to Keiser)		SATB Str Bc	II/9: 76	text by Weiße; after BC D 5a/14
1089		Chorale Da Jesus an dem Kreuze stund		SATB	III/2.2: 216	text by Lilius [de]
1122	before c.1735	Chorale Denket doch, ihr Menschenkinder		SATB	III/2.1: 31	text by Hübner?; in D-LEb Peters Ms. R 18
1123	before c.1735	Chorale Wo Gott zum Haus gibt nicht sein Gunst		SATB	III/2.1: 40	text by Kolrose [de]; in D-LEb Peters Ms. R 18
1124	before c.1735	Chorale Ich ruf zu dir, Herr Jesu Christ		SATB	III/2.1: 51	text by Agricola, J.; in D-LEb Peters Ms. R 18
1125	before c.1735	Chorale O Gott, du frommer Gott		SATB	III/2.1: 79	text by Heermann; in D-LEb Peters Ms. R 18
1126		Chorale Lobet Gott, unsern Herren		SATB	III/2.2: 218
6.	Songs, Arias and Quodlibet (see also: List of songs and arias of Johann Sebastian Bach)
439	1736 (or earlier)	Schemellis Gesangbuch No. 831: "Ach, dass nicht die letzte Stunde" (song 56/69)		V Bc	III/2.1: 104	text by Neumeister
440	1736 (or earlier)	Schemellis Gesangbuch No. 171: "Auf, auf! die rechte Zeit ist hier" (song 11/69)		V Bc	III/2.1: 104
441	1736 (or earlier)	Schemellis Gesangbuch No. 320: "Auf, auf, mein Herz, mit Freuden" (song 27/69)		V Bc	III/2.1: 104
442	1736 (or earlier)	Schemellis Gesangbuch No. 570: "Beglückter Stand getreuer Seelen" (song 39/69)		V Bc	III/2.1: 104
443	1736 (or earlier)	Schemellis Gesangbuch No. 689: "Beschränkt, ihr Weisen dieser Welt" (song 47/69)		V Bc	III/2.1: 104
444	1736 (or earlier)	Schemellis Gesangbuch No. 303: "Brich entzwei, mein armes Herze" (song 24/69)		V Bc	III/2.1: 104
445	1736 (or earlier)	Schemellis Gesangbuch No. 335: "Brunnquell aller Güter" (song 29/69)		V Bc	III/2.1: 104
446	1736 (or earlier)	Schemellis Gesangbuch No. 39: "Der lieben Sonnen Licht und Pracht" (song 2/69)		V Bc	III/2.1: 104
447	1736 (or earlier)	Schemellis Gesangbuch No. 40: "Der Tag ist hin, die Sonne gehet nieder" (song 3/69)		V Bc	III/2.1: 104
448	1736 (or earlier)	Schemellis Gesangbuch No. 43: "Der Tag mit seinem Lichte" (song 4/69)		V Bc	III/2.1: 104
449	1736 (or earlier)	Schemellis Gesangbuch No. 396: "Dich bet ich an, mein höchster Gott" (song 31/69)		V Bc	III/2.1: 104
450	1736 (or earlier)	Schemellis Gesangbuch No. 258: "Die bittre Leidenszeit beginnet abermal" (song 17/69)		V Bc	III/2.1: 104
451	1736 (or earlier)	Schemellis Gesangbuch No. 13: "Die güldne Sonne" (song 1/69)		V Bc	III/2.1: 104
452	1736 (or earlier)	Schemellis Gesangbuch No. 397: "Dir, dir, Jehova, will ich singen" (song 32/69)		V Bc	III/2.1: 104
453	1736 (or earlier)	Schemellis Gesangbuch No. 112: "Eins ist not! ach Herr, dies Eine" (song 7/69)		V Bc	III/2.1: 104
454	1736 (or earlier)	Schemellis Gesangbuch No. 187: "Ermuntre dich, mein schwacher Geist" (song 12/69)		V Bc	III/2.1: 104
455	1736 (or earlier)	Schemellis Gesangbuch No. 580: "Erwürgtes Lamm, das die verwahrten Siegel" (song 43/69)		V Bc	III/2.1: 104
456	1736 (or earlier)	Schemellis Gesangbuch No. 572: "Es glänzet der Christen inwendiges Leben" (song 40/69)		V Bc	III/2.1: 104
457	1736 (or earlier)	Schemellis Gesangbuch No. 847: "Es ist nun aus mit meinem Leben" (song 57/69)		V Bc	III/2.1: 104
458	1736 (or earlier)	Schemellis Gesangbuch No. 306: "Es ist vollbracht! Vergiss ja nicht dies Wort" (song 25/69)		V Bc	III/2.1: 104
459	1736 (or earlier)	Schemellis Gesangbuch No. 522: "Es kostet viel, ein Christ zu sein" (song 38/69)		V Bc	III/2.1: 104
460	1736 (or earlier)	Schemellis Gesangbuch No. 647: "Gib dich zufrieden und sei stille" (song 45/69)		V Bc	III/2.1: 104
461	1736 (or earlier)	Schemellis Gesangbuch No. 488: "Gott lebet noch" (song 37/69)		V Bc	III/2.1: 104
462	1736 (or earlier)	Schemellis Gesangbuch No. 360: "Gott wie groß ist deine Güte" (song 30/69)		V Bc	III/2.1: 104
463	1736 (or earlier)	Schemellis Gesangbuch No. 78: "Herr, nicht schicke deine Rache" (song 5/69)		V Bc	III/2.1: 104
464	1736 (or earlier)	Schemellis Gesangbuch No. 861: "Ich bin ja, Herr, in deiner Macht" (song 58/69)		V Bc	III/2.1: 104
465	1736 (or earlier)	Schemellis Gesangbuch No. 194: "Ich freue mich in dir" (song 13/69)		V Bc	III/2.1: 104
466	1736 (or earlier)	Schemellis Gesangbuch No. 657: "Ich halte treulich still" (song 46/69)		V Bc	III/2.1: 104
467	1736 (or earlier)	Schemellis Gesangbuch No. 734: "Ich lass dich nicht" (song 51/69)		V Bc	III/2.1: 104
468	1736 (or earlier)	Schemellis Gesangbuch No. 737: "Ich liebe Jesum alle Stund" (song 52/69)		V Bc	III/2.1: 104
469	1736 (or earlier)	Schemellis Gesangbuch No. 195: "Ich steh an deiner Krippen hier" (song 14/69)		V Bc	III/2.1: 104
476	1736 (or earlier)	Schemellis Gesangbuch No. 197: "Ihr Gestirn, ihr hohlen Lüfte" (song 15/69)		V Bc	III/2.1: 104
471	1736 (or earlier)	Schemellis Gesangbuch No. 139: "Jesu, deine Liebeswunden" (song 10/69)		V Bc	III/2.1: 104
470	1736 (or earlier)	Schemellis Gesangbuch No. 741: "Jesu, Jesu, du bist mein" (song 53/69)		V Bc	III/2.1: 104
472	1736 (or earlier)	Schemellis Gesangbuch No. 119: "Jesu, meines Glaubens Zier" (song 8/69)		V Bc	III/2.1: 104
473	1736 (or earlier)	Schemellis Gesangbuch No. 696: "Jesu, meines Herzens Freud" (song 48/69)		V Bc	III/2.1: 104
474	1736 (or earlier)	Schemellis Gesangbuch No. 463: "Jesus ist das schönste Licht" (song 33/69)		V Bc	III/2.1: 104
475	1736 (or earlier)	Schemellis Gesangbuch No. 333: "Jesus, unser Trost und Leben" (song 28/69)		V Bc	III/2.1: 104
477	1736 (or earlier)	Schemellis Gesangbuch No. 869: "Kein Stündlein geht dahin" (song 60/69)		V Bc	III/2.1: 104
478	1736 (or earlier)	Schemellis Gesangbuch No. 868: "Komm, süßer Tod" (song 59/69)		V Bc	III/2.1: 104
479	1736 (or earlier)	Schemellis Gesangbuch No. 936: "Kommt, Seelen, dieser Tag" (song 67/69)		V Bc	III/2.1: 104
480	1736 (or earlier)	Schemellis Gesangbuch No. 938: "Kommt wieder aus der finstern Gruft" (song 68/69)		V Bc	III/2.1: 104
481	1736 (or earlier)	Schemellis Gesangbuch No. 281: "Lasset uns mit Jesu ziehen" (song 18/69)		V Bc	III/2.1: 104
482	1736 (or earlier)	Schemellis Gesangbuch No. 467: "Liebes Herz, bedenke doch" (song 34/69)		V Bc	III/2.1: 104
483	1736 (or earlier)	Schemellis Gesangbuch No. 873: "Liebster Gott, wann werd ich sterben" (song 61/69)		V Bc	III/2.1: 104
484	1736 (or earlier)	Schemellis Gesangbuch No. 874: "Liebster Herr Jesu, wo bleibst du so lange" (song 62/69)		V Bc	III/2.1: 104
485	1736 (or earlier)	Schemellis Gesangbuch No. 761: "Liebster Immanuel, Herzog der Frommen" (song 54/69)		V Bc	III/2.1: 104
488	1736 (or earlier)	Schemellis Gesangbuch No. 881: "Meines Lebens letzte Zeit" (song 63/69)		V Bc	III/2.1: 104
486	1736 (or earlier)	Schemellis Gesangbuch No. 121: "Mein Jesu, dem die Seraphinen" (song 9/69)		V Bc	III/2.1: 104
487	1736 (or earlier)	Schemellis Gesangbuch No. 283: "Mein Jesu! was vor Seelenweh" (song 19/69)		V Bc	III/2.1: 104
489	1736 (or earlier)	Schemellis Gesangbuch No. 574: "Nicht so traurig, nicht so sehr" (song 41/69)		V Bc	III/2.1: 104
490	1736 (or earlier)	Schemellis Gesangbuch No. 700: "Nur mein Jesus ist mein Leben" (song 49/69)		V Bc	III/2.1: 104
491	1736 (or earlier)	Schemellis Gesangbuch No. 284: "O du Liebe meiner Liebe" (song 20/69)		V Bc	III/2.1: 104
492	1736 (or earlier)	Schemellis Gesangbuch No. 891: "O finstre Nacht, wenn wirst du doch vergehen" (song 64/69)		V Bc	III/2.1: 104
493	1736 (or earlier)	Schemellis Gesangbuch No. 203: "O Jesulein süß, o Jesulein mild" (song 16/69)		V Bc	III/2.1: 104
494	1736 (or earlier)	Schemellis Gesangbuch No. 575: "O liebe Seele, zieh die Sinnen" (song 42/69)		V Bc	III/2.1: 104
495	1736 (or earlier)	Schemellis Gesangbuch No. 894: "O wie selig seid ihr doch, ihr Frommen" (song 65/69)		V Bc	III/2.1: 104
496	1736 (or earlier)	Schemellis Gesangbuch No. 472: "Seelenbräutigam" (song 35/69)		V Bc	III/2.1: 104
497	1736 (or earlier)	Schemellis Gesangbuch No. 710: "Seelenweide" (song 50/69)		V Bc	III/2.1: 104
499	1736 (or earlier)	Schemellis Gesangbuch No. 293: "Sei gegrüßet, Jesu gütig" (song 22/69)		V Bc	III/2.1: 104
498	1736 (or earlier)	Schemellis Gesangbuch No. 292: "Selig, wer an Jesum denkt" (song 21/69)		V Bc	III/2.1: 104
500	1736 (or earlier)	Schemellis Gesangbuch No. 296: "So gehst du nun, mein Jesu hin" (song 23/69)		V Bc	III/2.1: 104	text by Nachtenhöfer [de]; ↔ BWV 500a
501	1736 (or earlier)	Schemellis Gesangbuch No. 315: "So gibst du nun, mein Jesu, gute Nacht" (song 26/69)		V Bc	III/2.1: 104
502	1736 (or earlier)	Schemellis Gesangbuch No. 901: "So wünsch ich mir zu guter Letzt" (song 66/69)		V Bc	III/2.1: 104
503	1736 (or earlier)	Schemellis Gesangbuch No. 945: "Steh ich bei meinem Gott" (song 69/69)		V Bc	III/2.1: 104
504	1736 (or earlier)	Schemellis Gesangbuch No. 475: "Vergiss mein nicht" (song 36/69)		V Bc	III/2.1: 104
505	1736 (or earlier)	Schemellis Gesangbuch No. 627: "Vergiss mein nicht" (song 44/69)		V Bc	III/2.1: 104
506	1736 (or earlier)	Schemellis Gesangbuch No. 779: "Was bist du doch, o Seele, so betrübt" (song 55/69)		V Bc	III/2.1: 104
507	1736 (or earlier)	Schemellis Gesangbuch No. 108: "Wo ist mein Schäflein, das ich liebe" (song 6/69)		V Bc	III/2.1: 104
508	after 1733–1734 (AMB)	Notebook A. M. Bach (1725) No. 25: aria "Bist du bei mir"		V Bc	V/4: 102	by Stölzel
299 AMB2	1725–1735	Notebook A. M. Bach (1725) No. 39: chorale Dir, dir, Jehova, will ich singen		S(AT)B (V Bc)	V/4: 126	↔ BWV 299
509	1725–1733 (AMB)	Notebook A. M. Bach (1725) No. 41: aria "Gedenke doch, mein Geist, zurücke"		V Bc	V/4: 128
510	1725–1733	Notebook A. M. Bach (1725) No. 12: song "Gib dich zufrieden und sei stille"	F major	V Bc	V/4: 91
511	1725–1733	Notebook A. M. Bach (1725) No. 13a: song "Gib dich zufrieden und sei stille"	G minor	V Bc	V/4: 91	text by Gerhardt; → BWV 512
512	1725–1733	Notebook A. M. Bach (1725) No. 13b: song "Gib dich zufrieden und sei stille"	E minor	V Bc	V/4: 91	text by Gerhardt; after BWV 511; ↔ 315
513	1725–1733 (AMB)	Notebook A. M. Bach (1725) No. 42: song "O Ewigkeit, du Donnerwort"		V Bc	V/4: 129	text by Rist; ↔ BWV 397
514	1725–1733 (AMB)	Notebook A. M. Bach (1725) No. 35: song "Schaffs mit mir, Gott"		V Bc	V/4: 125	text by Schmolck
515	after 1733–1734	Notebook A. M. Bach (1725) No. 20a: aria "So oft ich meine Tobackspfeife"	D minor	V Bc	V/4: 98	by Bach, G. H.?; → BWV 515a
515a	after 1733–1734	Notebook A. M. Bach (1725) No. 20b: aria "So oft ich meine Tobackspfeife"	G minor	V Bc	V/4: 98	after BWV 515
516	after 1733–1734 (AMB)	Notebook A. M. Bach (1725) No. 33: aria "Warum betrübst du dich"		V Bc	V/4: 121
517	after 1733–1734 (AMB)	Notebook A. M. Bach (1725) No. 40: song "Wie wohl ist mir, o Freund der Seelen"		V Bc	V/4: 128	text by Dreßler
518	after 1725	Notebook A. M. Bach (1725) No. 37: aria "Willst du dein Herz mir schenken" a.k.a. "Aria di G(i)ovannini"		V Bc	V/4: 126
519	c.1736?	Five Hymns from SBB Bach P 802 No. 1: "Hier lieg ich nun, o Vater aller Gnaden"		V Bc		by Krebs, J. L.?; in Spitta III, pp. 401–403
520	c.1736?	Five Hymns from SBB Bach P 802 No. 2: "Das walt mein Gott, Gott Vater, Sohn und heilger Geist"		V Bc		by Krebs, J. L.?; in Spitta III, pp. 401–403
521	c.1736?	Five Hymns from SBB Bach P 802 No. 3: "Gott, mein Herz dir Dank zusendet"		V	III/3	by Krebs, J. L.?; in Spitta III, pp. 401–403
522	c.1736?	Five Hymns from SBB Bach P 802 No. 4: "Meine Seele, lass es gehen, wie es in der Welt jetzt geht"		V		by Krebs, J. L.?; in Spitta III, pp. 401–403
523	c.1736?	Five Hymns from SBB Bach P 802 No. 5: "Ich gnüge mich an meinem Stande"		V		by Krebs, J. L.?; in Spitta III, pp. 401–403
524	1707 – July 1708	Quodlibet (incomplete; wedding?)		SATB (SBBB) Bc	I/41: 69
7.	Works for organ (see also: List of organ compositions by Johann Sebastian Bach)
525	c.1730	Trio Sonata No. 1/6	E♭ major	Organ	IV/7: 1	→ BWV 525a
526	c.1730	Trio Sonata No. 2/6	C minor	Organ	IV/7: 14
527	c.1730	Trio Sonata No. 3/6 (+e. v. for /1)	D minor	Organ	IV/7: 28	→ BWV 1044/2
528	c.1730	Trio Sonata No. 4/6 (+e. v. for /2, /3)	E minor	Organ	IV/7: 44	after BWV 76/8
529	c.1730	Trio Sonata No. 5/6 (+e. v. for /2)	C major	Organ	IV/7: 56
530	c.1730	Trio Sonata No. 6/6	G major	Organ	IV/7: 76
531	c.1700–1703	Prelude and Fugue	C major	Organ	IV/5: 3	in Möllersche Handschrift
532	c.1708–1712	Prelude and Fugue	D major	Organ	IV/5: 58	↔ BWV 912, 532/2a
532/2a		Fugue	D major	Organ	IV/6: 95	↔ BWV 532/2
533	c.1704	Prelude and Fugue ("Cathedral")	E minor	Organ	IV/5: 90	↔ BWV 533a
533a		Prelude and Fugue	E minor	Keyboard	IV/6: 106	↔ BWV 533
534	c.1712–1717	Prelude and Fugue	F minor	Organ	IV/5: 130
535	after 1717	Prelude and Fugue	G minor	Organ	IV/5: 157	after BWV 535a
535a	c.1702–1704	Prelude and Fugue (incomplete)	G minor	Organ	IV/6: 109	→ BWV 535; in Möllersche Handschrift
536	1708–1717	Prelude and Fugue	A major	Organ	IV/5: 180	↔ BWV 152/1; → 536a
537	1729–1750	Fantasia and Fugue	C minor	Organ	IV/5: 47
538	1712–1717	Toccata and Fugue ("Dorian")	D minor	Organ	IV/5: 76
539	1724–1750?	Prelude and Fugue	D minor	Organ	IV/5: 70	after BWV 1001/2, 1000
540	c.1712–1717?	Toccata and Fugue	F major	Organ	IV/5: 112
541 528/3	c.1712–1717?	Toccata and Fugue (Trio BWV 528/3 e. v. as possible middle movement)	G major	Organ	IV/5: 146	→ BWV 528/3
542	c.1714–1720?	Fantasia and Fugue ("Great"; independent compositions?; fugue also in F minor)	G minor	Organ	IV/5: 167
543	after c.1730	Prelude and Fugue	A minor	Organ	IV/5: 186	after BWV 543/1a
543/1a	bef. c.1725	Prelude	A minor	Organ	IV/6: 121	→ BWV 543/1
544	1725–1728	Prelude and Fugue	B minor	Organ	IV/5: 198
545 529/2	1708–1717 after 1722	Prelude and Fugue (middle movement BWV 529/2 e. v. removed after 1722)	C major	Organ	IV/5: 10	after BWV 545a, b; → 529/2
545a	1708–1717	Prelude and Fugue (early version)	C major	Organ	IV/6: 77	→ BWV 545b, 545
546	1708–1750	Prelude and Fugue	C minor	Organ	IV/5: 35
547	1719–1750	Prelude and Fugue	C major	Organ	IV/5: 20
548	1725–1728	Prelude and Fugue ("Wedge")	E minor	Organ	IV/5: 94
549	1705–1750	Prelude and Fugue	C minor	Organ	IV/5: 30	after BWV 549a
549a	c.1701	Prelude (or: Fantasia) and Fugue	D minor	Organ	IV/6: 101	→ BWV 549; in Möllersche Handschrift
550	1706–1708	Prelude and Fugue	G major	Organ	IV/5: 138
551	c.1699	Prelude and Fugue	A minor	Organ	IV/6: 63
552	1739	Prelude and Fugue ("St Anne") from Clavier-Übung III	E♭ major	Organ	IV/4: 2, 105
562	1720–c.1748	Fantasia and Fugue (unfinished fugue added c.1747–1748)	C minor	Organ	IV/5: 54
563	c.1704	Fantasia and Imitatio	C major	Organ	IV/6: 68	in Andreas-Bach-Buch
564	bef. c.1712	Toccata, Adagio and Fugue	C major	Organ	IV/6: 3
565	c.1704?	Toccata and Fugue	D minor	Organ	IV/6: 31
566	1700–1750	Prelude and Fugue (earliest manuscripts: C major; /1 as Toccata in BGA)	E major C major	Organ	IV/6: 40
568	c.1700–1705?	Prelude	G major	Organ	IV/6: 51
569	1703–c.1704	Prelude	A minor	Organ	IV/6: 59
1121	1706–1710	Fantasia	C minor	Organ	IV/11: 54	in Andreas-Bach-Buch; was Anh. 205
570	c.1698–1704	Fantasia	C major	Organ	IV/6: 16	in Andreas-Bach-Buch
572	1708–c.1712	Fantasia, a.k.a. Pièce d'Orgue (+reworked version)	G major	Organ	IV/7: 130, 144
573	c.1722–1725	Notebook A. M. Bach (1722) No. 6 Fantasia (incomplete?)	C minor	Keyboard	V/4: 39 IV/6: 18
574	after c.1708?	Fugue on a theme by Legrenzi	C minor	Organ	IV/6: 19	after BWV 574b; ↔ 574a
574a	after c.1708?	Fugue on a theme by Legrenzi (variant)	C minor	Organ	IV/6: 82	after BWV 574b; ↔ 574
574b	c.1707–1713 or earlier	Fugue on a theme by Legrenzi (early version)	C minor	Organ	IV/6: 88	after Legrenzi (theme); → BWV 574a, 574; in Andreas-Bach-Buch
575	1708–1717?	Fugue	C minor	Organ	IV/6: 26
578	c.1713 or earlier	Fugue ("Little")	G minor	Organ	IV/6: 55	in Andreas-Bach-Buch
579	1708–1717?	Fugue on a theme by Corelli	B minor	Organ	IV/6: 71	after Corelli (theme)
582	bef. 1707 1707–1708	Passacaglia (and Fugue)	C minor	Organ	IV/7: 98	in Andreas-Bach-Buch
583	c.1730 or earlier?	Trio	D minor	Organ	IV/7: 94
585	c.1726–1727 (JSB)	Trio	C minor	Organ	IV/8: 73	after Fasch J. F., FaWV N:c2/1, /2; arr. by Bach
586	bef. c.1740	Trio	G major	Organ	IV/8: 78	after Telemann?
587	after 1726	Aria	F major	Organ	IV/8: 82	after Couperin, Les Nations^III/4
588	c.1704–1707 or earlier	Canzona	D minor	Organ	IV/7: 118	in Möllersche Handschrift
589	1700–1720?	Alla breve	D major	Organ	IV/7: 114
590	bef. c.1727	Pastorella (/1 incomplete?)	F major	Organ	IV/7: 122
592	c.1714–1717	Concerto for solo organ	G major	Organ	IV/8: 56	after J. E. of Saxe-Weimar, Concerto a 8; → BWV 592a
592a	c.1714–1717	Concerto for solo harpsichord	G major	Keyboard	V/11: 150	after BWV 592
593	c.1714–1717	Concerto for solo organ	A minor	Organ	IV/8: 16	after Vivaldi, Op. 3 No. 8 (RV 522)
594	c.1714–1717	Concerto for solo organ	C major	Organ	IV/8: 30	after Vivaldi, RV 208, Grosso Mogul
595	c.1714–1717	Concerto for solo organ	C major	Organ	IV/8: 65	after BWV 984/1
596	c.1714–1717	Concerto for solo organ (arrangement previously attributed to W. F. Bach)	D minor	Organ	IV/8: 3	after Vivaldi, Op. 3 No. 11 (RV 565)
599	1713–1715 or earlier	Chorale prelude Nun komm, der Heiden Heiland (Orgelbüchlein No. 1)	A minor	Organ	IV/1: 3
600	1713–1715 or earlier	Chorale prelude Gott durch deine Güte (or) Gottes Sohn ist kommen (Orgelbüchlein No. 2)	F major	Organ	IV/1: 4
601	1713–1715 or earlier	Chorale prelude Herr Christ, der ein'ge Gottes Sohn (or) Herr Gott, nun sei gepreiset (Orgelbüchlein No. 3; also in Neumeister Collection)	A major	Organ	IV/1: 6
602	1713–1715 or earlier	Chorale prelude Lob sei dem allmächtigen Gott (Orgelbüchlein No. 4)	D minor	Organ	IV/1: 7
603	1713–1715 or earlier	Chorale prelude Puer natus in Bethlehem (Orgelbüchlein No. 5)	G minor	Organ	IV/1: 8
604	1713–1715 or earlier	Chorale prelude Gelobet seist du, Jesu Christ (Orgelbüchlein No. 6)	G major	Organ	IV/1: 11
605	1713–1715 or earlier	Chorale prelude Der Tag, der ist so freudenreich (Orgelbüchlein No. 7)	G major	Organ	IV/1: 11
606	1713–1715 or earlier	Chorale prelude Vom Himmel hoch, da komm ich her (Orgelbüchlein No. 8)	D major	Organ	IV/1: 13
607	1713–1715 or earlier	Chorale prelude Vom Himmel kam der Engel Schar (Orgelbüchlein No. 9)	G minor	Organ	IV/1: 14
608	1713–1715 or earlier	Chorale prelude In dulci jubilo (Orgelbüchlein No. 10)	A major	Organ	IV/1: 16
609	1713–1715 or earlier	Chorale prelude Lobt Gott, ihr Christen allzugleich (Orgelbüchlein No. 11)	G major	Organ	IV/1: 18
610	1713–1715 or earlier	Chorale prelude Jesu, meine Freude (Orgelbüchlein No. 12)	C minor	Organ	IV/1: 19
611	1713–1715 or earlier	Chorale prelude Christum wir sollen loben schon (Orgelbüchlein No. 13)	E minor	Organ	IV/1: 20
612	1713–1715 or earlier	Chorale prelude Wir Christenleut (Orgelbüchlein No. 14)	G minor	Organ	IV/1: 22
613	after 1724?	Chorale prelude Helft mir Gotts Güte preisen (Orgelbüchlein No. 15)	B minor	Organ	IV/1: 24
614	1713–1715 or earlier	Chorale prelude Das alte Jahr vergangen ist (Orgelbüchlein No. 16)	A minor	Organ	IV/1: 25
615	1713–1715 or earlier	Chorale prelude In dir ist Freude (Orgelbüchlein No. 17)	G major	Organ	IV/1: 27
616	1713–1715 or earlier	Chorale prelude Mit Fried und Freud ich fahr dahin (Orgelbüchlein No. 18)	D minor	Organ	IV/1: 30
617	1713–1715 or earlier	Chorale prelude Herr Gott, nun schleuß den Himmel auf (Orgelbüchlein No. 19)	A minor	Organ	IV/1: 32
618	1713–1715 or earlier	Chorale prelude O Lamm Gottes, unschuldig (Orgelbüchlein No. 20)	F major	Organ	IV/1: 34
619	1713–1715 or earlier	Chorale prelude Christe, du Lamm Gottes (Orgelbüchlein No. 21)	F major	Organ	IV/1: 36
620	after 1724?	Chorale prelude Christus, der uns selig macht (Orgelbüchlein No. 22)	A minor	Organ	IV/1: 37	after BWV 620a
620a	1713–1715 or earlier	Chorale prelude Christus, der uns selig macht (Orgelbüchlein No. 22, e. v.)	A minor	Organ	IV/1: 78	→ BWV 620
621	1713–1715 or earlier	Chorale prelude Da Jesus an dem Kreuze stund (Orgelbüchlein No. 23)	A minor	Organ	IV/1: 39
622	1713–1715 or earlier	Chorale prelude O Mensch, bewein dein Sünde groß (Orgelbüchlein No. 24)	E♭ major	Organ	IV/1: 40	→ BWV 622 (var.)
622 (var.)	1716–1789	Chorale prelude O Mensch, bewein dein Sünde groß (variant)		Organ		after BWV 622
623	1713–1715 or earlier	Chorale prelude Wir danken dir, Herr Jesu Christ (Orgelbüchlein No. 25)	G major	Organ	IV/1: 42
624	1713–1715 or earlier	Chorale prelude Hilf Gott, dass mir's gelinge (Orgelbüchlein No. 26)	G minor	Organ	IV/1: 44
625	1713–1715 or earlier	Chorale prelude Christ lag in Todesbanden (Orgelbüchlein No. 27)	D minor	Organ	IV/1: 46
626	1713–1715 or earlier	Chorale prelude Jesus Christus, unser Heiland, der den Tod überwand (Orgelbüchlein No. 28)	A minor	Organ	IV/1: 48
627	1713–1715 or earlier	Chorale prelude Christ ist erstanden (Orgelbüchlein No. 29)	D minor	Organ	IV/1: 49
628	1713–1715 or earlier	Chorale prelude Erstanden ist der heilge Christ (Orgelbüchlein No. 30)	D major	Organ	IV/1: 54
629	1713–1715 or earlier	Chorale prelude Erschienen ist der herrliche Tag (Orgelbüchlein No. 31)	D minor	Organ	IV/1: 55
630	1713–1715 or earlier	Chorale prelude Heut triumphieret Gottes Sohn (Orgelbüchlein No. 32)	D minor	Organ	IV/1: 56	after BWV 630a
630a	bef. 1716	Chorale prelude Heut triumphieret Gottes Sohn (Orgelbüchlein No. 32, e. v.)		Organ	IV/1: 80	→ BWV 630
631	1723–1750	Chorale prelude Komm, Gott Schöpfer, heiliger Geist (Orgelbüchlein No. 33)	D minor	Organ	IV/1: 58	after BWV 631a
631a	1713–1715 or earlier	Chorale prelude Komm, Gott Schöpfer, heiliger Geist (Orgelbüchlein No. 33, e. v.)	G major	Organ	IV/1: 82	→ BWV 631
632	1713–1715 or earlier	Chorale prelude Herr Jesu Christ, dich zu uns wend (Orgelbüchlein No. 34)	F major	Organ	IV/1: 59
633	1713–1715 or earlier	Chorale prelude Liebster Jesu, wir sind hier distinctus (Orgelbüchlein No. 36)	A major	Organ	IV/1: 61	after BWV 634
634	1713–1715 or earlier	Chorale prelude Liebster Jesu, wir sind hier (Orgelbüchlein No. 35)	A major	Organ	IV/1: 60	→ BWV 633
635	1713–1715 or earlier	Chorale prelude Dies sind die heilgen zehn Gebot (Orgelbüchlein No. 37)	C major	Organ	IV/1: 62
636	1713–1715 or earlier	Chorale prelude Vater unser im Himmelreich (Orgelbüchlein No. 38)	D minor	Organ	IV/1: 64
637	1713–1715 or earlier	Chorale prelude Durch Adams Fall ist ganz verderbt (Orgelbüchlein No. 39)	A minor	Organ	IV/1: 65
638	1713–1715 or earlier	Chorale prelude Es ist das Heil uns kommen her (Orgelbüchlein No. 40)	D major	Organ	IV/1: 66	after BWV 638a
638a	bef. c.1715	Chorale prelude Es ist das Heil uns kommen her (Orgelbüchlein No. 40, e. v.)		Organ	IV/1: 83	→ BWV 638
639	1713–1715 or earlier	Chorale prelude Ich ruf zu dir, Herr Jesu Christ (Orgelbüchlein No. 41; also in Neumeister Collection)	F minor	Organ	IV/1: 68	→ BWV Anh. 73
640	1713–1715 or earlier	Chorale prelude In dich hab ich gehoffet, Herr (Orgelbüchlein No. 42)	E minor	Organ	IV/1: 70
641	1713–1715 or earlier	Chorale prelude Wenn wir in höchsten Nöten sein (Orgelbüchlein No. 43)	G major	Organ	IV/1: 71
642	1713–1715 or earlier	Chorale prelude Wer nur den lieben Gott lässt walten (Orgelbüchlein No. 44)	A minor	Organ	IV/1: 72
643	1713–1715 or earlier	Chorale prelude Alle Menschen müssen sterben (Orgelbüchlein No. 45)	G major	Organ	IV/1: 74
644	1713–1715 or earlier	Chorale prelude Ach wie nichtig, ach wie flüchtig (Orgelbüchlein No. 46)	G minor	Organ	IV/1: 75
645	1748–1749	Chorale prelude Wachet auf, ruft uns die Stimme (Schübler Chorales No. 1)	E♭ major	Organ	IV/1: 86	after BWV 140/4
646	1748–1749	Chorale prelude Wo soll ich fliehen hin (or) Auf meinen lieben Gott (Schübler Chorales No. 2)	E minor	Organ	IV/1: 90
647	1748–1749	Chorale prelude Wer nur den lieben Gott lässt walten (Schübler Chorales No. 3)	C minor	Organ	IV/1: 92	after BWV 93/4
648	1748–1749	Chorale prelude Meine Seele erhebt den Herren (Schübler Chorales No. 4)	D minor	Organ	IV/1: 94	after BWV 10/5
649	1748–1749	Chorale prelude Ach bleib bei uns, Herr Jesu Christ (Schübler Chorales No. 5)	B♭ major	Organ	IV/1: 95	after BWV 6/3
650	1748–1749	Chorale prelude Kommst du nun, Jesu, vom Himmel herunter (Schübler Chorales No. 6)	G major	Organ	IV/1: 98	after BWV 137/2
651	1747–1748	Chorale prelude Komm, heiliger Geist (Fantasia; Leipzig Chorales 1/18)	F major	Organ	IV/2: 3	after BWV 651a
651a	1708–1717	Chorale prelude Komm, heiliger Geist, Herre Gott (Fantasia; e. v.: Weimar)		Organ	IV/2: 117	→ BWV 651
652	1747–1748	Chorale prelude Komm, heiliger Geist, Herre Gott (alio modo; Leipzig Chorales 2/18)	G major	Organ	IV/2: 13	after BWV 652a
652a	1708–1717	Chorale prelude Komm, heiliger Geist, Herre Gott (e. v.: Weimar)		Organ	IV/2: 121	→ BWV 652
653	1747–1748	Chorale prelude An Wasserflüssen Babylon (Leipzig Chorales 3/18)	G major	Organ	IV/2: 22	after BWV 653a
653a	1708–1717	Chorale prelude An Wasserflüssen Babylon (alio modo; 2nd v.: Weimar)		Organ	IV/2: 133	after BWV 653b; → BWV 653
653b	1708–1717	Chorale prelude An Wasserflüssen Babylon (à 5; 1st v.: Weimar)		Organ	IV/2: 130	→ BWV 653a
654	1747–1748	Chorale prelude Schmücke dich, o liebe Seele (Leipzig Chorales 4/18)	E♭ major	Organ	IV/2: 26	after BWV 654a
654a	1708–1717	Chorale prelude Schmücke dich, o liebe Seele (e. v.: Weimar)		Organ	IV/2: 136	→ BWV 654
655	1747–1748	Chorale prelude Herr Jesu Christ, dich zu uns wend (Trio; Leipzig Chorales 5/18)	G major	Organ	IV/2: 31	after BWV 655a; ↔ 655 var. 1–4; → 655b–c
655, var. 1	1708–1798	Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 1)		Organ		↔ 655(a), var. 2–4
655, var. 2	1708–1798	Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 2)	F major	Organ		↔ 655(a), var. 1, 3–4
655, var. 3	1708–1798	Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 3)		Organ		↔ 655(a), var. 1–2, 4
655, var. 4	1708–1798	Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 4)		Organ		↔ 655(a), var. 1–3
655a	1708–1717	Chorale prelude Herr Jesu Christ, dich zu uns wend (Trio; e. v.: Weimar)		Organ	IV/2: 140	→ BWV 655(b–c); ↔ 655 var. 1–4
656	1747–1748	Chorale prelude O Lamm Gottes, unschuldig (Leipzig Chorales 6/18)	A major	Organ	IV/2: 38	after BWV 656a
656a	1708–1717	Chorale prelude O Lamm Gottes, unschuldig (e. v.: Weimar)		Organ	IV/2: 146	→ BWV 656
657	1708–1717	Chorale prelude Nun danket alle Gott (Leipzig Chorales 7/18)	G major	Organ	IV/2: 46
658	1747–1748	Chorale prelude Von Gott will ich nicht lassen (Leipzig Chorales 8/18)	F minor	Organ	IV/2: 51	after BWV 658a
658a	1708–1717	Chorale prelude Von Gott will ich nicht lassen (Fantasia; e. v.: Weimar)		Organ	IV/2: 154	→ BWV 658
659	1747–1748	Chorale prelude Nun komm, der Heiden Heiland (Leipzig Chorales 9/18)	G minor	Organ	IV/2: 55	after BWV 659a
659a	1708–1717	Chorale prelude Nun komm, der Heiden Heiland (Fantasia; e. v.: Weimar)		Organ	IV/2: 157	→ BWV 659
660	1747–1748	Chorale prelude Nun komm, der Heiden Heiland (Trio; Leipzig Chorales 10/18)	G minor	Organ	IV/2: 59	after BWV 660a
660a	1708–1717	Chorale prelude Nun komm, der Heiden Heiland (Trio; e. v.: Weimar)		Organ	IV/2: 160	→ BWV 660, 660b
660b	1708–1719	Chorale prelude Nun komm, der Heiden Heiland (arrangement)		Organ		by Krebs, J. T. (arr.)?; after BWV 660a
661	1747–1748	Chorale prelude Nun komm, der Heiden Heiland (Leipzig Chorales 11/18)	G minor	Organ	IV/2: 62	after BWV 661a
661a	1708–1717	Chorale prelude Nun komm, der Heiden Heiland (e. v.: Weimar)		Organ	IV/2: 164	→ BWV 661
662	1747–1748	Chorale prelude Allein Gott in der Höh sei Ehr (Leipzig Chorales 12/18)	A major	Organ	IV/2: 67	after BWV 662a
662a	1708–1717	Chorale prelude Allein Gott in der Höh sei Ehr (e. v.: Weimar)		Organ	IV/2: 168	→ BWV 662
663	1747–1748	Chorale prelude Allein Gott in der Höh sei Ehr (Leipzig Chorales 13/18)	G major	Organ	IV/2: 72	after BWV 663a
663a	1708–1717	Chorale prelude Allein Gott in der Höh sei Ehr (e. v.: Weimar)		Organ	IV/2: 172	→ BWV 663
664	1747–1748	Chorale prelude Allein Gott in der Höh sei Ehr (Trio; Leipzig Chorales 14/18)	A major	Organ	IV/2: 79	after BWV 664a–b
664a	1708–1717	Chorale prelude Allein Gott in der Höh sei Ehr (Trio; e. v.: Weimar; fair copy)		Organ	IV/2	after BWV 664b; → BWV 664
664b	1708–1717	Chorale prelude Allein Gott in der Höh sei Ehr (Trio; e. v.: Weimar; sketch)		Organ	IV/2: 179	→ BWV 664(a)
665	1747–1748	Chorale prelude Jesus Christus, unser Heiland (Leipzig Chorales 15/18)	E minor	Organ	IV/2: 87	after BWV 665a
665a	1708–1717	Chorale prelude Jesus Christus, unser Heiland (e. v.: Weimar)		Organ	IV/2: 187	→ BWV 665
666	1708–1748	Chorale prelude Jesus Christus, unser Heiland (alio modo; Leipzig Chorales 16/18)	E minor	Organ	IV/2: 91	after BWV 666a
666a	1708–1717	Chorale prelude Jesus Christus, unser Heiland (alio modo; e. v.: Weimar)		Organ	IV/2: 191	→ BWV 666
667	1747–1748	Chorale prelude Komm, Gott Schöpfer, heiliger Geist (Leipzig Chorales 17/18)	C major	Organ	IV/2: 94	after BWV 667a
667a	1708–1717	Chorale prelude Komm, Gott Schöpfer, heiliger Geist (e. v.: Weimar)		Organ	IV/2	after BWV 667b; → BWV 667
667b	1708–1717	Chorale prelude Komm, Gott Schöpfer, heiliger Geist (e. v.: Weimar; sketch)		Organ	IV/2: 194	→ BWV 667(a)
668	1747–1748	Chorale prelude Vor deinen Thron tret ich hiermit (fragment; Leipzig Chorales 18/18)	G major	Organ	IV/2: 113	after BWV 668a
668a	1708–1748	Chorale prelude Wenn wir in höchsten Nöten (e. v.)		Organ	IV/2: 212	→ BWV 668
669	1739	Chorale prelude Kyrie, Gott Vater in Ewigkeit from Clavier-Übung III		Organ	IV/4: 16
670	1739	Chorale prelude Christe, aller Welt Trost from Clavier-Übung III		Organ	IV/4: 18
671	1739	Chorale prelude Kyrie, Gott heiliger Geist from Clavier-Übung III		Organ	IV/4: 20
672	1739	Chorale prelude Kyrie, Gott Vater in Ewigkeit from Clavier-Übung III		Org/man.	IV/4: 27
673	1739	Chorale prelude Christe, aller Welt Trost from Clavier-Übung III		Org/man.	IV/4: 28
674	1739	Chorale prelude Kyrie, Gott heiliger Geist from Clavier-Übung III		Org/man.	IV/4: 29
675	1739	Chorale prelude Allein Gott in der Höh sei Ehr from Clavier-Übung III		Organ	IV/4: 30
676	1739	Chorale prelude Allein Gott in der Höh sei Ehr from Clavier-Übung III		Organ	IV/4: 33	→ BWV 676a
677	1739	Chorale prelude Allein Gott in der Höh sei Ehr (Fughetta) from Clavier-Übung III		Org/man.	IV/4: 41
678	1739	Chorale prelude Dies sind die heiligen zehen Gebot from Clavier-Übung III		Organ	IV/4: 42
679	1739	Chorale prelude Dies sind die heiligen zehen Gebot (Fughetta) from Clavier-Übung III		Org/man.	IV/4: 49
680	1739	Chorale prelude Wir gläuben all an einen Gott from Clavier-Übung III		Organ	IV/4: 52
681	1739	Chorale prelude Wir gläuben all an einen Gott (Fughetta) from Clavier-Übung III		Org/man.	IV/4: 57
682	1739	Chorale prelude Vater unser im Himmelreich from Clavier-Übung III		Organ	IV/4: 58
683	1739	Chorale prelude Vater unser im Himmelreich from Clavier-Übung III		Org/man.	IV/4: 66	→ BWV 683a
684	1739	Chorale prelude Christ unser Herr zum Jordan kam from Clavier-Übung III		Organ	IV/4: 68
685	1739	Chorale prelude Christ unser Herr zum Jordan kam from Clavier-Übung III		Org/man.	IV/4: 73
686	1739	Chorale prelude Aus tiefer Not schrei ich zu dir from Clavier-Übung III		Organ	IV/4: 74
687	1739	Chorale prelude Aus tiefer Not schrei ich zu dir from Clavier-Übung III		Org/man.	IV/4: 78
688	1739	Chorale prelude Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt from Clavier-Übung III		Organ	IV/4: 81
689	1739	Chorale prelude Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt (Fugue) from Clavier-Übung III		Org/man.	IV/4: 89
690	c.1700–1717	Chorale prelude Wer nur den lieben Gott lässt walten (Kirnberger collection No. 1)		Organ	IV/3: 98
691	c.1720 or earlier	Notebook A. M. Bach (1725) No. 11 Chorale prelude Wer nur den lieben Gott lässt walten (WFB No. 3; Kirnb. coll. No. 2)		Organ	V/5: 6 V/4: 90 IV/3: 98	→ BWV 691a
694	c.1700–1717	Chorale prelude Wo soll ich fliehen hin (Kirnb. coll. No. 5)		Organ	IV/3: 103
695	c.1700–1717	Chorale prelude Christ lag in Todesbanden (Fantasia; Kirnb. coll. No. 6)		Organ	IV/3: 20	→ BWV 695a
695a	1700–1789	Chorale prelude Christ lag in Todesbanden (variant)		Organ		after BWV 695
696	c.1700–1717	Chorale prelude Christum wir sollen loben schon (or) Was fürchtest du Feind, Herodes, sehr (Fughetta; Kirnb. coll. No. 7)		Organ	IV/3: 23
697	c.1700–1717	Chorale prelude Gelobet seist du, Jesu Christ (Fughetta; Kirnb. coll. No. 8)		Organ	IV/3: 32
698	c.1700–1717	Chorale prelude Herr Christ, der ein'ge Gottes Sohn (Fughetta; Kirnb. coll. No. 9)		Organ	IV/3: 35
699	c.1700–1717	Chorale prelude Nun komm, der Heiden Heiland (Fughetta; Kirnb. coll. No. 10)		Organ	IV/3: 73
700	c.1699	Chorale prelude Vom Himmel hoch da komm ich her (Kirnb. coll. No. 11)		Organ	IV/3: 92
701	c.1700–1717	Chorale prelude Vom Himmel hoch da komm ich her (Fughetta; Kirnb. coll. No. 12)		Organ	IV/3: 96
702	c.1700–1717	Chorale prelude Das Jesulein soll doch mein Trost (Fughetta; Kirnb. coll. No. 13)		Organ	IV/3: 45
703	c.1700–1717	Chorale prelude Gottes Sohn ist kommen (Fughetta; Kirnb. coll. No. 14)		Organ	IV/3: 34
704	c.1700–1717	Chorale prelude Lob sei dem allmächtigen Gott (Fughetta; Kirnb. coll. No. 15)		Organ	IV/3: 62
705	c.1700–1717	Chorale prelude Durch Adams Fall ist ganz verderbt (Kirnb. coll. No. 16)		Organ	IV/10: 47
706/1 706/2	c.1700–1717	Chorale prelude Liebster Jesu, wir sind hier (/2 = alio modo; Kirnb. coll. No. 17)		Organ	IV/3: 59
707	c.1700–1717	Chorale prelude Ich hab mein Sach Gott heimgestellt (Kirnb. coll. No. 18)		Organ	IV/10: 87
708	1700–1789	Chorale prelude Ich hab mein Sach Gott heimgestellt (alio modo; Kirnb. coll. No. 19)		Organ
708a	1700–1789	Chorale prelude Ich hab mein Sach Gott heimgestellt		Organ
709	c.1700–1717	Chorale prelude Herr Jesu Christ, dich zu uns wend (Kirnb. coll. No. 20)		Organ	IV/3: 43
710	c.1700–1717	Chorale prelude Wir Christenleut habn jetzund Freud (Kirnb. coll. No. 21)		Organ	IV/3: 100
711	c.1700–1717	Chorale prelude Allein Gott in der Höh sei Ehr (bicinium; Kirnb. coll. No. 22)		Organ	IV/3: 11
712	c.1708	Chorale prelude In dich hab ich gehoffet, Herr (Kirnb. coll. No. 23)		Organ	IV/3: 48
713	c.1700–1717	Chorale prelude Jesu, meine Freude (Kirnb. coll. No. 24)		Organ	IV/3: 54
713a	1700–1789	Chorale prelude Jesu, meine Freude (Fantasia; variant)		Organ	IV/10: 93
714	1708–1717	Chorale prelude Ach Gott und Herr (Neumeister Chorales No. 13)		Organ	IV/9: 26 IV/3: 3
715	1703–1717	Chorale prelude Allein Gott in der Höh sei Ehr		Organ	IV/3: 14
716	c.1700–1717	Chorale prelude Allein Gott in der Höh sei Ehr (Fantasia)		Organ	IV/10: 14
717	1708–1717	Chorale prelude Allein Gott in der Höh sei Ehr		Organ	IV/3: 8
718	c.1700–1717	Chorale prelude Christ lag in Todesbanden		Organ	IV/3: 16
719	c.1704	Chorale prelude Der Tag, der ist so freudenreich (Neumeister Chorales No. 1)		Organ	IV/9: 2, 72
720	1709?	Chorale prelude Ein feste Burg ist unser Gott		Organ	IV/3: 24	by Bach, J. Michael?
721	c.1704	Chorale prelude Erbarm dich mein, o Herre Gott		Organ	IV/3: 28
722	1708–1717	Chorale prelude Gelobet seist du, Jesu Christ		Organ	IV/3: 31	after BWV 722a
722a	1709?	Chorale prelude Gelobet seist du, Jesu Christ (sketch)		Organ	IV/3: 30	→ BWV 722
723	c.1700–1717	Chorale prelude Gelobet seist du, Jesu Christ (also in Neumeister Collection)		Organ		by Bach, J. Michael?
724	c.1699	Chorale prelude Gott durch deine Güte (or) Gottes Sohn ist kommen		Organ	IV/3: 33	in Andreas-Bach-Buch
725	c.1700–1717	Chorale prelude Herr Gott, dich loben wir		Organ	IV/3: 36
726	1708–1717	Chorale prelude Herr Jesu Christ, dich zu uns wend		Organ	IV/3: 45
727	1708–1717	Chorale prelude Herzlich tut mich verlangen		Organ	IV/3: 46
728	1722–1723 or earlier	Notebook A. M. Bach (1722) No. 8 Chorale prelude Jesus, meine Zuversicht		Organ	V/4: 41 IV/3: 58
729	1708–1717	Chorale prelude In dulci jubilo		Organ	IV/3: 52	after BWV 729a
729a	1708–1717	Chorale prelude In dulci jubilo (sketch)		Organ	IV/3: 50	→ BWV 729
730	1708–1717	Chorale prelude Liebster Jesu, wir sind hier		Organ	IV/3: 60
731	1708–1717	Chorale prelude Liebster Jesu, wir sind hier		Organ	IV/3: 61
732	1708–1717	Chorale prelude Lobt Gott, ihr Christen, allzugleich		Organ	IV/3: 64	after BWV 732a
732a	1708–1717	Chorale prelude Lobt Gott, ihr Christen, allzugleich (draft)		Organ	IV/3: 63	→ BWV 732
733	1708–1717	Chorale prelude Meine Seele erhebt den Herren (fugue)		Organ	IV/3: 65	by Krebs, J. L.?
734	1708–1717	Chorale prelude Nun freut euch, lieben Christen g'mein		Organ	IV/3: 70	→ BWV 734a
734a	1708–1789	Chorale prelude Nun freut euch, lieben Christen g'mein		Organ	IV/10	by Scholz (arr.)?; after BWV 734
735	c.1700–1717	Chorale prelude Valet will ich dir geben (Fantasia)		Organ	IV/3: 77	after BWV 735a
735a	c.1706	Chorale prelude Valet will ich dir geben (early version)		Organ	IV/3: 81	→ BWV 735
736	1713–1717	Chorale prelude Valet will ich dir geben		Org (V Bc)	IV/3: 84
737	c.1704	Chorale prelude Vater unser im Himmelreich (Neumeister Chorales No. 18)		Organ	IV/9: 36 IV/3: 90
738	1708–1717	Chorale prelude Vom Himmel hoch, da komm ich her		Organ	IV/3: 94	after BWV 738a
738a	1708–1717	Chorale prelude Vom Himmel hoch, da komm ich her (sketch)		Organ	IV/3: 94	→ BWV 738
739	c.1704	Chorale prelude Wie schön leuchtet der Morgenstern		Organ	IV/10: 2
740	1700–1780	Chorale prelude Wir glauben all an einen Gott		Organ		by Krebs, J. L.?
741	c.1701	Chorale prelude Ach Gott, vom Himmel sieh darein		Organ	IV/3: 4
742	c.1704	Chorale prelude Ach Herr, mich armen Sünder (Neumeister Chorales No. 14)		Organ	IV/9: 28
743	c.1700–1717	Chorale prelude Ach, was ist doch unser Leben		Organ	IV/10: 11
744	c.1700–1717	Chorale prelude Auf meinen lieben Gott		Organ	IV/10: 20	by Krebs, J. L.
745	1700–1788	Chorale prelude Aus der Tiefe rufe ich		Organ	IV/10: 22	by Bach, C. P. E.?
747	c.1700–1717	Chorale prelude Christus, der uns selig macht		Organ	IV/10: 38
749	c.1700–1717	Chorale prelude Herr Jesu Christ, dich zu uns wend		Organ	IV/10: 80	by Telemann?; by Bach, J. Christoph?
750	c.1700–1703	Chorale prelude Herr Jesu Christ, meins Lebens Licht		Organ	IV/10: 81
752	c.1700–1717	Chorale prelude Jesu, der du meine Seele		Organ
753	c.1720	Chorale prelude Jesu, meine Freude (unfinished; WFB No. 5)		Organ	V/5: 8
754	c.1700–1717	Chorale prelude Liebster Jesu, wir sind hier		Organ
755	c.1700–1717	Chorale prelude Nun freut euch, lieben Christen g'mein		Organ
756	c.1700–1717	Chorale prelude Nun ruhen alle Wälder		Organ
757	c.1700–1717	Chorale prelude O Herre Gott, dein göttlichs Wort		Organ
758	c.1700–1717	Chorale prelude O Vater, allmächtiger Gott		Organ	IV/11: 69
762	c.1700–1717	Chorale prelude Vater unser im Himmelreich		Organ	IV/10: 142
763	c.1700–1717	Chorale prelude Wie schön leucht uns der Morgenstern		Organ
764	c.1704–1705	Chorale prelude Wie schön leuchtet der Morgenstern		Organ	IV/10: 6
765	c.1706	Chorale prelude Wir glauben all an einen Gott		Organ
1085	c.1700–1717	Chorale prelude O Lamm Gottes unschuldig		Organ	IV/3: 76
1090	c.1704	Chorale prelude Wir Christenleut (Neumeister Chorales No. 2)		Organ	IV/9: 4
1091	c.1699	Chorale prelude Das alte Jahr vergangen ist (Neumeister Chorales No. 3)		Organ	IV/9: 6
1092	c.1701	Chorale prelude Herr Gott, nun schleuß den Himmel auf (Neumeister Chorales No. 4)		Organ	IV/9: 8
1093	c.1704	Chorale prelude Herzliebster Jesu, was hast du verbrochen (Neumeister Chorales No. 5)		Organ	IV/9: 10
1094	c.1699	Chorale prelude O Jesu, wie ist dein Gestalt (Neumeister Chorales No. 6)		Organ	IV/9: 12
1095	c.1704	Chorale prelude O Lamm Gottes unschuldig (Neumeister Chorales No. 7)		Organ	IV/9: 14
1097	c.1699	Chorale prelude Ehre sei dir Christe, der du leidest Not (Neumeister Chorales No. 9)		Organ	IV/9: 18
1098	c.1704	Chorale prelude Wir glauben all an einen Gott (Neumeister Chorales No. 10)		Organ	IV/9: 20
1099	c.1701	Chorale prelude Aus tiefer Not schrei ich zu dir (Neumeister Chorales No. 11)		Organ	IV/9: 22
1100	c.1704	Chorale prelude Allein zu dir, Herr Jesu Christ (Neumeister Chorales No. 12)		Organ	IV/9: 24
1101	c.1704	Chorale prelude Durch Adams Fall ist ganz verderbt (Neumeister Chorales No. 15)		Organ	IV/9: 30
1102	c.1706	Chorale prelude Du Friedefürst, Herr Jesu Christ (Neumeister Chorales No. 16)		Organ	IV/9: 33
1103	1699–1709	Chorale prelude Erhalt uns Herr, bei deinem Wort (Neumeister Chorales No. 17)		Organ	IV/9: 35
1104	1699–1709	Chorale prelude Wenn dich Unglück tut greifen an (Neumeister Chorales No. 19)		Organ	IV/9: 38
1105	c.1701	Chorale prelude Jesu, meine Freude (Neumeister Chorales No. 20)		Organ	IV/9: 39
1106	c.1704	Chorale prelude Gott ist mein Heil, mein Hilf und Trost (Neumeister Chorales No. 21)		Organ	IV/9: 40
1107	c.1704	Chorale prelude Jesu, meines Lebens Leben (Neumeister Chorales No. 22)		Organ	IV/9: 42
1108	c.1704	Chorale prelude Als Jesus Christus in der Nacht (Neumeister Chorales No. 23)		Organ	IV/9: 44
1109	1699–1709	Chorale prelude Ach Gott, tu dich erbarmen (Neumeister Chorales No. 24)		Organ	IV/9: 46
1110	c.1704	Chorale prelude O Herre Gott, dein göttlich Wort (Neumeister Chorales No. 25)		Organ	IV/9: 48
1111	c.1701	Chorale prelude Nun lasset uns den Leib begraben (Neumeister Chorales No. 26)		Organ	IV/9: 50
1112	c.1699	Chorale prelude Christus, der ist mein Leben (Neumeister Chorales No. 27)		Organ	IV/9: 52
1113	c.1699	Chorale prelude Ich hab mein Sach Gott heimgestellt (Neumeister Chorales No. 28)		Organ	IV/9: 54
1114	c.1701	Chorale prelude Herr Jesu Christ, du höchstes Gut (Neumeister Chorales No. 29)		Organ	IV/9: 56
1115	c.1701	Chorale prelude Herzlich lieb hab ich dich, o Herr (Neumeister Chorales No. 30)		Organ	IV/9: 58
1116	c.1701	Chorale prelude Was Gott tut, das ist wohlgetan (Neumeister Chorales No. 31)		Organ	IV/9: 60
1117	c.1701	Chorale prelude Alle Menschen müssen sterben (Neumeister Chorales No. 32)		Organ	IV/9: 62
1118	c.1701	Chorale prelude Werde munter, mein Gemüte (Neumeister Chorales No. 34)		Organ	IV/9: 66
1119	c.1699	Chorale prelude Wie nach einer Wasserquelle (Neumeister Chorales No. 35)		Organ	IV/9: 68
1120	c.1704	Chorale prelude Christ, der du bist der helle Tag (Neumeister Chorales No. 36)		Organ	IV/9: 70
957	c.1701	Chorale prelude Machs mit mir, Gott, nach deiner Güt (Neumeister Chorales No. 33; a.k.a. Fugue = first half in later arr.)	G major	Organ	IV/9: 64, 74
766	c.1706	Chorale partita Christ, der du bist der helle Tag		Organ	IV/1: 114
767	c.1708	Chorale partita O Gott, du frommer Gott		Organ	IV/1: 122
768	1708–1717 or earlier	Chorale partita Sei gegrüßet, Jesu gütig		Organ	IV/1: 132, 152
769	c.1747–1748	Chorale variations Vom Himmel hoch da komm ich her (canonic variations; print version)		Organ	IV/2: 197	→ BWV 769a
769a	c.1747–1748	Chorale variations Vom Himmel hoch da komm ich her (canonic variations; autograph)		Organ	IV/2: 98	after BWV 769
770	c.1704	Chorale variations Ach, was soll ich Sünder machen		Organ	IV/1: 104
8.	Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach)
772	1720-01-22 1725-01-22	Inventions and Sinfonias No. 1 – Invention No. 1 = WFB No. 32: Preamb. 1	C major	Keyboard	V/5: 48 V/3: 2	→ BWV 772a^[18]^[19]^[20]
772a	1720-01-22 1725-01-22	Inventions and Sinfonias No. 1a – Invention No. 1a	C major	Keyboard	V/3: 4	after BWV 772
773	1720-01-22 1725-01-22	Inventions and Sinfonias No. 2 – Invention No. 2 = WFB No. 46: Preamb. 15	C minor	Keyboard	V/5: 76 V/3: 6	^[18]^[19]^[20]
774	1720-01-22 1725-01-22	Inventions and Sinfonias No. 3 – Invention No. 3 = WFB No. 45: Preamb. 14	D major	Keyboard	V/5: 74 V/3: 8	^[18]^[19]^[20]
775	1720-01-22 1725-01-22	Inventions and Sinfonias No. 4 – Invention No. 4 = WFB No. 33: Preamb. 2	D minor	Keyboard	V/5: 50 V/3: 10	^[18]^[19]^[20]
776	1720-01-22 1725-01-22	Inventions and Sinfonias No. 5 – Invention No. 5 = WFB No. 44: Preamb. 13	E♭ major	Keyboard	V/5: 72 V/3: 12	^[18]^[19]^[20]
777	1720-01-22 1725-01-22	Inventions and Sinfonias No. 6 – Invention No. 6 = WFB No. 43: Preamb. 12	E major	Keyboard	V/5: 70 V/3: 14	^[18]^[19]^[20]
778	1720-01-22 1725-01-22	Inventions and Sinfonias No. 7 – Invention No. 7 = WFB No. 34: Preamb. 3	E minor	Keyboard	V/5: 52 V/3: 16	^[18]^[19]^[20]
779	1720-01-22 1725-01-22	Inventions and Sinfonias No. 8 – Invention No. 8 = WFB No. 35: Preamb. 4	F major	Keyboard	V/5: 54 V/3: 18	^[18]^[19]^[20]
780	1720-01-22 1725-01-22	Inventions and Sinfonias No. 9 – Invention No. 9 = WFB No. 42: Preamb. 11	F minor	Keyboard	V/5: 68 V/3: 20	^[18]^[19]^[20]
781	1720-01-22 1725-01-22	Inventions and Sinfonias No. 10 – Invention No. 10 = WFB No. 36: Preamb. 5	G major	Keyboard	V/5: 56 V/3: 22	^[18]^[19]^[20]
782	1720-01-22 1725-01-22	Inventions and Sinfonias No. 11 – Invention No. 11 = WFB No. 41: Preamb. 10	G minor	Keyboard	V/5: 66 V/3: 24	^[18]^[19]^[20]
783	1720-01-22 1725-01-22	Inventions and Sinfonias No. 12 – Invention No. 12 = WFB No. 40: Preamb. 9	A major	Keyboard	V/5: 64 V/3: 26	^[18]^[19]^[20]
784	1720-01-22 1725-01-22	Inventions and Sinfonias No. 13 – Invention No. 13 = WFB No. 37: Preamb. 6	A minor	Keyboard	V/5: 58 V/3: 28	^[18]^[19]^[20]
785	1720-01-22 1725-01-22	Inventions and Sinfonias No. 14 – Invention No. 14 = WFB No. 39: Preamb. 8	B♭ major	Keyboard	V/5: 62 V/3: 30	^[18]^[19]^[20]
786	1720-01-22 1725-01-22	Inventions and Sinfonias No. 15 – Invention No. 15 = WFB No. 38: Preamb. 7	B minor	Keyboard	V/5: 60 V/3: 32	^[18]^[19]^[20]
787	1720-01-22 1725-01-22	Sinfonias and Inventions No. 16 – Sinfonia No. 1 = WFB No. 49: Fantasia 1	C major	Keyboard	V/5: 90 V/3: 34	^[18]^[19]^[20]
788	1720-01-22 1725-01-22	Sinfonias and Inventions No. 17 – Sinfonia No. 2 = WFB No. 63: Fantas. 15	C minor	Keyboard	V/5: 118 V/3: 36	^[18]^[19]^[20]
789	1720-01-22 1725-01-22	Sinfonias and Inventions No. 18 – Sinfonia No. 3 = WFB No. 62: Fantas. 14	D major	Keyboard	V/5: 116 V/3: 38	^[18]^[19]^[20]
790	1720-01-22 1725-01-22	Sinfonias and Inventions No. 19 – Sinfonia No. 4 = WFB No. 50: Fantasia 2	D minor	Keyboard	V/5: 92 V/3: 40	^[18]^[19]^[20]
791	1720-01-22 1725-01-22	Sinfonias and Inventions No. 20 – Sinfonia No. 5 = WFB No. 61: Fantas. 13	E♭ major	Keyboard	V/5: 114 V/3: 42	→ BWV 791a^[18]^[19]^[20]
791a	1723	Sinfonias and Inventions No. 20a – Sinfonia No. 5a	E♭ major	Keyboard	V/3: 44, 80	after BWV 791^[18]^[19]^[20]
792	1720-01-22 1725-01-22	Sinfonias and Inventions No. 21 – Sinfonia No. 6 = WFB No. 60: Fantas. 12	E major	Keyboard	V/5: 112 V/3: 46	^[18]^[19]^[20]
793	1720-01-22 1725-01-22	Sinfonias and Inventions No. 22 – Sinfonia No. 7 = WFB No. 51: Fantasia 3	E minor	Keyboard	V/5: 94 V/3: 48	^[18]^[19]^[20]
794	1720-01-22 1725-01-22	Sinfonias and Inventions No. 23 – Sinfonia No. 8 = WFB No. 52: Fantasia 4	F major	Keyboard	V/5: 96 V/3: 50	^[18]^[19]^[20]
795	1720-01-22 1725-01-22	Sinfonias and Inventions No. 24 – Sinfonia No. 9 = WFB No. 59: Fantas. 11	F minor	Keyboard	V/5: 110 V/3: 52	^[18]^[19]^[20]
796	1720-01-22 1725-01-22	Sinfonias and Inventions No. 25 – Sinfonia No. 10 = WFB No. 53: Fantasia 5	G major	Keyboard	V/5: 98 V/3: 54	^[18]^[19]^[20]
797	1720-01-22 1725-01-22	Sinfonias and Inventions No. 26 – Sinfonia No. 11 = WFB No. 58: Fantas. 10	G minor	Keyboard	V/5: 108 V/3: 56	^[18]^[19]^[20]
798	1720-01-22 1725-01-22	Sinfonias and Inventions No. 27 – Sinfonia No. 12 = WFB No. 57: Fantasia 9	A major	Keyboard	V/5: 106 V/3: 58	^[18]^[19]^[20]
799	1720-01-22 1725-01-22	Sinfonias and Inventions No. 28 – Sinfonia No. 13 = WFB No. 54: Fantasia 6	A minor	Keyboard	V/5: 100 V/3: 60	^[18]^[19]^[20]
800	1720-01-22 1725-01-22	Sinfonias and Inventions No. 29 – Sinfonia No. 14 = WFB No. 56: Fantasia 8	B♭ major	Keyboard	V/5: 104 V/3: 62	^[18]^[19]^[20]
801	1720-01-22 1725-01-22	Sinfonias and Inventions No. 30 – Sinfonia No. 15 = WFB No. 55: Fantasia 7	B minor	Keyboard	V/5: 102 V/3: 64	^[18]^[19]^[20]
802	1739	Duet No. 1 from Clavier-Übung III	E minor	Organ	IV/4: 92
803	1739	Duet No. 2 from Clavier-Übung III	F major	Organ	IV/4: 96
804	1739	Duet No. 3 from Clavier-Übung III	G major	Organ	IV/4: 99
805	1739	Duet No. 4 from Clavier-Übung III	A minor	Organ	IV/4: 102
806	1714–1723	English Suite No. 1	A major	Keyboard	V/7: 2
806a	1714–1717	English Suite No. 1a	A major	Keyboard	V/7: 116
807	1725 or earlier	English Suite No. 2	A minor	Keyboard	V/7: 20
808	1725 or earlier	English Suite No. 3	G minor	Keyboard	V/7: 38
809	1725 or earlier	English Suite No. 4	F major	Keyboard	V/7: 54
810	1725 or earlier	English Suite No. 5	E minor	Keyboard	V/7: 70
811	1725 or earlier	English Suite No. 6	D minor	Keyboard	V/7: 90
812 AMB1	1720–1722	Notebook A. M. Bach (1722) No. 1 French Suite No. 1	D minor	Keyboard	V/4: 3
812 AMB2	1725 (AMB)	Notebook A. M. Bach (1725) No. 30 French Suite No. 1	D minor	Keyboard	V/4: 109
812 v.A	early 1750s	French Suite No. 1 – Version A (Altnickol)	D minor	Keyboard	V/8: 2
812 v.B		French Suite No. 1 – Version B	D minor	Keyboard	V/8: 64
813 AMB1	1720–1722	Notebook A. M. Bach (1722) No. 2, 9 French Suite No. 2	C minor	Keyboard	V/4: 10
813 AMB2	1725 (AMB)	Notebook A. M. Bach (1725) No. 31 French Suite No. 2	C minor	Keyboard	V/4: 116
813 v.A	early 1750s	French Suite No. 2 – Version A (Altnickol)	C minor	Keyboard	V/8: 10
813a		French Suite No. 2 – Version B	C minor	Keyboard	V/8: 72
814 AMB1	1720–1722	Notebook A. M. Bach (1722) No. 3, 10 French Suite No. 3	B minor	Keyboard	V/4: 16
814 v.A	early 1750s	French Suite No. 3 – Version A (Altnickol)	B minor	Keyboard	V/8: 20
814 v.B		French Suite No. 3 – Version B	B minor	Keyboard
814a	1720–1739	French Suite No. 3 – Variant	B minor	Keyboard	V/8: 166	after BWV 929
815 AMB1	1720–1722	Notebook A. M. Bach (1722) No. 4 French Suite No. 4	E♭ major	Keyboard	V/4: 23
815 v.A	early 1750s	French Suite No. 4 – Version A (Altnickol)	E♭ major	Keyboard	V/8: 30
815 v.B		French Suite No. 4 – Version B	E♭ major	Keyboard	V/8: 92
815a		French Suite No. 4 – Variant	E♭ major	Keyboard	V/8: 176
816 AMB1	1724–1725	Notebook A. M. Bach (1722) No. 5 French Suite No. 5	G major	Keyboard	V/4: 30
816 v.A	early 1750s	French Suite No. 5 – Version A (Altnickol)	G major	Keyboard	V/8: 40
816 v.B		French Suite No. 5 – Version B	G major	Keyboard	V/8: 102
817 v.A	early 1750s	French Suite No. 6 – Version A (Altnickol)	E major	Keyboard	V/8: 52
817 v.B	after 1724?	French Suite No. 6 – Version B	E major	Keyboard	V/8: 114
818	1720–1722	Suite for keyboard (early version)	A minor	Keyboard	V/8: 129
818a	after 1721	Suite for keyboard (later version)	A minor	Keyboard	V/8: 146
819	before 1726	Suite for keyboard (early version)	E♭ major	Keyboard	V/8: 136
819a	1725–1728	Suite for keyboard (later version)	E♭ major	Keyboard	V/8: 156
820	1705–1713	Suite (Ouverture) for keyboard	F major	Keyboard	V/10: 43
822		Suite for keyboard	G minor	Keyboard	V/10: 68	after unknown model?
823	before 1727	Suite for keyboard	F minor	Keyboard	V/10: 50
825	1725–1726	Partita No. 1 from Clavier-Übung I	B♭ major	Keyboard	V/1: 2
826	1725–1727	Partita No. 2 from Clavier-Übung I	C minor	Keyboard	V/1: 15
827	1725–1727	Notebook A. M. Bach (1725) No. 1 = Partita No. 3 from Clavier-Übung I	A minor	Keyboard	V/1: 35 V/4: 47
828	1725–1728	Partita No. 4 from Clavier-Übung I	D major	Keyboard	V/1: 50
829	1725–1730	Partita No. 5 from Clavier-Übung I	G major	Keyboard	V/1: 72
830	1725–1730	Notebook A. M. Bach (1725) No. 2 = Partita No. 6 from Clavier-Übung I	E minor	Keyboard	V/1: 90 V/4: 60	after BWV 1019a/3 /5
831	1733–1735	Overture in the French style (Clavier-Übung II No. 2)	B minor	Harpsichord	V/2: 20	after BWV 831a
831a	1727–1733	Overture in the French style (early version)	C minor	Keyboard	V/2: 43	→ BWV 831
832	before 1707	Suite for keyboard	A major	Keyboard	V/10: 54	in Möllersche Handschrift
833	before 1707	Prelude and partita for keyboard	F major	Keyboard	V/10: 60	in Möllersche Handschrift
836	1720–1721	Allemande, Klavierbüchlein WFB No. 6	G minor	Keyboard	V/5: 8	by Bach, W. F. & J. S.?
837	1720–1721	Allemande, Klavierbüchlein WFB No. 7 (incomplete)	G minor	Keyboard	V/5: 10	by Bach, W. F. & J. S.?
841	1720–1721	Notebook A. M. Bach (1722) No. 11 Menuet = WFB No. 11: Menuet 1	G major	Keyboard	V/5: 16 V/4: 44	by Bach, W. F. & J. S.?
842	1720–1721	Klavierbüchlein WFB No. 12: Menuet 2	G minor	Keyboard	V/5: 17	by Bach, W. F. (BR A43) & J. S.?
843	1720–1721	Klavierbüchlein WFB No. 13: Menuet 3	G major	Keyboard	V/5: 18
846	1722	Well-Tempered Clavier I, P. & F. No. 1	C major	Keyboard	V/6.1: 2	after BWV 846a
846/1	1725 (AMB)	Notebook A. M. Bach (1725) No. 29 Prelude (short version of WTC I No. 1/1)	C major	Keyboard	V/4: 107
846a	1720	Klavierbüchlein WFB No. 14: Praeludium 1 (early WTC I No. 1/1)	C major	Keyboard	V/5: 19 V/6.1: 127	→ BWV 846/1
847	1722	Well-Tempered Clavier I, P. & F. No. 2 (/1 = WFB No. 15: Praeludium 2)	C minor	Keyboard	V/5: 20 V/6.1: 2	after BWV 847a
847a		Prelude and Fughetta (early WTC I No. 2)	C minor	Keyboard	V/6.1: 130	→ BWV 847
848	1722	Well-Tempered Clavier I, P. & F. No. 3 (/1 = WFB No. 21: Praeludium [8])	C♯ major	Keyboard	V/5: 30 V/6.1: 2	after BWV 848a
848a		Prelude and Fughetta (early WTC I No. 3)	C♯ major	Keyboard	V/6.1: 134	→ BWV 848
849	1722	Well-Tempered Clavier I, P. & F. No. 4 (/1 = WFB No. 22: Praeludium [9])	C♯ minor	Keyboard	V/5: 32 V/6.1: 2	after BWV 849a
849a		Prelude and Fughetta (early WTC I No. 4)	C♯ minor	Keyboard	V/6.1: 140	→ BWV 849
850	1722	Well-Tempered Clavier I, P. & F. No. 5 (/1 = WFB No. 17: Praeludium 4)	D major	Keyboard	V/5: 23 V/6.1: 2	after BWV 850a
850a		Prelude and Fughetta (early WTC I No. 5)	D major	Keyboard	V/6.1: 146	→ BWV 850
851	1722	Well-Tempered Clavier I, P. & F. No. 6 (/1 = WFB No. 16: Praeludium 3)	D minor	Keyboard	V/5: 22 V/6.1: 2	after BWV 851a
851a		Prelude and Fughetta (early WTC I No. 6)	D minor	Keyboard	V/6.1: 150	→ BWV 851
852	1722	Well-Tempered Clavier I, P. & F. No. 7	E♭ major	Keyboard	V/6.1: 32	after BWV 852a
852a		Prelude and Fughetta (early WTC I No. 7)	E♭ major	Keyboard	V/6.1: 154	→ BWV 852
853	1722	Well-Tempered Clavier I, P. & F. No. 8 (/1 = WFB No. 23: Praeludium [10])	E♭ minor D♯ minor	Keyboard	V/5: 34 V/6.1: 38	after BWV 853a; → K. 404a/1
853a		Prelude and Fughetta (early WTC I No. 8)	E♭ minor D♯ minor	Keyboard	V/6.1: 160	→ BWV 853
854	1722	Well-Tempered Clavier I, P. & F. No. 9 (/1 = WFB No. 19: Praeludium 6)	E major	Keyboard	V/5: 26 V/6.1: 44	after BWV 854a
854a		Prelude and Fughetta (early WTC I No. 9)	E major	Keyboard	V/6.1: 166	→ BWV 854
855	1722	Well-Tempered Clavier I, P. & F. No. 10	E minor	Keyboard	V/6.1: 48	after BWV 855a
855a	c.1720	Prelude and Fughetta (early WTC I No. 10) (/1 = WFB No. 18: Praeludium 5)	E minor	Keyboard	V/5: 24 V/6.1: 170	→ BWV 855
856	1722	Well-Tempered Clavier I, P. & F. No. 11 (/1 = WFB No. 20: Praeludium 7)	F major	Keyboard	V/5: 28 V/6.1: 54	after BWV 856a
856a		Prelude and Fughetta (early WTC I No. 11)	F major	Keyboard	V/6.1: 174	→ BWV 856
857	1722	Well-Tempered Clavier I, P. & F. No. 12 (/1 = WFB No. 24: Praeludium [11])	F minor	Keyboard	V/5: 36 V/6.1: 58	after BWV 857a
857a		Prelude and Fughetta (early WTC I No. 12)	F minor	Keyboard	V/6.1: 178	→ BWV 857
858	1722	Well-Tempered Clavier I, P. & F. No. 13	F♯ major	Keyboard	V/6.1: 64	after BWV 858a
858a		Prelude and Fughetta (early WTC I No. 13)	F♯ major	Keyboard	V/6.1: 184	→ BWV 858
859	1722	Well-Tempered Clavier I, P. & F. No. 14	F♯ minor	Keyboard	V/6.1: 64	after BWV 859a
859a		Prelude and Fughetta (early WTC I No. 14)	F♯ minor	Keyboard	V/6.1: 188	→ BWV 859
860	1722	Well-Tempered Clavier I, P. & F. No. 15	G major	Keyboard	V/6.1: 72	after BWV 860a
860a		Prelude and Fughetta (early WTC I No. 15)	G major	Keyboard	V/6.1: 192	→ BWV 860
861	1722	Well-Tempered Clavier I, P. & F. No. 16	G minor	Keyboard	V/6.1: 78	after BWV 861a
861a		Prelude and Fughetta (early WTC I No. 16)	G minor	Keyboard	V/6.1: 198	→ BWV 861
862	1722	Well-Tempered Clavier I, P. & F. No. 17	A♭ major	Keyboard	V/6.1: 82	after BWV 862a
862a		Prelude and Fughetta (early WTC I No. 17)	A♭ major	Keyboard	V/6.1: 202	→ BWV 862
863	1722	Well-Tempered Clavier I, P. & F. No. 18	G♯ minor	Keyboard	V/6.1: 86	after BWV 863a
863a		Prelude and Fughetta (early WTC I No. 18)	G♯ minor	Keyboard	V/6.1: 206	→ BWV 863
864	1722	Well-Tempered Clavier I, P. & F. No. 19	A major	Keyboard	V/6.1: 90	after BWV 864a
864a		Prelude and Fughetta (early WTC I No. 19)	A major	Keyboard	V/6.1: 210	→ BWV 864
865	1722	Well-Tempered Clavier I, P. & F. No. 20	A minor	Keyboard	V/6.1: 96	after BWV 865a
865a		Prelude and Fughetta (early WTC I No. 20)	A minor	Keyboard	V/6.1: 216	→ BWV 865
866	1722	Well-Tempered Clavier I, P. & F. No. 21	B♭ major	Keyboard	V/6.1: 104	after BWV 866a
866a		Prelude and Fughetta (early WTC I No. 21)	B♭ major	Keyboard	V/6.1: 224	→ BWV 866
867	1722	Well-Tempered Clavier I, P. & F. No. 22	B♭ minor	Keyboard	V/6.1: 108	after BWV 867a; → Hess 38 [commons]
867a		Prelude and Fughetta (early WTC I No. 22)	B♭ minor	Keyboard	V/6.1: 228	→ BWV 867
868	1722	Well-Tempered Clavier I, P. & F. No. 23	B major	Keyboard	V/6.1: 112	after BWV 868a
868a		Prelude and Fughetta (early WTC I No. 23)	B major	Keyboard	V/6.1: 232	→ BWV 868
869	1722	Well-Tempered Clavier I, P. & F. No. 24	B minor	Keyboard	V/6.1: 116	after BWV 869a
869a		Prelude and Fughetta (early WTC I No. 24)	B minor	Keyboard	V/6.1: 236	→ BWV 869
870b 870/2	1739–1742	Well-Tempered Clavier II, P. & F. No. 1 (version A)	C major	Keyboard	V/6.2: 2, 6, 342
871	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 2	C minor	Keyboard	V/6.2: 8, 160	→ K. 405/1
872	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 3	C♯ major	Keyboard	V/6.2: 12, 164, 352	after BWV 872a
872a/1	1739–1740	Prelude (early WTC II, P. & F. No. 3/1)	C major	Keyboard	V/6.2: 344	→ BWV 872/1
872a/2	1738	Fughetta (early WTC II, P. & F. No. 3/2)	C major	Keyboard	V/6.2: 358	→ BWV 872/2
873	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 4	C♯ minor	Keyboard	V/6.2: 16, 168
874	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 5	D major	Keyboard	V/6.2: 24, 176	→ K. 405/5
875	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 6	D minor	Keyboard	V/6.2: 30 182, 348, 356	after BWV 875a
875a	1739–1740	Preambulum (early WTC II, P. & F. No. 6/1)	D minor	Keyboard	V/6.2: 346	→ BWV 875/1
876	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 7	E♭ major	Keyboard	V/6.2: 36, 188, 354	→ K. 405/2
877	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 8	D♯ minor	Keyboard	V/6.2: 42, 194	→ K. 405/4
878	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 9	E major	Keyboard	V/6.2: 48, 200	→ K. 405/3
879	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 10	E minor	Keyboard	V/6.2: 54, 206
880	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 11	F major	Keyboard	V/6.2: 62, 215
881	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 12	F minor	Keyboard	V/6.2: 69, 221
882	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 13	F♯ major	Keyboard	V/6.2: 76, 228	→ K. 404a/3
883	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 14	F♯ minor	Keyboard	V/6.2: 84, 236	→ K. 404a/2
884	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 15	G major	Keyboard	V/6.2: 90, 242, 350	after BWV 902/2
885	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 16	G minor	Keyboard	V/6.2: 94, 246
886	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 17	A♭ major	Keyboard	V/6.2: 100, 108, 252	after BWV 901/2
887	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 18	G♯ minor	Keyboard	V/6.2: 112, 260
888	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 19	A major	Keyboard	V/6.2: 120, 268
889	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 20	A minor	Keyboard	V/6.2: 124, 272
890	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 21	B♭ major	Keyboard	V/6.2: 128, 276
891	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 22	B♭ minor	Keyboard	V/6.2: 134, 282
892	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 23	B major	Keyboard	V/6.2: 142, 290
893	1739–1742 1744	Well-Tempered Clavier II, P. & F. No. 24	B minor	Keyboard	V/6.2: 150, 298
870	1744	Well-Tempered Clavier II, P. & F. No. 1 (version B)	C major	Keyboard	V/6.2: 156	after BWV 870a
894	1710–1717 (JTK)	Prelude and Fugue	A minor	Keyboard	V/9.2: 40	→ BWV 1044/1, /3; in SBB P 801, P 804
895	1709 (JCB)	Prelude and Fugue	A minor	Keyboard	V/9.2: 69	in Yale LM 4982
896	1704–1707	Prelude and Fugue	A major	Keyboard	V/9.2: 72	in Möllersche Handschrift
870a	before 1727	Prelude and Fughetta	C major	Keyboard	V/6.2: 307, 310	→ BWV 870; in SBB P 804, P 1089
899	before 1727	Prelude and Fughetta	D minor	Keyboard	V/6.2: 314 V/12: 8	in SBB P 804, P 1089
900	before 1727	Prelude and Fughetta	E minor	Keyboard	V/6.2 V/12: 9	in SBB P 804, P 1089
901	before 1727	Prelude and Fughetta	F major	Keyboard	V/6.2: 324	→ BWV 886/2; in SBB P 1089
902	c.1729	Prelude and Fughetta	G major	Keyboard	V/6.2: 328	→ BWV 884/2; in SBB P 804, P 1089
902/1a	before 1727	Prelude (previous Prelude to BWV 902/2)	G major	Keyboard	V/6.2: 334, 338	→ BWV 884/2; in SBB P 804
903		Chromatic Fantasia and Fugue	D minor	Keyboard	V/9.2: 76	after BWV 903a; in SBB P 803, P 651
903a		Fantasia (early BWV 903/1)	D minor	Keyboard	V/9.2: 90	→ BWV 903/1; in D-DS Mus. ms. 69
904	before 1727	Fantasia and Fugue	A minor	Keyboard	V/9.2	in SBB P 804
906	before 1729 c.1738	Fantasia and Fugue (Fugue incomplete)	C minor	Keyboard	V/9.2: 110	in US-BETbc, D-Dl Mus.2405-T-52
910	1707–1713	Toccata	F♯ minor	Kb (or) Org	V/9.1: 1	in Andreas-Bach-Buch
911	1707–1713	Toccata	C minor	Kb (or) Org	V/9.1: 13	in Andreas-Bach-Buch
912	1707–1713	Toccata	D major	Kb (or) Org	V/9.1: 38	after BWV 912a; ↔ BWV 532/1
912a	1704–1707	Toccata	D major	Kb (or) Org	V/9.1: 26	→ BWV 912; in Möllersche Handschrift
913	1707–1709	Toccata	D minor	Kb (or) Org	V/9.1: 50, 63	after BWV 913a
913a		Toccata	D minor	Kb (or) Org	V/9.1: 52	→ BWV 913; publ. 1801
914	1707–1709	Toccata	E minor	Kb (or) Org	V/9.1: 78
915	1707–1709	Toccata	G minor	Kb (or) Org	V/9.1: 87
916	1707–1713	Toccata	G major	Kb (or) Org	V/9.1: 100	in Andreas-Bach-Buch
917	1704–1707	Fantasia	G minor	Keyboard	V/9.1: 14, 16	in Möllersche Handschrift
918		Fantasia on a Rondo	C minor	Keyboard	V/9.1: 14, 18
921	1707–1713	Prelude	C minor	Keyboard	V/9.1: 24	in Andreas-Bach-Buch
922	1710–1714 (JTK)	Prelude (Fantasia)	A minor	Keyboard	V/9.2: 27, 34	in SBB P 803
923	c.1723?	Prelude	B minor	Keyboard	V/9.2: 116	by Pachelbel, W. H.?; → BWV 923a; in SBB P 401
924	c.1720	Twelve Little Preludes No. 1: Preambulum (WFB No. 2)	C major	Keyboard	V/5: 4	→ BWV 924a
924a	1720–1726	Twelve Little Preludes No. 1a: Preludium ex c♮ (WFB No. 26)	C major	Keyboard	V/5: 41	after BWV 924; BR A44 F(add) 206
925	1720–1726	Twelve Little Preludes No. 4: Preludium ex d♮ (WFB No. 27)	D major	Keyboard	V/5: 42	BR A45 F(add) 206
926	c.1720	Twelve Little Preludes No. 5: Preludium (WFB No. 4)	D minor	Keyboard	V/5: 6
927	1720–1726	Twelve Little Preludes No. 8: Preambulum (WFB No. 8)	F major	Keyboard	V/5: 10
928	1720–1726	Twelve Little Preludes No. 9: Preludium (WFB No. 10)	F major	Keyboard	V/5: 14
929	1720–1726	Twelve Little Preludes No. 10: Trio for a Minuet by Stölzel (WFB No. 48^e)	G minor	Keyboard	V/5: 89
930	1720–1726	Twelve Little Preludes No. 11: Preambulum (WFB No. 9)	G minor	Keyboard	V/5: 12
931	1720–1726	Preludium, Klavierbüchlein WFB No. 29	A minor	Keyboard	V/5: 45	BR A47 F(add) 206
932	1720–1726	Preludium ex e♭, Klavierbüchlein WFB No. 28 (incomplete)	E minor	Keyboard	V/5: 44	BR A46 F(add) 206
933	1717–1723?	Six Little Preludes No. 1	C major	Keyboard	V/9.2: 3	in SBB P 542, P 885
934	1717–1723?	Six Little Preludes No. 2	C minor	Keyboard	V/9.2: 4	in SBB P 542, P 885
935	1717–1723?	Six Little Preludes No. 3	D minor	Keyboard	V/9.2: 5	in SBB P 542, P 885
936	1717–1723?	Six Little Preludes No. 4	D major	Keyboard	V/9.2: 6	in SBB P 542, P 885
937	1717–1723?	Six Little Preludes No. 5	E major	Keyboard	V/9.2: 8	in SBB P 542, P 885
938	1717–1723?	Six Little Preludes No. 6	E minor	Keyboard	V/9.2: 10	in SBB P 542, P 885
939	1726–1727	Five Little Preludes No. 1 (=12 L. P. No. 2)	C major	Keyboard	V/12: 50	by Bach?; in SBB P 804
940	1726–1727	Five Little Preludes No. 2 (=12 L. P. No. 6)	D minor	Keyboard	V/12: 50	by Bach?; in SBB P 804
941	1726–1727	Five Little Preludes No. 3 (=12 L. P. No. 7)	E minor	Keyboard	V/12: 51	by Bach?; in SBB P 804
942	1726–1727	Five Little Preludes No. 4 (=12 L. P. No. 12)	A minor	Keyboard	V/12: 52	by Bach?; in SBB P 804
943	1725–1727	Five Little Preludes No. 5	C major	Org (Kb?)	V/12: 53	in SBB P 804
944	1707–1713	Fantasia and Fugue	A minor	Keyboard	V/9.2: 133	in Andreas-Bach-Buch
946	early work?	Fugue on a theme by Albinoni	C major	Keyboard	V/9.2: 153	after Albinoni, Op. 1, No. 12/4 (theme)
947	early work?	Fugue	A minor	Keyboard	V/12: 55	by Bach?
948	early work?	Fugue	D minor	Keyboard	V/9.2: 156	in D-B N. Mus. ms. 10580
949	1707–1713	Fugue	A major	Keyboard	V/9.2: 163	after Albinoni (theme)?; in Andreas-Bach-Buch
950	before 1725	Fugue on a theme by Albinoni	A major G major	Keyboard	V/9.2: 168	after Albinoni (theme); in SBB P 804
951	1714–1717	Fugue on a theme by Albinoni	B minor	Keyboard	V/9.2: 118	after BWV 951a; in SBB P 801
951a	1714–1717	Fugue on a theme by Albinoni (early version)	B minor	Keyboard	V/9.2: 127	after Albinoni (theme); → BWV 951; in D-LEm Poel. mus. Ms. 9
952		Fugue	C major	Keyboard	V/9.2: 176
953	1720–1726	Fugue a 3, Klavierbüchlein WFB No. 31	C major	Keyboard	V/5: 46
954	early work?	Fugue on a theme by Reincken	B♭ major	Keyboard	V/11: 200	after Reincken, Hortus Musicus No. 2/2 (theme)^[21]
955	early work	Fugue	B♭ major	Keyboard	V/12: 60	after BWV 955a; in SBB P 425, P 804
955a	early work	Fugue	B♭ major	Organ	V/12: 65	by Erselius?; → BWV 955; in SBB P 247, P 595
959		Fugue	A minor	Keyboard	V/9.2: 178	by Bach?
961	?	Fughetta	C minor	Keyboard	V/9.2: 182	in SBB P 823
963	early work	Sonata for keyboard	D major	Keyboard	V/10: 32	in SBB P 804
965	c.1714–1717 or earlier	Sonata for keyboard after Reincken	A minor	Keyboard	V/11: 173	after Reincken, Hortus Musicus No. 1/1–/5; in SBB P 803
966	c.1714–1717 or earlier	Sonata for keyboard after Reincken	A minor	Keyboard	V/11: 188	after Reincken, Hortus Musicus No. 3/1–/5; in SBB P 803
967	1704–1707	Sonata transcription, 1st movement	A minor	Keyboard	V/9.2: 184	in SBB P 804
971	1733–1735	Italian Concerto (Clavier-Übung II No. 1)	F major	Harpsichord	V/2: 2
972	July 1713– July 1714	Concerto for solo keyboard (1/16)	D major	Keyboard	V/11: 3	after Vivaldi, Op. 3 No. 9
972a	July 1713– July 1714	Concerto for solo keyboard (1/16), early version	D major	Keyboard	V/11: 161	after Vivaldi, Op. 3 No. 9
973	July 1713– July 1714	Concerto for solo keyboard (2/16)	G major	Keyboard	V/11: 12	after Vivaldi, Op. 7 No. 8
974	July 1713– July 1714	Concerto for solo keyboard (3/16)	D minor	Keyboard	V/11: 20	after Marcello, A., Oboe Concerto
975	July 1713– July 1714	Concerto for solo keyboard (4/16)	G minor	Keyboard	V/11: 30	after Vivaldi, Op. 4 No. 6
976	July 1713– July 1714	Concerto for solo keyboard (5/16)	C major	Keyboard	V/11: 39	after Vivaldi, Op. 3 No. 12
977	July 1713– July 1714	Concerto for solo keyboard (6/16)	C major	Keyboard	V/11: 50	after unknown model
978	July 1713– July 1714	Concerto for solo keyboard (7/16)	F major	Keyboard	V/11: 56	after Vivaldi, Op. 3 No. 3 (RV 310)
979	July 1713– July 1714	Concerto for solo keyboard (8/16)	B minor	Keyboard	V/11: 64	after Vivaldi, RV 813 (previously: Torelli)^[22]
980	July 1713– July 1714	Concerto for solo keyboard (9/16)	G major	Keyboard	V/11: 79	after Vivaldi, Op. 4 No. 1 (RV 381)
981	July 1713– July 1714	Concerto for solo keyboard (10/16)	C minor	Keyboard	V/11: 90	after Marcello, B., Op. 1 No. 2
982	July 1713– July 1714	Concerto for solo keyboard (11/16)	B♭ major	Keyboard	V/11: 100	after J. E. of Saxe-Weimar, Op. 1 No. 1
983	July 1713– July 1714	Concerto for solo keyboard (12/16)	G minor	Keyboard	V/11: 110	after unknown model
984	July 1713– July 1714	Concerto for solo keyboard (13/16)	C major	Keyboard	V/11: 118	after J. E. of Saxe-Weimar, lost Concerto; → BWV 595
985	July 1713– July 1714	Concerto for solo keyboard (14/16)	G minor	Keyboard	V/11: 128	after Telemann, TWV 51:g1^[23]
986	July 1713– July 1714	Concerto for solo keyboard (15/16)	G minor	Keyboard	V/11: 137	after unknown model
987	July 1713– July 1714	Concerto for solo keyboard (16/16)	D minor	Keyboard	V/11: 142	after J. E. of Saxe-Weimar, Op. 1 No. 4
988	1741–1742	Goldberg Variations (Clavier-Übung IV)	G major	Harpsichord	V/2: 69	→ BWV 1087
988/1	c.1740? (AMB)	Notebook A. M. Bach (1725) No. 26 Aria of the Goldberg Variations	G major	Harpsichord	V/4: 103	→ BWV 1087
989	1707–1713	Aria variata	A minor	Keyboard	V/10: 21	in Andreas-Bach-Buch
991	1722	Notebook A. M. Bach (1722) No. 7 Air with variations (incomplete)	C minor	Keyboard	V/4: 40
992	1704–1707	Capriccio on the departure of a beloved brother	B♭ major	Keyboard	V/10: 3	in Möllersche Handschrift
993	c.1705	Capriccio in honorem Johann Christoph Bachii Ohrdrufiensis [scores]	E major	Keyboard	V/10: 12	in SBB P 804
994	1720	Klavierbüchlein WFB No. 1: Applicatio	C major	Keyboard	V/5: 4
9.	Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach)
995	Fall 1727 – Winter 1731	Suite for lute	G minor	Lu	V/10: 81	after BWV 1011^[24]^[25]^[26] ^[27]^[28]^[29]^[30]^[31]^[32] ^[33]^[34]^[35]^[36]^[37]^[38]
996	1710–1717 (JGW)	Suite for lute	E minor	Lu (Lw?)	V/10: 94	in SBB P 801, pp. 385–395^[39]^[40] ^[30]^[32]^[33]^[41]^[42]^[43]
997	1720–1739	Lute Suite in C minor, BWV 997	C minor	Lu (Lw?)	V/10: 102	in SBB P 650, MB Lpz III.11.5^[27]^[30]^[44] ^[32]^[33]^[37]^[38]^[41]^[42]
998	1735–1745	Prelude, Fugue and Allegro	E♭ major	Lu (or) Hc	V/10: 114	^[30]^[45]^[46] ^[31]^[32]^[33]^[38]^[42]^[47]
999	1717–1723	Prelude for lute (Twelve Little Preludes No. 3)	C minor	Lu	V/10: 122	in SBB P 804, pp. 101–103^[30]^[32]^[48]^[49]
1000	after 1720	Fugue	G minor	Lu	V/10: 124	after BWV 1001/2; → 539/2; in MB Lpz III.11.4^[27]^[44] ^[30]^[32]^[37]^[38]^[41]^[50]
1006a	c.1736–1737	Suite for lute	E major	Lu?	V/10: 134	after BWV 1006^[25]^[30]^[51] ^[32]^[38]^[47]^[52]^[53]^[54]
10.	Chamber music (see also: List of chamber music works by Johann Sebastian Bach)
1001	1720	Sonatas and partitas for solo violin No. 1 – Sonata No. 1	G minor	Vl	VI/1: 3 rev 3: 3	→ BWV 1000, 539/2
1002	1720	Partitas and sonatas for solo violin No. 2 – Partita No. 1	B minor	Vl	VI/1: 10 rev 3: 10
1003	1720	Sonatas and partitas for solo violin No. 3 – Sonata No. 2	A minor	Vl	VI/1: 20 rev 3: 20	→ BWV 964
1004	1720	Partitas and sonatas for solo violin No. 4 – Partita No. 2	D minor	Vl	VI/1: 30 rev 3: 30
1005	1720	Sonatas and partitas for solo violin No. 5 – Sonata No. 3	C major	Vl	VI/1: 42 rev 3: 42	after "Komm, Heiliger Geist, Herre Gott"; → BWV 968
1006	1720	Partitas and sonatas for solo violin No. 6 – Partita No. 3	E major	Vl	VI/1: 54 rev 3: 54	→ BWV 1006a, 29/1 and 120a/4
1007	1720 (AMB)	Suite for cello No. 1	G major	Vc	VI/2: 2
1008	1720 (AMB)	Suite for cello No. 2	D minor	Vc	VI/2: 8
1009	1720 (AMB)	Suite for cello No. 3	C major	Vc	VI/2:14
1010	1720 (AMB)	Suite for cello No. 4	E♭ major	Vc	VI/2: 22
1011	1720 (AMB)	Suite for cello No. 5	C minor	Vc	VI/2: 32	→ BWV 995
1012	1720 (AMB)	Suite for cello No. 6	D major	Vc	VI/2:40
1013	1717–1723?	Partita for flute	A minor	Fl	VI/3: 3
1014	1717–1723?	Sonata for violin and harpsichord No. 1	B minor	Vl Hc	VI/1: 83 rev 3: 83
1015	1717–1723?	Sonata for violin and harpsichord No. 2	A major	Vl Hc	VI/1: 99 rev 3: 99
1016	1717–1723?	Sonata for violin and harpsichord No. 3	E major	Vl Hc	VI/1: 115 rev 3: 115
1017	1717–1723?	Sonata for violin and harpsichord No. 4	C minor	Vl Hc	VI/1: 136 rev 3: 136
1018	1717–1723?	Sonata for violin and harpsichord No. 5	F minor	Vl Hc	VI/1: 153 rev 3: 153	after BWV 1018a
1018a	1717–1723?	Sonata for violin and harpsichord No. 5a [commons]	F minor	Vl Hc	VI/1: 195 rev 3: 194	→ BWV 1018
1019	after 1729?	Sonata for violin and harpsichord No. 6	G major	Vl Hc	VI/1: 172 rev 3: 172	after BWV 1019a
1019a	1717–1729?	Sonata for violin and harpsichord No. 6, early versions	G major	Vl Hc	VI/1: 197 rev 3: 196	after BWV 120a/4, 830/3, /6; → BWV 120/4, 1019
1021	1732–1733	Sonata for violin and continuo	G major	Vl Bc	VI/1: 65 rev 3: 65	→ BWV 1022, 1038
1023	c.1714–1717?	Sonata for violin and continuo	E minor	Vl Bc	VI/1: 73 rev 3: 73
1025	c.1746–1747?	Suite for violin and keyboard	A major	Vl Kb	VI/5: 67	after Weiss, Suite for Lute in A major
1026	c.1714–1717	Fugue for violin and continuo	G minor	Vl Bc	VI/5: 59
1027	c.1742	Sonata for gamba and harpsichord No. 1	G major	Gam Hc	VI/4: 3	after BWV 1039; → 1027/1a /2a /4a
1028		Sonata for gamba and harpsichord No. 2	D major	Gam Hc	VI/4: 21
1029		Sonata for gamba and harpsichord No. 3	G minor	Gam Hc	VI/4: 36	→ BWV 545b
1030	1736–1737	Sonata for flute and harpsichord	B minor	Fl Hc	VI/3: 33	after BWV 1030a
1030a	1717–1736	Sonata for unknown instrument and harpsichord	G minor	v Hc	VI/3: 89	→ BWV 1030
1032	1736–1737	Sonata for flute and harpsichord (/1 incomplete)	A major	Fl Hc	VI/3: 54	→ BWV 525a
1034	1717–1723?	Sonata for flute and continuo	E minor	Fl Bc	VI/3: 11
1035	1717–1723?	Sonata for flute and continuo	E major	Fl Bc	VI/3: 23
1039	1708–1726	Sonata	G major	2Fl Bc	VI/3: 71	→ BWV 1027
11.	Works for orchestra (see also: List of orchestral works by Johann Sebastian Bach)
1041	1730	Concerto for violin and orchestra No. 1	A minor	Vl Str Bc	VII/3: 3	→ BWV 1058
1042		Concerto for violin and orchestra No. 2	E major	Vl Str Bc	VII/3: 35	→ BWV 1054
1043	1730–1731 or earlier	Concerto for 2 violins and orchestra – Double Concerto	D minor	2Vl Str Bc	VII/3: 71	→ BWV 1062
1044	1727 or later	Concerto for flute, violin, harpsichord and orchestra – Triple Concerto	A minor	Fl Vl Hc Str Bc	VII/3: 105	after BWV 894/1, 527/2, 894/2
1045	1743–1746	Cantata opening: "Concerto" (Symphonic movement for violin and orchestra)	D major	Vl 3Tr Tmp 2Ob Str Bc	I/34: 305	after unknown model by other composer?^[55]^[56]^[57]
1046	1721-03-24	Brandenburg Concerto No. 1	F major	2Nho 3Ob Bas Vlp Str Bc	VII/2: 3	after BWV 1046a; /3, /7 → BWV 207(a)/1, /5a
1046a	c.1712- 1713?	Sinfonia (opening of BWV 208?)	F major	2Nho 3Ob Str Bas Bc	VII/2: 225	→ BWV 1046; /1 → BWV 52/1; was BWV 1071^[55]
1047	1721-03-24	Brandenburg Concerto No. 2	F major	Tr Fl Ob Vl Str Vne Bc	VII/2: 43
1048	1721-03-24	Brandenburg Concerto No. 3	G major	3Vl 3Vla 3Vc Vne Hc	VII/2: 73	→ BWV 174/1
1049	1721-03-24	Brandenburg Concerto No. 4	G major	Vl 2Fl Str Vc Vne Bc	VII/2: 99	→ BWV 1057
1050	1721-03-24	Brandenburg Concerto No. 5	D major	Fl Vl Hc Vl Va Vc Vne	VII/2: 145	after BWV 1050a
1050a	1720–1721	Brandenburg Concerto No. 5a	D major	Fl Vl Hc Vl Va Vne	VII/2: 145	→ BWV 1050
1051	1721-03-24	Brandenburg Concerto No. 6	B♭ major	2Vla 2Gam Vc Vne Hc	VII/2: 197
1052	c.1738	Concerto for harpsichord and orchestra No. 1	D minor	Hc Str Bc	VII/4: 3	after BWV 146/1, /2 and 188/1
1052a	c.1734	Concerto for harpsichord and orchestra No. 1a	D minor	Hc Str Bc	VII/4: 317	by Bach, C. P. E.; after BWV 146/1, /2 and 188/1
1053	c.1738	Concerto for harpsichord and orchestra No. 2	E major	Hc Str Bc	VII/4: 79	after BWV 169/1, /5 and 49/1
1054	c.1738	Concerto for harpsichord and orchestra No. 3	D major	Hc Str Bc	VII/4: 127	after BWV 1042
1055	c.1738	Concerto for harpsichord and orchestra No. 4	A major	Hc Str Bc	VII/4: 161	after BWV 1055R?
1056	c.1738	Concerto for harpsichord and orchestra No. 5	F minor	Hc Str Bc	VII/4: 197	after BWV 1056R?; /2 after BWV 156/1
1057	c.1738	Concerto for harpsichord and orchestra No. 6	F major	Hc 2Fl Str Bc	VII/4: 221	after BWV 1049
1058	c.1738	Concerto for harpsichord and orchestra No. 7	G minor	Hc Str Bc	VII/4: 283	after BWV 1041
1059	c.1738	Concerto for harpsichord and orchestra No. 8 (abandoned fragment of 1st movement)	D minor	Hc Ob Str Bc	VII/4: 313	after BWV 35/1 and earlier model (for oboe?); completions/ reconstructions usually based on BWV 35/1, /2 and /5
1060	c.1736	Concerto for 2 harpsichords and orchestra No. 1	C minor	2Hc Str Bc	VII/5: 3	after BWV 1060R?
1061		Concerto for 2 harpsichords and orchestra No. 2	C major	2Hc Str Bc	VII/5: 109	after BWV 1061a
1061a	1732–1733	Concerto for 2 harpsichords (No. 2)	C major	2Hc	VII/5: 83	→ BWV 1061
1062	1736	Concerto for 2 harpsichords and orchestra No. 3	C minor	2Hc Str Bc	VII/5: 43	after BWV 1043
1063	c.1730	Concerto for 3 harpsichords and orchestra No. 1	D minor	3Hc Str Bc	VII/6: 3	after unknown model?
1064	c.1730	Concerto for 3 harpsichords and orchestra No. 2	C major	3Hc Str Bc	VII/6: 55	after BWV 1064R?
1065	c.1730	Concerto for 4 harpsichords and orchestra	A minor	4Hc Str Bc	VII/6: 117	after Vivaldi, Op. 3 No. 10
1066	May 1724–End 1725	Orchestral Suite No. 1	C major	2Ob Bas Str Bc	VII/1: 3	Ouverture Courante 2Gavotte Forlane 2Minuet 2Bourrée 2Passepied
1067	1738–1739	Orchestral Suite No. 2	B minor	Fl Str Bc	VII/1: 27	Ouverture Rondeau Sarabande 2Bourrée 2Polonaise Minuet Badinerie
1068	c.1730	Orchestral Suite No. 3	D major	3Tr Tmp 2Ob (Vl) Str Bc	VII/1: 49, 119	Ouverture Air 2Gavotte Bourrée Gigue
1069	before late 1727	Orchestral Suite No. 4	D major	3Tr Tmp 2Ob Bas Str Bc	VII/1: 79	Ouverture 2Bourrée Gavotte 2Minuet Réjouissance; /1 → BWV 110/1
1071						see BWV 1046a
12.	Canons (see also: List of canons by Johann Sebastian Bach)
1072		Canon trias harmonica a 8	D major	8V	VIII/l: 3, 6	^[33]^[58]
1073	1713-08-02	Canon â 4. Voc: perpetuus	A minor	4V	VIII/l: 3	in US-CAh bMS Eng 870 (35b)^[59]^[60]^[61]^[62]^[63]
1074	1727	Canon a 4 (for Ludwig Friedrich Hudemann [de])	A minor	4V	VIII/l: 3	^[64]^[65] ^[33]^[61]^[66]^[67]^[68]^[69]
1075	1734-01-10	Canon a 2. perpetuus	D major	2V	VIII/l: 3	^[61]
1076	1746	Canon triplex a 6	G major	6V	VIII/l: 3	after BWV 1087/13 ^[47]^[70]^[71]^[72] ^[33]^[73]^[74]^[75]^[76]^[77]
1077	1747-10-15	Canone doppio sopr' il soggetto (dedicated to Johann Fulde [de])	G major	4V Bc	VIII/1: 4 IX/2: 81	after BWV 1087/11^[51]^[61]^[77]^[78]
1078	1749-03-01	Canon Fa Mi, et Mi Fa est Tota Musica, a.k.a. Canon super Fa Mi, a 7. post Tempus Musicum	F major	7V Bc	VIII/l: 4	in SBB P 611^[61]^[79]^[80]
1086	1750?	Canon Concordia discors	D major	2V	VIII/l: 4 III/1: VIII	in SLB Dresden R 291^s^[33]^[81]^[82]^[83]^[84]
1087	1747/1748 or earlier	14 Canons on the first eight notes of the Goldberg ground	G major	6V	V/2: 119	after BWV 988/1; /11 → BWV 1077; /13 → 1076; in BN Paris Ms. 17669, Bl. 18v ^[47]^[85]^[86]^[87]^[88]^[89]
13.	Musical Offering, Art of the Fugue (see also: List of late contrapuntal works by Johann Sebastian Bach)
1079	1747-07-07	Musical Offering		Kb Fl 2Vl Bc	VIII/1: 46	^[90]
1080	1742–1750	The Art of Fugue		2Kb (etc.?)	VIII/2: 3	in SBB P 200^[91]
Later	Later additions to the main catalogue (above BWV 1128: BWV³)
1127	1713-10-30	Aria "Alles mit Gott und nichts ohn' ihn"		s Str Bc	Sppl: 237	text by Mylius, J. A.
1128	1725-08-27	Chorale fantasia Wo Gott der Herr nicht bei uns hält		Organ		was BWV Anh. 71^[92]
1135	1724-03-25	Cantata Siehe, eine Jungfrau ist schwanger (25 March: Annunciation)				was BWV Anh. 199; text extant^[93]^[94]^[95]
1136	1708–1717? 1725-09-09? 1727-02-06	Cantata Liebster Gott, vergißt du mich (1711: libretto for Trin. VII; 1725: Trin. XV?; 1727, with BWV 157.1: funeral in Pomßen)				was BWV Anh. 209; text by Lehms^[96]^[97]
1137	1729-10-23?	Cantata (sketch: Gott, du Richter der Gedanken for Trinity XIX by Picander?)		SATB Vl Str Bc	III/1	was BWV Anh. 2; in SBB P 36: 18^[98]
1138.1	1709-02-04	Cantata for Ratswahl in Mühlhausen No. 2				was BWV Anh. 192^[99]
1138.2	1710-02-04	Cantata for Ratswahl in Mühlhausen No. 3				lost
1139.1	1725-08-27	Cantata Wünschet Jerusalem Glück (council election)				was BWV Anh. 4; text by Picander; → BWV 1139.2^[41]^[100]
1139.2	1730-06-27	Cantata Wünschet Jerusalem Glück (200th anniversary of the Augsburg Confession)				was BWV Anh. 4a; text by Picander; after BWV 1139.1^[101]
1140	1730-08-25	Cantata Gott, gib dein Gerichte dem Könige (council election)			I/32.2	was BWV Anh. 3; text by Picander^[101]^[100]
1141	1740-08-29	Cantata Herrscher des Himmels, König der Ehren (council election)			I/32.2	was BWV Anh. 193; text extant; last mvt. → BWV 208/15 ^[102]^[103]^[104]
1142	1716-04-02	Cantata Was ist, das wir Leben nennen (funeral service for Johann Ernst of S.-W.)				text extant
1143	1729-03-24	Cantata Klagt, Kinder, klagt es aller Welt (funeral of Leopold of Anhalt-Köthen; music lost but partially reconstructible)			I/34	was BWV 244a; text by Picander; ↔ BWV 198/1, /10, 244b/6, /8, /39, /49, /57, /23, /20, /65, /13, /68
1144	1725-02-12	Cantata Sein Segen fließt daher wie ein Strom (wedding)				was BWV Anh. 14; text extant^[105]^[106]
1145	1729-01-18	Cantata Der Herr ist freundlich dem, der auf ihn harret (wedding)				was BWV Anh. 211; text by Picander^[107]^[108]
1146	1729-07-26	Cantata Vergnügende Flammen, verdoppelt die Macht (wedding)				was BWV Anh. 212; text by Picander^[109]^[110]^[108]
1147	1718-12-10	Cantata Lobet den Herrn, alle seine Heerscharen (birthday of Leopold of A.-K.)			I/34	was BWV Anh. 5; text by Hunold^[111]
1148	1724-04-27	Cantata Siehe, der Hüter Israel (doctorate)		SATB 3Tr Tmp 2Ob 3Vl Va Bc	I/34	was BWV Anh. 15; lost^[112]^[113]
1150	1721-01-01? 1722-01-01?	Cantata Ihr wallenden Wolken (New Year)		b 2Fl Str Vc Hc Bc	I/4	was BWV Anh. 197; lost^[114]^[115]
1151	1720-01-01	Secular cantata Dich loben die lieblichen Strahlen der Sonne (New Year)			I/35	was BWV Anh. 6; text by Hunold^[116]^[117]
1152	1723-01-01	Secular cantata for New Year (congratulation of Leopold of Anhalt-Köthen and his wife Frederica Henriette)			I/35	was BWV Anh. 8; lost^[118]
1153	1720-12-10	Secular cantata Heut ist gewiß ein guter Tag (birthday of Leopold of Anhalt-Köthen)			I/35	was BWV Anh. 7; text by Hunold^[119]^[120]
1154	1722-07-29	Cantata O vergnügte Stunden (birthday of John Augustus of Anhalt-Zerbst)				was BWV Anh. 194; text extant^[121]^[122]
1155	1723-08-09	Ode in Latin (birthday of Frederick II of Saxe-Gotha)			I/38	was BWV Anh. 20; lost^[123]^[124]
1156	1727-05-12	Secular cantata Entfernet euch, ihr heitern Sterne (57th birthday of Augustus II)			I/36	was BWV Anh. 9; text by Haupt, C. F.; /1 → BWV 232^II/6?^[125]^[126]^[127]
1157	1732-08-03	Secular cantata Es lebe der König, der Vater im Lande (name day of Augustus II)			I/36	was BWV Anh. 11; text by Picander; /1 & /11 → BWV 215/1 → 232^IV/1=/3; /7 → 248/39?; /9 → 212/14^[100]^[109]^[128]
1158	1733-08-03	Secular cantata Frohes Volk, vergnügte Sachsen (name day of Augustus III)			I/36	was BWV Anh. 12; text by Picander; after BWV Anh. 18; /1 → BWV 11/1^[100]^[109]^[129]
1159	1739-10-07	Secular cantata "Serenade" (birthday of Augustus III)				lost
1160	1731-08-25	Secular cantata So kämpfet nur, ihr muntern Töne (birthday of Joachim Friedrich von Flemming [de])			I/39	was BWV Anh. 10; text by Picander; /1 → BWV 248^VIa/1?^[109]^[130]
1161	1738-04-28	Secular cantata Willkommen! Ihr herrschenden Götter der Erden in honour of the royal couple (Augustus III and Maria Josepha), and for the forthcoming marriage of princess Maria Amalia with Charles of Sicily			I/37	was BWV Anh. 13; text by Gottsched, J. C. in Riemersche Chronik ^[100]^[131]^[132]^[133]
1162	1732-06-05	Secular cantata Froher Tag, verlangte Stunden (inauguration of St. Thomas school after renovation)			I/39	was BWV Anh. 18; text by Winckler; /1 → BWV 11/1; /1 /3 /5 /6 /8 /10 → BWV Anh. 12^[134]^[135]^[136]
1163	1725-11-27	Secular cantata Auf, süß entzückende Gewalt (wedding of Peter, eldest son of Peter Hohmann, and Christiana Sibylla Mencke)			I/40	was BWV Anh. 196; text by Gottsched, C.; /3 → BWV 11/4 → 232^IV/4; /5 → BWV 11/8^[137]^[138]^[139]^[140]
R	Reconstructions
1052R	1970	Concerto	D minor	Vl Str Bc	VII/7: 3	by Fischer; after BWV 1052^[141]
1055R	1970	Concerto	A major	Oba Str Bc	VII/7: 33	by Fischer; after BWV 1055^[141]
1056R	1970	Concerto	G minor	Vl Str Bc	VII/7: 59	by Fischer; after BWV 1056^[141]
1060R	1970	Concerto	C minor	Vl Ob Str Bc	VII/7: 75	by Fischer; after BWV 1060^[141]
1064R	1970	Concerto	D major	3Vl Str Bc	VII/7: 103	by Fischer; after BWV 1064^[141]
Anh. I	Fragments – lost works
I 1	1725-07-15?	Cantata Gesegnet ist die Zuversicht (Trinity VII)		SATB 2Fl Str Bc		by Telemann (TWV 1:617)?; text by Neumeister?^[142]^[143]^[144]
I 2						see BWV 1137
I 3						see BWV 1140
I 4						see BWV 1139.1
I 4a						see BWV 1139.2
I 5						see BWV 1147
I 6						see BWV 1151
I 7						see BWV 1153
I 8						see BWV 1152
I 9						see BWV 1156
I 10						see BWV 1160
I 11						see BWV 1157
I 12						see BWV 1158
I 13						see BWV 1161
I 14						see BWV 1144
I 15						see BWV 1148
I 16	1735-11-09	Cantata Schließt die Gruft, ihr Trauerglocken (mourning of Hedwig of Merseburg)				by Roemhildt; text by Hoffmann, B.^[145]^[146]^[147]^[148]
I 17		Cantata Mein Gott, nimm die gerechte Seele (funeral)		SATB 2Oba Str Bas Bc	I/33	^[149]
I 18						see BWV 1162
I 19	1734-11-21	Secular cantata Thomana saß annoch betrübt (welcome to Johann August Ernesti as new rector of St. Thomas school)			I/39	text by Johann August Landvoigt [de]?; /9 after BWV 201/15?^[150]^[151]
I 20						see BWV 1155
N 190	1729-04-18	Cantata Ich bin ein Pilgrim auf der Welt (Easter 2)		b Bc ...	I/33	text by Picander; fragment of /4 in SBB P 670^[152]
N 191	1715-05-19	Cantata Leb ich oder leb ich nicht (Cantate)				text by Franck, S.^[153]^[154]
N 192						see BWV 1138.1
N 193						see BWV 1141
N 194						see BWV 1154
N 195	1723-06-09	Secular cantata Murmelt nur, ihr heitern Bäche (celebration of Johann Florenz Rivinus [de])				text in Acta Lipsiensium Academica (1723)^[155]
N 196						see BWV 1163
N 197						see BWV 1150
N 198						see BWV 149/1a
N 199						see BWV 1135
N 200	c.1713–1715	Chorale prelude O Traurigkeit, o Herzeleid (unused sketch for Orgelbüchlein)		Organ	IV/1: 46	in SBB P 283^[51]
N 209						see BWV 1136
N 210	1734-10-04	Cantata Wo sind meine Wunderwerke (leave-taking of Johann Matthias Gesner)				text in 2° Poet. Germ. I, 6425: 4 Rara; /1 → BWV 193a/7, 193/3?^[156]^[157]^[158]
N 211						see BWV 1145
N 212						see BWV 1146
N 213		Concerto	F major	Org		by Telemann; arr. by Bach
223	1717–1718?	Cantata Meine Seele soll Gott loben	B♭ major		I/34	by Handel?^[159]
224	1732	Aria "Reißt euch los, bekränkte Sinnen" (fragment)		S	I/41	by Bach, C. P. E.?; in SBB P 491^[160]
Anh. N	New additions to the Anhang
—
655b	1708–1789	Chorale prelude Herr Jesu Christ, dich zu uns wend (alternative version "a" in BGA)		Organ		after BWV 655(a); ↔ 655c
655c	1708–1789	Chorale prelude Herr Jesu Christ, dich zu uns wend (alternative version "b" in BGA)		Organ		after BWV 655(a); ↔ 655b
deest	1723–1750? (JSB?)	Motet Der Gerechte kömmt um (Wer ist der, so von Edom kömmt/39; funer. motet?)	E minor	SSATB 2Fl 2Ob Str Bc	I/41: 127	by Kuhnau? (Tristis est...); arr. by Bach?
deest	1717-03-28?	Passion Weimarer Passion		?stbSATB 2Fl 2Ob Str Bc		→ BWV 23/4 (and 55/3; 244/29; 245a–c; 283?)
deest	1707 (Kei) before 1713 (JSB)	Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, Weimar version)		SATB 2Vl 2Va Hc	II/9: 69	Pasticcio (Keiser G.?, Bach)
deest	1726-04-19 (JSB)	Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, 1st Leipzig version)		SATB 2Vl 2Va Org	II/9	Pasticcio after BC D 5a (Keiser G.?, Bach) adding BWV 500a and 1084)
deest	c.1750?	Passion Wer ist der, so von Edom kömmt	D minor	satbSSATB 2Fl 2Ob Str Bc	I/41: 95	Pasticcio (Graun, C. H.; Telemann; Bach; ...)
	1725 (JSB)	Notebook A. M. Bach (1725) No. 21 Menuet fait par Mons. Böhm	G major	Keyboard	V/4: 82	by Böhm
	1709 (Bas.) c.1738 (JSB)	6 Masses without Benedictus and Agnus Dei from Acroama missale [scores]		2SATB 3Tbn Str Bc		by Bassani; copied by Bach (BNB I/B/48), later adding BWV 1081^[161]
	1740–1742 (JSB)	Magnificat	C major	SATB 4Tbn Tmp Bc		by Caldara; → BWV 1082; in DBB 2755/1
deest	before 1719 (Han.) 1743–1748 (JSB)	Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, 2nd Leipzig version)		stSATB 2Ob 2Bas 2Vl 2Va Vc Vne Hc	II/9	Pasticcio after BC D 5b (Keiser G.?, Bach) and HWV 48/9 /23 /41 /44 /47 /52 /55 (Handel)
deest	1591 (Pal.) c.1742 (JSB)	Kyrie–Gloria Mass arranged from Missa sine nomine a 6	E minor	SSATTB 2Co 4Tro Vne Hc Org	II/9: 13	by Palestrina after anon. motet Beata Dei genetrix; arr. by Bach
	1720-01-22	Klavierbüchlein WFB, p. 3a: Claves signatae (introduction on clefs)			V/5	^[18]^[19]^[20]
	1720-01-22	Klavierbüchlein WFB, p. 3b: Explication... (introduction on ornaments)			V/5	^[18]^[19]^[20]
	1720 (WFB)	Klavierbüchlein WFB No. 25: Pièce pour le Clavecin		Keyboard	V/5: 40	by Richter, J. C. [de]^[18]^[19]^[20]
deest	1720 (anon)	Klavierbüchlein WFB No. 30: Bass sketch	G minor		V/5: 45	by (anonymous)^[18]^[19]^[20]
	1720 (WFB)	Klavierbüchlein WFB No. 48^a–d: Partita		Keyboard	V/5: 82	by Stölzel^[18]^[19]^[20]

LEGEND TO THE TABLE
Voices (see also SATB)
a	A	b	B	s	S	t	T	v			V
alto (solo part)	alto (choir part)	bass (solo part)	bass (choir part)	soprano (solo part)	soprano (choir part)	tenor (solo part)	tenor (choir part)	voice (includes parts for unspecified voices or instruments as in some canons)			vocal music for unspecified voice type
Winds and battery (bold = soloist)
Bas	Bel	Cnt	Fl	Hn	Ob	Oba	Odc	Tai	Tbn	Tdt	Tmp	Tr
bassoon (can be part of Bc, see below)	bell(s) (musical bells)	cornett, cornettino	flute (traverso, flauto dolce, piccolo)	natural horn, corno da caccia, corno da tirarsi, lituo	oboe	oboe d'amore	oboe da caccia	taille	trombone	tromba da tirarsi	timpani	tromba (natural trumpet, clarino trumpet)
Strings and keyboard (bold = soloist)
Bc		Hc	Kb	Lu	Lw	Org	Str	Va	Vc	Vdg	Vl	Vne
basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu		harpsichord	keyboard (Hc, Lw, Org or clavichord)	lute, theorbo	Lautenwerck (lute-harpsichord)	organ (/man. = manualiter, without pedals)	strings: Vl I, Vl II and Va	viola(s), viola d'amore, violetta	Violoncello(s), violoncello piccolo	viola da gamba	violin(s), violino piccolo	violone(s), violone grosso

By genre

Cantatas (BWV 1–224)

See #BWV Chapter 1 in the table above

In the 1950 first edition of the BWV the cantatas were largely listed according to their BGA number:

BWV 1–200: Church cantatas
BWV 201–216: Secular cantatas
BWV 217–224: Cantatas with various issues (lost, incomplete, spurious, doubtful)

Additionally Anh. I of the first edition of the BWV started with a list of some 20 lost cantatas, while Anh. III of that edition listed a few cantata (movements) by other composers (Anh. 156–158).

BWV^2a added many more lost cantatas (BWV Anh. 190–199 and 209–212) and alternative versions to known works indicating (partially) lost cantatas or cantata versions, e.g. BWV 244a, the music of which was partially preserved in the St Matthew Passion, BWV 244.

Motets (BWV 225–231)

See #BWV Chapter 2 in the table above

There are over a dozen motets attributed to Bach, about half of which are authentic by all accounts:

BWV 225–230 are the six compositions that have always been considered motets composed by Bach
BWV 231 was later renumbered to BWV 28/2a, a variant of the second movement of cantata BWV 28
BWV 118, published as a cantata in the 19th century, was later recategorised as a motet, following Bach's designation on the score.
BWV Anh. 159–165 are motets with a doubtful or spurious assignation to Bach, the first of which is however most likely composed by Bach.

Liturgical works in Latin (BWV 232–243)

See #BWV Chapter 3 in the table above

Bach's involvement with Latin church music, as composer, arranger or copyist, includes:

BWV 232–242: Masses and Mass movements (Mass in B minor; Kyrie–Gloria Masses; separate Mass movements)
BWV 243: Magnificat
BWV 1081–1083: later additions to the BWV catalogue
BWV Anh. 24–30, 166–168: doubtful and spurious works
BNB I/B/48, I/C/1, I/P/2: copies and arrangements

Passions and oratorios (BWV 244–249)

See #BWV Chapter 4 in the table above

Passions and oratorios composed or contributed to by Bach include:

BWV 244–247: Passions (St Matthew Passion; St John Passion; St Mark Passion; St Luke Passion)
BWV 248–249: Oratorios (Christmas Oratorio; Easter Oratorio)
BWV 11: Ascension Oratorio
BWV 127/1, 500a, 1084, 1088, deest: St Mark Passion (attributed to Keiser), Weimarer Passion, Wer ist der, so von Edom kömmt
BWV Anh. 169: passion text by Picander (not set by Bach, apart from using some parts of this text in his St Matthew Passion)

Four-part chorales (BWV 250–438)

See #BWV Chapter 5 in the table above

Bach's chorale settings (usually for SATB choir) are included in:

BWV 250–438: separate chorale settings
Cantatas (most prominently in the chorale cantatas), motets, passions, oratorios, Second Notebook for Anna Magdalena Bach
BWV 1089, 1122–1126: later additions to the BWV catalogue
BWV Anh. 31, 201–204: doubtful and spurious

Songs and arias (BWV 439–524)

See #BWV Chapter 6 in the table above

Songs and (separate) arias by Bach are included in several collections:

BWV 439–507: Schemellis Gesangbuch
BWV 508–518: Second Notebook for Anna Magdalena Bach
BWV 519–523: D-B Mus. ms. Bach P 802, a manuscript by Johann Ludwig Krebs
BWV Anh. 32–39: Deutsche Übersetzungen und Gedichte (doubtful)
BWV Anh. 40–41: Singende Muse an der Pleiße (doubtful)

Associated with the Songs and Arias group:

BWV 524: (Wedding) Quodlibet for four voices (incomplete)
BWV 1127 – Alles mit Gott und nichts ohn' ihn (strophic aria rediscovered in 2005)

Works for organ (BWV 525–771)

See #BWV Chapter 7 in the table above

Bach's organ compositions include:

BWV 525–530: Sonatas
BWV 531–582: compositions of the type Prelude/Fantasia/Toccata/Adagio/Passacaglia and/or Fugue
BWV 583–591: various free organ compositions (Trios/Aria/Canzona/Allabreve/Pastorale/Kleines harmonisches Labyrinth )
BWV 592–597: Concertos (transcriptions)
BWV 598: Pedal-Exercitium
BWV 599–764: Chorale preludes (Orgelbüchlein; Schübler Chorales; Leipzig Chorales = Great Eighteen Chorale Preludes; Chorale preludes from Clavier-Übung III; Kirnberger chorale preludes; other chorale preludes)
BWV 765–768: Chorale partitas
BWV 769–771: Chorale variations (includes Canonic Variations on "Vom Himmel hoch da komm' ich her")
BWV 1085–1087, 1121, 1128: various later additions to the BWV catalogue
BWV 1090–1120: Neumeister Chorales
BWV Anh. 42–79, 171–178, 200, 206, 208, 213: lost, doubtful and spurious organ pieces

Works for keyboard (BWV 772–994)

See #BWV Chapter 8 in the table above

Bach's works for harpsichord, clavichord and other keyboard instruments include:

BWV 772–801: Inventions and Sinfonias
BWV 802–805: Duets from Clavier-Übung III
BWV 806–845: Suites and suite movements (English Suites; French Suites; Partitas = Clavier-Übung I; Overture in the French style from Clavier-Übung II; etc.)
BWV 846–893: The Well-Tempered Clavier (book I, book II)
BWV 894–962: compositions of the type Prelude/Fantasia/Concerto/Toccata and/or Fugue/Fughetta (includes Chromatic Fantasia and Fugue, Six Little Preludes, several parts of the Klavierbüchlein für Wilhelm Friedemann Bach, etc.)
BWV 963–970: Sonatas and sonata movements
BWV 971–987: Concertos (includes Italian Concerto from Clavier-Übung II and various concerto transcriptions)
BWV 988–991: Variations (includes Goldberg Variations = Clavier-Übung IV and Aria variata alla maniera italiana)
BWV 992–994: Capriccios and Applicatio (includes Capriccio on the departure of a beloved brother)

Works for solo lute (BWV 995–1000)

See #BWV Chapter 9 in the table above

Bach's compositions for lute and/or lute-harpsichord (Lautenwerck) include:

BWV 995–1000 suites and separate movements for lute and/or lute-harpsichord
BWV 1006a: transcription of BWV 1006

Chamber music (BWV 1001–1040)

See #BWV Chapter 10 in the table above

Bach wrote chamber music for solo violin, cello or flute, sonatas for harpsichord and an instrumental soloist, and Trio sonatas:

BWV 1001–1006: Sonatas and partitas for solo violin
BWV 1007–1012: Cello Suites
BWV 1013: Partita for solo flute
BWV 1014–1026: works for accompanied violin (sonatas, suite, fugue for violin and harpsichord; sonatas for violin and basso continuo)
BWV 1027–1029: sonatas for viola da gamba and harpsichord
BWV 1030–1035: sonatas for accompanied flute (sonatas for flute and harpsichord; sonatas for flute and basso continuo)
BWV 1036–1040: trio sonatas

Orchestral works (BWV 1041–1071)

See #BWV Chapter 11 in the table above

Bach wrote concertos and orchestral suites:

BWV 1041–1045: Violin concertos (in A minor, in E major, Double Concerto); Triple Concerto; Concerto movement/Sinfonia fragment
BWV 1046–1051: Brandenburg Concertos
BWV 1052–1065: Harpsichord concertos
BWV 1066–1071: Orchestral suites and Sinfonia (early version of BWV 1046)

Canons (BWV 1072–1078)

See #BWV Chapter 12 in the table above

Separate canons by Bach are listed in the 12th chapter of the BWV:

BWV 1072–1078: canons
BWV 1086–1087: later additions

Late contrapuntal works (BWV 1079–1080)

See #BWV Chapter 13 in the table above

The list of late contrapuntal works contains only two items:

BWV 1079: The Musical Offering
BWV 1080: The Art of Fugue

20th-century additions to the BWV catalogue and Anhang

Additions as published in BWV^2a

Additions to the main catalogue (BWV 1081–1126)

BWV 1081 – Credo in unum Deum in F major (for choir), included in Chapter 3 in BWV^2a
BWV 1082 – Suscepit Israel by Antonio Caldara (for choir), as copied by Bach;^[162] Included in Chapter 3 in BWV^2a
BWV 1083 – Tilge, Höchster, meine Sünden (motet, "parody", i.e., reworked version, of Pergolesi's Stabat Mater), included in Chapter 3 in BWV^2a
BWV 1084 – O hilf, Christe, Gottes Sohn (chorale from Bach's Leipzig versions of the St Mark Passion attributed to Keiser), included in Chapter 5 in BWV^2a
BWV 1085 – O Lamm Gottes, unschuldig (chorale prelude), included in Chapter 7 in BWV^2a
BWV 1086 – Canon Concordia discors, included in Chapter 12 in BWV^2a
BWV 1087 – 14 canons on the First Eight Notes of Goldberg Variations Ground (discovered 1974), included in Chapter 12 in BWV^2a
BWV 1088 – "So heb ich denn mein Auge sehnlich auf" (arioso for bass), No. 20 in Wer ist der, so von Edom kömmt (pasticcio Passion oratorio);^[163] Included in Chapter 4 in BWV^2a
BWV 1089 – Da Jesus an dem Kreutze stund (four-part chorale), included in Chapter 5 in BWV^2a
BWV 1090–1120 – 31 chorale preludes for organ from the Neumeister Collection, discovered in 1985 in the archives of the Yale University library; Included in Chapter 7 in BWV^2a, except for BWV 1096, attributed to Johann Pachelbel,^[164]^[165] which was moved to Anh. III (spurious works).
BWV 1121, previously Anh. 205 – Fantasie in C minor (organ), included in Chapter 7 in BWV^2a
BWV 1122–1126 – five four-part chorales,^[166] moved to Chapter 5 in BWV^2a

Additions to the Anhang (BWV Anh. 190–213)

BWV Anh. 190–213 were added between the 1950 and 1990s editions of the catalogue

BWV Anh. 190–197 – Cantatas added to Anh. I (music lost); see also List of Bach cantatas
BWV Anh. 198 – Abandoned sketch of a cantata opening, renumbered to BWV 149/1a and added to Chapter 1 in BWV^2a
BWV Anh. 199 – Cantata added to Anh. I (music lost); see also List of Bach cantatas
BWV Anh. 200 – Fragment of a chorale prelude O Traurigkeit, o herzeleid, added to Anh. I (unused sketch for the Orgelbüchlein)
BWV Anh. 201–204 – Four-part chorales added to Anh. II (doubtful)
BWV Anh. 205 – Fantasia in C minor, authenticated as BWV 1121 and added to Chapter 7 in BWV^2a
BWV Anh. 206 – Doubtful chorale prelude, added to Anh. II
BWV Anh. 207 – Doubtful keyboard fugue, added to Anh. II
BWV Anh. 208 – Spurious organ fugue, added to Anh. III
BWV Anh. 209–212 – Lost cantatas added to Anh. I; see also List of Bach cantatas
BWV Anh. 213 – Lost arrangement for organ of an unidentified Telemann concerto, added to Anh. I

21st-century additions to the BWV catalogue (BWV 1127 and higher)

See also #BWV Later in the table above

BWV numbers assigned after the publication of BWV^2a:

BWV 1127: Strophic aria "Alles mit Gott und nichts ohn' ihn" (discovered June 2005)^[167]
BWV Anh. 71 → BWV 1128: Organ chorale fantasia Wo Gott der Herr nicht bei uns hält (BWV Anh. II 71 was authenticated as a composition by Bach after Wilhelm Rust's 1877 copy was recovered in March 2008).^[168]^[169]

Derivative works

There is not much system in the way works derived from Bach's compositions are listed. The "R" addition to the BWV number is only well-established for the reconstructions included in NBA VII/7 (e.g. solo violin reconstructions of BWV 565 are not usually indicated as BWV 565R, neither is the system used for reconstructed vocal works). For some series of transcriptions and arrangements works catalogues of these transcribers/arrangers may hold sublists with works derived from compositions by Bach.

Reconstructed concertos

See also #Reconstructions in the table above

Each reconstructed concerto is created after the harpsichord concerto for the presumed original instrument. Such reconstructions are commonly referred to as, for example, BWV 1052R (where the R stands for 'reconstructed'). Other reconstructions and completions of for instance BWV 1059 have been indicated as BWV 1059,^[170] or BWV 1059a.^[171]

Adaptations

Transcriptions and arrangements in the catalogues of works by other composers include:

Ferruccio Busoni: BV B 20 to 115, many of these published in the Bach-Busoni Editions.

References

For abbreviations used in the references see also Bibliography at www.bachdigital.de

^ Bach-Gesellschaft Ausgabe: Scores at the International Music Score Library Project
^ ^a ^b Johann Nikolaus Forkel translated (with notes and appendices) by Charles Sanford Terry. Johann Sebastian Bach: His Life, Art, and Work New York: Harcourt, Brace and Howe; London: Constable. 1920. Appendix III, pp. 225–286
^ Wolfgang Schmieder (editor). Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach. Leipzig: Breitkopf & Härtel, 1950. Unaltered up unto its eighth printing in 1986.
^ OCLC 18856743 at www.worldcat.org
^ (BWV²) Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach: Bach-Werke-Verzeichnis, überarbeitete und erweiterte Ausgabe. Wiesbaden: Breitkopf & Härtel, 1990. ISBN 3765102555 – ISBN 978-3765102554
^ (BWV^2a) Alfred Dürr, Yoshitake Kobayashi (eds.), Kirsten Beißwenger. Bach Werke Verzeichnis: Kleine Ausgabe, nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe. Preface in English and German. Wiesbaden: Breitkopf & Härtel, 1998. ISBN 3765102490 – ISBN 978-3765102493
^ Fantasia, c BWV 1121 [BWV 1998]; BWV Anh. 205 / Anh. II 45→ at www.bachdigital.de
^ "Das neue Bach-Werke-Verzeichnis: Das revidierte BWV enthält Neuerkenntnisse aus 15 Jahren Bachforschung" at Bach Archive website
^ Work 00004 at the Bach digital website, as updated 6 July 2018.
^ Johann Sebastian Bach (1685–1750): New Edition of the Complete Works at www.baerenreiter.com
^ Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition at the Bärenreiter website
^ Hans-Joachim Schulze and Christoph Wolff. Bach Compendium: Analytisch-bibliographisches Repertorium der Werke Johann Sebastian Bachs, Vol. 1 (Part 1–4). Leipzig 1985ff.
^ Der Gerechte kömmt um BWV deest (BC C 8) at www.bachdigital.de
^ Kirsten Beißwenger (1992). Johann Sebastian Bachs Notenbibliothek. Kassel: Bärenreiter. ISBN 3-7618-1036-9
^ Johann Sebastian Bach: Correspondance Catalogues Zwang — Schmeider at www.musiqueorguequebec.ca
^ Works Catalogues at www.bachdigital.de
^ ^a ^b ^c ^d ^e ^f ^g ^h Melamed, Daniel R. (1995). J.S. Bach and the German Motet. Cambridge University Press. ISBN 0-52-141864-X. p. 102
^ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x ^y ^z ^aa ^ab ^ac ^ad ^ae ^af ^ag ^ah ^ai ^aj Johann Sebastian Bach, Wilhelm Friedemann Bach, Johann Christoph Richter [de], Gottfried Heinrich Stölzel, Georg Philipp Telemann and various anonymous contributors. Clavier-Büchlein vor Wilhelm Friedemann Bach, angefangen in Cöthen den 22. Januar Ao. 1720., facsimile at brbl-dl.library.yale.edu
^ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x ^y ^z ^aa ^ab ^ac ^ad ^ae ^af ^ag ^ah ^ai ^aj Klavierbüchlein für Wilhelm Friedemann Bach at IMSLP
^ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x ^y ^z ^aa ^ab ^ac ^ad ^ae ^af ^ag ^ah ^ai ^aj Wolfgang Plath, editor. Klavierbüchlein für Wilhelm Friedemann (NBA Series V, Volume 5). Bärenreiter (1962), second edition: 1973, third edition: 1981
^ Philipp Spitta. Musikgeschichtliche Aufsätze. Berlin (1894), 117f
^ Talbot, Michael (2011). The Vivaldi Compendium. Boydell Press. p. 54. ISBN 9781843836704.
^ Johann Sebastian Bach: Concerti nach Vivaldi u.a. – III at www.crescendo-music.com
^ Johann Sebastian Bach, edited by Hermann Scherchen, preface by Charles van den Borren. Facsimile of BR Bruxelles II. 4805, appendix in Musica viva, Vol. III. Brussels (1936)
^ ^a ^b Johann Sebastian Bach, edited by E. Capriani. "Documenti storici" in Opere per Liuto, Vol. III. Rovereto (1977)
^ MB Lpz III. 11. 3
^ ^a ^b ^c Johann Sebastian Bach, introduction by Hans-Joachim Schulze. Drei Lautenkompositionen in zeitgenössischer Tabulatur (BWV 995, 997, 1000). Leipzig (1975)
^ Artzt. "The third Lute Suite by Bach: Three Manuscripts and their Implications" in Journal of the Lute Society of America (1968), pp. 9ff
^ Grossman. "Der Intavolator als Interpret: Johann Sebastian Bachs Lautensuite g-moll, BWV 995, im Autograph und in zeitgenössischer Tabulatur" in Basler Jahrbuch (1986), pp. 223–244
^ ^a ^b ^c ^d ^e ^f ^g Henning. Bericht Stgt II, pp. 465–469
^ ^a ^b Junghänel. "Bach und die zeitgenössische Lautenpraxis" in Bericht Duisburg
^ ^a ^b ^c ^d ^e ^f ^g Radke. Fs Engel, pp. 271ff
^ ^a ^b ^c ^d ^e ^f ^g ^h Schulze, Dok III
^ Schulze. Mf 1968, pp. 203f
^ Schulze. "«Monsieur Schouster» – ein vergessener Zeitgenosse Johann Sebastian Bachs" in Fs Dürr, pp. 243ff
^ Schulze. St
^ ^a ^b ^c Schulze. "Wer intavolierte Johann Sebastian Bachs Lautentabulaturen?" in Mf 1966, pp. 32ff
^ ^a ^b ^c ^d ^e Siegele Diss
^ Beißwenger, Acht Präl: 27
^ Dömling/Kohlhase, AcM 1971: 108f
^ ^a ^b ^c ^d Schulze St
^ ^a ^b ^c Spitta I: 768; II: 646
^ Wiemer, BJ 1987: 29ff
^ ^a ^b Dreyfus Cont Gr
^ Johann Sebastian Bach with an introduction by Hiroshi Hoshino. "The Manuscript Copy of J. S. Bach's Prelude, Fugue and Allegro for Lute or Harpsichord, E-flat major (BWV 998), in the Possession of Ueno Gakuen" (contains facsimile of Prelude pour la Luth. ò Cembal. par J. S. Bach.) in Fs for Ueno Gakuen. Tokyo (1974), pp. 171ff
^ Dombois. "The Allegro from J. S. Bachs Prelude, Fugue and Allegro in E-flat major" in Lute Society Journal (1972), pp. 25ff, 51ff
^ ^a ^b ^c ^d Kobayashi Chr
^ Badura-Skoda
^ Spitta I: 663
^ Kilian, Mf 1961: 323 (regarding BWV 539)
^ ^a ^b ^c Dadelsen TBSt 4/5
^ Hofmann, Fs Scheide: 14~154
^ Spitta I: 707
^ Zingel. "Bach auf der Harfe" in Schweizerische Musikzeitung (1964), pp. 286ff
^ ^a ^b Johann Nikolaus Forkel, translated with notes and appendices by Charles Sanford Terry. Johann Sebastian Bach: His Life, Art, and Work. (e-version at Gutenberg.org). New York: Harcourt, Brace and Howe; London: Constable (1920), p. 137 (footnote 4), pp. 234–235 and p. 242
^ BWV 1045 at www.bach-cantatas.com
^ BWV 1045 at www.jsbachcantatas.com
^ Friedrich Wilhelm Marpurg. Abhandlung von der Fuge Vol. 2. Berlin (1754), TAB XXXVII
^ Herz BQA
^ Neumann/Schulze, Dok I, Nr. 147
^ ^a ^b ^c ^d ^e Schulze. "Johann Sebastian Bachs Kanonwidmungen" in BJ 1967, pp. 82ff
^ Spitta I: 386
^ Wolff, Mf 1973: 217ff
^ Georg Philipp Telemann. Der getreue Music-Meister. Hamburg (1728), p. 68
^ Johann Mattheson. Der vollkommene Capellmeister. Hamburg (1739), p. 412
^ Lorenz Christoph Mizler. Neu eröffnete musikalische Bibliothek Vol. III. Leipzig (1747), p. 482ff
^ Friedrich Wilhelm Marpurg. Abhandlung von der Fuge nach den Grundsätzen und Exemplen der besten deutschen und ausländischen Meister entworfen ... Vol. 2. Berlin (1754), TAB XXXIII, Fig. 2–3
^ Neumann/Schulze, Dok I, Nr. 158; Dok II, Nr. 325, 564
^ Spitta II: p. 478 / 798
^ Johann Sebastian Bach. Canon triplex à 6 Voc:. Leipzig (1747)
^ C. L. Hilgenfeldt. Johann Sebastian Bach's Leben, Wirken und Werke: ein Beitrag zur Kunstgeschichte des achtzehnten Jahrhunderts. Leipzig: Friedrich Hofmeister (1850), p. 212
^ Clement
^ Neumann/Schulze, Dok II, Nr. 559
^ Smend. Johann Sebastian Bach bei seinem Namen gerufen: Eine Noteninschrift und ihre Deutung. Kassel (1950). Reprint in: Smend Bach-St: 176ff
^ Nowak. "Ein Bach-Fund" in Fontes artis musicae (1966), pp. 95ff
^ Spitta II, p. 506 / p. 747
^ ^a ^b Wolff Stile antico
^ Neumann/Schulze, Dok I, Nr. 174
^ Neumann/Schulze, Dok I, Nr. 177
^ Spitta Vol. II, pp. 717ff / Anh. p. 19
^ NBA VIII/1 Krit. Bericht: 36f
^ Neumann/Schulze, Dok II, Nr. 602, 603
^ Reich. "Johann Sebastian Bach und Johann Gottfried Müthel – zwei unbekannte Kanons" in Mf 1960, pp. 449f
^ Stam, Mf 1968: 317ff, bes. 319
^ BN Paris Ms. 17669, Bl. 18v at gallica.bnf.fr
^ Alain. "Un supplément inédit aux Variations Goldberg de J. S. Bach" in Revue de Musicologie (1975), pp. 244ff
^ Gárdonyi. "Zu einigen Kanons von J. S. Bach" in Studia Musicologica: Academiae Seientiarum Hungaricae Vol. 28 (1986), pp. 321–324
^ Kennyon. "A newly discovered Group of Canons by Bach" in MT (1976), pp. 391ff
^ Wolff. "Bach's Handexemplar of the Goldberg Variations" in JAMS (1976), pp. 224ff
^ Johann Sebastian Bach. Musicalisches Opfer. Leipzig, 7 July 1747.
^ Johann Sebastian Bach. Die Kunst der Fuge, edited by Carl Philipp Emanuel Bach. Leipzig, c.1751.
^ "Bach: Choralfantasie BWV 1128/Org". Bach: Choralfantasie BWV 1128/Org. Echo Musikproduction. Retrieved 26 January 2009.
^ Texte / Zur Leipziger / Kirchen-Music, / Auf den andern, dritten, vierdten Sonntage / nach der Erscheinung Christi, / Das Fest Mariä Reinigung, / Und die Sonntage / Septuagesimae, Sexagesimae, / Esto mihi, / Ingleichen / Auf das Fest / der Verkündigung Mariä. Leipzig: Immanuel Tietzen (1724)
^ Hobohm, BJ 1973: 5ff
^ Neumann BT: 159, 427
^ Hofmann, BJ 1982: 51ff
^ Christine Blanken. "A Cantata-Text Cycle of 1728 from Nuremberg: a Preliminary Report on a Discovery relating to J. S. Bach's so-called 'Third Annual Cantata Cycle'", pp. 9–30 in Understanding Bach, Vol. 10, 2015
^ Häfner, BJ 1975: 99ff
^ Brinkmann. "Neues über J. S. Bach in Mühlhausen" in Mühihäuser Geschichtsblätter Vol. 31 (1932): 242ff
^ ^a ^b ^c ^d ^e Geiringer JSB 1971
^ ^a ^b Picander (=Christian Friedrich Henrici). Ernst-Schertzhaffte und Satyrische Gedichte, Volume III. Leipzig: Joh. Theod. Boetii Tochter (1732); 2nd printing 1737
^ Nützliche Nachrichten Von Denen Bemühen derer Gelehrten und andern Begebenheiten in Leipzig. Leipzig (1740)
^ NBA I/35, Krit. Bericht: 45
^ Neumann. "Eine verschollene Ratswechselkantate J. S. Bachs" in BJ 1961: 52–57
^ Hudson, NBA I/33, Krit. Bericht: 31ff
^ BC: Werk [B 12]
^ Schaumburg-Lippische Hofbibliothek Bückeburg, V 1OO F, No. 31
^ ^a ^b Tiggemann, BJ 1994: 7–22
^ ^a ^b ^c ^d Picander (=Christian Friedrich Henrici). Ernst-Schertzhaffte und Satyrische Gedichte, Volume IV. Leipzig: Friedrich Matthias Friesen (1737).
^ Schaumburg-Lippische Hofbibliothek Bückeburg, Cb 76 II, Nr. 214
^ Smend Köthen: 27f, 169, 184f
^ Breitkopf-Werke, 1. Ausgabe: 33
^ Neumann BT: 184
^ Verzeichniß der von dem verstorbenen Doctor und Musikdirector Forkel in Göttingen nachgelassenen Bücher und Musikalien. Göttingen (1819), Nr. 94
^ Neumann, NBA I/4, Krit. Bericht: 118
^ Dürr, NBA I/35, Krit. Bericht: 117
^ Smend Köthen: 27, 69, 195–198
^ Dürr, NBA I/35, Krit. Bericht: 120, 275f
^ Dürr, NBA I/35, Krit. Bericht: 118f
^ Smend Köthen: 27, 69, 199ff
^ Wäschke. "Die Zerbster Hofkapelle unter Fasch" in Zerbster Jahrbuch II (1906): 47ff
^ Wäschke. "Eine noch unbekannte Komposition J. S. Bachs" in SIMG 10 (1908/09): 633f
^ Leipziger Post-Zeitungen (10 August 1723)
^ Neumann, NBA I/38, Krit. Bericht: 10
^ Christoph Ernst Sicul. Das frohlockende Leipzig. Leipzig (1727), pp. 3ff
^ Neumann, NBA I/36, Krit. Bericht: 11ff
^ Schulze, BJ 1985; 166ff
^ Neumann, NBA I/36, Krit. Bericht: 20ff
^ Neumann, NBA I/36, Krit. Bericht: 24ff
^ Neumann, NBA I/39, Krit. Bericht: 42
^ Dürr, Bericht Duisburg
^ Neumann, NBA I/37, Krit. Bericht: 97ff
^ Wolff, Bericht Duisburg
^ Als die / von / E. Hoch=Edlen / und / Hoch=Weisen Rathe / der Stadt Leipzig / neugebauete und eingerichtete / Schule zu S. Thomae / den 5. Jun. durch etliche Reden eingeweyhet wurde, / ward folgende / CANTATA / dabey verfertiget und aufgeführet / von / Joh. Sebastian Bach, / Fürstl. Sächs. Weissfels. Capellmeister, und besagter Schulen Cantore / und / M. Johann Heinrich Winckler, / Collega IV Leipzig: Bernhard Christoph Breitkopf (1732)
^ Dürr, Gs Albrecht: 121ff
^ Neumann, NBA I/39, Krit. Bericht: 14f
^ Christoph Gottsched. Versuch einer Critischen Dichtkunst vor die Deutschen ... Leipzig (1730): 371ff
^ Neumann, NBA I/40, Krit. Bericht: 22ff
^ Smend, Bach-Gs 1950: 42ff
^ Peter Freiherr von Hohenthal at www.geni.com
^ ^a ^b ^c ^d ^e Wilfried Fischer. Verschollene Solokonzerte in Rekonstruktionen: Fünf Konzerte nach BWV 1052, 1055, 1056, 1060, 1064 (NBA VII/7 Supplement). Bärenreiter 1970.
^ Breitkopf-Werke, 3. Ausgabe: 9
^ Dürr, BJ 1952: 41f
^ Dürr, NBA I/18, Krit. Bericht: 118f
^ (in German) Marc-Roderich Pfau. "Ein unbekanntes Leipziger Kantatenheft aus dem Jahr 1735: Neues zum Thema Bach und Stölzel", pp. 99–122 in Bach-Jahrbuch 2008.
^ Balthasar Hoffmann. Der Deutschen Gesellschaft in Leipzig Oden und Cantaten in vier Büchern Leipzig (1738), pp. 143ff
^ v. Hase, BJ 1913: 93ff
^ Schulze, BJ 1959: 169
^ Breitkopf-Werke, 1. Ausgabe: 23
^ "Freudiger Willkomm, / Womit / Dem Hochedlen, Grossachtbaren und Hochgelahrten / HERRN / M. Johann August / Ernesti, / Ihrem neuerwehlten Rector, / Aus gehorsamster Pflicht und treuer Ergebenheit empfangen / Die Alumni der Thomana" in Riemers Chronik. Leipzig: Bernhard Christoph Breitkopf. (1734)
^ Neumann, NBA I/39, Krit. Bericht: 16
^ Dürr, Mf 1958: 422
^ Salomon Franck. Evangelisches Andachtsopffer.... Weimar (1715)
^ Dürr St 2: 67, 244f
^ Acta Lipsiensium Academica Vol. 5 (1723), pp. 516–619
^ Universitätsbibliothek Göttingen, 2° Poet. Germ. I, 6425: 4 Rara
^ Fröde, BJ 1991: 184f
^ Hofmann. "Wo sind meine Wunderwerke" in BJ 1988, pp. 211–218
^ Spitta I: 339f
^ Dadelsen TBSt 1: 39 – Glöckner, BJ 1981: 51f
^ D-B Mus. ms. 1160 at www.bachdigital.de
^ Kirsten Beißwenger (ed.) Werke zweifelhafter Echtheit, Bearbeitungen fremder Kompositionen (Volume 9 of Series II: Masses, Passions, Oratorios from the New Bach Edition). Bärenreiter, 2000.
^ Wer ist der, so von Edom kömmt by Johann Christoph Altnikol et al.: Scores at the International Music Score Library Project
^ Williams 2003, 549.
^ Perreault 2004, 56.
^ Marx, Wolfgang (2000). Bach: Chorales, Motet BWV 118, Quodlibet, Notenbüchlein for A.M. Bach (Bach 2000, Vol. 87) (Media notes). Koopman, Gritton, et al. Teldec Classics. p. 8.
^ Alles mit Gott und nichts ohn' ihn (aria) BWV 1127 at www.bachdigital.de
^ Wo Gott der Herr nicht bei uns hält BWV 1128; BWV Anh. 71; Emans 195 at www.bachdigital.de
^ Joel H. Kuznik. "BWV 1128: A recently discovered Bach organ work" pp. 22–23^{[permanent dead link‍]} in The Diapason, Vol. 99 No. 22. December 2008. (archived July 21, 2011)
^ Igor Kipnis, The London Strings, Neville Mariner. Bach: The Harpsichord Concertos. CBS 1989
^ André Isoir, Le Parlement de Musique, Martin Gester. Johann Sebastian Bach: L'oeuvre pour orgue et orchestre. Calliope 1993

Bibliography

Basso, Alberto. 1979. Frau Musika: la vita e le opere di J.S. Bach, EDT. ISBN 978-88-7063-011-4
Perreault, Jean M. 2004. The Thematic Catalogue of the Musical Works of Johann Pachelbel. Scarecrow Press, Lanham, Md. ISBN 0-8108-4970-4
Williams, Peter. 2003. The Organ Music of J.S. Bach, Cambridge University Press. ISBN 0-521-89115-9, ISBN 978-0-521-89115-8

External links

List of works by Johann Sebastian Bach at the International Music Score Library Project
List of works by Johann Sebastian Bach with certification rating at the Classical Music DB
Dave's J.S. Bach Works Catalog – A version of the BWV catalogue
The BWV catalogue online – Another version of the BWV catalogue, in French
The J.S. Bach Home Page – A comprehensive database of Bach's compositions with details and reviews of recordings of each work
Bach Cantatas Website – Extensive resource of information on Bach's Cantatas and other vocal works. Includes full texts translated into many languages
Canons & Fugues of J.S. Bach – Extensive resource, contains music and colourful analyses
Mutopia – The Mutopia project provides more than 200 scores available for download in PDF, PostScript and MIDI format
Wolf's Thematic Index of the Works of the Great Composers (in English, German, and French)

Category:Articles containing video clips

[1] Bach-Gesellschaft Ausgabe: Scores at the International Music Score Library Project

[ForkelTerry1920p225-2] Johann Nikolaus Forkel translated (with notes and appendices) by Charles Sanford Terry. Johann Sebastian Bach: His Life, Art, and Work New York: Harcourt, Brace and Howe; London: Constable. 1920. Appendix III, pp. 225–286

[3] Wolfgang Schmieder (editor). Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach. Leipzig: Breitkopf & Härtel, 1950. Unaltered up unto its eighth printing in 1986.

[4] OCLC 18856743 at www.worldcat.org

[5] (BWV²) Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach: Bach-Werke-Verzeichnis, überarbeitete und erweiterte Ausgabe. Wiesbaden: Breitkopf & Härtel, 1990. ISBN 3765102555 – ISBN 978-3765102554

[6] (BWV^2a) Alfred Dürr, Yoshitake Kobayashi (eds.), Kirsten Beißwenger. Bach Werke Verzeichnis: Kleine Ausgabe, nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe. Preface in English and German. Wiesbaden: Breitkopf & Härtel, 1998. ISBN 3765102490 – ISBN 978-3765102493

[7] Fantasia, c BWV 1121 [BWV 1998]; BWV Anh. 205 / Anh. II 45→ at www.bachdigital.de

[8] "Das neue Bach-Werke-Verzeichnis: Das revidierte BWV enthält Neuerkenntnisse aus 15 Jahren Bachforschung" at Bach Archive website

[9] Work 00004 at the Bach digital website, as updated 6 July 2018.

[10] Johann Sebastian Bach (1685–1750): New Edition of the Complete Works at www.baerenreiter.com

[11] Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition at the Bärenreiter website

[12] Hans-Joachim Schulze and Christoph Wolff. Bach Compendium: Analytisch-bibliographisches Repertorium der Werke Johann Sebastian Bachs, Vol. 1 (Part 1–4). Leipzig 1985ff.

[13] Der Gerechte kömmt um BWV deest (BC C 8) at www.bachdigital.de

[14] Kirsten Beißwenger (1992). Johann Sebastian Bachs Notenbibliothek. Kassel: Bärenreiter. ISBN 3-7618-1036-9

[15] Johann Sebastian Bach: Correspondance Catalogues Zwang — Schmeider at www.musiqueorguequebec.ca

[16] Works Catalogues at www.bachdigital.de

[MelamedMotets-17] ^ ^a ^b ^c ^d ^e ^f ^g ^h Melamed, Daniel R. (1995). J.S. Bach and the German Motet. Cambridge University Press. ISBN 0-52-141864-X. p. 102

[WFBfacYale-18] ^ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x ^y ^z ^aa ^ab ^ac ^ad ^ae ^af ^ag ^ah ^ai ^aj Johann Sebastian Bach, Wilhelm Friedemann Bach, Johann Christoph Richter [de], Gottfried Heinrich Stölzel, Georg Philipp Telemann and various anonymous contributors. Clavier-Büchlein vor Wilhelm Friedemann Bach, angefangen in Cöthen den 22. Januar Ao. 1720., facsimile at brbl-dl.library.yale.edu

[WFBimslp-19] ^ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x ^y ^z ^aa ^ab ^ac ^ad ^ae ^af ^ag ^ah ^ai ^aj Klavierbüchlein für Wilhelm Friedemann Bach at IMSLP

[Plath1963NBAV5-20] ^ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ ^j ^k ^l ^m ⁿ ^o ^p ^q ^r ^s ^t ^u ^v ^w ^x ^y ^z ^aa ^ab ^ac ^ad ^ae ^af ^ag ^ah ^ai ^aj Wolfgang Plath, editor. Klavierbüchlein für Wilhelm Friedemann (NBA Series V, Volume 5). Bärenreiter (1962), second edition: 1973, third edition: 1981

[21] Philipp Spitta. Musikgeschichtliche Aufsätze. Berlin (1894), 117f

[22] Talbot, Michael (2011). The Vivaldi Compendium. Boydell Press. p. 54. ISBN 9781843836704.

[23] Johann Sebastian Bach: Concerti nach Vivaldi u.a. – III at www.crescendo-music.com

[24] Johann Sebastian Bach, edited by Hermann Scherchen, preface by Charles van den Borren. Facsimile of BR Bruxelles II. 4805, appendix in Musica viva, Vol. III. Brussels (1936)

[Capriani1977-25] Johann Sebastian Bach, edited by E. Capriani. "Documenti storici" in Opere per Liuto, Vol. III. Rovereto (1977)

[26] MB Lpz III. 11. 3

[Schulze1975Drei-27] Johann Sebastian Bach, introduction by Hans-Joachim Schulze. Drei Lautenkompositionen in zeitgenössischer Tabulatur (BWV 995, 997, 1000). Leipzig (1975)

[28] Artzt. "The third Lute Suite by Bach: Three Manuscripts and their Implications" in Journal of the Lute Society of America (1968), pp. 9ff

[29] Grossman. "Der Intavolator als Interpret: Johann Sebastian Bachs Lautensuite g-moll, BWV 995, im Autograph und in zeitgenössischer Tabulatur" in Basler Jahrbuch (1986), pp. 223–244

[HenningStgtIIp465-30] ^ ^a ^b ^c ^d ^e ^f ^g Henning. Bericht Stgt II, pp. 465–469

[ReferenceA-31] Junghänel. "Bach und die zeitgenössische Lautenpraxis" in Bericht Duisburg

[Radkep271-32] ^ ^a ^b ^c ^d ^e ^f ^g Radke. Fs Engel, pp. 271ff

[SchulzeDokIII-33] ^ ^a ^b ^c ^d ^e ^f ^g ^h Schulze, Dok III

[34] Schulze. Mf 1968, pp. 203f

[35] Schulze. "«Monsieur Schouster» – ein vergessener Zeitgenosse Johann Sebastian Bachs" in Fs Dürr, pp. 243ff

[36] Schulze. St

[Schulze1966Wer-37] Schulze. "Wer intavolierte Johann Sebastian Bachs Lautentabulaturen?" in Mf 1966, pp. 32ff

[SiegeleDiss-38] Siegele Diss

[39] Beißwenger, Acht Präl: 27

[40] Dömling/Kohlhase, AcM 1971: 108f

[SchulzeSt-41] Schulze St

[SpittaI768II646-42] Spitta I: 768; II: 646

[43] Wiemer, BJ 1987: 29ff

[Dreyfus_Cont_Gr-44] Dreyfus Cont Gr

[45] Johann Sebastian Bach with an introduction by Hiroshi Hoshino. "The Manuscript Copy of J. S. Bach's Prelude, Fugue and Allegro for Lute or Harpsichord, E-flat major (BWV 998), in the Possession of Ueno Gakuen" (contains facsimile of Prelude pour la Luth. ò Cembal. par J. S. Bach.) in Fs for Ueno Gakuen. Tokyo (1974), pp. 171ff

[46] Dombois. "The Allegro from J. S. Bachs Prelude, Fugue and Allegro in E-flat major" in Lute Society Journal (1972), pp. 25ff, 51ff

[KobayashiChr-47] Kobayashi Chr

[48] Badura-Skoda

[49] Spitta I: 663

[50] Kilian, Mf 1961: 323 (regarding BWV 539)

[Dadelsen_TBSt_4/5-51] Dadelsen TBSt 4/5

[52] Hofmann, Fs Scheide: 14~154

[53] Spitta I: 707

[54] Zingel. "Bach auf der Harfe" in Schweizerische Musikzeitung (1964), pp. 286ff

[ForkelTerry1920p137-55] Johann Nikolaus Forkel, translated with notes and appendices by Charles Sanford Terry. Johann Sebastian Bach: His Life, Art, and Work. (e-version at Gutenberg.org). New York: Harcourt, Brace and Howe; London: Constable (1920), p. 137 (footnote 4), pp. 234–235 and p. 242

[56] BWV 1045 at www.bach-cantatas.com

[57] BWV 1045 at www.jsbachcantatas.com

[58] Friedrich Wilhelm Marpurg. Abhandlung von der Fuge Vol. 2. Berlin (1754), TAB XXXVII

[59] Herz BQA

[60] Neumann/Schulze, Dok I, Nr. 147

[Schulze1976p82-61] Schulze. "Johann Sebastian Bachs Kanonwidmungen" in BJ 1967, pp. 82ff

[62] Spitta I: 386

[63] Wolff, Mf 1973: 217ff

[64] Georg Philipp Telemann. Der getreue Music-Meister. Hamburg (1728), p. 68

[65] Johann Mattheson. Der vollkommene Capellmeister. Hamburg (1739), p. 412

[66] Lorenz Christoph Mizler. Neu eröffnete musikalische Bibliothek Vol. III. Leipzig (1747), p. 482ff

[67] Friedrich Wilhelm Marpurg. Abhandlung von der Fuge nach den Grundsätzen und Exemplen der besten deutschen und ausländischen Meister entworfen ... Vol. 2. Berlin (1754), TAB XXXIII, Fig. 2–3

[68] Neumann/Schulze, Dok I, Nr. 158; Dok II, Nr. 325, 564

[69] Spitta II: p. 478 / 798

[70] Johann Sebastian Bach. Canon triplex à 6 Voc:. Leipzig (1747)

[71] C. L. Hilgenfeldt. Johann Sebastian Bach's Leben, Wirken und Werke: ein Beitrag zur Kunstgeschichte des achtzehnten Jahrhunderts. Leipzig: Friedrich Hofmeister (1850), p. 212

[72] Clement

[73] Neumann/Schulze, Dok II, Nr. 559

[74] Smend. Johann Sebastian Bach bei seinem Namen gerufen: Eine Noteninschrift und ihre Deutung. Kassel (1950). Reprint in: Smend Bach-St: 176ff

[75] Nowak. "Ein Bach-Fund" in Fontes artis musicae (1966), pp. 95ff

[76] Spitta II, p. 506 / p. 747

[WolffSA-77] Wolff Stile antico

[78] Neumann/Schulze, Dok I, Nr. 174

[79] Neumann/Schulze, Dok I, Nr. 177

[80] Spitta Vol. II, pp. 717ff / Anh. p. 19

[81] NBA VIII/1 Krit. Bericht: 36f

[82] Neumann/Schulze, Dok II, Nr. 602, 603

[83] Reich. "Johann Sebastian Bach und Johann Gottfried Müthel – zwei unbekannte Kanons" in Mf 1960, pp. 449f

[84] Stam, Mf 1968: 317ff, bes. 319

[85] BN Paris Ms. 17669, Bl. 18v at gallica.bnf.fr

[86] Alain. "Un supplément inédit aux Variations Goldberg de J. S. Bach" in Revue de Musicologie (1975), pp. 244ff

[87] Gárdonyi. "Zu einigen Kanons von J. S. Bach" in Studia Musicologica: Academiae Seientiarum Hungaricae Vol. 28 (1986), pp. 321–324

[88] Kennyon. "A newly discovered Group of Canons by Bach" in MT (1976), pp. 391ff

[89] Wolff. "Bach's Handexemplar of the Goldberg Variations" in JAMS (1976), pp. 224ff

[90] Johann Sebastian Bach. Musicalisches Opfer. Leipzig, 7 July 1747.

[91] Johann Sebastian Bach. Die Kunst der Fuge, edited by Carl Philipp Emanuel Bach. Leipzig, c.1751.

[92] "Bach: Choralfantasie BWV 1128/Org". Bach: Choralfantasie BWV 1128/Org. Echo Musikproduction. Retrieved 26 January 2009.

[93] Texte / Zur Leipziger / Kirchen-Music, / Auf den andern, dritten, vierdten Sonntage / nach der Erscheinung Christi, / Das Fest Mariä Reinigung, / Und die Sonntage / Septuagesimae, Sexagesimae, / Esto mihi, / Ingleichen / Auf das Fest / der Verkündigung Mariä. Leipzig: Immanuel Tietzen (1724)

[94] Hobohm, BJ 1973: 5ff

[95] Neumann BT: 159, 427

[96] Hofmann, BJ 1982: 51ff

[97] Christine Blanken. "A Cantata-Text Cycle of 1728 from Nuremberg: a Preliminary Report on a Discovery relating to J. S. Bach's so-called 'Third Annual Cantata Cycle'", pp. 9–30 in Understanding Bach, Vol. 10, 2015

[98] Häfner, BJ 1975: 99ff

[99] Brinkmann. "Neues über J. S. Bach in Mühlhausen" in Mühihäuser Geschichtsblätter Vol. 31 (1932): 242ff

[Geiringer1971-100] Geiringer JSB 1971

[Picander1732-101] Picander (=Christian Friedrich Henrici). Ernst-Schertzhaffte und Satyrische Gedichte, Volume III. Leipzig: Joh. Theod. Boetii Tochter (1732); 2nd printing 1737

[102] Nützliche Nachrichten Von Denen Bemühen derer Gelehrten und andern Begebenheiten in Leipzig. Leipzig (1740)

[103] NBA I/35, Krit. Bericht: 45

[104] Neumann. "Eine verschollene Ratswechselkantate J. S. Bachs" in BJ 1961: 52–57

[105] Hudson, NBA I/33, Krit. Bericht: 31ff

[106] BC: Werk [B 12]

[107] Schaumburg-Lippische Hofbibliothek Bückeburg, V 1OO F, No. 31

[Tiggemann,_BJ_1994:_7-22-108] Tiggemann, BJ 1994: 7–22

[Picander1737-109] Picander (=Christian Friedrich Henrici). Ernst-Schertzhaffte und Satyrische Gedichte, Volume IV. Leipzig: Friedrich Matthias Friesen (1737).

[110] Schaumburg-Lippische Hofbibliothek Bückeburg, Cb 76 II, Nr. 214

[111] Smend Köthen: 27f, 169, 184f

[112] Breitkopf-Werke, 1. Ausgabe: 33

[113] Neumann BT: 184

[114] Verzeichniß der von dem verstorbenen Doctor und Musikdirector Forkel in Göttingen nachgelassenen Bücher und Musikalien. Göttingen (1819), Nr. 94

[115] Neumann, NBA I/4, Krit. Bericht: 118

[116] Dürr, NBA I/35, Krit. Bericht: 117

[117] Smend Köthen: 27, 69, 195–198

[118] Dürr, NBA I/35, Krit. Bericht: 120, 275f

[119] Dürr, NBA I/35, Krit. Bericht: 118f

[120] Smend Köthen: 27, 69, 199ff

[121] Wäschke. "Die Zerbster Hofkapelle unter Fasch" in Zerbster Jahrbuch II (1906): 47ff

[122] Wäschke. "Eine noch unbekannte Komposition J. S. Bachs" in SIMG 10 (1908/09): 633f

[123] Leipziger Post-Zeitungen (10 August 1723)

[124] Neumann, NBA I/38, Krit. Bericht: 10

[125] Christoph Ernst Sicul. Das frohlockende Leipzig. Leipzig (1727), pp. 3ff

[126] Neumann, NBA I/36, Krit. Bericht: 11ff

[127] Schulze, BJ 1985; 166ff

[128] Neumann, NBA I/36, Krit. Bericht: 20ff

[129] Neumann, NBA I/36, Krit. Bericht: 24ff

[130] Neumann, NBA I/39, Krit. Bericht: 42

[131] Dürr, Bericht Duisburg

[132] Neumann, NBA I/37, Krit. Bericht: 97ff

[133] Wolff, Bericht Duisburg

[134] Als die / von / E. Hoch=Edlen / und / Hoch=Weisen Rathe / der Stadt Leipzig / neugebauete und eingerichtete / Schule zu S. Thomae / den 5. Jun. durch etliche Reden eingeweyhet wurde, / ward folgende / CANTATA / dabey verfertiget und aufgeführet / von / Joh. Sebastian Bach, / Fürstl. Sächs. Weissfels. Capellmeister, und besagter Schulen Cantore / und / M. Johann Heinrich Winckler, / Collega IV Leipzig: Bernhard Christoph Breitkopf (1732)

[135] Dürr, Gs Albrecht: 121ff

[136] Neumann, NBA I/39, Krit. Bericht: 14f

[137] Christoph Gottsched. Versuch einer Critischen Dichtkunst vor die Deutschen ... Leipzig (1730): 371ff

[138] Neumann, NBA I/40, Krit. Bericht: 22ff

[139] Smend, Bach-Gs 1950: 42ff

[140] Peter Freiherr von Hohenthal at www.geni.com

[Fischer1970-141] Wilfried Fischer. Verschollene Solokonzerte in Rekonstruktionen: Fünf Konzerte nach BWV 1052, 1055, 1056, 1060, 1064 (NBA VII/7 Supplement). Bärenreiter 1970.

[142] Breitkopf-Werke, 3. Ausgabe: 9

[143] Dürr, BJ 1952: 41f

[144] Dürr, NBA I/18, Krit. Bericht: 118f

[145] (in German) Marc-Roderich Pfau. "Ein unbekanntes Leipziger Kantatenheft aus dem Jahr 1735: Neues zum Thema Bach und Stölzel", pp. 99–122 in Bach-Jahrbuch 2008.

[146] Balthasar Hoffmann. Der Deutschen Gesellschaft in Leipzig Oden und Cantaten in vier Büchern Leipzig (1738), pp. 143ff

[147] v. Hase, BJ 1913: 93ff

[148] Schulze, BJ 1959: 169

[149] Breitkopf-Werke, 1. Ausgabe: 23

[150] "Freudiger Willkomm, / Womit / Dem Hochedlen, Grossachtbaren und Hochgelahrten / HERRN / M. Johann August / Ernesti, / Ihrem neuerwehlten Rector, / Aus gehorsamster Pflicht und treuer Ergebenheit empfangen / Die Alumni der Thomana" in Riemers Chronik. Leipzig: Bernhard Christoph Breitkopf. (1734)

[151] Neumann, NBA I/39, Krit. Bericht: 16

[152] Dürr, Mf 1958: 422

[153] Salomon Franck. Evangelisches Andachtsopffer.... Weimar (1715)

[154] Dürr St 2: 67, 244f

[155] Acta Lipsiensium Academica Vol. 5 (1723), pp. 516–619

[156] Universitätsbibliothek Göttingen, 2° Poet. Germ. I, 6425: 4 Rara

[157] Fröde, BJ 1991: 184f

[158] Hofmann. "Wo sind meine Wunderwerke" in BJ 1988, pp. 211–218

[159] Spitta I: 339f

[160] Dadelsen TBSt 1: 39 – Glöckner, BJ 1981: 51f

[161] D-B Mus. ms. 1160 at www.bachdigital.de

[Beißwenger2000-162] Kirsten Beißwenger (ed.) Werke zweifelhafter Echtheit, Bearbeitungen fremder Kompositionen (Volume 9 of Series II: Masses, Passions, Oratorios from the New Bach Edition). Bärenreiter, 2000.

[Altnikol1750-163] Wer ist der, so von Edom kömmt by Johann Christoph Altnikol et al.: Scores at the International Music Score Library Project

[164] Williams 2003, 549.

[165] Perreault 2004, 56.

[166] Marx, Wolfgang (2000). Bach: Chorales, Motet BWV 118, Quodlibet, Notenbüchlein for A.M. Bach (Bach 2000, Vol. 87) (Media notes). Koopman, Gritton, et al. Teldec Classics. p. 8.

[167] Alles mit Gott und nichts ohn' ihn (aria) BWV 1127 at www.bachdigital.de

[168] Wo Gott der Herr nicht bei uns hält BWV 1128; BWV Anh. 71; Emans 195 at www.bachdigital.de

[reference-169] Joel H. Kuznik. "BWV 1128: A recently discovered Bach organ work" pp. 22–23^{[permanent dead link‍]} in The Diapason, Vol. 99 No. 22. December 2008. (archived July 21, 2011)

[170] Igor Kipnis, The London Strings, Neville Mariner. Bach: The Harpsichord Concertos. CBS 1989

[171] André Isoir, Le Parlement de Musique, Martin Gester. Johann Sebastian Bach: L'oeuvre pour orgue et orchestre. Calliope 1993

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v t e Masses, magnificat, passions and oratorios by Johann Sebastian Bach
Latin church music	Mass in B minor early version structure discography Kyrie–Gloria Masses, BWV 233–236 Magnificat early version discography
Passions	Jesus Christus ist um unsrer Missetat willen verwundet includes BWV 1084 Weimarer Passion St John Passion structure discography St Matthew Passion structure discography St Luke Passion St Mark Passion Wer ist der, so von Edom kömmt includes BWV 1088 and 1149
Oratorios	Christmas Oratorio, BWV 248 discography Parts: I II III IV V VI Easter Oratorio, BWV 249 Ascension Oratorio, BWV 11
Evangelist List of compositions by Johann Sebastian Bach

v t e Compositions for organ, keyboard and lute by Johann Sebastian Bach
Organ	Fugue in G minor, BWV 131a (doubtful) Sonatas, BWV 525–530 Prelude and Fugue in C major, BWV 531 Prelude and Fugue in D major, BWV 532 Fantasia and Fugue in C minor, BWV 537 Toccata and Fugue in D minor ("Dorian"), BWV 538 Toccata and Fugue in F major, BWV 540 Fantasia and Fugue in G minor ("Great"), BWV 542 Prelude and Fugue in A minor, BWV 543 Prelude and Fugue in B minor, BWV 544 Prelude and Fugue in C minor, BWV 546 Prelude and Fugue in E minor ("Wedge"), BWV 548 Eight Short Preludes and Fugues, BWV 553–560 (doubtful) Fantasia and Fugue in C minor, BWV 562 Toccata, Adagio and Fugue in C major, BWV 564 Toccata and Fugue in D minor, BWV 565 (doubtful) Prelude (Toccata) and Fugue in E major, BWV 566 Fantasia ("Pièce d'Orgue") in G major, BWV 572 Fugue in G minor ("Little"), BWV 578 Passacaglia and Fugue in C minor, BWV 582 Concertos, BWV 592–597 Orgelbüchlein, BWV 599–644 Schübler Chorales, BWV 645–650 Great Eighteen Chorale Preludes, BWV 651–668 Chorale partita Sei gegrüßet, Jesu gütig, BWV 768 Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769 Neumeister chorales, BWV 1090–1120 Chorale fantasia Wo Gott der Herr nicht bei uns hält, BWV 1128
Keyboard	Inventions and Sinfonias, BWV 772–801 English Suites, BWV 806–811 French Suites, BWV 812–817 Partitas, BWV 825–830 No. 2 No. 4 No. 6 Overture in the French style, BWV 831 Well-Tempered Clavier, BWV 846–893 Book 1 No. 1 in C major No. 2 in C minor No. 3 in C♯ major No. 4 in C♯ minor No. 7 in E♭ major No. 10 in E minor No. 16 in G minor No. 21 in B♭ major No. 22 in B♭ minor Book 2 No. 1 in C major No. 2 in C minor No. 3 in C♯ major No. 4 in C♯ minor No. 5 in D major No. 6 in D minor No. 12 in F minor No. 13 in F♯ major No. 18 in G♯ minor No. 22 in B♭ minor No. 24 in B minor Chromatic Fantasia and Fugue Fantasia and Fugue in C minor, BWV 906 Toccatas, BWV 910–916 Six Little Preludes, BWV 933–938 Italian Concerto Harpsichord solo concertos Goldberg Variations discography Gould recording Aria variata alla maniera italiana Capriccio on the departure of a beloved brother
Lute	Suite in G minor, BWV 995 Suite in E minor, BWV 996 Bourrée Suite in C minor, BWV 997 Prelude, Fugue and Allegro in E♭ major, BWV 998 Prelude in C minor, BWV 999 Fugue in G minor, BWV 1000
Mixed collections	Clavier-Übung III: Prelude and Fugue in E♭ major ("St. Anne"), BWV 552, Chorale preludes, BWV 669–689, Duets, BWV 802–805 Concerto transcriptions, BWV 592–596 and 972–987 Klavierbüchlein W. F. Bach Notebook A. M. Bach Twelve Little Preludes
List of compositions by Johann Sebastian Bach List of fugal works by Johann Sebastian Bach List of concertos by Johann Sebastian Bach

v t e Chamber music and orchestral works by, and transcriptions after, Johann Sebastian Bach
Solo	Sonatas and Partitas for Solo Violin, BWV 1001–1006 Partita No. 1 No. 2 No. 3 Cello Suites, BWV 1007–1012 Partita for Solo Flute, BWV 1013
Ensemble	Six Sonatas for Violin and Harpsichord, BWV 1014–1019 Sonatas for viola da gamba and harpsichord, BWV 1027–1029 Flute Sonatas in B minor, BWV 1030 in E♭ major, BWV 1031 (doubtful) in A major, BWV 1032 in C major, BWV 1033 (doubtful) in E minor, BWV 1034 in E major, BWV 1035 Trio Sonatas Sonata for two flutes and continuo, BWV 1039 Canonic Sonata for oboe, violin and continuo, BWV 1040
Concertos	Violin Concerto in A minor, BWV 1041 Violin Concerto in E major, BWV 1042 Concerto for Two Violins, BWV 1043 Triple Concerto, BWV 1044 Sinfonia for violin and orchestra, BWV 1045 Brandenburg Concertos, BWV 1046–1051 No. 5 Keyboard concertos, BWV 1052–1065 No. 1 in D minor, BWV 1052 No. 2 in E major, BWV 1053 No. 4 in A major, BWV 1055 For two harpsichords in C minor, BWV 1060
Suites	Orchestral Suites, BWV 1066–1069 Orchestral Suite in G minor, BWV 1070 (doubtful)
Fugal	The Musical Offering, BWV 1079 The Art of Fugue, BWV 1080 discography
Adaptations	"Air on the G String" "Alphabet" "Ave Maria" Bach-Busoni Editions "Everything's Gonna Be Alright" "Feel My Rhythm" "Jesu, Joy of Man's Desiring" "Joy" "Lady Lynda" "Sheep may safely graze" "They" Trio Sonata, BWV 525a "A Whiter Shade of Pale"
Albums	Bach's Greatest Hits Back to Bach Jazz Sebastian Bach Switched-On Bach Switched-On Bach II
List of compositions by Johann Sebastian Bach

v t e Compositions spuriously attributed to Johann Sebastian Bach
by Antonio Caldara	Sanctus in D minor, BWV 239
by Johann Ernst Bach II	Cantata Mein Odem ist schwach (BWV 222) and motet Unser Wandel ist im Himmel (BWV Anh. III 165)
by Johann Ludwig Bach	Easter cantata Denn du wirst meine Seele nicht in der Hölle lassen, JLB 21 (BWV 15)
by Melchior Hoffmann	Magnificat in A minor (Meine Seele erhebt den Herren, BWV Anh. 21) Cantata Schlage doch, gewünschte Stunde (BWV 53) Cantata Meine Seele rühmt und preist (BWV 189)
by Christian Petzold	Minuets in G major and G minor, BWV Anh. III 114–115 BWV Anh. 114 melody in "A Lover's Concerto"
by Gottfried Heinrich Stölzel	Aria "Bist du bei mir" (BWV 508) Aria "Dein Kreuz, o Bräutgam meiner Seelen", from Ein Lämmlein geht und trägt die Schuld, model for Bekennen will ich seinen Namen, BWV 200
by Georg Philipp Telemann	Cantata Das ist je gewißlich wahr, TWV 1:183 (BWV 141) Cantata Gott der Hoffnung erfülle euch, TWV 1:634 (BWV 218) Cantata Ich weiß, daß mein Erlöser lebt, TWV 1:877 (BWV 160) Cantata Siehe, es hat überwunden der Löwe, TWV 1:1328 (BWV 219)
by Pietro Torri	Magnificat in C major, BWV Anh. 30
by Daniel Vetter	Liebster Gott, wenn werd ich sterben, BWV 8/6, closing chorale of Cantata Liebster Gott, wenn werd ich sterben? BWV 8
by unknown composer	Kyrie–Gloria Mass for double choir, BWV Anh. 167 Cantata Uns ist ein Kind geboren (BWV 142)
List of compositions by Johann Sebastian Bach BWV Anh.