Jump to content

The Raincoats (album)

From Wikipedia, the free encyclopedia

The Raincoats
Studio album by
Released21 November 1979
Recorded1979
StudioBerry Street, Clerkenwell, London
Genre
Length31:26 (original release)
34:27 (1993 reissue with extra track)
LabelRough Trade - ROUGH3
Producer
The Raincoats chronology
The Raincoats
(1979)
Odyshape
(1981)

The Raincoats is the debut studio album by English rock band the Raincoats. It was released on 21 November 1979 as one of the first records issued by the London-based independent label Rough Trade. The album is perhaps best known for its off-kilter cover of "Lola" by the Kinks. The album's sixth track, "The Void", was covered by Hole in 1994.

In May 2010, the band performed the album in its entirety in London.[4]

In 2020, Rolling Stone ranked The Raincoats at number 398 in its list of the "500 Greatest Albums of All Time".[5]

Background

[edit]

In 1979, three of the four members were living in squats – Vicky Aspinall in Brixton, Gina Birch in Monmouth Road, Bayswater, where the band frequently rehearsed. The squatting culture informed the lifestyle and music of the band with an onus on improvisation and DIY.[6] The band conveyed an egalitarian ethos in their early live performances: each member was positioned to have equal visual prominence on stage, and the band dressed in everyday punk fashion no different from the ordinary "street clothes" of the audience members.[7]

Production

[edit]

Upon the recording of the album, musician and visual artist Mayo Thompson of the Red Krayola was joined by Geoff Travis (founder of Rough Trade Records) to produce, Thompson suggested that Vicky Aspinall approach violin in the style of Velvet Underground viola player John Cale who was influenced by Tony Conrad. When asked by Ritchie Unterberger about producing the band, Thompson remarked:

It was one of those things. I came into Rough Trade one day and Geoff said, there's a band called the Raincoats, I want to make a record with them, I want you to go around and listen to rehearsal and help them out and see if there's anything you can contribute.[8]

Music and lyrics

[edit]

Simon Reynolds and Joy Press wrote that the Raincoats' debut "bends and buckles rock form but doesn't break it," describing the music as "ragged, homespun folk-punk, with its elastic rhythms, reedy vocals and rickety structures." [9] It has also been described as consisting of "forward-thinking" experimental rock.[2] "Life on the Line" had the original lyrics penned by the original guitarist, Ross Crighton, about a suicide at Ladbroke Grove underground station.[10]

Release

[edit]

The Raincoats was re-released by Rough Trade in 1993 on CD, with liner notes by Nirvana frontman Kurt Cobain. The album was again re-released on 9 November 2009 on vinyl on We ThRee (the band's own label) in the UK and on the Kill Rock Stars label in the U.S. This edition included a free mp3 download and an extra track, "Fairytale in the Supermarket", as well as a special edition bonus CD, including live footage from 1978 and 1979 and a video of "Fairytale in the Supermarket".

Reception

[edit]
Professional ratings
Review scores
SourceRating
AllMusic[3]
Christgau's Record GuideB+[11]
Mojo[12]
NME9/10[13]
Q[14]
Record Collector[15]
The Rolling Stone Album Guide[16]
Select4/5[17]
Spin Alternative Record Guide10/10[18]
Uncut9/10[19]

AllMusic praised the album, writing, "This music, even at its most dissonant, is stunning and captivating".[3] In 1996, the critic Neil Strauss named it among the 100 most influential albums in "alternative" music in a Rolling Stone book on the subject.[20] In 2020, Rolling Stone ranked the album at number 398 in their list of the "500 Greatest Albums of All Time".[5] In his posthumously published Journals, Cobain's list of his top 50 favorite records features The Raincoats at number 21.[21]

"An all-time great",[22] The Raincoats is seen as a landmark in indie pop, new wave, and post-punk music,[23] as well as one of post-punk's best albums. Charles Ubaghs, in articles for The Quietus and Tiny Mix Tapes, lauded the band and their album as exemplars of new musical exploration in the wake of the late-'70s punk movement.[2][24] He dubbed it "a passionate new that screamed of possibility", noting the band's fusion of "oddball rhythms", use of the violin, and more that lead to "forward-thinking" music.[2] Its impact on independent music has also been noted. BrooklynVegan saw the group's sound clearly in future DIY scenes and bands within them, including Beat Happening, Vivian Girls, and Electrelane.[25] PopMatters credited them with shaping trends that would continue through bands Half Japanese and Beat Happening, like using lo-fi and "idiosyncratic" pop music elements.[26] The Vinyl Factory saw the record set the 1990s musical movement riot grrrl's groundwork.[27]

The Raincoats were referenced in the 2016 film 20th Century Women. Director and screenwriter Mike Mills praised their debut's "wobbliness", noting that the music's fragility gave it a "more human and inviting" aspect. He said that he attempted to feature these aspects into his writing.[28]

Accolades

[edit]
Publication List Year Rank Ref.
Paste The 50 Best Post-Punk Albums
2016
41
[29]
PopMatters The 50 Best Post-Punk Albums Ever
2020
6
[26]
Treble The 100 Best Post-Punk Albums
2018
39
[30]

Track listing

[edit]

"Fairytale in the Supermarket" was the Raincoats' first single, and has been included as the opening track on all reissues of the album since 1993.

All tracks are written by the Raincoats, except where noted

Side A
No.TitleLength
1."No Side to Fall In"1:50
2."Adventures Close to Home"1:54
3."Off Duty Trip"3:16
4."Black and White"2:29
5."Lola" (Ray Davies)4:04
Side B
No.TitleLength
1."The Void"3:52
2."Life on the Line"4:23
3."You're a Million"3:54
4."In Love"3:06
5."No Looking" (lyrics translated and adapted by the Raincoats from a poem by Jacques Prévert)3:06

Personnel

[edit]

The Raincoats:

With:

Technical credits:

References

[edit]

Citations

[edit]

Sources

[edit]