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The string "no target: CITEREFElementarismEncyclopedia_of_Art_History2024" should appear at least 2 times (including in this box).
The string "multiple targets (2×): CITEREFBlotkamp1982" should appear at least 2 times (including this box)

Elementarism (also known as Counter-Composition ^[1]) was an art theory developed by Theo van Doesburg in the early 1920s as an evolution of the De Stijl movement. While De Stijl (co-founded by Van Doesburg, Piet Mondrian, and others) focused on the art theory of neoplasticism (i.e. strict geometric abstraction and balance using horizontal and vertical lines), Elementarism introduced new elements to this aesthetic.^[2]^[3]

Key features

Dynamic Diagonals: Van Doesburg added diagonal lines and tilted compositions, breaking the rigid orthogonal structure of De Stijl. He believed this introduced dynamism and vitality to otherwise static compositions.^[4]^[5]
Color and Form: While retaining the use of primary colors (red, blue, yellow), along with black, white, and gray, Elementarism explored more vibrant and fluid interactions between forms.^[6]
Asymmetry and Movement: By using diagonals and asymmetrical designs, Elementarism emphasized movement and contrast, departing from De Stijl's emphasis on harmony and balance.^[4]^[7]

Development

Van Doesburg disagreed with Mondrian's strict adherence to horizontal and vertical lines as the only means to achieve "universal harmony." He believed the diagonal could add energy and expressiveness to abstract compositions. This disagreement led to Mondrian leaving De Stijl in 1924.^[8]^[9]

Impact

Elementarism influenced architecture, design, and painting, promoting greater creativity within the abstract art framework.^[10]
Elementarism is most prominently seen in Van Doesburg's architectural designs, such as his collaboration on the Aubette in Strasbourg, where he applied these principles to interior design.^[11]

Elementarism was an important moment in the evolution of modern art, marking a shift toward greater freedom in abstract composition while still adhering to many of De Stijl's foundational principles.

References

^ Overy (1991), p. 43.
^ Elementarism & Encyclopedia of Art History (2024).
^ Baljeu (1974), pp. 163–180.
^ ^a ^b Jaffé (1970), p. 214.
^ Blotkamp (1982), pp. 34–35.
^ Jaffé (1970), pp. 214–215.
^ Baljeu (1974), pp. 27–38.
^ Jaffé (1970), pp. 213–217.
^ Overy (1991), pp. 68–71.
^ Baljeu (1974), pp. 66–70.
^ Baljeu (1974), p. 70.

Sources

"Elementarism". Encyclopedia of Art History. Retrieved 28 November 2024.
Baljeu, Joost (1974). Theo Van Doesburg. Studio Vista. ISBN 0289703581.
Overy, Paul (1991). De Stijl. Thames & Hudson. ISBN 0500202400.
Blotkamp, Carel (1982). De Stijl: The Formative Years. The MIT Press. ISBN 0262022478.
Blotkamp, Carel (1982). De Stijl: The Formative Years. The MIT Press. ISBN 0262022478.
Jaffé, Hans L. C. (1970). De Stijl. Thames & Hudson. ISBN 0500-18096-2.

External links

"Elementarism". Encyclopedia of Art History. Retrieved 28 November 2024.
L'Aubette 1928 on the official websites of the Municipal museums of Strasbourg