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Tarn Adams

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Tarn Adams
Adams at PAX 2013
Born (1978-04-17) April 17, 1978 (age 46)
Silverdale, Washington, U.S.
Alma materUniversity of Washington (BSc)
Stanford University (PhD)
OccupationComputer game programmer
Years active1996–present

Tarn Adams (born April 17, 1978) is an American computer game programmer, best known for his work on Dwarf Fortress. He has been working on the game since 2002 together with his older brother Zach. He learned programming in his childhood, and took up designing computer games as a hobby. In 2006, he quit during his first year of a mathematics post doctorate at Texas A&M University to focus on game development.

Early life and education

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Tarn was born in Silverdale, in the U.S. state of Washington, in 1978. His father, Dan, worked at a waste water treatment plant and used to work in data management. He taught his sons the rudiments of coding at an early age and this shared interest allowed the brothers Tarn and Zach to remain close to each other despite their family's constant shifting due to their father's work. The brothers grew up playing computer games, drawing their own renditions of the randomly generated creatures they encountered, and logging their journeys in detail. In fifth grade, Tarn wrote his first animation game with Zach. Explaining his reluctance to socialize,[1] he said, "I was a get-home-from-school, get-on-the-computer kind of kid." Tarn stated that the main reason they started writing games was to play them themselves, and they soon began introducing complicated and unpredictable behavior to achieve more replayability.[2]

In sixth grade, they developed their first fantasy game, called Dragslay and written in BASIC. It consisted of single battles leading to a final encounter with a dragon. A few years later, Tarn rewrote it in the C programming language, and it featured minute details and kept track of populations of units in the generated world.[3] In high school, Tarn and Zach created a spacecraft game that simulated sections of a rocket blowing off and released their first publicly available game on America Online.[4]

After Dragslay, Tarn and Zach started working on another adventure game, focusing on procedural world generation.[5] For this, they drew inspiration from the role-playing video game hit Ultima. After working on the project for four years and rendering it in 3D graphics, they released it under the title Slaves to Armok: God of Blood. "Armok" was the name of the game's deity from the variable "arm_ok", which was used in Dragslay to indicate how many arms were left on a particular unit. The addition of a random story generator was inspired by both of them being avid story writers.[3] Tarn said, "you could zoom in on your character, and it'd tell you how curly his leg hairs were, and the melting and flash points of various materials, It was insane."[1] The brothers posted it on their website in 2000, but by 2004 the project started to face increasing problems. Tarn announced in 2004 on his forums that he was going to shift his main project from Armok to a side project called Dwarf Fortress.[2]

Adams' older brother, Zach, in 2013

Tarn earned a degree in mathematics at the University of Washington.[1] He began his doctoral studies at Stanford University, completing them in 2005 with a dissertation titled "Flat Chains in Banach Spaces", which was published in The Journal of Geometric Analysis.[6] During his first year at Stanford, he said he was under heavy pressure, that the professional environment and competitiveness affected him negatively. He also cited a dilemma he was facing between studying mathematics and developing video games. This stressful situation drove him for a time into depression and he admitted to having had a brief stint with narcotics.[1]

Shift to game development

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The Adams brothers started a company called Bay 12 Games, where they developed and released freeware games, attracting a small following. Tarn assumed the alias "Toady One" and Zach "ThreeToe". Tarn's background in mathematics helped in the development of algorithms with three dimensional spatial considerations. With his skill in programming and Zach's background in ancient history and storytelling, together the brothers designed and developed various projects.[2] They worked on other small projects during graduation which were released on their website. Tarn put up a PayPal button after a request from a fan; similarly, a subscriber system was added later. In the next five months, they made around $300, which brought in only enough to cover their site's $20 hosting cost.[4] They made side projects like Corin and Kobold Quest in a few days and Squiggles was made in three hours. Other titles were Liberal Crime Squad and WWI Medic.[3]

In 2006, Tarn started his post doctorate in Texas A&M, which was his goal since his undergraduate days. He decided to leave during the first year due to increasing stress[2] and is said to have broken down in the department head's office.[1] After being offered to stay another year and a $50,000 stipend, he agreed and eventually left to devote his full attention to developing Dwarf Fortress and other games, which was until then only a hobby. He said, "At the end of a math problem, you have a paper and maybe you publish it, and the paper can be a building block for the edifice of mathematics, but to me that's not so important. But working on a problem and having a game when you're done? That's pretty damn cool."[1]

Dwarf Fortress

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Main article: Dwarf Fortress

After quitting university, Tarn thought he would use up his savings after a year ($15,000) so he looked for a job to sustain himself. Dwarf Fortress was originally started in October 2002 as a two-month side project, but was suspended soon after due to the brothers' focus shifting to Armok. In the meantime he had also developed a game called Mutant Miner. It was a turn-based game where players look for minerals and dig out tunnels while dealing with threats. He realized the need to be able to manage many miners and not only have a high score list, but also store more minute details, which was the beginning of the project.[1]

The game's primary mode is set in a procedurally generated fantasy world in which the player indirectly controls a group of dwarves and attempts to construct a successful and wealthy underground fortress.[7] Its development kept on until 8 August 2006, when the first alpha version was released. Donations reached $800–$1000 in the following months, this average increased gradually until Tarn and Zach were financially stable.[2] They then decided to solely rely on donations. The game eventually attracted a cult following and various web communities devoted to it were formed. Videogame journalists later covered the game. They focused on it being a two-member project surviving through donations. Critics praised its complex, emergent gameplay but had mixed reactions regarding its difficulty.[8][9]

The game uses CP437 text-based graphics and is open-ended with no main objectives. It is a part construction and management simulation and part roguelike game due to its multiple game modes. Before playing, the player has to generate worlds with continents, oceans and histories documenting civilizations. The main game mode, Dwarf Fortress mode, consists of selecting a suitable site from the generated-world, establishing a successful colony or fortress, while fighting threats like goblin invasions, accumulating wealth, and taking care of the dwarves. Each dwarf is modeled down to its individual personality, has likes or dislikes, and specific trainable skills in various labors.[9] The second game mode, Adventurer mode, is a turn-based, open-ended roguelike, where the player starts off as either an adventurer in the world, or the leader of an adventuring group, and is free to roam the land, complete quests, or explore old abandoned fortresses.[10] The combat system is anatomically detailed with combat logs describing organs getting pierced, fat getting bruised, and limbs getting severed.[11][12]

Continuing its development, Tarn calls it his life's work and said in 2011 that version 1.0 will not be ready for at least another 20 years, and even after that he would continue to work on it. The game influenced Minecraft, Terraria, and various other games. It was selected among other games to be featured in the Museum of Modern Art to show the history of video gaming in 2012.[1] There is an active community of fans of the game, and Tarn said they have helped them in the development of the game in addition to providing monetary support.[13] Fans have also made creative interpretations of the game. In the past, he and his brother sent crayon drawings or short stories to the donors, customized to their requests, and displayed the donors who have donated the most on their website.[1]

Inspirations and preferences

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Tarn has cited books, movies, pen and paper role-playing games and other computer games, experienced during his childhood, as an inspiration for the various games he developed.[5] He said the works of J.R.R. Tolkien and tabletop games like Dungeons & Dragons and Cyberpunk 2020 interested him,[1] with fantasy and sci-fi being heavily influential. On Dwarf Fortress' wound-based system rather than regular hitpoints, he said, "Hit points are depressing to me. It's sort of a reflex to just have HP/MP, like a game designer stopped doing their job...You should really question all of the mechanics in the game from the bottom up."[3] He has said he does not use version control for his works,[14] however this changed on Dwarf Fortress with the addition of another programmer.[15]

Regarding his career, he said, "...but as far as design is concerned, I just think that I've happened to fall into a little sweet spot where I get a lot of freedom, but I guess the cost is my livelihood."[4] He further said working in the gaming industry can be "soul crushing" for many people.[5]

Adams has expressed his dislike for massively multiplayer online games and said that popular games are addictive because they make use of the player's compulsive hoarding trait.[1]

Bibliography

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  • Adams, Tarn (2015). "Simulation principles from Dwarf Fortress" (PDF). In Rabin, Steve (ed.). Game AI Pro 2. CRC Press. ISBN 978-1482254792.
  • Short, Tanya; —, eds. (2017). Procedural Generation in Game Design. CRC Press. doi:10.1201/9781315156378. ISBN 9781498799195. S2CID 69727455.[16]
  • Short, Tanya; —, eds. (2019). Procedural Storytelling in Game Design. CRC Press. doi:10.1201/9780429488337. ISBN 9781138595309. S2CID 241639037.

References

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  1. ^ a b c d e f g h i j k Jonah Weiner (21 July 2011). "The Brilliance of Dwarf Fortress". New York Times. Archived from the original on 2012-06-05. Retrieved 27 May 2012.
  2. ^ a b c d e Jaz McDougall (2 August 2010). "Community heroes: Tarn Adams, for Dwarf Fortress". PC Gamer. Archived from the original on 2013-01-11. Retrieved 18 June 2013.
  3. ^ a b c d John Harris (27 February 2008). "Interview: The Making Of Dwarf Fortress". Gamasutra. Archived from the original on 2013-05-13. Retrieved 18 June 2013.
  4. ^ a b c Chris LaVigne (4 March 2008). "For the Love of the Game". The Escapist. Archived from the original on 2013-03-03. Retrieved 18 June 2013.
  5. ^ a b c Elijah Meeks (22 December 2010). "An Interview with Tarn Adams". Stanford University. Archived from the original on 3 July 2013. Retrieved 18 June 2013.
  6. ^ Adams, Tarn (2008). "Flat Chains in Banach Spaces". Journal of Geometric Analysis. 18: 1–28. arXiv:math/0411309. doi:10.1007/s12220-007-9008-5. S2CID 13994557.
  7. ^ Kieron Gillen (18 February 2011). "The Very Important List of PC Games, Part 5/5". Rock Paper Shotgun. Archived from the original on 2014-05-11. Retrieved 13 May 2014.
  8. ^ Johnston, Casey (25 February 2013). "Dwarf Fortress: Ten hours with the most inscrutable video game of all time". Ars Technica. Archived from the original on 2014-08-12. Retrieved 12 May 2014.
  9. ^ a b Alex Spencer (26 Dec 2013). "A History of Roguelikes in 6 Free Games". IGN. Archived from the original on 2014-04-13. Retrieved 15 May 2014.
  10. ^ Pearson, Dan (31 January 2013). "Where I'm @: A Brief Look at the Resurgence of Roguelikes". GameIndustry.biz. Archived from the original on 2014-09-03. Retrieved 24 July 2014.
  11. ^ Hogarty, Steve (August 2011). "Dwarf Fortress diary: How seven drunks opened a portal to Hell p:1". PC Gamer. Archived from the original on 2014-07-27. Retrieved 17 April 2014.
  12. ^ Quintin Smith (23 September 2010). "Dwarf Fortress: The Song Of Onionbog, Pt 1". Rock Paper Shotgun. Archived from the original on 2014-05-14. Retrieved 28 May 2014.
  13. ^ Rose, Mike (2 July 2013). "Dwarf Fortress in 2013". Gamasutra. Archived from the original on 2014-05-11. Retrieved 18 April 2014.
  14. ^ Fenlon, Wes (31 March 2016). "Dwarf Fortress' creator on how he's 42% towards simulating existence". Pc Gamer. Archived from the original on 2016-09-23. Retrieved 2016-09-23.
  15. ^ Argüello, Diego Nicolás (2023-02-03). "Breaking a 16-year-old tradition in Dwarf Fortress". The Verge. Retrieved 2024-02-22.
  16. ^ Review for Procedural Generation in Game Design: "MBR: Wisconsin Bookwatch, September 2017". Midwest Book Review. Retrieved 10 September 2022.
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