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Tammy L. Kernodle

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Tammy L. Kernodle is a musicologist and the former President of the Society for American Music (2019–21).[1][2] Her academic writing and public intellectual work has highlighted Black women musicians like Mary Lou Williams, Meshell Ndegeocello, Alice Coltrane, and Melba Liston and has considered African-American women's role in contemporary gospel music and jazz.[3][4][5][6][7]

Education

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Kernodle holds a BM in choral music education and piano from Virginia State University, and an MA and PhD in music history from Ohio State University.[8]

Career

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Kernodle has been professor of musicology at Miami University in Oxford, Ohio, since 1997.[2][8] In 2018, she was awarded the Benjamin Harrison Medallion in recognition of "Outstanding Contribution to the Education of the Nation",[9] and in 2021 she was awarded the title of University Distinguished Professor. Kernodle served as the President of the Society for American Music from 2019 to 2021.[1] In 2021, with Lisa Barg, Dianthe Spencer, and Sherrie Tucker, Kernodle formed the Melba Liston Research Collective whose members work toward "the inclusion of women musicians and analyses of gender in the emerging jazz historiographical directions of 'new' jazz studies".[10]

Her book, Soul on Soul: The Life and Music of Mary Lou Williams, has been reviewed by Sherrie Tucker for Women and Music: A Journal of Gender and Culture,[7] Chris J. Walker for JazzTimes,[11] and Edward M. Komara for the Music Library Association's quarterly Notes.[12]

Kernodle has contributed to NPR's "Turning the Tables" series (2019)[5][13] and to the Walker Art Center's digital exhibit "Creative Black Music".[14] She has appeared in several documentaries about the history of jazz, including The Girls in the Band (2011),[15] Mary Lou Williams: The Lady Who Swings the Band (2015),[16] and Miles Davis: Birth of the Cool (2019).[17]

She has been quoted or interviewed as an expert for The New York Times,[18] NPR's All Things Considered,[19][20] and Marketplace.[21]

Selected works

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Books

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Articles

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Edited books

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References

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  1. ^ a b "Board of Trustees". Society for American Music. Retrieved January 19, 2021.
  2. ^ a b "Kernodle elected President of the Society for American Music". Miami University. January 10, 2018. Retrieved January 19, 2021.
  3. ^ Kernodle, Tammy L. (2020) [2004]. Soul On Soul: The Life of Mary Lou Williams. Urbana: University of Illinois Press. ISBN 978-0-252-08553-6. OCLC 1142759993.
  4. ^ Kernodle, Tammy L. (2013). "Diggin' You Like Those Ol' Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America". American Studies. 52 (4): 181–204. doi:10.1353/ams.2013.0109. ISSN 2153-6856. S2CID 143927603.
  5. ^ a b "Q&A with visiting guest Dr. Tammy Kernodle". McGill Schulich School of Music. October 16, 2020. Retrieved January 19, 2021.
  6. ^ Contreras, Ayana (December 7, 2020). "Mary Lou Williams, Writ Large". DownBeat. Retrieved January 19, 2021.
  7. ^ a b Tucker, Sherrie (2007). "Reviews: 'Soul on Soul: The Life and Music of Mary Lou Williams,' by Tammy L. Kernodle". Women & Music. 11: 95–100. doi:10.1353/wam.2007.0022. S2CID 191459824. ProQuest 1542731 – via ProQuest. I fully expected that Tammy Kernodle's Soul on Soul: The Life and Music of Mary Lou Williams would extend my knowledge of the life and especially of the music of Mary Lou Williams, but I didn't expect that this book would also push me to think more critically about how to negotiate the available paradigms for talking about Williams, to up the ante for why it is so important to do critical work in musical biographies, and to present, by example, a host of alternative models.
  8. ^ a b "Tammy L. Kernodle, Musicology". Miami University.
  9. ^ "Tammy Kernodle awarded Benjamin Harrison Medallion". Miami University. April 11, 2018.
  10. ^ Barg, Lisa; Kernodle, Tammy; Spencer, Dianthe; Tucker, Sherrie (2014). "Introduction". Black Music Research Journal. 34 (1): 2. doi:10.5406/blacmusiresej.34.1.0001. JSTOR 10.5406/blacmusiresej.34.1.0001 – via JSTOR.
  11. ^ Walker, Chris J. (December 2004). "Soul on Soul: The Life of Mary Lou Williams by Tammy Kernodle". JazzTimes. 34 (10): 122. hdl:2027/mdp.39015057437140 – via HathiTrust.
  12. ^ Komara, Edward M. (June 2005). "Soul on Soul: The Life and Music of Mary Lou Williams". Music Library Association. Notes. 61 (4): 1019–1021. ProQuest 196712746 – via ProQuest.
  13. ^ "Turning The Tables: 8 Women Who Invented American Popular Music". NPR.org. Retrieved January 19, 2021.
  14. ^ Kernodle, Tammy L. (2020). "Beyond the Chord, the Club, and the Critics: A Historical and Musicological Perspective of the Jazz Avant-Garde". walkerart.org. Retrieved January 19, 2021.
  15. ^ "The Girls in the Band". IMDb.
  16. ^ "Mary Lou Williams: The Lady Who Swings the Band (2015)". IMDb.
  17. ^ "Miles Davis: Birth of the Cool". IMDb.
  18. ^ Russonello, Giovanni (February 22, 2020). "Overlooked No More: Valaida Snow, Charismatic 'Queen of the Trumpet'". The New York Times. ISSN 0362-4331. Retrieved January 20, 2021.
  19. ^ Elliott, Debbie (March 25, 2006). "Roberta Flack, In Full Voice on America's Soundtrack". NPR (Weekend All Things Considered). Retrieved January 20, 2021.
  20. ^ Gathright, Jenny (September 11, 2019). "Mary Lou Williams, Missionary Of Jazz". NPR. Retrieved January 20, 2021.
  21. ^ "What live music looks like during a pandemic". Marketplace. September 11, 2020. Retrieved January 20, 2021.
  22. ^ "The Grove Dictionary of American Music". Oxford Music Online. Retrieved January 20, 2021.