Talk:The Bootleggers (Hopper)
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Notes
[edit]- Architectural elements (windows, roof, chimneys)
- Dormers, gables, mansard
- Continuity of the mansard roof from painting to painting
- Symbolism of the crucifix-form of the chimney. Appears nowhere else?
- Hidden commentary on religious support for Prohibition (and Hopper's opposition to it)
- Composite
- Unlike his Gloucester series (1923, 1924, 1926, 1928), The Bootleggers was not based on an actual scene but compiled from different ones
- Composites were a feature of his later work, not his early work
- Prohibition
- Hopper was against Prohibition
- Hopper drank alcohol in small amounts, but his peers in his circle drank heavily
- Most "dramatic" painting out of his entire catalog
- Film noir-like nature (cinematic influence?)
- Why did Hopper hold on to it for 30 years?
- Criticism
- Hopper continues to return to and reuse the same elements
- House on the Hill (1920)
- Hopper continues to return to and reuse the same elements
- Comparison
- Edvard Munch