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This article is substantially duplicated by a piece in an external publication. Since the external publication copied Wikipedia rather than the reverse, please do not flag this article as a copyright violation of the following source:
(copied from Talk:Ga-Yeon Lee, to which it also applies) There are two strong clues that this content was copied from Wikipedia rather than the other way around. First, Wayback does not have this version in archive yet; the newest they have dates from November 2008. Wayback can take six months or more to update its archives, but this content entered into Wikipedia in April 2009. While this is not definitive, it is strongly indicative of our prior publication when combined with other clues. For instance, the text they use for Kim Chee Yun is also duplicative of ours, which clearly evolved here naturally. It seems to have been copied some time after this small edit, [1], which is reflected in that external site. Both of these entries are sandwiched at the external site into the entry for Kyung-wha Chung. It is obvious in comparing our version of that article from December 2007 and theirs of November 2008 that we didn't copy that content from them. --Moonriddengirl(talk)17:29, 23 February 2011 (UTC)[reply]
I wonder Chee Yun's lacking appearance in Korean Wikipedia.It is one thing that in south korea,too much sexual revealing is not welcomed.And Chee yun is famous in Japanese classical music circle with her cute playership.----The DQN,macbeth02:51, 10 September 2007 (UTC)[reply]
There have been some very problematic biography updates in the past few days. First, there was this edit by User:CYK1669 (who I'm guessing from the "CYK" may be Kim herself or someone working for or with her) added a lot of material, but with no sources. I reverted it.
The material was re-added by an IP user, but with two problems. First, the "cite" is just a general reference to Kim Chee-yun's entire website www.chee-yun.net, with no specificity, making it hard to verify. It certainly is not at the URL http://www.chee-yun.net itself. Second, at least parts of it are a cut-and-paste copyright violation from the bio section, and had to be removed.
If Kim or her representatives are reading this, and wish to license this material allowing it to be added to Wikipedia without copyright violation, please look at Wikipedia:Donating copyrighted materials and follow those procedures. You can then re-add the material, but only with specific citations to the specific URLs that support the material added; don't just cite to the entire website and expect other editors to clean it up. TJRC (talk) 17:45, 1 December 2015 (UTC)[reply]
I met Chee-Yun briefly after a concert in Portland about 5 years ago. She was warm and accessible, bright and even more beautiful in person than she appears in videos. That evening she played Dvorak's violin concerto. It was a wonderful performance. A young child was quite noisy in the audience, but she did not let it disturb her in the least. I am not a musician so I cannot explain her technical expertise, which seems considerable. Even a non-musician can hear that she is a master of tone color. Every sound that she draws out of her violin is rich, full, and, like herself, gorgeous. Of her recordings I am particularly impressed by her version of the Caesar Frank sonata. I cannot recommend her recordings too highly. I live in Pasadena now and only hope she will play in the greater LA area before long. Gregory George Gibbs of the Pasadena Buddhist Temple ```` — Preceding unsigned comment added by 64.136.138.189 (talk) 02:25, 4 October 2016 (UTC)[reply]
I met Chee-Yun briefly after a concert in Portland about 5 years ago. She was warm and accessible, bright and even more beautiful in person than she appears in videos. That evening she played Dvorak's violin concerto. It was a wonderful performance. A young child was quite noisy in the audience, but she did not let it disturb her in the least. I am not a musician so I cannot explain her technical expertise, which seems considerable. Even a non-musician can hear that she is a master of tone color. Every sound that she draws out of her violin is rich, full, and, like herself, gorgeous. Of her recordings I am particularly impressed by her version of the Caesar Frank sonata. I cannot recommend her recordings too highly. I live in Pasadena now and only hope she will play in the greater LA area before long. Gregory George Gibbs of the Pasadena Buddhist Temple ```` — Preceding unsigned comment added by 64.136.138.189 (talk) 02:28, 4 October 2016 (UTC)[reply]
