Save Me a Place
| "Save Me a Place" | |
|---|---|
| Song by Fleetwood Mac | |
| from the album Tusk | |
| A-side | "Think About Me" |
| Released | 1979 |
| Recorded | 1978–1979 |
| Studio | The Village Recorder, Los Angeles, California |
| Length | 2:42 |
| Label | Warner Bros. |
| Songwriter(s) | Lindsey Buckingham |
| Producer(s) |
|
"Save Me a Place" is a song by the British-American rock band Fleetwood Mac, released in 1979 on the Tusk album. The song was issued as the B-side to "Think About Me" in 1980.[1] It was also included on the four–disc edition of the 1992 Fleetwood Mac box set, 25 Years - The Chain.[2]
Background
[edit]In the liner notes for the 2015 deluxe edition of Tusk, Buckingham commented that the song was more vulnerable than his other offerings on the album and reflected his need to compartmentalise his feelings due to the lack of closure within his personal life, particularly the dissolution of his relationship with Stevie Nicks and his inability to recapture positive memories from his youth.[3] He later told The Independent in 2024 that the song was "a reflection of the fact that we were all forging ahead emotionally with our lives, yet there was still, underneath all of that, a great deal of love and tenderness that we had."[4]
In March 1979, Buckingham invited Mick Fleetwood and John McVie to Studio D of The Village Recorder to record drums and bass guitar respectively to emulate his home recordings of "Save Me a Place" from October 1978. This was at the encouragement of Ken Caillat and Richard Dashut, who insisted that the song would benefit from a re-recording at The Village Recorder.[5] Two demos of "Save Me a Place", one dated 10 October 1978 and another dated 18 October 1978, were included on the deluxe edition of Tusk.[6] His home demos consisted of a twelve-string guitar, another acoustic guitar with a capo, a dampened snare drum playing on the downbeats, and a bass guitar. For the purpose of creating a simple arrangement that aligned with his home demos, Buckingham asked Fleetwood to exclusively hit the snare drum on the downbeats and told John McVie to play root notes while avoiding all passing tones. Eleven takes were recorded and the sixth was designated as the master. McVie originally recorded his parts on a Gretsch bass, but Buckingham was displeased with the part he recorded, so he invited him back to the control room to attempt a new part on a Gibson violin bass. When this failed to yield a satisfactory result, McVie disposed of his Gretsch bass in a wastebasket, sat next to Fleetwood on a bench and applied gaffer tape to their mouthes as a form of protest. Buckingham subsequently retrieved McVie's bass from the trash and played the instrument himself.[5]
When recording the percussion for "Save Me A Place", Buckingham eschewed the snare drum in favor of tapping a 24-track tape box.[7] He also asked Fleetwood to hit a trash can with a pair of brushes, which he doubled.[5] Buckingham also expressed interest in overdubbing a charango that was gifted to him by Hernán Rojas, who engineered the Tusk album. As such, Buckingham tuned the instrument and strummed through a few takes until he was satisfied. The instrument was then panned to the left channel. Buckingham multitracked all of the backing vocals, which were conducted in a way that emulated a barbershop harmony. He applied vibrato to the end of the vocal phrasings.[5]
Critical reception
[edit]Stephen Holden of Rolling Stone described the song as "sophisticated yet still relatively spare" and said that it "boasts closely harmonized, un-gimmicky ensemble voices and acoustic textures that underline the tune's British folk flavor."[8] Writing for Pitchfork, Amanda Petrusich called the song a lyrical successor to "Go Your Own Way" in which Buckingham "begrudges his lover's unwillingness to grab what he's half-offering her."[9] Certain publications, including CMJ and The Los Angeles Times, highlighted the song's rhythm track that reflected Buckingham's tendencies as a musical arranger.[10][11]
Live performances
[edit]"Save Me a Place" was first performed during Fleetwood Mac's Tusk Tour. A live recording from the band's tour stop in St. Louis on 5 November 1979 was included on the deluxe edition of Tusk in 2015.[6] Buckingham later revived the song as an encore for his 1992-1993 Out of the Cradle Tour. In a concert review of Buckingham's performance at The Coach House in December 1992, Mike Boehm of The Los Angeles Times said that the vocal harmonies on "Save Me a Place" resembled the work of The Beach Boys.[12]
Personnel
[edit]- Lindsey Buckingham – acoustic guitars, bass guitar, charango, percussion, vocals
- Mick Fleetwood – possible snare drum and trash can[a]
Notes
[edit]- ^ In an interview with Musician Magazine, Buckingham said that he played all of the instruments on "Save Me a Place" and that his home demo was used on Tusk.[13] However, Hernán Rojas, who served as the engineer on the album, mentioned that a separate master recording was used instead. While Rojas said that John McVie's bass playing was replaced by Buckingham, he did not clarify if all of Fleetwood's drum parts were also scrapped.[5]
References
[edit]- ^ Evans, Mike (2011). Fleetwood Mac – The Definitive History. New York, NY: Sterling. p. 176. ISBN 978-1-4027-8630-3.
- ^ Erlewine, Stephen Thomas. "25 Years: The Chain – Fleetwood Mac". AllMusic. Retrieved 26 November 2024.
- ^ Irvin, Jim (2016). Tusk (2015 Remastered Deluxe Edition) (liner notes). Fleetwood Mac. Los Angeles: Warner Bros. Records Inc. p. 14. Publisher Warner Bros #2HS-3350.
- ^ Beaumont, Mark (17 October 2024). "Lindsey Buckingham on the wild and 'decadent' making of Fleetwood Mac's Tusk". The Independent. Retrieved 24 November 2024.
- ^ a b c d e Caillat, Ken; Rojas, Hernan (2019). Get Tusked: The Inside Story of Fleetwood Mac's Most Anticipated Album. Guilford, Connecticut: Backbeat Books. pp. 229–233. ISBN 978-1-4930-5983-6.
- ^ a b "Fleetwood Mac - Tusk". Rhino. Retrieved 24 November 2024.
- ^ Romano, Will. "Let The Right Sounds In: Fleetwood Mac's Studio Genius Opens Up About His Off-Kilter Production Techniques". Electronic Musician. Archived from the original on 11 March 2016. Retrieved 5 July 2023.
- ^ Holden, Stephen (13 December 1979). "Fleetwood Mac - Tusk". Rolling Stone. Archived from the original on 17 April 2024. Retrieved 24 November 2024.
- ^ Petrusich, Amanda (17 July 2016). "Fleetwood Mac: Tusk". Pitchfork. Retrieved 24 November 2024.
- ^ Wolk, Douglas (October 1997). "Fleetwood Mac's Tusk". CMJ. p. 57. Retrieved 24 November 2024.
{{cite magazine}}: CS1 maint: url-status (link) - ^ Hilburn, Robert (14 October 1979). "'Tusk' Shows Fleetwood Mac's Artistry is More than a 'Rumour'". The Los Angeles Times. Retrieved 24 November 2024 – via The Blue Letter Archives.
- ^ Boehm, Mike (12 December 1992). "O.C. POP MUSIC REVIEW : Buckingham Soars as a Solo : His Energized Concert--Whether a Debut or Comeback--Is a Triumph". Los Angeles Times. Retrieved 24 November 2024.
- ^ "Lindsey Buckingham: Musician Magazine No.33". Fleetwood Mac UK. Retrieved 26 November 2024.
