Portal:Record production

Portal topics: Activities; Culture; Geography; Health; History; Mathematics; Nature; People; Philosophy; Religion; Society; Technology; Random portal

The Record Production Portal

Noted audio engineer Roger Nichols at a vintage Neve recording console

P:RECORD

This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)

The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. (Read more)

Refresh with new selections below (purge)

Featured articles - load new batch

Featured articles are displayed here, which represent some of the best content on English Wikipedia.

Image 1
Pod is the debut studio album by American alternative rock band the Breeders, released by 4AD records on May 29, 1990. Engineered by Steve Albini, the album features band leader Kim Deal on vocals and guitar, Josephine Wiggs on bass, Britt Walford on drums, and Tanya Donelly on guitar. Albini's production prioritized sound over technical accomplishment; the final takes favor the band's spontaneous live "in studio" performances.

The Breeders formed in 1988 when Deal, bass player for Pixies, befriended Donelly of Throwing Muses during a European tour. They recorded a country-infused demo in 1989, leading to 4AD co-founder Ivo Watts-Russell funding an album, Pod, recorded that year at the Palladium studio in Edinburgh, Scotland. (Full article...)
Image 2
"Say Say Say" is a song by Paul McCartney and Michael Jackson, released in October 1983 as the lead single from McCartney's 1983 album Pipes of Peace. Produced by George Martin, it was recorded during production of McCartney's 1982 Tug of War album, about a year before the release of "The Girl Is Mine", the pair's first duet from Jackson's album Thriller (1982).

After its release in October 1983, "Say Say Say" became Jackson's seventh top-ten hit inside a year. It was a number-one hit in the United States (his sixth number-one single there), Canada, Norway, Sweden and several other countries, reached number two in the United Kingdom, and peaked within the top ten in Australia, Austria, New Zealand, the Netherlands, Switzerland and over 20 other nations. In 2013, Billboard magazine listed the song as the 41st biggest hit of all time on the Billboard Hot 100 chart. It has also been voted the ninth-best collaboration of all time in a Rolling Stone readers poll. (Full article...)
Image 3
Portrait of Rimsky-Korsakov in 1898 by Valentin Serov (detail)

Nikolai Andreyevich Rimsky-Korsakov (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are staples of the classical music repertoire, along with suites and excerpts from some of his fifteen operas. Scheherazade is an example of his frequent use of fairy-tale and folk subjects.

Rimsky-Korsakov believed in developing a nationalistic style of classical music, as did his fellow composer Mily Balakirev and the critic Vladimir Stasov. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. Rimsky-Korsakov's techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner. (Full article...)
Image 4
Adore is the fourth studio album by the American alternative rock band the Smashing Pumpkins, released on June 2, 1998, by Virgin Records. After the multi-platinum success of Mellon Collie and the Infinite Sadness and a subsequent world tour, Adore was considered "one of the most anticipated albums of 1998" by MTV. Recording the album proved to be a challenge as the band members struggled with lingering interpersonal problems, musical uncertainty in the wake of three increasingly successful rock albums, and the departure of drummer Jimmy Chamberlin. Frontman Billy Corgan would later characterize Adore as made by "a band falling apart". Corgan was also going through a divorce and the death of his mother while recording the album.

The result was a much more subdued and electronica-tinged sound that Greg Kot of Rolling Stone magazine called "a complete break with the past". The album divided the Smashing Pumpkins fan base and was not as commercially successful as their previous two albums. However, similar to the band's other releases across the decade, the album was critically acclaimed, becoming the third straight Pumpkins album to be nominated for the Grammy Award for Best Alternative Music Performance and has retrospectively gained a cult following. A remastered and expanded version of the album was released on CD and vinyl in September 2014 as a part of the band's project to reissue their back catalogue from 1991 to 2000. This is their only album to be recorded as trio and their first album not to feature an official drummer. (Full article...)
Image 5
By the Way is the eighth studio album by the American rock band Red Hot Chili Peppers, released July 9, 2002, on Warner Bros. Records. It sold more than 286,000 copies in its first week, and peaked at number two on the Billboard 200. Singles included "By the Way", "The Zephyr Song", "Can't Stop" and "Universally Speaking". Additionally, "Dosed" was released as a promotional single in the US and Canada. The lyrical subject matter vocalist Anthony Kiedis addresses in By the Way is a divergence from previous Red Hot Chili Peppers albums, with Kiedis taking a more candid and reflective approach to his lyrics.

By the Way was lauded by critics as a departure from the band's previous styles, and is recognized for the melodic and subdued emotions given by the Chili Peppers. Guitarist John Frusciante is credited with writing most of the album's melodies, backing vocal arrangements, bass lines, and guitar progressions, therefore changing the direction of the recording dramatically: "his warm, understated guitar work and his doo-wop style vocal harmonies are king this time around." By the Way contained very little of the signature funk-metal fusion the band had become known for playing. Frusciante has stated that writing "By the Way [was] one of the happiest times in my life." The album went on to sell more than eight million copies worldwide. (Full article...)
Image 6
By the Way is the eighth studio album by the American rock band Red Hot Chili Peppers, released July 9, 2002, on Warner Bros. Records. It sold more than 286,000 copies in its first week, and peaked at number two on the Billboard 200. Singles included "By the Way", "The Zephyr Song", "Can't Stop" and "Universally Speaking". Additionally, "Dosed" was released as a promotional single in the US and Canada. The lyrical subject matter vocalist Anthony Kiedis addresses in By the Way is a divergence from previous Red Hot Chili Peppers albums, with Kiedis taking a more candid and reflective approach to his lyrics.

By the Way was lauded by critics as a departure from the band's previous styles, and is recognized for the melodic and subdued emotions given by the Chili Peppers. Guitarist John Frusciante is credited with writing most of the album's melodies, backing vocal arrangements, bass lines, and guitar progressions, therefore changing the direction of the recording dramatically: "his warm, understated guitar work and his doo-wop style vocal harmonies are king this time around." By the Way contained very little of the signature funk-metal fusion the band had become known for playing. Frusciante has stated that writing "By the Way [was] one of the happiest times in my life." The album went on to sell more than eight million copies worldwide. (Full article...)
Image 7

Stefani in October 2016

Gwen Renée Stefani Shelton (/stəˈfɑːni/ stə-FAH-nee; born October 3, 1969) is an American singer-songwriter and fashion designer. She is a co-founder and lead vocalist of the band No Doubt, whose singles include "Just a Girl", "Spiderwebs", and "Don't Speak", from their 1995 breakthrough studio album Tragic Kingdom, as well as "Hey Baby" and "It's My Life" from later albums.

During the band's hiatus, Stefani embarked on a solo pop career in 2004 by releasing her debut studio album Love. Angel. Music. Baby. Inspired by pop music from the 1980s, the album was a critical and commercial success. It spawned six singles, including "What You Waiting For?", "Rich Girl", "Hollaback Girl", and "Cool". "Hollaback Girl" reached number one on the Billboard Hot 100 chart while also becoming the first US download to sell one million copies. In 2006, Stefani released her second studio album, The Sweet Escape. Among the singles were "Wind It Up" and "The Sweet Escape", the latter of which was number three on the Billboard Hot 100 year-end chart of 2007. Her third solo album, This Is What the Truth Feels Like (2016), was her first solo album to reach number one on the Billboard 200 chart. Her fourth solo album and first full-length Christmas album, You Make It Feel Like Christmas, was released in 2017 and charted 19 tracks on Billboard's Holiday Digital Song Sales component chart in the United States. Stefani has released several singles with husband Blake Shelton, including "Nobody but You" (2020), which reached number 18 in the US. In 2024, she released her fifth studio album Bouquet. (Full article...)
Image 8

Promotional image of the band in 1981. Left to right: Geddy Lee, Neil Peart and Alex Lifeson.

Rush was a Canadian rock band formed in Toronto in 1968 that primarily comprised Geddy Lee (vocals, bass guitar, keyboards), Alex Lifeson (guitar) and Neil Peart (drums, percussion). The band's original line-up comprised Lifeson, drummer John Rutsey, and bassist and vocalist Jeff Jones, whom Lee immediately replaced. After Lee joined, the band went through a few line-up changes before arriving at its classic power trio line-up with the addition of Peart in July 1974, who replaced Rutsey four months after the release of their self-titled debut album; this line-up remained unchanged for the remainder of the band's career.

Rush first achieved moderate success with their second album, Fly by Night (1975). The commercial failure of their next album Caress of Steel, released seven months after Fly by Night, resulted in the band nearly getting dropped from their then-record label Mercury Records. Rush's fourth album, 2112 (1976), reignited their popularity, becoming their first album to enter the top five on the Canadian charts. Their next two albums, A Farewell to Kings (1977) and Hemispheres (1978), were also successful, with the former becoming Rush's first to enter the UK charts. The band saw their furthest commercial success throughout the 1980s and 1990s, with most albums charting highly in Canada, the US and the UK, including Permanent Waves (1980), Moving Pictures (1981), Signals (1982), Grace Under Pressure (1984), Roll the Bones (1991), Counterparts (1993), and Test for Echo (1996). Rush continued to record and perform until 1997, after which the band went on a four-year hiatus due to personal tragedies in Peart's life. The trio regrouped in 2001 and released three more studio albums: Vapor Trails (2002), Snakes & Arrows (2007), and Clockwork Angels (2012). Rush performed their final concerts in 2015, with Peart retiring from music later that year. Lifeson later commented in January 2018 that the band decided not to resume activity following the R40 Tour, which was later cemented by Peart's death from glioblastoma, a type of brain cancer, on January 7, 2020, at the age of 67. Lee and Lifeson have continued to periodically work together since Peart's death, including performing at the 25th anniversary celebration of South Park and tributes to then-recently deceased Foo Fighters drummer Taylor Hawkins in 2022. (Full article...)
Image 9
The music of the Lesser Antilles encompasses the music of this chain of small islands making up the eastern and southern portion of the West Indies. Lesser Antillean music is part of the broader category of Caribbean music; much of the folk and popular music is also a part of the Afro-American musical complex, being a mixture of African, European and indigenous American elements. The Lesser Antilles' musical cultures are largely based on the music of African slaves brought by European traders and colonizers. The African musical elements are a hybrid of instruments and styles from numerous West African tribes, while the European slaveholders added their own musics into the mix, as did immigrants from India. In many ways, the Lesser Antilles can be musically divided based on which nation colonized them.

The former British colonies include Trinidad and Tobago, whose calypso style is an especially potent part of the music of the other former British colonies, which also share traditions like the Big Drum dance. The French islands of Martinique and Guadeloupe share the popular zouk style and have also had extensive musical contact with the music of Haiti, itself once a French colony though not part of the Lesser Antilles. The Dutch colonies of Curaçao, Bonaire and Aruba share the combined rhythm popular style. The islands also share a passion for kaseko, a genre of Surinamese music; Suriname and its neighbors Guyana and French Guiana share folk and popular styles that are connected enough to the Antilles and other Caribbean islands that both countries are studied in the broader context of Antillean or Caribbean music. (Full article...)
Image 10

Rock Steady is the fifth studio album by American rock band No Doubt, released on December 11, 2001, by Interscope Records. The band began writing the album with initial recording sessions in Los Angeles and San Francisco, then traveled to London and Jamaica to work with various performers, songwriters, and producers. Sly & Robbie, the Neptunes, and William Orbit were among the many artists the band collaborated with on the album.

As a result of these collaborations, Rock Steady touches on many musical styles, focusing on electropop, dancehall, and new wave. The band attempted to capture the vibe of Jamaican dancehall music, and experimented with writing songs without its standard instrumentation. Lead vocalist Gwen Stefani wrote her lyrics quickly in comparison to previous records, and dealt with topics ranging from partying to ruminations on her relationship with Gavin Rossdale. (Full article...)
Image 11
Portrait of Mozart, aged 13, in Verona, 1770, attributed to Giambettino Cignaroli

Between 1769 and 1773, the young Wolfgang Amadeus Mozart and his father Leopold Mozart made three Italian journeys. The first, an extended tour of 15 months, was financed by performances for the nobility and by public concerts, and took in the most important Italian cities. The second and third journeys were to Milan, for Wolfgang to complete operas that had been commissioned there on the first visit. From the perspective of Wolfgang's musical development the journeys were a considerable success, and his talents were recognised by honours which included a papal knighthood and memberships in leading philharmonic societies.

Leopold Mozart had been employed since 1747 as a musician in the Archbishop of Salzburg's court, becoming deputy Kapellmeister in 1763, but he had also devoted much time to Wolfgang's and sister Nannerl's musical education. He took them on a European tour between 1763 and 1766, and spent some of 1767 and most of 1768 with them in the imperial capital, Vienna. The children's performances had captivated audiences, and the pair had made a considerable impression on European society. By 1769, Nannerl had reached adulthood, but Leopold was anxious to continue 13-year-old Wolfgang's education in Italy, a crucially important destination for any rising composer of the 18th century. (Full article...)
Image 12
Pyotr Ilyich Tchaikovsky (top left) and The Five (counter-clockwise from bottom left): Mily Balakirev, César Cui, Alexander Borodin, Modest Mussorgsky, and Nikolai Rimsky-Korsakov

In mid- to late-19th-century Russia, Pyotr Ilyich Tchaikovsky and a group of composers known as The Five had differing opinions as to whether Russian classical music should be composed following Western or native practices. Tchaikovsky wanted to write professional compositions of such quality that they would stand up to Western scrutiny and thus transcend national barriers, yet remain distinctively Russian in melody, rhythm and other compositional characteristics. The Five, made up of composers Mily Balakirev, Alexander Borodin, César Cui, Modest Mussorgsky, and Nikolai Rimsky-Korsakov, sought to produce a specifically Russian kind of art music, rather than one that imitated older European music or relied on European-style conservatory training. While Tchaikovsky himself used folk songs in some of his works, for the most part he tried to follow Western practices of composition, especially in terms of tonality and tonal progression. Also, unlike Tchaikovsky, none of The Five were academically trained in composition; in fact, their leader, Balakirev, considered academicism a threat to musical imagination. Along with critic Vladimir Stasov, who supported The Five, Balakirev attacked relentlessly both the Saint Petersburg Conservatory, from which Tchaikovsky had graduated, and its founder Anton Rubinstein, orally and in print.

As Tchaikovsky had become Rubinstein's best-known student, he was initially considered by association as a natural target for attack, especially as fodder for Cui's printed critical reviews. This attitude changed slightly when Rubinstein left the Saint Petersburg musical scene in 1867. In 1869 Tchaikovsky entered into a working relationship with Balakirev; the result was Tchaikovsky's first recognized masterpiece, the fantasy-overture Romeo and Juliet, a work which The Five wholeheartedly embraced. When Tchaikovsky wrote a positive review of Rimsky-Korsakov's Fantasy on Serbian Themes he was welcomed into the circle, despite concerns about the academic nature of his musical background. The finale of his Second Symphony, nicknamed the Little Russian, was also received enthusiastically by the group on its first performance in 1872. (Full article...)

More featured articles

Did you know (auto-generated) - load new batch

... that one critic interpreted a SZA song as being about her fears about the growing influence of AI in the music industry?
... that until the release of the documentary Predator: The Secret Scandal of J-Pop, sexual abuse claims involving record producer Johnny Kitagawa went widely unreported in Japanese media?
... that when Divine's song "Lately" topped the Billboard Hot 100 in 1998, it became the first number-one single for the performers, the songwriters, the producers, and the record labels?
... that according to Billboard magazine, Laufey created a blueprint for jazz music in the modern music industry and helped push it back into the mainstream?
... that to promote the Buffalo Club, Rising Tide Records sent packages of plastic buffalo to music industry executives in Nashville?

Born this day

Birthdays in Music: November 21

Fairuz, (born Nouhad Haddad) Lebanese singer, turns 90.
Peter Warren, American bass player, turns 89.
David Porter, American songwriter, turns 83.
İdil Biret, Turkish pianist, turns 83.
Lonnie Jordan, (born Leroy Jordan) American multi-instrumentalist for War, turns 76.
Rainer Bruninghaus, German pianist, turns 75.
Livingston Taylor, American singer and songwriter, turns 74.
Michel Doneda, French soprano saxophonist, turns 70.
Peter Koppes, Australian guitarist for The Church, turns 69.
Terry Lewis, American record producer (see also Jimmy Jam & Terry Lewis), turns 68.
Francesca Tanksley, Italian-American pianist, turns 67.
Brian Ritchie, American vocalist for Violent Femmes, turns 64.
Steven Curtis Chapman, American Grammy Award-winning singer-songwriter, turns 62.
Björk, (born Björk Guðmundsdóttir) Icelandic singer with The Sugarcubes, turns 59.
Margrét Örnólfsdóttir, Icelandic keyboardist with The Sugarcubes, turns 57.
Alex James, Brit bassist with Blur, turns 56.
Chauncey Black, (aka Chauncey Hannibal) American R&B singer of BLACKstreet, turns 56.
Eli Yamin, American pianist, broadcaster, and composer, turns 56.
Francis Macdonald, Scottish drummer for BMX Bandits, Teenage Fanclub, turns 54.
Pretty Lou, American rapper with The Lost Boyz, turns 53.
Kelsi Osborn, American country music singer with SHeDAISY , turns 50.
Tobias Sammet, German singer with power metal act, Edguy, turns 47.
Kim Dong Wan, Korean singer with Shinhwa, turns 45.
Ryan Starr, American singer of American Idol fame, turns 42.
Carly Rae Jepsen, Canadian singer-songwriter, turns 39.

Alphonse Mouzon (Record production, 1948–December 25, 2016), American drummer, would have turned 76 this year.
James DePreist (Record production, 1936–February 08, 2013), (born James Anderson DePreist) American composer, would have turned 88 this year.
Émile Normand (Record production, 1936–November 07, 2008), (or Cisco Normand) Canadian percussionist and pianist, would have turned 88 this year.
Jean Shepard (Record production, 1933–September 25, 2016), (born Ollie Imogene Shepard) American country music singer, would have turned 91 this year.
Malcolm Williamson (Record production, 1931 –March 02, 2003), Australian composer and Master of the Queen's Music, would have turned 93 this year.
Sal Salvador (Record production, 1925 –September 22, 1999), American bop guitarist, would have turned 99 this year.
Joonas Kokkonen (Record production, 1921 –October 02, 1996), Finnish composer, would have turned 103 this year.
Claire Austin (Record production, 1918–June 17, 1994), American dixieland vocalist, would have turned 106 this year.
Alvin Burroughs (Record production, 1911 –August 01, 1950), American drummer, would have turned 113 this year.
Lloyd Glenn (Record production, 1909 –May 23, 1985), American arranger and pianist, would have turned 115 this year.
Buck Ram (Record production, 1907 –January 01, 1991), (born Samuel Ram) American songwriter with The Platters, would have turned 117 this year.
Coleman Hawkins (Record production, 1904 –May 19, 1969), American tenor saxophonist, would have turned 120 this year.
Arthur Schutt (Record production, 1902 –January 28, 1965), American arranger and pianist, would have turned 122 this year.
Charlie Johnson (Record production, 1891 –December 13, 1959), American bandleader and pianist, would have turned 133 this year.

List of musical events • Anniversaries • More birthdays...

Selected albums - load new batch

These are all Good articles, which meet a core set of high editorial standards.

Image 1
Europe '72 is a live triple album by the Grateful Dead, released in November 1972. It is the band's third live album and their eighth album overall. It covers the band's tour of Western Europe in April and May that year, and showcases live favorites, extended improvisations and several new songs including "Jack Straw" and "Brown Eyed Women". The album was the first to include pianist Keith Godchaux and his wife, vocalist Donna Jean Godchaux, and the last to feature founding member Ron "Pigpen" McKernan, who died shortly after its release.

The European tour was expensive and logistically complicated, and the band's record company hoped that a live album would recoup its costs. Consequently, the entire tour was recorded, with highlights making it onto the final release. Europe '72 is one of the most commercially successful and critically acclaimed albums by the Dead. It was one of the first triple-record rock albums to be certified gold by RIAA; the album has since been certified double platinum. A second volume was released in 2011, in conjunction with the release of the entire 22-date tour as Europe '72: The Complete Recordings. (Full article...)
Image 2
Blunderbuss is the debut solo studio album by American musician Jack White. It was released in digital and physical formats beginning April 23, 2012, through Third Man Records, in association with XL Recordings and Columbia Records. Written almost entirely by White, the album was recorded and produced by him at Third Man Studio in Nashville, Tennessee. Various musical styles appear throughout, including blues rock, folk, and country soul.

The album received positive reviews from music critics, who praised White's ambitious songwriting and often compared the record favorably to his work for the White Stripes. It debuted at number one in five countries and reached the top 10 in ten other countries. It was certified platinum in Canada and gold by record industry trade groups internationally. The album was nominated for Album of the Year and Best Rock Album at the 55th Annual Grammy Awards, while the single "Freedom at 21" was nominated for Best Rock Song. In addition, the single "I'm Shakin'" received a nomination for Best Rock Performance at the 56th Annual Grammy Awards. (Full article...)
Image 3
E=MC² is the eleventh studio album by American singer-songwriter Mariah Carey, released on April 15, 2008 in the United States, by Island Records, Def Jam Recordings and The Island Def Jam Music Group. The singer began recording the album in 2007 in Anguilla, after writing and composing most of its material during and after her 2006 Adventures of Mimi Tour. Carey worked with various songwriters and producers on the project, including Jermaine Dupri, Bryan-Michael Cox, Stargate, The-Dream, Tricky Stewart, Scott Storch and Danja.

The album revealed a more personal side of the singer, illustrated in its declarative theme of emancipation from her previous marriage, and from her personal and professional setbacks. It was meant to be a continuation, or a second part of her tenth studio album, The Emancipation of Mimi (2005). Although it shared similar vocal production as well as an inclination to her signature pop and R&B ballads, the album also encompassed a variety of dance-oriented and uptempo styles. Carey collaborated with a number of artists on the album, including T-Pain, Damian Marley and Young Jeezy. Though considered by critics very similar to the formula its predecessor had been built on, E=MC² included other genres she had never explored, such as reggae, and her continued recording of gospel-influenced hymns. (Full article...)
Image 4
Chromatica is the sixth studio album by American singer Lady Gaga, released on May 29, 2020, by Interscope Records and subsidiary Streamline. Gaga supervised the production with longtime collaborator BloodPop and a variety of other producers to create the album. Musically, Chromatica is a dance-pop record inspired by early 1990s house music, returning Gaga to her dance music roots and eschewing the stripped-down style of its predecessors Joanne (2016) and A Star Is Born (2018). The album's visual aesthetic saw Gaga adopt a cyberpunk-inspired persona.

Chromatica is a concept album centering on ideas of unwavering happiness and the pursuit of healing. Songs on the record encompass themes inspired by failed romance and mental health struggles in Gaga's private life. The music is distinguished by dense synthesizers, percussion, grooves, and orchestral arrangements that merge overarching melodies. Blackpink, Ariana Grande, and Elton John contribute guest vocals. Most of the recording took place at Henson Recording Studios and Gaga's in-home Hollywood Hills studio. Interscope advertised Chromatica through product endorsements and TV partnerships, although the marketing campaign was adversely affected by the COVID-19 pandemic. To support the album, Gaga embarked on The Chromatica Ball concert series in July 2022, the first all-stadium tour of her career, after it was postponed twice due to the pandemic. It was commemorated in the 2024 HBO/Max special, Gaga Chromatica Ball. (Full article...)
Image 5
The Big Room is the second studio album by Norwegian pop music duo M2M. It was released in Asia in November 2001 and in the rest of the world in early 2002. It reached No. 16 in Norway and No. 61 in Australia. Two singles were released worldwide from the album, "Everything", which peaked at No. 6 in Norway and No. 27 in Australia, and "What You Do About Me", which reached No. 46 in Australia.

To promote the album M2M appeared on an episode of the series Dawson's Creek and were selected as the opening act for Jewel's This Way US tour. Despite critical acclaim, sales of The Big Room were considerably lower than their previous album, Shades of Purple, which Verdens Gang attributed to a lacklustre marketing effort by Atlantic Records. Citing disappointing sales, Atlantic chose to replace M2M as Jewel's opening act halfway through the tour, after which they returned to Norway and disbanded. (Full article...)
Image 6
Skinny Jeanz and a Mic is the debut studio album by jerkin' crew and rap duo New Boyz, Legacy and Ben J. It was released on September 15, 2009, via Shotty Music, Asylum Records and Warner Bros. Records. The album was heavily influenced by jerkin' music. It received generally positive reviews, being called the sixth best album of 2009 by The New York Times. The album was released after the duo brought jerkin' to national attention with their viral hit "You're a Jerk", which later became a commercial success and the first single off their album. The second single "Tie Me Down", featuring Ray J, was released and also was successful. The album debuted at fifty-six on the Billboard 200, and at number twelve on Top R&B/Hip-Hop Albums and eight on Top Rap Albums. The album was produced by New Boyz member, Legacy, and also contributions from producers, Jay-Nari, D&D and DJ Felli Fel. (Full article...)
Image 7
Rings Around the World is the fifth studio album and the major label debut by Super Furry Animals. Released on 23 July 2001 by Epic Records in the United Kingdom, it was the first album by any artist to be simultaneously released on both audio CD and DVD. The record reached number 3 in the UK Albums Chart and includes the singles "Juxtapozed with U", "(Drawing) Rings Around the World" and "It's Not the End of the World?".

The album, which singer Gruff Rhys describes as "a very ambitious project", was recorded between April and September 2000 at Monnow Valley Studios in Rockfield, Monmouthshire, Wales and Bearsville Studios, New York with the band acting as co-producers alongside Chris Shaw. The majority of the songs on Rings Around the World were written by Rhys on guitar and piano with keyboardist Cian Ciaran contributing "[A] Touch Sensitive" and "Miniature" as well as collaborating with other members of the band on "Run! Christian, Run!", "Alternate Route to Vulcan Street" and "No Sympathy". Ex-Beatle Paul McCartney and former Velvet Underground member John Cale make cameo appearances on the album. (Full article...)
Image 8
Emotions is the second studio album by American singer-songwriter Mariah Carey. It was released on September 17, 1991, by Columbia Records. The album deviated from the formula of Carey's 1990 self-titled debut album, as she had more creative control over the material she produced and recorded. Additionally, Emotions features influences from a range of different genres, as well as 1950s, 1960s and 1970s balladry infusion. On the record, Carey worked with a variety of producers and writers, including Walter Afanasieff, the only holdover from her previous effort. Additionally, Carey wrote and produced the album's material with Robert Clivillés and David Cole from C+C Music Factory and Carole King, with whom she wrote one song.

Upon its release, Emotions polarized the music critics, while some praised the album's production, Carey's vocals, while other found the lyricism standard, and a few criticized Carey for overusing the whistle register. In retrospect, the album has been positively reviewed, with some contemporary music critics citing it amongst Carey's best works. Commercially, the album was a moderate success, failing to top the charts globally including the United States, where it debuted at number four on the Billboard 200, surprising many critics following the success of Carey's debut, which spent eleven weeks atop the chart. In other territories, the album reached the top 10 in eight countries, including Australia, Canada, and the United Kingdom. While selling far less than Mariah Carey, Emotions was eventually certified 4× Platinum by the Recording Industry Association of America (RIAA), denoting shipments of four million copies throughout the country, with estimated sales standing at 3,595,000 copies. The album was particularly successful in Japan shipping over one million copies there, and has sold over eight million copies worldwide. (Full article...)
Image 9
Back to the Egg is the seventh and final studio album by the British-American rock band Wings, released in June 1979 on Parlophone in the UK and Columbia Records in North America (their first for the label). Co-produced by Chris Thomas, the album reflects band leader Paul McCartney's embracing of contemporary musical trends such as new wave and punk, and marked the arrival of new Wings members Laurence Juber and Steve Holley. Back to the Egg adopts a loose conceptual theme around the idea of a working band, and its creation coincided with a period of considerable activity for the group, which included making a return to touring and work on several television and film projects.

Recording for the album began in June 1978 and lasted for almost a year. The sessions took place at Spirit of Ranachan Studios in Campbeltown, Scotland; Lympne Castle in Kent, London's Abbey Road Studios, and Replica Studio – the last of which McCartney built as an exact replica of Abbey Road's Studio Two when the latter became unavailable. Wings returned to Abbey Road in March 1979 to complete the album, before filming a series of promotional videos in Lympne and elsewhere, for what became the Back to the Egg TV special. (Full article...)
Image 10
The Age of Plastic is the debut album by the English new wave duo the Buggles, first released on 10 January 1980 on Island Records. It is a concept album about the possible repercussions of modern technology. The title was conceived from the group's intention of being a "plastic group" and the album was produced in the wake of the success of their debut record, "Video Killed the Radio Star" (1979), which topped the UK Singles Chart. Most of the album's other tracks were written during promotion of the single.

The album was recorded on a budget of £60,000. Bassist Trevor Horn was chiefly inspired by Kraftwerk's 1978 album The Man-Machine and sought unconventional recording methods for The Age of Plastic. Keyboardist Geoff Downes characterised the album as "science fiction music ... like modern psychedelic music ... very futuristic." Several tracks also featured contributions from vocalist Bruce Woolley, who left the group mid-production. The backing tracks were recorded at Virgin's Town House in West London, while the vocals were recorded and mixed at Sarm East Studios. Mixing was completed before Christmas 1979. (Full article...)
Image 11
Harajuku Lovers Live is the first live long-form video by American recording artist Gwen Stefani. It was released on DVD on December 4, 2006, by Interscope Records. The DVD was directed by Sophie Muller and produced by Oil Factory Productions. It is a recording of one of Stefani's concerts during her Harajuku Lovers Tour 2005 in late 2005 to promote her first album, Love. Angel. Music. Baby., released in November 2004. The performance was recorded in November 2005, in Anaheim, California. The concert features performances of all twelve songs from Love. Angel. Music. Baby. and two new songs from her second studio album, The Sweet Escape, as well as interviews with the musicians and dancers and a documentary of tour preparation.

Harajuku Lovers Live was released in conjunction with the promotion for The Sweet Escape, which was also released on December 5, 2006. The DVD received mixed reviews, with reviewers praising Stefani's musical performances and stage presence, but criticizing the lack of material and the long costume changes. The DVD was certified gold in Australia by the Australian Recording Industry Association and platinum in Canada by the Canadian Recording Industry Association. (Full article...)
Image 12
Lost Horizons is the second studio album from the British electronic duo Lemon Jelly, released on 7 October 2002. Released by XL Recordings and produced by Nick Franglen, the album generated two charting singles in the UK, "Space Walk" and "Nice Weather for Ducks"; the latter has often been called the album's stand-out track. The album, which is built around a mix of organic instrumentation and idiosyncratic samples, was met with largely positive reviews by music critics, although it was somewhat criticised due to its near-constant mellowness.

In the United Kingdom, Lost Horizons peaked at number 20 on the Official Albums Chart, whereas in the United States, it peaked at number 24 on Billboards Top Electronic Albums component chart. The album's two singles, "Space Walk" and "Nice Weather for Ducks", were also successful, peaking on the UK Singles Chart, at number 36 and 16 respectively. The album was nominated for the Mercury Music Prize and Brit Award in 2003, and was eventually certified gold by the British Phonographic Industry for shipments exceeding 100,000 copies. ('Full article...)

More selected albums

General images - load new batch

The following are images from various record production-related articles on Wikipedia.

Image 1The TASCAM 85 16B analog tape multitrack recorder can record 16 tracks of audio on 1-inch (2.54cm) magnetic tape. Professional analog units of 24 tracks on 2-inch tape were common, with specialty tape heads providing 16 or even 8 tracks on the same tape width, for greater fidelity. (from Multitrack recording)
Image 2Digital audio interface for the Pro Tools computer-based hard disk multitrack recording system. Digital audio quality is measured in data resolution per channel. (from Multitrack recording)
Image 3Danny Knicely records with Furnace Mountain Band in Virginia (2012) (from Recording studio)
Image 4Control room at the Tec de Monterrey, Mexico City Campus (from Recording studio)
Image 5A selection of instruments at a music studio, including a grand piano (from Recording studio)
Image 6Home studio setup (from Recording studio)
Image 7Engineers and producers watch a trumpet player from a window in the control room during a recording session. (from Recording studio)
Image 8Scully 280 eight-track recorder at the Stax Museum of American Soul Music (from Multitrack recording)
Image 9Mixing desk with twenty inputs and eight outputs (from Multitrack recording)
Image 10Donna Summer wearing headphones during a recording session in 1977 (from Recording studio)
Image 11The TEAC 2340, a popular early (1973) home multitrack recorder, four tracks on ¼ inch tape (from Multitrack recording)
Image 12Neve VR60, a multitrack mixing console. Above the console are a range of studio monitor speakers. (from Recording studio)
Image 13The Siemens Studio for Electronic Music c. 1956. (from Recording studio)
Image 14Korg D888 eight-track digital recorder (from Multitrack recording)
Image 15The studio at Ridge Radio in Caterham, England (from Recording studio)
Image 16Hip hop producer and rapper RZA in a music studio with two collaborators. Pictured in the foreground is a synthesizer keyboard and a number of vinyl records; both of these items are key tools that producers and DJs use to create hip hop beats. (from Hip hop production)

Featured lists - load new batch

Featured lists have been determined by the Wikipedia community to be the best lists on English Wikipedia.

Image 1

"All My Life" by Lil Durk & J. Cole is the most recent recipient

The Grammy Award for Best Melodic Rap Performance (awarded as Best Rap/Sung Collaboration until 2017, and Best Rap/Sung Performance from 2018 to 2020) is an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for quality songs on which rappers and singers collaborate. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".

The name and definition of the category were changed in June 2020, with immediate effect, to represent the inclusivity of the growing hybrid performance trends within the rap genre. According to the Recording Academy, "This category is intended to recognize solo and collaborative performances containing elements of rap and melody over modern production. This performance requires a strong and clear presence of melody combined with rap cadence, and is inclusive of dialects, lyrics or performance elements from non-rap genres including R&B, rock, country, electronic or more. The production may include traditional elements of rap or elements characteristic of the aforementioned non-rap genres." (Full article...)
Image 2
Barbadian singer Rihanna earned her tenth and eleventh number-one singles when "S&M" and "We Found Love" both topped the chart.

The Billboard Hot 100 is a chart that ranks the best-performing songs of the United States. Its data, published by Billboard magazine and compiled by Nielsen SoundScan, is based collectively on each single's weekly physical and digital sales, as well as airplay. In 2011, 14 singles claimed the top spot in 53 issues of the magazine, one of which, singer Katy Perry's "Firework" started its peak position in late 2010.

In 2011, nine acts achieved their first US number-one single, either as a lead artist or a featured guest: Wiz Khalifa, Adele, Pitbull, Afrojack, Nayer, LMFAO, Lauren Bennett, GoonRock and Calvin Harris. Six collaboration singles topped the chart. Pop singers Adele, Britney Spears, Katy Perry and Rihanna each earned two number-one songs during the year.
One of Adele's songs, "Rolling in the Deep", was the best-performing single of 2011, topping the Billboard Year-End Hot 100. She became the fourth solo female to have multiple songs spend at least five weeks each at number one in one calendar year. (Full article...)
Image 3
George Jones had a six-week run at number one with "She Thinks I Still Care".

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1962, 11 different singles topped the chart in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores. The chart was published under the title Hot C&W Sides through the October 27 issue and Hot Country Singles thereafter, a title it would retain until 1990.

In the issue of Billboard dated January 6, the number one song was "Walk On By" by Leroy Van Dyke, in its eleventh week in the top spot. The single remained atop the chart through the issue dated March 3 for a final total of nineteen weeks at number one. This figure set a record for the most weeks at number one on the Hot Country chart which would stand for more than 50 years until Florida Georgia Line spent 24 weeks at number one between December 2012 and August 2013 with the song "Cruise". Claude King tied Van Dyke for the most weeks spent at number one in the calendar year of 1962, with an unbroken run of nine weeks in the peak position with the song "Wolverton Mountain". Marty Robbins had an eight-week run at the top with "Devil Woman". (Full article...)
Image 4
Hank Williams (third from right) and his Drifting Cowboys band reached number one for the first time in 1949.

In 1949 Billboard magazine published three charts covering the best-performing country music songs in the United States. At the start of the year, the magazine published two charts covering the genre: Most-Played Juke Box Folk Records, which had appeared in Billboard since 1944, and Best Selling Folk Retail Records, which had debuted in 1948. With effect from the issue of the magazine dated June 25, Billboard began using the term "country and western" for the first time in the titles of the charts, renaming the juke box chart to Most-Played Juke Box (Country & Western) Records and the best sellers chart to Best-Selling Retail Folk (Country & Western) Records. In December the magazine added a third country chart when it began publishing the Country & Western Records Most Played By Folk Disk Jockeys listing. All three charts are considered part of the lineage of the current Hot Country Songs chart, which was first published in 1958.

The artist with the most weeks at number one on the juke box chart was Eddy Arnold, who spent a total of twenty weeks in the top spot with five different songs. On the retail chart, singing cowboy actor Jimmy Wakely had the highest number of total weeks at number one, comprising ten weeks in the top spot with two solo singles and a further thirteen with "Slipping Around", a duet with Margaret Whiting. The ten consecutive weeks which "Slipping Around" spent atop the juke box chart from late October until the end of the year tied with "Don't Rob Another Man's Castle" by Eddy Arnold for the longest unbroken run of the year at number one on that chart, and its spell at number one on the retail chart was the longest run in the peak position on that listing. Arnold's song spent a total of twelve non-consecutive weeks at number one on the juke box chart, the highest cumulative total for any one song. On the retail chart, "Lovesick Blues" by Hank Williams and his Drifting Cowboys spent the most total weeks in the top spot, with sixteen non-consecutive weeks at number one. Wakely and Arnold were the only artists to take more than one song to number one in 1949, a feat which they each achieved on both the juke box and retail charts. (Full article...)
Image 5
Florida Georgia Line's song "Cruise" spent a record-breaking 24 weeks at number one on the Hot Country Songs chart.

Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs.

At the start of the year, the number one song on the Hot Country Songs listing was "Cruise" by the duo Florida Georgia Line. After falling from the top spot at the end of January, the song rebounded to the top in April, beginning a run of 19 consecutive weeks at number one. Its final total was 24 weeks at the top of the chart, breaking the record which had stood since the 1940s for the most cumulative weeks spent atop one of Billboard's country song charts. This revival of the song's fortunes was due to the late spring release of a remix featuring rapper Nelly, which proved extremely popular on pop music radio. Thanks to the incorporation into the chart's methodology of airplay data from all radio formats, this support from top 40 radio allowed "Cruise" to hold the top spot throughout the summer. The remix did not prove as popular on country radio, however, and by the late summer, the song was in the unusual position of topping the Hot Country Songs chart but receiving so few plays on country stations that it did not appear in the 60-position airplay listing at all. (Full article...)
Image 6
Reba McEntire was one of a large number of acts with two number one singles in 1986. She also performed on the year-end number one by Hank Williams Jr. but was not credited on the chart

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1986, 52 different songs topped the chart, then published under the title Hot Country Singles, based on playlists submitted by country music radio stations and sales reports submitted by stores. No song managed more than a single week at number one during the year.

The first number one of the year was "Have Mercy" by mother-daughter duo the Judds. In the fall, Conway Twitty achieved his 40th and final Hot Country number one with "Desperado Love", 18 years after he first topped the chart with "Next in Line". Twitty's total of 40 number ones would remain a record for the highest number of country chart-toppers by an artist until 2006, when the record was broken by George Strait. Two female acts tied for the most number ones of the year, each reaching the top spot three times: the Forester Sisters (including one in collaboration with the Bellamy Brothers) and the Judds. More than a dozen acts each achieved two number ones, including Crystal Gayle and Gary Morris, who each achieved one solo number one as well as performing together on the hit "Makin' Up for Lost Time (The Dallas Lovers' Song)". One of Juice Newton's two number ones, "Both to Each Other (Friends and Lovers)", a duet with Eddie Rabbitt, had originally been performed by Gloria Loring and Carl Anderson on the soap opera Days of Our Lives the previous year. The song was not initially released commercially, but after Newton and Rabbitt's version became a hit, Loring and Anderson's recording was released and topped the Hot Adult Contemporary chart, meaning that versions of the same song by two different acts were number ones in their respective genres within a month of each other. (Full article...)
Image 7
Zac Brown Band reached number one for the first time in December 2008.

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2008, 26 different songs topped the chart in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.

At the start of the year the number one was "Our Song" by Taylor Swift, which had risen to the top in the issue dated December 22, 2007. It remained at the top of the chart until the issue dated February 2, when it was replaced by "Letter to Me" by Brad Paisley. Both Swift and Paisley had three songs at number one in 2008. Paisley reached the top with "Letter to Me", "I'm Still a Guy" and "Waitin' on a Woman" and Swift with "Our Song", "Should've Said No" and "Love Story". Carrie Underwood also had three chart-toppers in 2008 with "All-American Girl", "Last Name" and "Just a Dream". Paisley and Swift tied for the most weeks at number one by an artist in the year, each spending eight weeks at the top. The last number one of the year was "Roll with Me", the final number one single by Montgomery Gentry. (Full article...)
Image 8
Having been active since the 1960s, the Nitty Gritty Dirt Band achieved its first number one single in 1984.

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1984, 50 different singles topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores.

Six acts tied for the most number ones in 1984, with three each: bands Alabama and Exile and soloists Earl Thomas Conley, Merle Haggard, Ricky Skaggs and George Strait. One of the only two songs to spend more than a single week at number one was a collaboration between Julio Iglesias and Willie Nelson. Iglesias had been successful in his native Spain and other Latin markets since the late 1960s, but his 1984 album 1100 Bel Air Place was his United States breakthrough. The album featured duets with American singers from a range of genres, and the first single to be taken from it, "To All the Girls I've Loved Before", paired Iglesias with veteran country singer Nelson. The song was a top 10 hit on the all-genres Billboard Hot 100 but went all the way to number one on the country chart. The only other multi-week chart-topper in 1984 was "Why Not Me" by mother-daughter duo The Judds, which ended the year at number one. (Full article...)
Image 9
Will Young had the best-selling single of the 2000s in the UK, "Evergreen"/"Anything Is Possible".

The UK Singles Chart is a music chart compiled by the Official Charts Company that calculates the best-selling singles of the week in the United Kingdom. Since 2005, the chart has been based on the sales of both physical and digital singles, originally on the condition that the single was available in both formats. In 2007, the rules were changed so that legal downloads of all songs, irrespective of whether a physical copy was available, were eligible to chart.

Between 2000 and 2009, ten singles that reached the top of the singles chart sold more than 1 million copies in the United Kingdom. At the end of the decade, a retrospective chart was compiled by the Official Charts Company to determine the best-selling single of this ten-year period. The title was won by Will Young, the winner of the televised talent competition Pop Idol in 2001, with his double A-side single "Evergreen"/"Anything Is Possible", released in 2002. The single sold just under 1.8 million copies and saw Young finish ahead of fellow Pop Idol finalist Gareth Gates, whose debut single "Unchained Melody" sold 1.34 million copies. Young's single included sales of 1,108,269 copies in its first week, at the time a first-week total that had been bettered only by Elton John's "Candle in the Wind 1997". The X Factor winners Alexandra Burke (5th), and Shayne Ward (8th) and the band formed on Popstars in 2001, Hear'Say (9th), also reached the top ten. Kylie Minogue, Shaggy and Tony Christie were the other solo artists who made the top ten of best-selling singles; Christie's best-seller was a charity single recorded for Comic Relief in 2005. Children's television character Bob the Builder's "Can We Fix It?", voiced by Neil Morrissey, and Band Aid 20's cover of "Do They Know It's Christmas" made up the rest of the top ten singles. (Full article...)
Image 10
Elmore James was an American blues slide guitarist and singer who recorded from 1951 until 1963. His most famous song, "Dust My Broom", an electrified adaptation of a Robert Johnson tune, was his first hit and features one of the most identifiable slide guitar figures in blues. James' composition "The Sky Is Crying" (which became a blues standard) and his rendition of Tampa Red's "It Hurts Me Too" were among his most successful singles on the record charts. Other popular James songs, such as "I Can't Hold Out", ""Madison Blues", "Shake Your Moneymaker", "Bleeding Heart", and "One Way Out", have been recorded by several other artists, including Fleetwood Mac, Jimi Hendrix, and the Allman Brothers Band.

As with most blues artists in the 1950s and early 1960s, James' recordings were originally issued on two-song record singles. "Dust My Broom" was first issued by the small Trumpet Records label in 1951. Shortly thereafter, James began recording for several larger companies. From 1952 to 1956, he recorded for the Bihari brothers, who issued singles on their Meteor, Flair, and Modern labels. In 1957, he recorded for Mel London's Chief Records, and from 1959 to 1963, for Bobby Robinson's Fire Records. In 1953 and again in 1960, James also recorded some songs that appeared on Checker/Chess Records. He also played guitar on several recordings by other artists, including J. T. Brown, Big Joe Turner, Little Johnny Jones, and Junior Wells. (Full article...)