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Contemporary R&B

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(Redirected from Pop-R&B)
For the parent genre, see Rhythm and blues.

Contemporary R&B
Stylistic origins
Cultural originsLate 1970s and early 1980s, North America
Derivative forms
Subgenres
Fusion genres

Contemporary R&B (or simply R&B) is a popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip hop, and electronic music.

The genre features a distinctive record production style and a smooth, lush style of vocal arrangement. Electronic influences and the use of hip hop or dance-inspired beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music, pop culture and pop music.

Precursors

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According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of [R&B] in ways that haven't been equaled since". This movement was led by soul singer-songwriter/producers such as Curtis Mayfield, Marvin Gaye, and Stevie Wonder.[1] Norman Whitfield's productions at Motown, the record label of Gaye, were also pioneering for setting the soul vocals and simple hooks of earlier rhythm and blues records against strong backbeats, vocal harmonies, and orchestral sounds, all of which thickened the texture of the music. Gaye's own music on albums such as What's Going On (1971) incorporated jazz influences that led the genre into a looser musical direction.[2]

The nearest precursor to contemporary R&B came at the end of the disco era in the late 1970s, when Michael Jackson and Quincy Jones added more electronic elements to the sound of the time, creating a smoother dancefloor-friendly style.[2] The first result was Off the Wall (1979), which—according to Stephen Thomas Erlewine from AllMusic—"was a visionary album, that found a way to break disco wide open into a new world where the beat was undeniable, but not the primary focus" and "was part of a colorful tapestry of lush ballads and strings, smooth soul and pop, soft rock, and alluring funk".[3]

Richard J. Ripani wrote that Janet Jackson's Control (1986) was "important to the development of R&B for several reasons", as she and her producers, Jimmy Jam and Terry Lewis, "crafted a new sound that fuses the rhythmic elements of funk and disco, along with heavy doses of synthesizers, percussion, sound effects, and a rap music sensibility."[4] Ripani wrote that "the success of "Control" led to the incorporation of stylistic traits of rap over the next few years, and Janet Jackson was to continue to be one of the leaders in that development."[4] That same year, Teddy Riley began producing R&B recordings that included hip hop influences. This combination of R&B style and hip hop rhythms was termed "new jack swing" and was applied to artists such as Keith Sweat, Bobby Brown, Johnny Kemp, and Bell Biv DeVoe.[5][6]

1990s

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The Recording Industry Association of America (RIAA) certified singers Michael Jackson and Whitney Houston as the two best-selling R&B artists of the 20th century.[7]

Using hip hop-inspired backing tracks, a new genre labeled "hip hop soul" was created by Mary J. Blige and producer Sean Combs.[8]

During the mid-1990s, Whitney Houston's The Bodyguard: Original Soundtrack Album eventually sold over 45 million copies worldwide becoming the best-selling soundtrack of all time.[9] Janet Jackson's self-titled fifth studio album Janet (1993), which came after her multimillion-dollar contract with Virgin Records, sold over 14 million copies worldwide.[10] Boyz II Men and Mariah Carey recorded several Billboard Hot 100 No. 1 hits, including "One Sweet Day", a collaboration between both acts, which became the longest-running No. 1 hit in Hot 100 history. Carey also released a remix of her 1995 single "Fantasy", with Ol' Dirty Bastard as a feature, a collaboration format that was unheard of at this point. Carey, Boyz II Men and TLC released albums in 1994 and 1995—Daydream.

In the late 1990s, neo soul, which added 1970s soul influences to the hip hop soul blend, arose, led by artists such as Erykah Badu, Lauryn Hill and Maxwell. Hill and Missy Elliott further blurred the line between R&B and hip hop by recording both styles. Beginning in 1995, the Grammy Awards enacted the Grammy Award for Best R&B Album, with II by Boyz II Men becoming the first recipient. The award was later received by TLC for CrazySexyCool in 1996, Tony Rich for Words in 1997, Erykah Badu for Baduizm in 1998 and Lauryn Hill for The Miseducation of Lauryn Hill in 1999. In 1994 the singer Aaliyah drop her debut album and in 1996 she released her second album called "One In A Million" with different sounds and produced by Missy Elliot and Timbaland, unknown at that moment. At the end of 1999, Billboard magazine ranked Mariah Carey and Janet Jackson as the first and second most successful artists of the 1990s.[11]

Simultaneously, in the second half of the 1990s, The Neptunes and Timbaland set influential precedence on contemporary R&B and hip hop music.[12]

2000s

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See also: Album era § 2000s: Decline in the digital age, shift to pop and urban

Writing in 2003, music critic Robert Christgau describes modern R&B as being "about texture, mood, feel—vocal and instrumental and rhythmic, articulated as they're smooshed together".[13]

Usher was cited by Billboard as the no. 1 Hot 100 artist of the 2000s decade, with 7 number-one singles that accumulated 42 weeks at the top.[14]

Following periods of fluctuating success, urban music attained commercial dominance during the early 2000s, which featured massive crossover success on the Billboard charts by R&B and hip hop artists.[15]

Alicia Keys ranked fifth on Billboard Artist of the Decade list. "No One" ranks No. 6 on the Billboard Hot 100 songs of the decade.[16]

In 2001, Alicia Keys released "Fallin'" as her debut single, peaking at number one on the Billboard Hot 100, Mainstream Top 40 and Hot R&B/Hip-Hop Songs charts. It won three Grammy Awards in 2002, including Song of the Year, Best R&B Song, and Best Female R&B Vocal Performance. It was also nominated for Record of the Year.[17] Beyoncé's solo studio debut album Dangerously in Love (2003) has sold over 5 million copies in the United States and earned five Grammy Awards.[18][19]

Usher's Confessions (2004) sold 1.1 million copies in its first week[20] and over 8 million copies in 2004, since then it has been certified Diamond by the Recording Industry Association of America (RIAA) and, As of 2016, has sold over 10 million copies in the US and over 20 million copies worldwide. Confessions had four consecutive Billboard Hot 100 number one singles—"Yeah!", "Burn", "Confessions Part II" and "My Boo".[21] It won three Grammy Awards in 2005, including Best Contemporary R&B Album, Best R&B Performance by a Duo or Group with Vocal for "My Boo" and Best Rap/Sung Collaboration for "Yeah!"[22]

Beyoncé was named by Billboard the most successful female act of the 2000s.

In 2004, all 12 songs that topped the Billboard Hot 100 were African-American recording artists and accounted for 80% of the number-one R&B hits that year.[15] Along with Usher's streak of singles, Top 40 radio and both pop and R&B charts were topped by Outkast's "Hey Ya!", Snoop Dogg's "Drop It Like It's Hot", Terror Squad's "Lean Back" and Ciara's "Goodies".[15] Chris Molanphy of "The Village Voice" later remarked that "by the early 2000s, urban music "was" pop music."[15]

Between 2005 and 2009 Raymond, Knowles and Keys released albums—B'Day, Here I Stand, I Am... Sasha Fierce and The Element of Freedom.

Mariah Carey's The Emancipation of Mimi (2005) debuted at number one on the Billboard 200 and earned ten Grammy Award nominations. The second single "We Belong Together" topped the Hot 100 charts for 14 weeks, and was later hailed "song of the decade" and won a Grammy Award for Best Female R&B Vocal Performance in 2006.

The mid-2000s came with the emergence of new R&B acts Ashanti, Keyshia Cole and Akon. Ashanti's eponymous debut album topped both US Billboard 200 and Top R&B/Hip-Hop Albums charts. It earned her three Grammy nominations winning one for the Best Contemporary R&B Album. R&B newcomer Chris Brown released his self-titled album in 2005 which debuted at number two on the "Billboard" 200. His debut single "Run It!" peaked atop on the Billboard Hot 100, Hot R&B/Hip-Hop Songs and the US Radio Songs.

During this time also came the emergence of R&B songwriters.[23] Bryan-Michael Cox co-wrote Usher's "Burn" and "Confessions Part II"(2005), Mariah Carey's "Shake It Off" and "Don't Forget About Us" (2006), and Chris Brown's "Say Goodbye"(2006).[24] Keri Hilson would co-write songs Mary J. Blige's "Take Me as I Am" (2006), Omarion's "Ice Box" (2006), and Ciara's "Like a Boy"(2006).[25] Rico Love co-wrote Usher's "Throwback" (2005), Keri Hilson's "Energy"(2008), Pleasure P's "Boyfriend #2"(2008).[26] The-Dream wrote Rihanna's "Umbrella"(2007), J. Holiday's "Bed" and Usher's "Moving Mountains" and "Trading Places"(2008).[27] Ne-Yo wrote Mario's "Let Me Love You", Rihanna's "Take a Bow" and "Unfaithful", Beyoncé's "Irreplaceable"(2006) and “Me & U”(2006) by Cassie.[28]

According to Billboard, the most commercially successful R&B acts of the decade were Usher, Alicia Keys, Beyoncé, Mariah Carey, Rihanna, Chris Brown, Ne-Yo and Akon.[29]

2010s

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See also: Alternative R&B
Contemporary R&B artists Chris Brown and Usher have experimented with EDM.

Continuing from the 1990s and 2000s, R&B, like many other genres, drew influences from the technical innovations of the time and began to incorporate more electronic and machine-made sounds and instruments, this evolving style called Electro-R&B slowly began dominating the genre. The use of effects such as Auto-Tune and new computerized synths have given R&B a more futuristic feel while still attempting to incorporate many of the genre's common themes such as love and relationships.

According to Christgau in 2017, "almost all R&B goes for voice-plus-sound rather than voice-plus-song, with the sound ranging from precision track-and-hook to idiosyncratic atmospherics."[30]

Early 2010s artists Usher and Chris Brown began embracing new electronic influences while still keeping R&B's original feel. Usher's "OMG"[31] and "DJ Got Us Fallin' in Love",[32] and Chris Brown's "Yeah 3x"[33] are all EDM-oriented.

Singers Miguel, John Legend and Jeremih are popular in mainstream hip hop for many collaborations with rappers such as Wale, Rick Ross and J. Cole. Today's R&B is far more diverse and incorporates more sonic elements than before, as it expands its appeal and commercial viability.[34] Trap music's influence maintained a strong presence on the music charts with R&B singer Beyoncé's songs "Drunk in Love", "Flawless" and "7/11", Bryson Tiller's debut studio album, Trapsoul and Mary J. Blige's "Thick of It".[35]

Latin R&B is gaining ground since the wave of artists began mixing trap with that sound in the middle of this decade.[36] Spanish-language singles by Alex Rose, Rauw Alejandro and Paloma Mami, which borrow shrewdly from R&B, are captivating a global audience.[37] In Latin America, the genre became popular with Alex Rose's "Toda",[37] and Sech's "Otro Trago".[38]

2020s

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In the 2020s, R&B continued to diversify and blend with other genres, most notably alternative R&B, a subgenre characterized by its experimental production, introspective lyrics, and departure from traditional R&B structures. Artists such as SZA, Frank Ocean, and the Weeknd have been pivotal in bridging mainstream R&B with alternative styles, introducing ethereal soundscapes, electronic elements, and unconventional storytelling to a broader audience.[39]

Streaming platforms and social media, particularly TikTok and Spotify, have amplified the reach of R&B music. Viral moments have catapulted songs like SZA's "Snooze" and Daniel Caesar’s "Best Part (feat. H.E.R)" into global hits.[40]

See also

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References

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  1. ^ Himes, Geoffrey (August 29, 1989). "Curtis Mayfield". The Washington Post. Archived from the original on March 29, 2021. Retrieved February 1, 2021.
  2. ^ a b Ward, David (November 2011). "R&B and Influence: The Producer as Ephebe". Circulation Mag. Archived from the original on July 28, 2020. Retrieved August 27, 2015.
  3. ^ Erlewine, Stephen Thomas. "Michael Jackson – Off the Wall". AllMusic. Archived from the original on December 20, 2015. Retrieved August 27, 2015.
  4. ^ a b Ripani, Richard J. (2006). The New Blue Music: Changes in Rhythm & Blues, 1950–1999. University Press of Mississippi. pp. 130–155, 186–188. ISBN 978-1-57806-862-3.
  5. ^ Heller, Jason (September 30, 2010). "New jack swing". The A.V. Club. Retrieved May 3, 2022.
  6. ^ Carter, Kelley L. (August 10, 2008). "5 Things You Can Learn About ... New jack swing". Chicago Tribune. Archived from the original on May 7, 2012.
  7. ^ "The American Recording Industry Announces its Artists of the Century". Recording Industry Association of America. November 10, 1999. Archived from the original on July 24, 2011.
  8. ^ Van Nguyen, Dean (November 13, 2011). "The R&B Renaissance". PopMatters. Retrieved May 3, 2022.
  9. ^ Gipson, Brooklyne (January 26, 2012). "Adele's "21" Closing in on Billboard Charts Record". BET. Archived from the original on January 23, 2015. Retrieved November 2, 2014.
  10. ^ Terrell, Ashley G. (May 18, 2018). "Jimmy Jam on Janet Jackson's 2018 Billboard Icon Award: It's "Overdue"". Vibe. Retrieved July 22, 2021.
  11. ^ Mayfield, Geoff (December 25, 1999). "Totally '90s: Diary of a decade". Billboard. Vol. 111, no. 112. ISSN 0006-2510.
  12. ^ Frere-Jones, Sasha (September 29, 2008). "The Timbaland Era". The New Yorker. Archived from the original on October 1, 2008.
  13. ^ Christgau, Robert (September 30, 2003). "The Commoner Queen". The Village Voice. New York. Archived from the original on August 20, 2014. Retrieved October 15, 2014.
  14. ^ "Usher Crowned Top Hot 100 Artist of Decade". Singersroom. December 22, 2009. Archived from the original on November 10, 2018. Retrieved June 27, 2016.
  15. ^ a b c d Molanphy, Chris (July 16, 2012). "100 & Single: The R&B/Hip-Hop Factor in the Music Business's Endless Slump". The Village Voice Blogs. Archived from the original on July 20, 2012. Retrieved July 16, 2012.
  16. ^ "Artists of the Decade". Billboard. December 11, 2009. Archived from the original on September 12, 2014. Retrieved October 1, 2016.
  17. ^ ""Fallin'" Wins Song of the Year". Grammy.com. December 2, 2009. Archived from the original on October 2, 2016. Retrieved October 1, 2016.
  18. ^ Caulfield, Keith (December 30, 2015). "Beyoncé's 'Dangerously in Love' Album Surpasses 5 Million Sold in U.S." Billboard. Archived from the original on August 11, 2016. Retrieved October 1, 2016.
  19. ^ Leopold, Todd (February 9, 2004). "Beyonce tops with five Grammys" (Press release). CNN. Archived from the original on October 19, 2015. Retrieved October 1, 2016.
  20. ^ Susman, Gary (March 31, 2004). "Usher sells a record-breaking 1.1 million". Entertainment Weekly. Archived from the original on November 18, 2016. Retrieved October 1, 2016.
  21. ^ "Usher, Keys Duet Keeps Cozy at No. 1". Billboard. November 4, 2004. Archived from the original on October 8, 2016. Retrieved October 1, 2016.
  22. ^ "Artist: Usher". Grammy.com. Archived from the original on June 22, 2020. Retrieved May 30, 2019.
  23. ^ Hope, Clover (November 27, 2012). "Unsung Heroes: The 36 Best Songwriters of the 2000s". Vibe. Archived from the original on June 25, 2016. Retrieved October 2, 2016.
  24. ^ "Bryan-Michael Cox – Credits". AllMusic. Archived from the original on October 4, 2016. Retrieved October 2, 2016.
  25. ^ "Keri Hilson – Credits". AllMusic. Archived from the original on October 14, 2016. Retrieved October 2, 2016.
  26. ^ "Rico Love – Credits". AllMusic. Archived from the original on October 14, 2016. Retrieved October 2, 2016.
  27. ^ "The-Dream – Credits". AllMusic. Archived from the original on October 6, 2016. Retrieved October 2, 2016.
  28. ^ "Ne-Yo – Credits". AllMusic. Archived from the original on October 14, 2016. Retrieved October 2, 2016.
  29. ^ "Artists of the Decade Music Chart". Billboard. Archived from the original on July 29, 2011. Retrieved February 8, 2011.
  30. ^ Christgau, Robert (March 3, 2017). "On Syd's Depth and Resonance: Expert Witness with Robert Christgau". Vice. Archived from the original on June 2, 2017. Retrieved March 4, 2017.
  31. ^ Shipley, Al (August 6, 2014). "20 Biggest Songs of the Summer: The 2010s (So Far)". Rolling Stone. Archived from the original on January 12, 2017. Retrieved October 2, 2016.
  32. ^ Lamb, Bill. "Top 10 Usher Songs". About.com. Archived from the original on January 5, 2017. Retrieved October 2, 2016.
  33. ^ Wete, Brad (October 21, 2010). "Chris Brown dances through a block party in 'Yeah 3X' video: Watch here". Entertainment Weekly. Archived from the original on May 18, 2016. Retrieved October 2, 2016.
  34. ^ Bat (November 29, 2001). "What is Hypersoul?". Riddim.ca. Archived from the original on November 2, 2014. Retrieved December 11, 2013.
  35. ^ Gotrich, Lars (October 7, 2016). "Listen to Mary J. Blige's Powerful New Song 'Thick of It'". NPR. Archived from the original on November 25, 2016. Retrieved November 25, 2016.
  36. ^ "La playlist que inspiró a la nueva generación del R&B latino". Heabbi (in Spanish). Archived from the original on March 30, 2019. Retrieved August 11, 2019.
  37. ^ a b Leight, Elias (January 22, 2019). "Latin Artists Changed Trap Music Forever — R&B Is Next". Rolling Stone. Archived from the original on December 7, 2019. Retrieved September 11, 2019.
  38. ^ Cobo, Leila (July 22, 2019). "How Rich Music's Father-Son Duo Are Leading the Way For Latin R&B". Billboard. Archived from the original on August 9, 2019. Retrieved September 11, 2019.
  39. ^ "The Rise of Alternative R&B in Modern Music". TrillMag. Retrieved December 19, 2024.
  40. ^ "Spotify CLASSICS: The 100 Greatest R&B Songs of the Streaming Era". Spotify. Retrieved December 19, 2024.

Further reading

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