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Maddali Usha Gayatri

From Wikipedia, the free encyclopedia
In this Telugu name, the surname is Maddali.

Maddali Usha Gayatri
Born
Mallavarapu Usha Gayatri

(1955-04-26) 26 April 1955 (age 69)
Kurnool, Andhra State, India
Education
OccupationKuchipudi dancer
Children1
Awards

Maddali Usha Gayatri (née Mallavarapu, born 26 April 1955) is an Indian Kuchipudi exponent, danseuse,[1] guru[2] and choreographer from the state of Andhra Pradesh. A recipient of Hamsa Award (now called Kala Ratna) and Sangeet Natak Akademi Award, she received critical acclaim for her choreography and performances. She performs ballets in mythological, historical and social themes. One of her works, Nrityam Darsayami, included a troupe of 12 of her disciples performing for 12 hours uninterruptedly.

Early life and education

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Usha Gayatri was born on 26 April 1955 to Mallavarapu Sundaresam and Janakamma in Kurnool, Andhra State (now in Andhra Pradesh).[3] has a sister, Uma Gayatri, who is a musician. She completed her Master of Arts from Hyderabad Central University in 1988. She researched and published her thesis on the role of Satyabhama, second queen-consort of Hindu god Krishna,[4] in the growth of Telugu literature, development and incarnation in dance from Potti Sreeramulu Telugu University.[5]

Training in dance

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Gayatri started training in dance, when she was 4 years old, from Sri Dayal Saran. Despite being trained in Kathak, Odissi and music, her interests directed towards Kuchipudi.[5] She thus learned Kuchipudi from her guru, Vedantam Jagannath Sarma, at his dance institute Kuchipudi Kalakshetra in Hyderabad.[6] She trained in Yakshagana, a theatre form, from V. Satyanarayana Sarma, Vempati Chinna Satyam and Vedantam Prahlada Sarma and learned nattuvangam  [Wikidata] (the art of conducting a performance with rhythmic music using two cymbals)[7][8] from Kamalarani.[5]

Career

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In June 2010, Gayatri choreographed a ballet Alamelu Manga Charitham on the narrative of Hindu goddess Alamelu Manga, consort of Venkateswara,[9] and Alamelu Mangapuram. While the performances were well received, the mythological ballet was criticized for deviating from the sthala purana, the religious account of a Hindu temple,[10] of Venkateswara Temple in Tirumala.[11] Later in July, she performed Rukmini-Satya, a ballet incorporating the characters of Rukmini and Satyabhama, first and second queen-consorts of Krishna,[4] together and performed both the roles. She developed Rukmini's part of the play based on Pothana Bhagavatham and Sri Krishna Leela Tarangini; and used Siddhendra Yogi's Bhamakalapam for Satyabhama. She was praised for her performance and comprising two different characterizations in a single ballet.[2]

In March 2011, she presented a ballet Matru Devo Bhava in which she played the mythological motherly roles of Parvati, Leelavati, Sita, Yashoda and Vakula Devi. Scripted by Bnim, she received commendation for her performance and choreography.[12] In August, she performed Kunti Vilapam, an account of the life of Kunti, mother of the Pandavas in ancient Hindu epic Mahabharata, based on the writings by Jandhyala Papayya Sastry. She received praise for her performance and the composition of the ballet.[13]

Later in June 2013, she performed a ballet under the title Shodasa Krishnam showcasing the adventures of Krishna which she composed from various works, including that of Annamacharya. She was praised for her choreography and performance in various characters in divergent themes.[14] In July 2015, marking the 30th anniversary of her dance academy, Nritya Kinnera, she choreographed two ballets – Pushkara Pulakita Godavari and Amrapali. Pushkara Pulakita Godavari, scripted by Bnim, is themed around the Pushkaram of the Godavari River in which she played the role of Hindu deity Brihaspati, while in Amrapali, she played the role of The Buddha.[15]

In May 2016, Gayatri released a book titled Kuchipudi Art and Satyabhama describing Satyabhama and choreographed a ballet based on Bhamakalapam. She instated excerpts from other poets on the literature surrounding Satyabhama in her play, including the scores of Narayana Teertha, Nandi Thimmana and Tarigonda Vengamamba. She received critical acclaim for her performance and choreography.[16] Later that year during June–July, she toured across Europe in a group of 40 Kuchipudi exponents and folk artists and performed in several ballets.[17] In February 2017, she performed a ballet Swetcha Bharat (transl. Independent India) narrating the story of Indian history from Vedic period until the Indian independence movement. Scripted by Bnim, she took upon the role of Bharat Mata, the national personification of India as a mother goddess, for which she received acclaim.[18]

She also performs ballets on historical themes and social values. As of January 2018, she choreographed more than 200 ballets,[5] some of which include Alokaye Sri Balakrishnam,[1] Goda Kalyanam,[19] a ballet on Rallabhandi Kavitha Prasad's translation of Rabindranath Tagore's Gitanjali,[20] Sankranti Lakshmi, Siva Bhakta Markandeya based on the text written by Mudigonda Sivaprasad [te] on the life of the sage Markandeya, Swarnotsava Bharati and Vandemataram.[5] She also choreographed Nrityam Darsayami which included a troupe of 12 of her disciples performing for 12 hours uninterruptedly dancing 72 concepts of Kuchipudi.[5]

Other work

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Gayatri worked in Punjab National Bank for over 25 years and retired voluntarily.[5] She established Nritya Kinnera Kuchipudi dance academy in Hyderabad[21] in 1983[5] where she teaches Kuchipudi.[12] As of January 2018, 44 of her disciples debuted on stage from her institute under her supervision.[5]

Awards

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Gayatri received several honours for her contributions among which Hamsa Award (now called Kala Ratna) was conferred by the government of united Andhra Pradesh in 2001.[22][5] She was also conferred the Sangeet Natak Akademi Award in 2023.[23]

Personal life

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Gayatri married Maddali Raghuram [te] who is also an artist and runs Kinnera Art Theatre.[24][5] They have two sons among which one of whose wife, Soundarya Kaushik, is also a Kuchipudi exponent and has debuted on stage in August 2014 supervised by Gayatri.[25]

Published works

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  • అమ్మమ్మగారి కాశీయాత్ర [Grandmother's pilgrimage to Varanasi] (in Telugu). Kinnera Publications.[26]
  • Kuchipudi Art and Satyabhama. B. R. Rhythms. 2016. ISBN 9788188827565.[16]

References

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  1. ^ a b "Beloved stories on stage". The Hindu. 25 March 2010. ISSN 0971-751X. Retrieved 16 December 2022.
  2. ^ a b Gudipoodi, Srihari (22 July 2010). "Sumptuous ballet". The Hindu. ISSN 0971-751X. Retrieved 16 December 2022.
  3. ^ Kuchipudi Kalakar Maddali Usha Gayatri Exclusive Interview | Kalaa Shikaram | Hindu Dharmam (Videotape) (in Telugu). Hindu Dharmam. 6 May 2017. Retrieved 17 December 2022.
  4. ^ a b Hudson, D. Dennis (25 September 2008). The Body of God: An Emperor's Palace for Krishna in Eighth-Century Kanchipuram. Oxford University Press. p. 264. ISBN 978-0-19-970902-1.
  5. ^ a b c d e f g h i j k "నృత్యరత్న.. డా. మద్దాళి ఉషాగాయత్రి" [Nritya Ratna.. Dr. Maddali Usha Gayatri]. Andhra Bhoomi (in Telugu). 9 January 2018. Archived from the original on 17 December 2022. Retrieved 16 December 2022.
  6. ^ Kothari, Sunil; Pasricha, Avinash (2001). Kuchipudi. Abhinav Publications. p. 158. ISBN 9788170173595.
  7. ^ Journal of the Ananthacharya Indological Research Institute. Vol. 7–8. 2004. p. 95.
  8. ^ M. Athira (14 June 2018). "'Nattuvangam' is not even treated as an instrument these days, says K.S.Balakrishnan". The Hindu. ISSN 0971-751X. Retrieved 13 January 2023.
  9. ^ Dalal, Roshen (2010). Hinduism: An Alphabetical Guide. Penguin Books India. p. 291. ISBN 978-0-14-341421-6.
  10. ^ Frykenberg, Robert Eric (1996). History and Belief: The Foundations of Historical Understanding. William B. Eerdmans Publishing Company. p. 155. ISBN 978-0-8028-0739-7.
  11. ^ "Toying with tradition". The Hindu. 25 June 2010. ISSN 0971-751X. Retrieved 16 December 2022.
  12. ^ a b Gudipoodi, Srihari (24 March 2011). "Tribute to mothers in mythology". The Hindu. ISSN 0971-751X. Retrieved 16 December 2022.
  13. ^ Gudipoodi, Srihari (25 August 2011). "Moods of Kunti". The Hindu. ISSN 0971-751X. Retrieved 16 December 2022.
  14. ^ Gudipoodi, Srihari (27 June 2013). "Ways of Krishna". The Hindu. ISSN 0971-751X. Retrieved 16 December 2022.
  15. ^ Gudipoodi, Srihari (2 July 2015). "Tales through ballets". The Hindu. ISSN 0971-751X. Retrieved 16 December 2022.
  16. ^ a b Gudipoodi, Srihari (19 May 2016). "Repertoire on Satyabhama". The Hindu. ISSN 0971-751X. Retrieved 16 December 2022.
  17. ^ G. S. Subrahmanyam (5 July 2016). "Promoting Amaravati among expatriate Telugus". The Hindu. ISSN 0971-751X. Retrieved 16 December 2022.
  18. ^ Gudipoodi, Srihari (2 February 2017). "Maddali Usha Gayatri's dance for Republic Day". The Hindu. ISSN 0971-751X. Retrieved 16 December 2022.
  19. ^ Gudipoodi, Srihari (1 December 2011). "Ballet evoking God". The Hindu. ISSN 0971-751X. Retrieved 16 December 2022.
  20. ^ Kumar, Ranee (31 May 2012). "Delightful and romantic". The Hindu. ISSN 0971-751X. Retrieved 16 December 2022.
  21. ^ "Kuchipudi Institutions in Andhra Pradesh & Telangana, India". narthaki.com. Retrieved 16 December 2022.
  22. ^ "Hamsa awards announced". The Times of India. 24 August 2001. Retrieved 16 December 2022.
  23. ^ "Announcement of Sangeet Natak Akademi Awards for 2022 and 2023" (PDF). Sangeet Natak Akademi. 27 February 2024. Retrieved 20 March 2024.
  24. ^ Bnim (September 2015). "మద్దాలి కిన్నెరసాని" [Maddali Kinnerasani]. acchamgatelugu.com (in Telugu). Retrieved 17 December 2022.
  25. ^ "Soundarya, chiselled by two artisans - Natyahasini". Natyahasini. 21 May 2021. Retrieved 16 December 2022.
  26. ^ "పుస్తక సమీక్ష" [Book review]. Namasthe Telangana (in Telugu). 6 February 2022. Retrieved 17 December 2022.
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