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Loren Kruger

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Loren Kruger is a South African academic who taught at the University of Chicago from 1986 to 2024 and has written extensively on theatre, comparative literature, and urban studies.

Education

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Loren Kruger obtained Bachelors degrees in English and mathematics from the University of Cape Town, and she worked in a teaching role at the University of Johannesburg in 1980. She received a PhD in comparative literature from Cornell University where she was a teaching assistant from 1981 to 1986. Kruger completed independent studies in Paris at the Institut d'études théâtrales of Sorbonne Nouvelle University and the Institut für Theaterwissenschaft at the Free University of Berlin.

Career

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Loren Kruger's studies have focused on literature, theatre, and performing arts in various languages including Afrikaans, French, German, Spanish, and Zulu. She joined the University of Chicago in 1986. Before she departed in 2024, she held appointments in comparative literature, English, and theatre and performance studies, as well as affiliations in cinema and media studies, African studies and urban studies.[1] She was the editor of Theatre Journal from 1996 to 1999 and contributing editor of Theatre Research International in 2002 and 2003. She is an active member of the International Federation of Theatre Research, the International Brecht Society, and the Modern Language Association.

In 2012, article on adaptations of classical tragedy by anti-apartheid and post-apartheid South African stages, "On the Tragedy of the Commoner," won the Philadelphia Constantinidis Prize from the Comparative Drama Association.[2][3]

Books

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Kruger's first book, The National Stage: Theatre and Cultural Legitimation in England, France, and America, was published by the University of Chicago Press in 1992. It examines the role of theatre institutions in the creation of national publics, and describes national theaters in Central Europe that helped to facilitate the establishment of nation states.[4][5] In 2004, Cambridge University Press published her book, Post-Imperial Brecht: Politics and Performance, South and East, which discusses Bertolt Brecht, links between the Global South and the Soviet empire, and Cold War-era imperialism.[6] It won the Scaglione Prize for Comparative Literary Study from the Modern Language Association.[7][8][9][10] In 2013, Kruger's book examining the apartheid history, turbulent culture, odd-shaped districts of Johannesburg was published by Oxford University Press, Imagining the Edgy City: Writing, Performing and Building Johannesburg. The term edgy city describes both the physical geography of speculative urban development and the nervousness of citizens amid urban turbulence.[11][12][13][14]

Kruger's books and articles on theatre in South Africa, The Drama of South Africa (1999), and the updated Century of South African Theatre (2019), [15][16][17], are considered the most historically comprehensive study of this topic.[18]

Translations

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  • Beyond the Internationale: Revolutionary Writing by Eugene Pottier,[19] a selection of songs, speeches and letters by the author of L'Internationale, also includes translations of adaptions of L'Internationale, his most famous song, in languages from Afrikaans to Zulu, via German, Spanish, and Yiddish among others,
  • the translation and edition of German and English manuscripts of the autobiography of Leontine Sagan, the director of the film Mädchen in Uniform.[20][21] published as Lights and Shadows: the Autobiography of Leontine Sagan by Wits University Press in Johannesburg.
  • The Institutions of Art, essays by the literary historians Peter Bürger and Christa Bürger, translated from German and published by the University of Nebraska Press
  • Theatre and the Crossroads of Culture by Patrice Pavis, translated from French and published by Routledge Press.

Books

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  • A Century of South African Literature. London: Bloomsbury. 2019.[15][16][17]
  • Imagining the Edgy City: Writing, Performing and Building Johannesburg. Oxford: Oxford University Press. 2013.[11][12][13][14]
  • Post-Imperial Brecht: Politics and Performance, South and East. Cambridge: Cambridge University Press. 2004.[7][8][9][10]
    • Winner: Scaglione Prize for Comparative Literary Study, Modern Language Association, 2005,[2]
  • The Drama of South Africa. London: Routledge, 1999[22][23]
  • The National Stage: Theatre and Cultural Legitimation in England, France, and America. Chicago: University of Chicago Press, 1992

Translations

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  • Pottier, Eugène (2024). Kruger, Loren (ed.). Beyond the Internationale: Revolutionary Writing. Translated by Kruger, Loren. Chicago: Charles H. Kerr.[19]
  • The Institutions of Art by Peter Bürger and Christa Bürger. Lincoln, NE: University of Nebraska Press, 1992
  • Theatre at the Crossroads of Culture by Patrice Pavis. London: Routledge, 1991
  • Lights and Shadows: the Autobiography of Leontine Sagan. Edited from Sagan's English and German manuscripts with an introduction by Loren Kruger. Johannesburg: Wits University Press, 1996

References

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  1. ^ "Loren Kruger | Department of English Language and Literature". english.uchicago.edu. Retrieved 2024-07-22.
  2. ^ a b "Aldo and Jeanne Scaglione Prize for Comparative Literary Studies..." Modern Language Association. Retrieved 2024-07-22.
  3. ^ "Conference Awards – 46th Comparative Drama Conference, April 4-6, 2024 Orlando, Florida". Retrieved 2024-08-09.
  4. ^ National Theatre in Northern and Eastern Europe. Cambridge University Press. 1991.
  5. ^ Kruger, Loren (2008). Wilmer, S.E. (ed.). National Theatres in a Changing Europe: "The National Stage and the Nationalized House in Modern Europe. New York: Palgrave-Macmillan. pp. 34–48. ISBN 9780230521094.
  6. ^ Horn, Peter. "Post-Imperial Brecht by Loren Kruger". Monatshefte. 95 (2): 312–313 – via JSTOR.
  7. ^ a b Cole, Catherine M. (May 2006). "Post-Imperial Brecht: Politics and Performance, East and South". Theatre Survey. 47 (1): 121–123. doi:10.1017/S0040557406260095. ISSN 1475-4533.
  8. ^ a b Tatlow, Antony (June 2005). "Post-imperial Brecht: Politics and Performance, East and South (review)". Modern Drama. 48 (2): 444–448. doi:10.1353/mdr.2005.0038. ISSN 1712-5286.
  9. ^ a b Müller-Schöll, Nikolaus (March 2006). "Post-Imperial Brecht. Politics and Performance, East and South. By Loren Kruger. Cambridge: Cambridge University Press, 2004. Pp. xiv + 399 + illus. £55; 39.95 Hb". Theatre Research International. 31 (1): 101–102. doi:10.1017/S0307883305211914. ISSN 1474-0672.
  10. ^ a b Horn, Peter (2006). "Post-Imperial Brecht: Politics and Performance, East and South by Loren Kruger". Monatshefte. 98 (2): 312–13. doi:10.3368/m.XCVIII.2.312 – via JSTOR.
  11. ^ a b Siegenthaler (2015). "On the Edge of Scrutinizing and Reproducing Urban Imaginations of Johannesburg". Research in African Literatures. 46 (1): 179. doi:10.2979/reseafrilite.46.1.179.
  12. ^ a b French, Gervase (November 2014). "Bibliography of urban history 2014". Urban History. 41 (4): 732–780. doi:10.1017/S0963926814000455. ISSN 0963-9268.
  13. ^ a b West-Pavlov, Russell (2014-11-02). "Imagining the Edgy City: Writing, Performing, and Building Johannesburg". Journal of Southern African Studies. 40 (6): 1372–1374. doi:10.1080/03057070.2014.967592. ISSN 0305-7070.
  14. ^ a b Blumberg, Marcia. 2014-12. Review of Imagining the Edgy City by Loren Kruger (Oxford University Press, 2013), Modern Drama 57 (4): 538-40
  15. ^ a b Ravengai, Samuel (2021-11-02). "A century of South African theatre: by Loren Kruger, London, Bloomsbury Methuen Drama, pp. 273, 2020, Hardback". Critical Arts. 35 (5–6): 263–266. doi:10.1080/02560046.2021.1957963. ISSN 0256-0046.
  16. ^ a b Hauptfleisch, Temple (2020-04-11). "A Century of South African Theatre". Critical Stages/Scènes critiques. Retrieved 2024-07-22.
  17. ^ a b Cima, Gibson (2021). "Loren Kruger: A Century of South African Theatre". Modern Drama. 64 (1): 117–119. doi:10.3138/md.64.1.br3 – via Project Muse.
  18. ^ Ravengai, Samuel (2021). "A Century of South African Theatre by Loren Kruger". Critical Arts. 35 (2): 263–66.
  19. ^ a b Buhle, Paul (2024). "Recovering Eugène Pottier: The Internationale and its Communist Lyricist". Against the Current (232).
  20. ^ Sagan, Leontime (1996). Kruger, Loren (ed.). Lights and Shadows: The Autobiography of Leontine Sagan. Johannesburg: Wits University Press. pp. vii–viii. ISBN 9781868142880.
  21. ^ Sagan, Leontine (2010). Eckhardt, Michael (ed.). Leontine Sagan, Licht und Schatten. Schauspielerin und Regisseurin auf vier Kontinenten [Lights and Shadows: The Autobiography of Leontine Sagan--the title of the original English-language edition by Loren Kruger] (in German). Berlin: Hentrich & Hentrich. ISBN 978-3-941450-12-7.. {{cite book}}: Check |isbn= value: invalid character (help)
  22. ^ Koren-Deutsch, Ilona S. Theatre Journal 45, no. 3 (1993): 399–401. https://doi.org/10.2307/3208375.
  23. ^ "Lewis on Kruger, 'The Drama of South Africa: Plays, Pageants and Publics Since 1910' | H-Net". networks.h-net.org. Retrieved 2024-08-13. [1]
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