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Draft:Laura Cazzaniga

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  • Comment: You need to read WP:REFB to help you format sources correctly, the sources need to be placed directly after the content that they support, I note that some of the sources make no mention of Cazzaniga? Theroadislong (talk) 13:48, 8 July 2023 (UTC)
  • Comment: Please remove all inline external links; convert to citations where relevant. DoubleGrazing (talk) 06:14, 8 July 2023 (UTC)
  • Comment: Too much of the content is unreferenced.
    Please see WP:REFB for advice on correct referencing. DoubleGrazing (talk) 06:13, 8 July 2023 (UTC)
Laura Cazzaniga
aka Laura Pinta Cazzaniga
Born1981
Cantù, Como
NationalityItalian
EducationAccademia di Belle Arti di Brera;
Roma Tre University.
OccupationVisual artist
Known forVisual art; Installation art; Site-specific art; Photography.
Awards14. Biennial of Young Artists (Skopje, 2009). Selected to represent Italy.

54.Venice Biennale International Art Exhibition (2011). Selected by the Accademia di Belle Arti di Brera.

Programa de residencia para investigadores y artistas, Barcelona Museum of Contemporary Art (2011).

Laura Cazzaniga (Cantù, 1981), also know as Laura Pinta Cazzaniga, is an Italian visual artist. She is the daughter of the Italian designer Piergiorgio Cazzaniga.

Cazzaniga graduated in Painting at the Accademia di Belle Arti di Brera, studing with Luciano Fabro and attended the studio of Vito Acconci. During her studies, she also worked in the Archive of the Italian sculptor Nanni Valentini.

Her research is developed in the field of Site-specific art. She has carried out installations, ephemeral interventions, and actions in contexts of sociopolitical conflict,[1] also in collaboration with local collectives. She has developed projects related to historical memory,[2][3] monument,[4][5] female condition,[6][7] and social struggles.

Cazzaniga has exhibited her work in national and international exhibitions, Biennials, and non-institutional and underground culture spaces.


At the beginning of her career, she has collaborated with gruppo Arte Architettura Territorio,[8] S.O.S. Workshop[9][10] and gruppo Koinè.[11][12] She has also collaborated on selected projects with Escuela Moderna.[13][14][15][16]

Selected Works

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Frutto dello sfruttamento (Fruit of Exploitation), Action, Huelva-Spain, 2019.[17]
In collaboration with: Fátima, Moroccan Seasonal Worker; Asociación Asisti Cuenca Minera;

En el Walden, Direct Action, Edificio Walden 7, Sant Just Desvern-Spain, 2019.[18][19][20]
In collaboration with: Migrant Female Domestic Workers Union Sindihogar Sindillar;

Studies on Counter-monument, Urban actions, 2017. Obelisco Mussolini, Foro Italico; Gino Severini' Mosaic, Foro Italico; Arco de la Victoria; José Calvo Sotelo Monument [3].[21][22]
In collaboration with: justgofamilycrew; darkshap compagnie;

Woman with Black Flag, Direct Action, Security Fence of Benzú, Ceuta-Spain, 2016; [23][24][25]

Desaparecidos. Another Memory, Site Specific Installation, Republican Line of Resistence, La Fatarella-Spain, 2016. [26][27]
In collaboration with: Associació per a la recuperació de la memòria històrica de Catalunya (ARMHC); Lo Riu-Associació per l'estudi del patrimoni arqueològic i històric de les Terres del Ebre;

Línea de fuego, Military Government headquarter of Valencia-Spain, 2015;[28] [29] [30]

Z/Zει!, Urban action, Exarcheia Neighbourhood; Athens Polytechnic; Syntagma Square/Hellenic Parliament, Athens-Greece, in collaboration with: Arthesis & PIGS;[31][32][33][34]

Sciatu persu. Homage to Malatesta, to the Internees, to the Escapees, Site-specific Installation, Lampedusa Island, 2015;[35][36]

Aree sensibili/No Go Zone, Installation, 54.th International Art Exhibition La Biennale di Venezia.
Project by S.O.S. Workshop [Laura Cazzaniga / Elisa Franzoi].
S.O.S. Workshop (ed.), Spazio & Potere. Dibattito e azioni all’interno di Aree Sensibili, Roma, Ufficio delle Idee, 2011;
Padiglione Italia/Accademie, 54. Esposizione Internazionale d’arte Biennale di Venezia, Milano, Skira, 2011.

References

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  1. ^ Villena, Marta (20 February 2017). "Un almanaque para cambiar el mundo". El País (in Spanish). Retrieved 17 January 2024.
  2. ^ Barba, José Juan. "LAMPEDUSA / THE OTHER MEMORY by CAZZANIGA and MANENTI". www.metalocus.es. Retrieved 2024-01-12.
  3. ^ "Disappeared. Another Memory: the Graves of Franco". artssantamonica.gencat.cat (in English, Spanish, and Catalan). Retrieved 2024-01-15.
  4. ^ Guerisoli, Francesca; Trulli, Marco (2022). "Monuments and Shared Values Towards a New Relationship with History". Quaderni d'arte italiana (in Italian and English) (3). Treccani Arte, Quadriennale di Roma. Retrieved 16 January 2024.
  5. ^ Bruglacher, Marie-Therese (2023). "Making a construction site. Inertia and entropy in the contemporary monument" (PDF). Quotidiana / Paesaggio (in Italian and English). Quadriennale di Roma: 32. Retrieved 14 January 2024.
  6. ^ "Laura Pinta Cazzaniga". {{cite journal}}: Cite journal requires |journal= (help)
  7. ^ "Laura Pinta Cazzaniga II". {{cite journal}}: Cite journal requires |journal= (help)
  8. ^ Skopje Biennial 2009 (PDF) (in English and Macedonian). Milan: Electa. 2009. p. 171. ISBN 978-88-370-7167-7. Retrieved January 11, 2024.
  9. ^ "L'Arte non e' cosa nostra. Le Accademie". undo.net (in Italian). Retrieved 2024-01-11.
  10. ^ AA.VV. (4 January 2013). HiArt n. 6-7 Anno 4, gennaio-luglio 2011: Numero speciale / Il Premio Nazionale delle Arti. Gangemi Editore spa. ISBN 9788849275506.
  11. ^ Saroli, Arianna (11 July 2015). "Via da Expo! Installazioni lungo le chiuse sull'Adda". Artribune (in Italian). Retrieved 17 January 2024.
  12. ^ Berardi, Franco "Bifo" (7 September 2017). "Gorizia, Kassel: Art in the age of brutality". e-flux. Retrieved 17 January 2024.
  13. ^ "Escuela Moderna Archivi". Milieu Edizioni (in Italian). Retrieved 2024-01-11.
  14. ^ "P.I.G.S. and Spaces of Exception by Escuela Moderna". www.metalocus.es (in English and Spanish). Retrieved 2024-01-15.
  15. ^ "Art and activism as catalysts of society". artssantamonica.gencat.cat (in English, Spanish, and Catalan). Retrieved 2024-01-15.
  16. ^ "Arte Anarchia | Stanza d'artista di Ateneo Libertario/Escuela Moderna & ApArte° | Macro Asilo - Museo Macro | Museo d'Arte Contemporanea di Roma". www.macroasilo.it (in Italian). Retrieved 2024-01-11.
  17. ^ "Laura Pinta Cazzaniga II".
  18. ^ "Laura Pinta Cazzaniga".
  19. ^ "ARTE y PROPAGANDA POR EL HECHO EN MASSANA - ACVIC Centre d'Arts Contemporànies".
  20. ^ "ARTE y PROPAGANDA POR EL HECHO | Escola Massana. Centro de Arte y Diseño".
  21. ^ "Mostra - ph memories - Foto-Quadro".
  22. ^ "Exposición colectiva en ABM Confecciones: REVOLUCIÓN – Sindicato de Oficios Varios de Madrid de la CNT-AIT". 26 November 2017.
  23. ^ Villena, Marta (20 February 2017). "Un almanaque para cambiar el mundo". El País.
  24. ^ [1]
  25. ^ "Rivista Anarchica Online".
  26. ^ "Disappeared . Santa Mònica".
  27. ^ ""Desaparecidos. Otra memoria: Las fosas franquistas" | Sobre Arquitectura y más | Desde 1998".
  28. ^ "Hamacaonline | titles | Línea de fuego".
  29. ^ “Intramurs, united by art in Valencia”, Metalocus, November 25th, 2015
  30. ^ "Conjuració | la Capella | Barcelona - Ajuntament de Barcelona".
  31. ^ "Z/Zει! | #PostUtopia".
  32. ^ "Hamacaonline | titles | Z/ZEI!".
  33. ^ "Summary of the last P.I.G.S. | the Strength of Architecture | from 1998".
  34. ^ [2]
  35. ^ "Giorno della Memoria, il mondo ricorda la Shoah. Lampedusa, isola di profughi ed esiliati, ospita le installazioni di Laura Cazzaniga e Giacomo Nicola Manenti | Artribune". 27 January 2015.
  36. ^ "LAMPEDUSA / OTRA MEMORIA por CAZZANIGA y MANENTI | Sobre Arquitectura y más | Desde 1998".

Further reading

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Edited Volumes

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ABM (ed.), La Anti-España, fanzine, Madrid, 2016;

Martore, Paolo e Mazzone, Massimo, “Al tempo della crisi”, Aparte. Materiali irregolari di cultura libertaria, semestrale, anno 4, n. 7, Mestre, Fuoriposto Edizioni/Centro Internazionale della grafica di Venezia, giugno 2016;

Martore, Paolo (ed.), Tra memoria e oblio. Percorsi nella conservazione dell'arte contemporanea, Roma, Castelvecchi, 2014;

Fight-Specific Isola. Arte, Architettura, Attivismo e il Futuro della Città, Milano, Isola Art Center/Archive Books, 2013;

Martore, Paolo, “Ricordi di domani”, in Predella Journal of Visual Arts, n. 33, 2013, pp. 347- 356;

Lux, Simonetta (ed.), Museo Laboratorio di Arte Contemporanea. MLAC Index 2000-2012, Roma, Cangemi Editore, 2012;

Furlanis, Giuseppe, "Identità disVELATE", in Hi-Art Edizione Speciale, n. 6-7, Anno 4, gennaio-luglio 2011, Roberto Morese (ed.), Roma, Cangemi Editore, 2012;

Gruppo Koinè (ed.), Forma Mentis. Equilibri sbilanciati, a cura di Angela Madesani, Milano, 2011;

Gruppo Koinè (ed.), Terre di Eufemia. Mostra d’arte contemporanea del gruppo Koinè, Genova, Erga Edizioni, 2011;

Cantieri d’Arte (ed.), Drawing a New Memory, Roma, Cangemi Editore, 2010; Skopje Biennal 2009, Milano, Electa, 2009;

Escuela Moderna [ed.], La Escuela Moderna. Homenaje a Francesc Ferrer I Guardia en el centenario de la Setmana Tràgica, 1909/2009, Roma, Ufficio delle Idee, 2009;


Selected Press
“Arte in vacanza. Culture libertarie protagonista al Corciano Festival”, ArtsLife, 12 agosto 2020;

“Arte y Propaganda por el hecho”, Contraindicaciones, 8 de octubre de 2019;

“Arte Anarchia en el MACRO Asilo”, Contraindicaciones, 8 de abril de 2019;

"A-Rivista Anarchica".

Marta Villena, “Un almanaque para cambiar el mundo”, El País, 20 de febrero de 2017

Álvaro Lamas, “P.I.G.S.y Spaces of Exception por Escuela Moderna”, Metalocus, 8 de junio de 2016

“Intramurs, united by art in Valencia”, Metalocus, November 25th, 2015

"Installazioni lungo le chiuse sull'Adda | Artribune". 11 July 2015.
Daniel Madera “Los últimos P.I.G.S.”, Metalocus, 4 de julio de 2015;

"Giorno della Memoria, il mondo ricorda la Shoah. Lampedusa, isola di profughi ed esiliati, ospita le installazioni di Laura Cazzaniga e Giacomo Nicola Manenti | Artribune". 27 January 2015.

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