Culture of Tanzania
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Following Tanganyika's independence (1961) and unification with Zanzibar (1964), leading to the formation of the state of Tanzania, President Julius Nyerere emphasised a need to construct a national identity for the citizens of the new country. To achieve this, Nyerere provided what has been regarded by some commentators as one of the most successful cases of ethnic repression and identity transformation in Africa.[1]
With over 130 ethnic groups and local languages spoken, Tanzania is one of the most ethnically diverse countries in Africa. Despite this, ethnic divisions have remained rare in Tanzania, especially when compared to the rest of the continent.
Natural history
[edit]The territory of Tanzania is home to some of the world's important archaeological excavations and their scientific interpretation:
Olduvai Gorge
[edit]The Olduvai Gorge is one of the most important paleoanthropological localities in the world; the many sites exposed by the gorge have proven invaluable in furthering understanding of early human evolution. A steep-sided ravine in the Great Rift Valley that stretches across East Africa, it is about 48 km (30 mi) long, and is located in the eastern Serengeti Plains within the Ngorongoro Conservation Area in the Olbalbal ward located in Ngorongoro District of Arusha Region, about 45 kilometres (28 miles) from Laetoli, another important archaeological locality of early human occupation. The British/Kenyan paleoanthropologist-archeologist team of Mary and Louis Leakey established excavation and research programs at Olduvai Gorge that achieved great advances in human knowledge and are world-renowned.
In July 2019, the Olduvai Gorge Monument was erected at the turnoff to Olduvai Gorge from the road which connects Ngorongoro Conservation Area and Serengeti National Park (a route traveled by safari-goers). Eng. Joshua Mwankunda conceived the idea of erecting a monument to commemorate this significant site while also serving as a signpost and attracting visitors to the Olduvai Gorge and museum; paleoanthropologists Nicholas Toth, Kathy Schick, and Jackson Njau planned and provided life-size fossil casts at the request of the Tanzanian government, which were used by the Tanzanian artist Festo Kijo to create the two large concrete skulls. The monument consists of two large-scale models of fossil skulls which sit atop a large pedestal with an informative plaque mounted on the side of the pedestal. The fossil skulls depicted are Paranthropus boisei and Homo habilis, two contemporary species which were first discovered at Olduvai Gorge. The large-scale models created by Kijo are each 6 feet tall and weigh 5,000 pounds. The monument project was funded by the Stone Age Institute and the John Templeton Foundation, in partnership with the Ngorongoro Conservation Area Authority (NCAA).
The Olduvai Gorge Museum, located 5 km beyond the monument, is situated on the rim of the gorge at the junction of the main gorge and the side gorge. As one of the largest onsite museums in Africa, the museum provides educational exhibits related to the gorge and its long history.
Tendaguru excavations
[edit]The Tendaguru Formation northwest of Lindi is considered the richest Late Jurassic strata in Africa. The formation has provided a wealth of fossils of different groups; early mammaliaforms, several genera of dinosaurs, crocodyliforms, amphibians, fish, invertebrates and flora. More than 250 tonnes (250 long tons; 280 short tons) of material was shipped to the Museum of Natural History in Berlin, Germany, during excavations in the early twentieth century.[2]
The Tendaguru Beds as a fossil deposit were first discovered in 1906, when German pharmacist, chemical analyst and mining engineer Bernhard Wilhelm Sattler, on his way to a mine south of the Mbemkure River in former German East Africa, was shown by his local staff enormous bones weathering out of the path near the base of Tendaguru Hill, 10 kilometres (6.2 mi) south of Mtapaia (close to Nambiranji village, Mipingo ward, 60 kilometres (37 mi) northwest of Lindi town).[2]
In 1998, an illustrated book in Swahili, whose title translates as Dinosaurs of Tendaguru, was published for young readers in East Africa. It presents a slightly different, fictitious story of the first discovery, which is attributed to a Tanzanian farmer, rather than to the German engineer Sattler.[2]
Rock art formations
[edit]In February 2021, Polish archaeologists from Jagiellonian University announced the discovery of ancient rock art with anthropomorphic figures in a good condition at the Amak'hee 4 rockshelter site in Swaga Swaga Game Reserve in northwest Dodoma Region. Paintings made with a reddish dye also contained buffalo heads, giraffe's head and neck, domesticated cattle dated back to about several hundred years ago. Archaeologists estimated that these paintings can describe a ritual of the Sandawe people, although their present religion does not contain elements of anthropomorphization of buffaloes.[3][4][5]
Languages
[edit]A total of 130 languages are spoken in Tanzania; most of them are from the Bantu family.[6] Swahili and English are the two official languages of Tanzania. However, Swahili is the national language.[7]
Given the conditions of the period, it was not possible to introduce Swahili in the entire educational system, because the scale of the task of writing or translating textbooks for primary schools was already considerable.[citation needed] As a result, English, the colonial language since the end of World War I, is still the language of high schools and universities. Many students leave school after finishing primary education.
Although the many non-official languages in Tanzania are not actively suppressed, they do not enjoy the same linguistic rights as Swahili and English. Some also face language extinction, such as the Kw'adza language that is not spoken any longer.[6]
Literature
[edit]Tanzania's literary culture is primarily oral. Major oral literary forms include folktales, poems, riddles, proverbs, and songs.[8]: page 69 The greatest part of Tanzania's recorded oral literature is in Swahili, even though each of the country's languages has its own oral tradition. The country's oral literature has been declining because of the breakdown of the multigenerational social structure, making transmission of oral literature more difficult, and because increasing modernization has been accompanied by the devaluation of oral literature.[8]
Books in Tanzania are often expensive and hard to come by. Most Tanzanian literature is in Swahili or, less often, in English. Major figures in Tanzanian written literature include Shaaban Robert (considered the father of Swahili literature), Aniceti Kitereza, Muhammed Saley Farsy, Faraji Katalambulla, Adam Shafi Adam, Muhammed Said Abdalla, Said Ahmed Mohammed Khamis, Mohamed Suleiman Mohamed, Euphrase Kezilahabi, Gabriel Ruhumbika, Ebrahim Hussein, May Materru Balisidya, Fadhy Mtanga, Amandina Lihamba and Penina O. Mlama and British nobel laureate of Zanzibari origin Abdulrazak Gurnah.[8]
Media
[edit]From independence until 1993, all recording and distribution of music was strictly managed by BASATA, primarily through Radio Tanzania Dar es Salaam (RTD).[9] Only the 4 Tanzanian genres were permitted to be recorded or broadcast, which at the time was ngoma, taarab, kwaya and dansi. The Broadcasting Services Act of 1993 allows private broadcast networks and recording studios.[10][11]
Music
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As in other countries, music in Tanzania is constantly undergoing changes, and varies by location, people, settings and occasion. The five music genres in Tanzania, as defined by BASATA are, ngoma, dansi, kwaya, and taarab, with bongo flava added in 2001.[12][13] Singeli has since the mid-2000's been an unofficial music of uswahilini, unplanned communities in Dar es Salaam, and is the newest mainstream genre since 2020.[14]
Ngoma, a Bantu word, meaning dance, drum and event [15][16] is a traditional dance music that has been the most widespread music in Tanzania.[17][18] Dansi is urban jazz or band music.[17][19] Taarab is sung Kiswahili poetry accompanied by a band, typically with strings and percussion, in which the audience is often, but not always, encouraged to dance and clap.[17] Kwaya is choir music originally limited to church services during colonization, but now a secular part of education, social, and political events.[15][18]
Bongo flava is Tanzanian pop music originating in the early 2000s from muziki wa kizazi kipya, meaning "Music of the new generation", which originated in the late 1980s. Kizazi kipya's dominant influences were reggae, RnB, and hip hop, whereas the later bongo flava's dominant influences are taarab and dansi.[20] Three recent influences on bongo flava are Afropop in the 2010s, as well as amapiano from South Africa and singeli from Tanzania, both since 2020.[21][22] Singeli is a ngoma music style that originated in Manzese, a uswahilini in north-west Dar es Salaam. An MC performs over fast tempo taarab music, often at between 200 and 300 beats per minute (BPM) while females dance. Styles differ significantly between MC genders. Male MCs usually perform in fast-paced rap, while female MCs usually perform kwaya.[14]
In the few years prior to 1993, hip hop had been established in Dar es Salaam, Arusha and Mwanza. It was transitioning from English performances of hip hop originating in uzunguni, rich areas like Oysterbay and Msasaki with international schools, to Kiswahili performances of kizazi kipya, originating in uswahilini[23] Following airtime on radio waves, bongo flava spread throughout the country, and the rest of the Great Lakes.[20]
National anthem
[edit]
The Tanzanian national anthem is Mungu Ibariki Africa (God Bless Africa), composed by South African composer Enoch Sontonga in 1897.[25] The tune is the ANC's official song and later became the national anthem of South Africa. The melody is also the national anthem of Zambia.[26] In Tanzania, Swahili lyrics were written for this anthem. – Another patriotic song, going back to colonial times, is Tanzania, Tanzania.
Music industry
[edit]The music industry in Tanzania has seen many changes in the past ten years. With a fusion of local and foreign music traditions, Tanzanian musicians have grown in prominence within the African Great Lakes region. It includes artists from traditional music, such as Dionys Mbilinyi, Sabinus Komba, and many others, to new artists in R&B, pop, Zouk, Taarab, and dance.
Imani Sanga is a composer, ethnomusicologist, church organist, and choral conductor.
Mwakisinini Felix is a music artist who contributed a lot to church music as a composer, trainer, and choral conductor.
Arts
[edit]
In 2021, Tanzanian painter and associate professor in Fine Art at the Department of Creative Arts, University of Dar es Salaam, Elias Jengo published an overview on "The Making of Contemporary Art in Tanzania." Referring to the early years after independence, Jengo described the absence of an official political orientation for the arts by the Nyerere government. With regard to the development of visual and applied arts, he discussed organizations including the National Handicraft Marketing Development Corporation (HANDICO) and its subsidiaries, the National Arts Council, the Tanzania Culture Trust Fund, the Copyright Society of Tanzania (COSOTA), the role of art galleries, foundations and associations. Further, he described modern Makonde sculpture, the so-called Tingatinga school as well as fine-art paintings by Sam Ntiro and other contemporary painters.[27]
Painting
[edit]Tingatinga is the name applied to a popular genre of Tanzanian paintings, which are painted with enamel paints on hardboard or canvas. Usually, the motifs are animals and flowers in colorful and repetitive design. The style was started by Edward Saidi Tingatinga in Dar es Salaam. Since his death in 1972, the Tingatinga style expanded both in Tanzania and abroad.
One of the most well-known African visual artists, George Lilanga, was a Makonde living in Dar es Salaam. Contemporary Tanzanian artists include David Mzuguno, Haji Chilonga, Salum Kambi, Max Kamundi, Thobias Minzi, Robino Ntila, John Kilaka, Godfrey Semwaiko, Evarist Chikawe, and others.[28]
Cartoons
[edit]Tanzania's cartoons have a history that can be traced back to the work of pioneering artists, such as Christian Gregory with his Chakubanga cartoons in the Uhuru newspaper back in the 1970s and 1980s, and Philip Ndunguru in the early 1980s. Outspokenly political cartoons were created on a more recent date.[citation needed]
In the past decade, the art of cartoons and comics has really taken off in Tanzania. At the present date, there are dozens of cartoonists, some of whom are well known throughout the country. From the 1960s and so on, a number of artists prepared the way, and their names are cited by today's artists as essential influences. Some of these known cartoonists in Tanzania include Ally Masoud 'kipanya', Sammi Mwamkinga, Nathan Mpangala 'Kijasti', King kinya, Adam Lutta, Fred Halla, James Gayo, Robert Mwampembwa, Francis Bonda, Popa Matumula, Noah Yongolo, Oscar Makoye, Fadhili Mohamed, and many others (see the history of cartoons in Tanzania at the Worldcomics website: http://www.worldcomics.fi)[better source needed]
Sculpture
[edit]Apart from being a painter, George Lilanga, who died in 2005, was also one of Tanzania's most famous sculptors. Tanzanian craftsmen and artists of different ethnic groups have created a rich legacy of sculptures, representing people, animals or practical items of everyday use. Best known of these different ethnic traditions are the Makonde carvings of surrealist shetani figures, made out of extremely hard ebony (mapingo) wood.[29][30]
From the 1930s to 1950s, anthropologist Hans Cory collected about 1000 clay figurines used for initiation rites in different ethnic groups. He published these in his works, most notably in African figurines: their ceremonial use in puberty rites in Tanganyika.[31][32] According to German ethnologist Elisabeth Grohs, who studied puberty ceremonies and the use of figurines in Tanzania in the 1960s, Cory donated a large number of these figurines at the end of his life to the Dar es Salaam National Museum.[33] Some of these figurines were published in 1994 in the catalogue for the German exhibition Tanzania – Masterpieces of African Sculpture, accompanied by art historical essays in German and Swahili.[34][35]
Sports
[edit]
Football is very popular throughout the country.[36] The most popular professional football clubs in Dar es Salaam are the Young Africans F.C. and Simba S.C.[37] The Tanzania Football Federation is the governing body for football in the country.
Other popular sports include basketball, netball, boxing, volleyball, athletics, and rugby.[36][38] The National Sports Council also known as Baraza la Michezo la Taifa is the governing body for sports in the country under the Ministry of Information, Youth, Sports and Culture.[39]
Cuisine
[edit]
Tanzanian cuisine varies by geographical region. Along the coastal regions (Dar es Salaam, Tanga, Bagamoyo, Zanzibar, and Pemba), spicy foods are common, and there is also much use of coconut milk.
Regions in Tanzania's mainland consume different foods. Some typical mainland Tanzanian foods include wali (rice), ugali (maize porridge), nyama choma (grilled meat), mishkaki (skewers of marinated grilled beef), samaki (fish, usually tilapia), pilau (rice mixed with a variety of spices), biriyani, and ndizi-nyama (plantains with meat).
Vegetables commonly used in Tanzania include bamia (okra) which is mostly eaten as a stew or prepared into traditional stew called mlenda, mchicha (amaranthus tricolor), njegere (green peas), maharage (beans), and kisamvu (cassava leaves). Tanzania grows at least 17 different types of bananas which are used for soup, stew, and chips.
Some breakfast foods typically seen in Tanzania are maandazi (fried doughnut), chai (tea), chapati (a kind of flat bread), porridge, and especially in rural areas chipsi mayai.[40]
Tanzanian snack foods include visheti, kashata (coconut bars), kabaab (kebab), sambusa (samosa), mkate wa kumimina (Zanzibari rice bread), vileja, vitumbua (rice patties), and bagia.
Since a large community of Indians have migrated into Tanzania, a considerable proportion of the cuisine has been influenced by Indian cuisine.
See also
[edit]References
[edit]- ^ Pierre Englebert and Kevin C. Dunn, "Inside African Politics" 2013: 81
- ^ a b c Gerhard Maier (2003). African Dinosaurs Unearthed. The Tendaguru Expeditions. Indiana University Press. ISBN 978-0-253-00054-5.
- ^ "Tanzanian Rock Art Depicts Trios of Bizarre Anthropomorphic Figures | Archaeology | Sci-News.com". Breaking Science News | Sci-News.com. Retrieved 2021-02-16.
- ^ "Mysterious and bizarre: scientists discovered ancient rock art that dates back to several hundred years ago". www.msn.com. Retrieved 2021-02-16.
- ^ Grzelczyk, Maciej (2021). "Amak'hee 4: a newly documented rock art site in the Swaga Swaga Game Reserve" (PDF). Antiquity. 95 (379). Cambridge University Press: 1–9. doi:10.15184/aqy.2020.246. S2CID 231891881.
- ^ a b "Ethnologue report for Tanzania". Ethnologue.com. Archived from the original on 2012-01-11. Retrieved 2012-01-28.
- ^ "Tanzania National Website". Tanzania.go.tz. Archived from the original on 2001-04-17. Retrieved 2012-01-28.
- ^ a b c Otiso, Kefa M. (2013). Culture and Customs of Tanzania. ABC-CLIO. ISBN 978-0-313-08708-0.
- ^ Perullo, Alex (2007). "" Here's a Little Something Local": An Early History of Hip Hop in Dar es Salaam, Tanzania, 1984–1997". In Brennan, James R (ed.). Dar es Salaam. Histories from an Emerging African Metropolis. British Institute and Mkuki na Nyota Publishers Ltd. pp. 250–272. ISBN 978-9987-08-107-3. Archived from the original on 5 June 2022. Retrieved 5 June 2022.
- ^ THE BROADCASTING SERVICES ACT, 1993 (PDF) (Act). Parliament of the United Republic of Tanzania. June 11, 1994. Archived 27 September 2020 at the Wayback Machine
- ^ Perullo, Alex (2011). Live from Dar es Salaam: Popular Music and Tanzania's Music Economy. United States: Indiana: Indiana University Press. ISBN 978-0-253-00150-4. Archived from the original on 5 June 2022. Retrieved 5 June 2022.
- ^ Askew, Kelly (2002). Performing the Nation: Swahili Music and Cultural Politics in Tanzania. Chicago: University of Chicago Press. pp. 27–67, 276. ISBN 978-0-226-02981-8. Archived from the original on 22 June 2022. Retrieved 2 June 2022.
- ^ Ivaska, Andrew (2011). Cultured States: Youth, Gender, and Modern Style in 1960s Dar Es Salaam. Durham, NC: Duke University Press. p. 78. ISBN 978-0-8223-4770-5. Archived from the original on 5 June 2022. Retrieved 5 June 2022.
- ^ a b Hutchinson, Kate (17 December 2018). "'This cuts across society': how singeli music went from Tanzania to the world". The Guardian. Kampala, Uganda. Retrieved 26 June 2022.
- ^ a b Stone, Ruth M., ed. (2008). The Garland Handbook of African Music. New York: Routledge. pp. 14, 46–50, 136–137. ISBN 9781135900014. Archived from the original on 22 June 2022. Retrieved 2 June 2022.
- ^ Kaduma, Godwin Z. (1978). A theatrical description of five Tanzanian dances (Thesis). Dar es Salaam: University of Dar es Salaam.
- ^ a b c Njogu, Kimani; Maupeu, Herv (2007). "Music and Politics in Tanzania: a case study of Nyota-wa-Cigogo". Songs and Politics in Eastern Africa. Dar es Salaam, Tanzania: Mkuki na Nyota Publishers Ltd. pp. 241–246. ISBN 978-9987-08-108-0. Archived from the original on 22 June 2022. Retrieved 2 June 2022.
- ^ a b Edmondson, Laura (2007). McNaughton, Patrick (ed.). Performance and Politics in Tanzania: The Nation on Stage. Bloomington, IN: Indiana University Press. ISBN 978-0-253-11705-2. Archived from the original on 22 June 2022. Retrieved 2 June 2022.
- ^ Mahenge, Elizabeth (2022-04-16). "Matumizi ya Mbinu ya Usimulizi katika Kuibua Dhamira ya Ukombozi wa Kisiasa Kusini mwa Afrika: Uchunguzi wa Nyimbo Teule za Muziki wa Dansi nchini Tanzania 1940–1990" [Use of Narrative Techniques in Raising the Demand for Political Liberation in Southern Africa: An Examination of Selected Dance Music Songs in Tanzania 1940–1990]. Chuo Kikuu cha Dar es Salaam (in Swahili). 40 (40).
- ^ a b Kerr, David (2018-01-02). "From the margins to the mainstream: making and remaking an alternative music economy in Dar es Salaam". Journal of African Cultural Studies. 30 (1). Routledge: 65–80. doi:10.1080/13696815.2015.1125776. ISSN 1369-6815. S2CID 146229942. Archived from the original on 22 June 2022. Retrieved 5 June 2022.
- ^ Suriano, Maria (2011). "Hip-Hop and Bongo Flavour Music in Contemporary Tanzania: Youths' Experiences, Agency, Aspirations and Contradictions". Africa Development. 36 (3–4): 113–126. doi:10.1080/00020184.2011.628800. ISSN 0850-3907. S2CID 163049425. Archived from the original on 2 June 2022. Retrieved 2 June 2022.
- ^ Perullo, Alex (2005). "Hooligans and heroes: Youth identity and hip-hop in Dar es Salaam, Tanzania". Africa Today. 51 (4). Indiana University Press: 75–101. doi:10.1353/at.2005.0045. JSTOR 4187688. S2CID 144975952. Archived from the original on 9 June 2022. Retrieved 5 June 2022.
- ^ Nne, Juma (2001-10-01). "Saleh J – Tanzanian Swahili rap pioneer". Africanhiphop.com. Archived from the original on 21 April 2021. Retrieved 5 June 2022.
- ^ "United States Navy Ceremonial Music and National Anthems". United States Navy Band. 1967. Archived from the original on 7 April 2022. Retrieved 2022-06-03.
- ^ Enoch Mankayti Sontonga Archived 4 November 2013 at the Wayback Machine, SAHistory.org.za, accessdate 2020-1-22
- ^ "Millennium". Ministry of Information and Broadcasting Services. 2000. p. 3.
- ^ Jengo, Elias (2021-08-03). "The Making of Contemporary Art in Tanzania" (PDF). African Arts. 54 (3): 50–61. doi:10.1162/afar_a_00599. ISSN 0001-9933. Archived from the original on 2021-10-14.
- ^ East African Development and Communication Foundation; Art in Tanzania (1999). Art in Tanzania. Dar es Salaam: Michel Lanfrey, East African Movies. OCLC 50326689.
- ^ Kingdon, Zachary (2002). A host of devils : the history and context of the making of Makonde spirit sculpture. London. ISBN 978-1-136-47666-2. OCLC 863157643.
{{cite book}}: CS1 maint: location missing publisher (link) - ^ Jahn, Jens (1994). Tanzania : Meisterwerke afrikanischer Skulptur = sanaa za mabingwa wa Kiafrika (in German and Swahili). München: Verlag F. Jahn. ISBN 3-88645-118-6. OCLC 30557893.
- ^ Cory, Hans (1956). African Figurines: Their Ceremonial Use in Puberty Rites in Tanganyika. Faber & Faber.
- ^ Cory, Hans (1961). "Sumbwa Birth Figurines". The Journal of the Royal Anthropological Institute of Great Britain and Ireland. 91 (1): 67–76. doi:10.2307/2844469. JSTOR 2844469.
- ^ Grohs, Elisabeth (1995). "Tanzania oder die längst fällige Aufwertung der künstlerischen Tradition dieses Landes". Anthropos (in German). 90 (4/6): 567–574. ISSN 0257-9774. JSTOR 40463202.
- ^ Georges Meurant, Ton- und Holzskulpturen aus Nordost-Tansania. In Jens Jahn (ed.) Tanzania – Meisterwerke afrikanischer Skulptur. München: Fred Jahn, 1994, pp. 154–166. (in German) ISBN 978-3-88645-118-0
- ^ Pelrine, Diane. African Arts, vol. 28, no. 3, UCLA James S. Coleman African Studies Center, 1995, pp. 89–90, doi:10.2307/3337281.
- ^ a b Wairagala, Wakabi (2004). Tanzania. Gareth Stevens Pub. p. 36. ISBN 978-0-8368-3119-1.
- ^ Skinner, Annabel (2005). Tanzania & Zanzibar. New Holland Publishers. p. 96. ISBN 978-1-86011-216-4.[permanent dead link]
- ^ Pritchett, Bev (2007). Tanzania in Pictures. Twenty-First Century Books. pp. 53–. ISBN 978-0-8225-8571-8.
- ^ "NSC". Tanzania Sports. October 2011. Retrieved 5 January 2020.
- ^ Lyana, Manimbulu, Ally, Nlooto (2014). "Culture and Food Habits in Tanzania and Democratic Republic of Congo". Journal of Human Ecology. 48: 9–21. doi:10.1080/09709274.2014.11906770. S2CID 42910567.
{{cite journal}}: CS1 maint: multiple names: authors list (link)
