Black Nativity
| Black Nativity | |
|---|---|
 Black Nativity in Rotterdam (1962) | |
| Music | Traditional gospel spirituals chosen by Langston Hughes |
| Lyrics | Traditional gospel spirituals chosen by Langston Hughes |
| Book | Langston Hughes |
| Basis | The Nativity |
| Productions | 1961 Off-Broadway |
Black Nativity is an adaptation of the Nativity story by Langston Hughes, performed by an entirely black cast. Hughes was the author of the book, with the lyrics and music being derived from traditional Christmas carols, sung in gospel style, with a few songs created specifically for the show. The show was first performed Off-Broadway on December 11, 1961, and was one of the first plays written by an African American to be staged there.
Hughes developed Black Nativity in 1961 after the founders of Cleveland's famous Karamu House, Rowena and Russell Jelliffe, commissioned him for the project. As a young man, Hughes had premiered many of plays there and remained lifelong friends with the Jelliffes. Black Nativity was originally to be titled Wasn't That a Mighty Day?[1]
A week before the musical's December 1961 opening, dancers Alvin Ailey and Carmen de Lavallade withdrew from their roles as Joseph and Mary over the title changing to Black Nativity, objecting to the racialization of a religious term.[2] Their roles were filled by Clive Thompson and Cleo Quitman, respectively.[3] Louis Johnson, who had replaced Ailey and de Lavallade as choreographer, received criticism from the New York Amsterdam News for dancing that was too constrained by the small stage to match the gospel singing.[4]
The show begins with the theater completely darkened. Barefoot singers clad only in white robes and carrying (electric) candles walk in, singing the classic hymn "Go Tell It on the Mountain". The birth of Jesus is one of the most dramatic aspects of the show, as the stage--previously lit with orange and blue lights--is bathed in a deep red hue. Mary's contractions are echoed through the use of African drums and percussion. The Three Wise Men are often played by prominent members of the black community in the neighboring area, and have no singing parts. The show closes with the chorus singing a reprise of "Go Tell It on the Mountain" as they walk out in darkness. A final soliloquy by a young child ends the performance.
The show had a successful tour of Europe in 1962, one of its appearances being at the Spoleto Festival of Two Worlds in Italy.[5]
Black Nativity has been performed annually in Boston, Massachusetts, at various locations, such as: the Elma Lewis School of Fine Arts, Boston Opera House, Tremont Temple, Roxbury Community College, Northeastern's Blackman Auditorium, and presently at Emerson College's Paramount Theater. It has been performed in Boston since 1970 and is considered the longest-running production of Langston Hughes' Black Nativity. The original 160 singers were arranged by age group and vocal range, with an assortment of soloists, along with the narrator, and Mary and Joseph, who are both mute, as well as musicians and ASL interpreters.
A performance of this musical also has taken place every Christmas season since 1998 in Seattle, first at the Intiman Theatre and currently at the Moore Theatre. The theatrical director is Jackie Moscou, the music director is Patrinell Wright, and the choreography was designed by Donald Byrd.[6] It is a smaller production with 30 or so choir members – most of whom are also members of The Total Experience Gospel Choir, led by Pastor Patrinell Wright,[7] and the performance also includes 10 dancers and five musicians.
Adaptations
[edit]In 2004, a documentary film was made about the world premiere performance, production, and creation of the best-selling gospel Christmas album Black Nativity – In Concert: A Gospel Celebration,[8] and the original cast, under the direction of Aaron Robinson that brought it to life at the Immanuel Baptist Church in Portland, Maine.[9]
A film version directed by Kasi Lemmons and starring Forest Whitaker and Angela Bassett was released on November 27, 2013.[10]
References
[edit]- ^ Karamu Performing Arts Theatre. "Langston Hughes' Black Nativity". Google Arts & Culture. Retrieved November 20, 2024.
- ^ Skeeter, Sharyn. "Black Nativity by Langston Hughes". Suite. Archived from the original on July 1, 2012. Retrieved July 9, 2014.
- ^ Zolotow, Sam (December 4, 1961). "'Rich and Famous' Adds a Producer". The New York Times. p. 49. Retrieved March 3, 2024.
- ^ McLaren, Joseph (1997). "From Protest to Soul Fest: Langston Hughes' Gospel Plays". The Langston Hughes Review. 15 (1): 49–61. ISSN 0737-0555.
- ^ Robert M Marovich, A City Called Heaven: Chicago and the Birth of Gospel Music, University of Illinois Press, 2015, p. 249.
- ^ "Moore Theater performance in Seattle of Black Nativity". STG Presents. Archived from the original on April 18, 2012. Retrieved July 9, 2014.
- ^ "Pastor Patrinell Wright - Founder/Director". Total Experience Gospel Choir. Archived from the original on July 14, 2014. Retrieved July 9, 2014.
- ^ DeWan, Becca (December 3–9, 2004). "Back in Black". The Portland Phoenix. Archived from the original on June 10, 2015. Retrieved July 9, 2014.
- ^ "Black Nativity: In Concert - A Gospel Celebration". IMDb. Retrieved July 9, 2014.
- ^ "Black Nativity (2013)". IMDb. Retrieved July 9, 2014.
External links
[edit]- BlackNativity.org
- Black Nativity debuts on Broadway from the African American Registry
- NCAAA page
- Black nativity files, 1961-1980, held by the Billy Rose Theatre Division, New York Public Library for the Performing Arts