From Wikipedia, the free encyclopedia
This is a list of pages in the scope of Wikipedia:WikiProject Color along with pageviews.
To report bugs, please write on the Community tech bot talk page on Meta.
Period: 2024-11-01 to 2024-11-30
Total views: 3,992,454
Updated: 19:45, 5 December 2024 (UTC)
Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Johann Wolfgang von Goethe
|
69,040
|
2,301
|
B
|
Mid
|
2
|
Technicolor
|
67,570
|
2,252
|
C
|
Low
|
3
|
List of colors: A–F
|
63,378
|
2,112
|
List
|
High
|
4
|
Eye color
|
58,244
|
1,941
|
C
|
Mid
|
5
|
Rainbow
|
55,339
|
1,844
|
C
|
Unknown
|
6
|
Color blindness
|
46,759
|
1,558
|
B
|
Top
|
7
|
Web colors
|
42,459
|
1,415
|
C
|
Mid
|
8
|
Purple
|
41,009
|
1,366
|
C
|
High
|
9
|
Shades of green
|
39,586
|
1,319
|
List
|
Mid
|
10
|
Red hair
|
37,863
|
1,262
|
C
|
Low
|
11
|
Red
|
36,389
|
1,212
|
B
|
Top
|
12
|
Blue
|
34,752
|
1,158
|
B
|
Top
|
13
|
Shades of purple
|
33,153
|
1,105
|
List
|
Mid
|
14
|
Color
|
32,095
|
1,069
|
C
|
Top
|
15
|
Shades of blue
|
32,021
|
1,067
|
List
|
Mid
|
16
|
Indigo
|
31,427
|
1,047
|
Start
|
Mid
|
17
|
RGB color model
|
31,137
|
1,037
|
B
|
High
|
18
|
PAL
|
29,123
|
970
|
C
|
Low
|
19
|
Black
|
28,989
|
966
|
C
|
Top
|
20
|
Visible spectrum
|
28,839
|
961
|
B
|
Top
|
21
|
White
|
28,277
|
942
|
C
|
Top
|
22
|
Blond
|
28,245
|
941
|
C
|
Low
|
23
|
Vantablack
|
28,216
|
940
|
C
|
Low
|
24
|
Shades of pink
|
27,798
|
926
|
List
|
Mid
|
25
|
Tyrian purple
|
27,645
|
921
|
B
|
Mid
|
26
|
Magenta
|
27,415
|
913
|
Start
|
High
|
27
|
Shades of red
|
27,226
|
907
|
List
|
Mid
|
28
|
Primary color
|
27,224
|
907
|
B
|
Top
|
29
|
Green
|
27,119
|
903
|
B
|
Top
|
30
|
Prussian blue
|
26,917
|
897
|
B
|
Mid
|
31
|
List of Crayola crayon colors
|
26,400
|
880
|
List
|
Mid
|
32
|
International Klein Blue
|
26,327
|
877
|
C
|
Low
|
33
|
Shades of brown
|
25,967
|
865
|
List
|
Mid
|
34
|
HSL and HSV
|
25,767
|
858
|
B
|
High
|
35
|
CMYK color model
|
25,515
|
850
|
Start
|
High
|
36
|
Human skin color
|
25,052
|
835
|
B
|
High
|
37
|
Shades of gray
|
24,614
|
820
|
List
|
Mid
|
38
|
Violet (color)
|
24,227
|
807
|
B
|
High
|
39
|
Color wheel
|
23,971
|
799
|
C
|
High
|
40
|
Cyan
|
23,675
|
789
|
C
|
High
|
41
|
Vermilion
|
23,555
|
785
|
C
|
Mid
|
42
|
Political colour
|
22,848
|
761
|
B
|
Low
|
43
|
Shades of yellow
|
21,762
|
725
|
List
|
Mid
|
44
|
Ochre
|
21,663
|
722
|
C
|
Mid
|
45
|
Color theory
|
21,273
|
709
|
C
|
Top
|
46
|
Lists of colors
|
20,983
|
699
|
List
|
Mid
|
47
|
ROYGBIV
|
19,717
|
657
|
Start
|
Mid
|
48
|
Complementary colors
|
19,585
|
652
|
Start
|
High
|
49
|
British racing green
|
19,357
|
645
|
Start
|
Low
|
50
|
Color television
|
19,182
|
639
|
B
|
Mid
|
51
|
Human hair color
|
18,715
|
623
|
Start
|
Mid
|
52
|
CIE 1931 color space
|
18,514
|
617
|
B
|
High
|
53
|
Pink
|
18,476
|
615
|
C
|
High
|
54
|
Yellow
|
18,433
|
614
|
C
|
Top
|
55
|
Chartreuse (color)
|
18,150
|
605
|
Start
|
Mid
|
56
|
Black body
|
17,633
|
587
|
B
|
Mid
|
57
|
Fitzpatrick scale
|
17,568
|
585
|
Start
|
Low
|
58
|
List of colors (alphabetical)
|
17,467
|
582
|
List
|
Low
|
59
|
Color temperature
|
16,989
|
566
|
B
|
High
|
60
|
CIELAB color space
|
16,895
|
563
|
C
|
High
|
61
|
Teal
|
16,549
|
551
|
C
|
High
|
62
|
Terracotta
|
16,420
|
547
|
Start
|
Low
|
63
|
Orange (colour)
|
15,933
|
531
|
C
|
High
|
64
|
Brilliant blue FCF
|
15,415
|
513
|
Start
|
Mid
|
65
|
NTSC
|
15,332
|
511
|
C
|
Low
|
66
|
Tetrachromacy
|
15,310
|
510
|
C
|
High
|
67
|
Chromesthesia
|
15,050
|
501
|
B
|
Low
|
68
|
Beige
|
15,028
|
500
|
C
|
Mid
|
69
|
List of colors: N–Z
|
15,023
|
500
|
List
|
High
|
70
|
Ultramarine
|
14,981
|
499
|
C
|
Mid
|
71
|
Pantone
|
14,935
|
497
|
Start
|
High
|
72
|
Grey
|
14,918
|
497
|
C
|
Top
|
73
|
Paint
|
14,865
|
495
|
C
|
High
|
74
|
Burgundy (color)
|
14,611
|
487
|
Start
|
Low
|
75
|
Light skin
|
14,415
|
480
|
B
|
High
|
76
|
Khaki
|
14,403
|
480
|
Start
|
Mid
|
77
|
Impossible color
|
14,347
|
478
|
Start
|
Mid
|
78
|
SRGB
|
14,156
|
471
|
C
|
High
|
79
|
Sky blue
|
14,074
|
469
|
Start
|
High
|
80
|
Azure (color)
|
14,065
|
468
|
Start
|
Mid
|
81
|
Shades of orange
|
13,833
|
461
|
List
|
Mid
|
82
|
Ultra-high-definition television
|
13,783
|
459
|
C
|
Low
|
83
|
Dark skin
|
13,617
|
453
|
B
|
High
|
84
|
Brown hair
|
13,561
|
452
|
C
|
Low
|
85
|
Fuchsia (color)
|
13,428
|
447
|
Start
|
Mid
|
86
|
Turquoise (color)
|
13,387
|
446
|
C
|
Mid
|
87
|
Shades of white
|
13,201
|
440
|
List
|
Mid
|
88
|
Phthalocyanine Green G
|
13,095
|
436
|
Start
|
Low
|
89
|
Blue raspberry flavor
|
13,063
|
435
|
Stub
|
Unknown
|
90
|
List of colors by shade
|
12,727
|
424
|
List
|
Low
|
91
|
Color depth
|
12,716
|
423
|
C
|
Mid
|
92
|
Periwinkle (color)
|
12,709
|
423
|
Stub
|
Mid
|
93
|
Chromatic aberration
|
12,677
|
422
|
B
|
Mid
|
94
|
Crimson
|
12,357
|
411
|
Start
|
Mid
|
95
|
Brown
|
12,218
|
407
|
Start
|
High
|
96
|
Iridescence
|
12,189
|
406
|
Start
|
Mid
|
97
|
Ishihara test
|
12,110
|
403
|
C
|
Mid
|
98
|
Skin whitening
|
12,055
|
401
|
B
|
Low
|
99
|
Color photography
|
11,917
|
397
|
C
|
Low
|
100
|
Cerulean
|
11,685
|
389
|
Start
|
Low
|
101
|
Lavender (color)
|
11,657
|
388
|
C
|
Low
|
102
|
Pigment
|
11,641
|
388
|
B
|
Top
|
103
|
Food coloring
|
11,397
|
379
|
C
|
Mid
|
104
|
Navy blue
|
11,342
|
378
|
C
|
Mid
|
105
|
Color psychology
|
11,248
|
374
|
C
|
High
|
106
|
Stroop effect
|
11,040
|
368
|
B
|
Mid
|
107
|
Maroon
|
11,001
|
366
|
C
|
Mid
|
108
|
Shades of black
|
10,895
|
363
|
List
|
Top
|
109
|
Spectrophotometry
|
10,810
|
360
|
C
|
High
|
110
|
Hue
|
10,763
|
358
|
Start
|
High
|
111
|
Color space
|
10,708
|
356
|
C
|
High
|
112
|
Visual perception
|
10,565
|
352
|
C
|
Mid
|
113
|
Scarlet (color)
|
10,402
|
346
|
C
|
Mid
|
114
|
Cobalt blue
|
10,356
|
345
|
Start
|
Mid
|
115
|
Color vision
|
10,350
|
345
|
C
|
Top
|
116
|
Verdigris
|
9,976
|
332
|
Start
|
Low
|
117
|
Flame test
|
9,767
|
325
|
Start
|
Low
|
118
|
DCI-P3
|
9,717
|
323
|
C
|
Low
|
119
|
List of colors: G–M
|
9,716
|
323
|
List
|
High
|
120
|
Freckle
|
9,545
|
318
|
Start
|
Low
|
121
|
Gold (color)
|
9,446
|
314
|
Start
|
Mid
|
122
|
X11 color names
|
9,437
|
314
|
Start
|
Mid
|
123
|
Mauve
|
9,374
|
312
|
Start
|
Mid
|
124
|
Black-and-white
|
9,354
|
311
|
Start
|
Mid
|
125
|
YCbCr
|
9,239
|
307
|
Start
|
High
|
126
|
Grayscale
|
9,229
|
307
|
Start
|
High
|
127
|
Pastel (color)
|
9,097
|
303
|
Stub
|
Mid
|
128
|
Auburn hair
|
9,053
|
301
|
Start
|
Low
|
129
|
Dye
|
9,022
|
300
|
C
|
High
|
130
|
Mummy brown
|
9,006
|
300
|
Start
|
Mid
|
131
|
Secondary color
|
8,926
|
297
|
C
|
High
|
132
|
Royal blue
|
8,920
|
297
|
Start
|
Mid
|
133
|
Monochrome
|
8,843
|
294
|
C
|
High
|
134
|
Black hair
|
8,733
|
291
|
Start
|
Low
|
135
|
Amber (color)
|
8,470
|
282
|
Start
|
Mid
|
136
|
Thomas Young (scientist)
|
8,446
|
281
|
C
|
Mid
|
137
|
Baker–Miller pink
|
8,434
|
281
|
Start
|
Low
|
138
|
High-dynamic-range television
|
8,430
|
281
|
C
|
Mid
|
139
|
Shades of violet
|
8,425
|
280
|
List
|
Mid
|
140
|
Sepia (color)
|
8,409
|
280
|
Start
|
Mid
|
141
|
Color symbolism
|
8,371
|
279
|
Start
|
Mid
|
142
|
Taupe
|
8,315
|
277
|
Start
|
Low
|
143
|
Tiffany Blue
|
8,233
|
274
|
Start
|
Low
|
144
|
Chromostereopsis
|
8,187
|
272
|
C
|
Mid
|
145
|
Y′UV
|
8,144
|
271
|
C
|
Low
|
146
|
Eigengrau
|
8,116
|
270
|
Start
|
Low
|
147
|
Hair coloring
|
8,013
|
267
|
Start
|
Low
|
148
|
Cone cell
|
8,007
|
266
|
C
|
Mid
|
149
|
Color motion picture film
|
8,004
|
266
|
B
|
Low
|
150
|
Olive (color)
|
7,999
|
266
|
Start
|
High
|
151
|
Chroma subsampling
|
7,997
|
266
|
C
|
Low
|
152
|
Rec. 709
|
7,980
|
266
|
C
|
Low
|
153
|
Munsell color system
|
7,954
|
265
|
B
|
High
|
154
|
Color of water
|
7,937
|
264
|
C
|
Low
|
155
|
Hermann von Helmholtz
|
7,925
|
264
|
C
|
Mid
|
156
|
CIELUV
|
7,907
|
263
|
Start
|
Mid
|
157
|
Saffron (color)
|
7,814
|
260
|
Start
|
High
|
158
|
Anaglyph 3D
|
7,752
|
258
|
C
|
Low
|
159
|
Carmine (color)
|
7,687
|
256
|
Stub
|
Low
|
160
|
Tint, shade and tone
|
7,666
|
255
|
Start
|
High
|
161
|
Blue-green
|
7,617
|
253
|
Start
|
Mid
|
162
|
Color rendering index
|
7,604
|
253
|
C
|
Mid
|
163
|
Color difference
|
7,512
|
250
|
B
|
High
|
164
|
Shades of magenta
|
7,467
|
248
|
List
|
Mid
|
165
|
Prism (optics)
|
7,240
|
241
|
Start
|
Mid
|
166
|
Blue–green distinction in language
|
7,182
|
239
|
Start
|
Mid
|
167
|
Ivory (color)
|
7,127
|
237
|
Stub
|
Low
|
168
|
Tincture (heraldry)
|
7,112
|
237
|
B
|
Mid
|
169
|
Pantone 448 C
|
7,064
|
235
|
Stub
|
Low
|
170
|
Color in Chinese culture
|
7,043
|
234
|
Start
|
Mid
|
171
|
Bayer filter
|
7,034
|
234
|
C
|
Mid
|
172
|
Rec. 2020
|
6,989
|
232
|
C
|
Low
|
173
|
Photoreceptor cell
|
6,906
|
230
|
C
|
Mid
|
174
|
Cosmic latte
|
6,841
|
228
|
Start
|
Low
|
175
|
Pan-Arab colors
|
6,676
|
222
|
Start
|
Low
|
176
|
Puce
|
6,655
|
221
|
Stub
|
Mid
|
177
|
Autumn leaf color
|
6,654
|
221
|
C
|
Mid
|
178
|
Lilac (color)
|
6,650
|
221
|
Stub
|
Low
|
179
|
RAL colour standard
|
6,585
|
219
|
Start
|
Mid
|
180
|
Knowledge argument
|
6,497
|
216
|
C
|
Low
|
181
|
Standard illuminant
|
6,465
|
215
|
B
|
High
|
182
|
Halftone
|
6,411
|
213
|
C
|
Mid
|
183
|
Gamut
|
6,375
|
212
|
C
|
High
|
184
|
Darkness
|
6,286
|
209
|
C
|
Unknown
|
185
|
Color mixing
|
6,263
|
208
|
C
|
High
|
186
|
Marker pen
|
6,192
|
206
|
Start
|
Low
|
187
|
Whitewash
|
6,163
|
205
|
Start
|
High
|
188
|
Shades of cyan
|
6,159
|
205
|
List
|
Mid
|
189
|
Ecru
|
6,155
|
205
|
Stub
|
Mid
|
190
|
Color term
|
6,131
|
204
|
Start
|
High
|
191
|
Buff (colour)
|
6,101
|
203
|
Start
|
Low
|
192
|
List of video game console palettes
|
6,034
|
201
|
List
|
Low
|
193
|
List of monochrome and RGB color formats
|
6,015
|
200
|
List
|
Mid
|
194
|
SECAM
|
5,992
|
199
|
C
|
Mid
|
195
|
Autochrome Lumière
|
5,988
|
199
|
C
|
Low
|
196
|
Afterimage
|
5,944
|
198
|
C
|
High
|
197
|
RGBA color model
|
5,798
|
193
|
Start
|
Mid
|
198
|
Pan-African colours
|
5,736
|
191
|
Start
|
Low
|
199
|
Congenital red–green color blindness
|
5,648
|
188
|
C
|
Mid
|
200
|
Sienna
|
5,562
|
185
|
Start
|
Mid
|
201
|
Colorfulness
|
5,528
|
184
|
Start
|
High
|
202
|
Spectral color
|
5,515
|
183
|
Start
|
High
|
203
|
List of flags containing the color purple
|
5,501
|
183
|
List
|
Low
|
204
|
Theory of Colours
|
5,500
|
183
|
B
|
High
|
205
|
Natural dye
|
5,491
|
183
|
C
|
Mid
|
206
|
Spring green
|
5,387
|
179
|
C
|
Low
|
207
|
Haint blue
|
5,345
|
178
|
Start
|
Low
|
208
|
False color
|
5,266
|
175
|
B
|
Mid
|
209
|
Chromophore
|
5,165
|
172
|
Start
|
Mid
|
210
|
Equine coat color
|
5,102
|
170
|
Start
|
Low
|
211
|
Contrast (vision)
|
5,095
|
169
|
Start
|
High
|
212
|
Ermine (heraldry)
|
5,063
|
168
|
Stub
|
Low
|
213
|
Brightness
|
5,045
|
168
|
Start
|
Mid
|
214
|
Electronic color code
|
4,974
|
165
|
Start
|
Low
|
215
|
Color grading
|
4,945
|
164
|
Start
|
Mid
|
216
|
Color scheme
|
4,932
|
164
|
Start
|
Mid
|
217
|
Egyptian blue
|
4,919
|
163
|
C
|
Mid
|
218
|
Viridian
|
4,915
|
163
|
Start
|
Low
|
219
|
Light-on-dark color scheme
|
4,871
|
162
|
Start
|
Low
|
220
|
Go Away Green
|
4,814
|
160
|
Start
|
Low
|
221
|
Silver (color)
|
4,715
|
157
|
Start
|
Mid
|
222
|
List of colors
|
4,688
|
156
|
NA
|
High
|
223
|
YPbPr
|
4,646
|
154
|
Start
|
Mid
|
224
|
Lake pigment
|
4,623
|
154
|
Start
|
Low
|
225
|
List of color palettes
|
4,583
|
152
|
List
|
Mid
|
226
|
Umber
|
4,514
|
150
|
Start
|
Low
|
227
|
Grapheme–color synesthesia
|
4,512
|
150
|
C
|
Low
|
228
|
Earth tone
|
4,400
|
146
|
Stub
|
Low
|
229
|
Mustard (color)
|
4,332
|
144
|
Stub
|
Low
|
230
|
Rose (color)
|
4,297
|
143
|
C
|
Low
|
231
|
Newton disc
|
4,289
|
142
|
C
|
Mid
|
232
|
Coral (color)
|
4,285
|
142
|
Stub
|
Low
|
233
|
Lincoln green
|
4,231
|
141
|
C
|
Low
|
234
|
RYB color model
|
4,230
|
141
|
C
|
Mid
|
235
|
Polychrome
|
4,165
|
138
|
C
|
Mid
|
236
|
Subtractive color
|
4,139
|
137
|
Start
|
High
|
237
|
Traditional colors of Japan
|
4,138
|
137
|
Start
|
Mid
|
238
|
8-bit color
|
4,089
|
136
|
Start
|
Low
|
239
|
Film colorization
|
4,082
|
136
|
C
|
Low
|
240
|
List of international auto racing colours
|
4,073
|
135
|
List
|
Low
|
241
|
Tan (color)
|
4,047
|
134
|
Start
|
Mid
|
242
|
Shades of chartreuse
|
4,019
|
133
|
List
|
Mid
|
243
|
Feldgrau
|
3,989
|
132
|
Start
|
Low
|
244
|
ICC profile
|
3,926
|
130
|
C
|
Low
|
245
|
Dodger blue
|
3,919
|
130
|
Start
|
Low
|
246
|
School colors
|
3,912
|
130
|
Start
|
Mid
|
247
|
Wine (color)
|
3,890
|
129
|
Stub
|
Low
|
248
|
Structural coloration
|
3,835
|
127
|
GA
|
Mid
|
249
|
Aqua (color)
|
3,808
|
126
|
Stub
|
Mid
|
250
|
International orange
|
3,751
|
125
|
Stub
|
Low
|
251
|
Gules
|
3,697
|
123
|
Start
|
Low
|
252
|
Thermochromism
|
3,688
|
122
|
Start
|
Low
|
253
|
Electric blue (color)
|
3,656
|
121
|
Start
|
Low
|
254
|
Anti-flash white
|
3,647
|
121
|
Start
|
Mid
|
255
|
Lime (color)
|
3,634
|
121
|
Start
|
Mid
|
256
|
RGB color spaces
|
3,586
|
119
|
Start
|
Mid
|
257
|
Trichromacy
|
3,554
|
118
|
C
|
High
|
258
|
YInMn Blue
|
3,531
|
117
|
B
|
Low
|
259
|
Gendered associations of pink and blue
|
3,508
|
116
|
C
|
Mid
|
260
|
Additive color
|
3,503
|
116
|
Start
|
High
|
261
|
Color model
|
3,429
|
114
|
B
|
High
|
262
|
Cornflower blue
|
3,414
|
113
|
Stub
|
Low
|
263
|
Pan-Slavic colors
|
3,386
|
112
|
Start
|
Low
|
264
|
Dichromacy
|
3,378
|
112
|
Start
|
Mid
|
265
|
Blue-gray
|
3,373
|
112
|
C
|
Low
|
266
|
Amaranth (color)
|
3,346
|
111
|
Start
|
Low
|
267
|
25-pair color code
|
3,323
|
110
|
Start
|
Low
|
268
|
Peach (color)
|
3,322
|
110
|
Stub
|
Low
|
269
|
Alice blue
|
3,304
|
110
|
Stub
|
Low
|
270
|
Chromaticity
|
3,303
|
110
|
Start
|
High
|
271
|
National colours
|
3,294
|
109
|
Start
|
Mid
|
272
|
Color balance
|
3,284
|
109
|
Start
|
High
|
273
|
Light blue
|
3,274
|
109
|
Stub
|
Low
|
274
|
Demosaicing
|
3,270
|
109
|
Start
|
Low
|
275
|
Copper (color)
|
3,263
|
108
|
Stub
|
Low
|
276
|
Color analysis
|
3,259
|
108
|
Start
|
Mid
|
277
|
Cerise (color)
|
3,217
|
107
|
Stub
|
Low
|
278
|
Midnight blue
|
3,215
|
107
|
Start
|
Low
|
279
|
Shades of rose
|
3,179
|
105
|
List
|
Mid
|
280
|
Colored pencil
|
3,177
|
105
|
C
|
High
|
281
|
List of color spaces and their uses
|
3,168
|
105
|
Start
|
High
|
282
|
Oklab color space
|
3,114
|
103
|
Start
|
Low
|
283
|
Monochromacy
|
3,112
|
103
|
C
|
Mid
|
284
|
Rose madder
|
3,109
|
103
|
Start
|
Low
|
285
|
Color of chemicals
|
3,099
|
103
|
C
|
High
|
286
|
Argent
|
3,083
|
102
|
Start
|
Low
|
287
|
Aquamarine (color)
|
2,997
|
99
|
Stub
|
Low
|
288
|
Chromotherapy
|
2,967
|
98
|
C
|
Low
|
289
|
Analogous colors
|
2,965
|
98
|
Stub
|
Mid
|
290
|
Colour banding
|
2,960
|
98
|
Stub
|
Low
|
291
|
Metamerism (color)
|
2,950
|
98
|
Start
|
High
|
292
|
Lemon (color)
|
2,903
|
96
|
Stub
|
Low
|
293
|
Robin egg blue
|
2,899
|
96
|
Stub
|
Low
|
294
|
Kumkuma
|
2,888
|
96
|
Start
|
Mid
|
295
|
Opponent process
|
2,864
|
95
|
Start
|
High
|
296
|
Photographic print toning
|
2,862
|
95
|
Start
|
Mid
|
297
|
Colorimetry
|
2,823
|
94
|
Start
|
High
|
298
|
Salmon (color)
|
2,755
|
91
|
Start
|
Low
|
299
|
Colors of the day in Thailand
|
2,753
|
91
|
Stub
|
Low
|
300
|
Color gradient
|
2,741
|
91
|
Start
|
Low
|
301
|
Sage (color)
|
2,730
|
91
|
Stub
|
Low
|
302
|
Linguistic relativity and the color naming debate
|
2,655
|
88
|
Start
|
Mid
|
303
|
ColorChecker
|
2,643
|
88
|
Start
|
Mid
|
304
|
Chromophobia
|
2,620
|
87
|
Start
|
Mid
|
305
|
Lightness
|
2,617
|
87
|
Start
|
High
|
306
|
Adobe RGB color space
|
2,605
|
86
|
Start
|
Mid
|
307
|
Sunset (color)
|
2,599
|
86
|
Start
|
Low
|
308
|
Bronze (color)
|
2,588
|
86
|
Start
|
Mid
|
309
|
Animal coloration
|
2,571
|
85
|
GA
|
Mid
|
310
|
Sable (heraldry)
|
2,541
|
84
|
Stub
|
Low
|
311
|
Tooth discoloration
|
2,540
|
84
|
C
|
Low
|
312
|
Chestnut (color)
|
2,530
|
84
|
Stub
|
Low
|
313
|
Natural Color System
|
2,518
|
83
|
Start
|
High
|
314
|
Plum (color)
|
2,476
|
82
|
Start
|
Mid
|
315
|
Alvy Ray Smith
|
2,473
|
82
|
Start
|
Low
|
316
|
Xanthochromia
|
2,416
|
80
|
Start
|
Low
|
317
|
Red-violet
|
2,411
|
80
|
Stub
|
Low
|
318
|
Color-blocking
|
2,395
|
79
|
Start
|
Low
|
319
|
Sapphire (color)
|
2,383
|
79
|
Stub
|
Low
|
320
|
Johannes Itten
|
2,381
|
79
|
Start
|
Mid
|
321
|
Green in Islam
|
2,369
|
78
|
Stub
|
Low
|
322
|
Wilhelm Ostwald
|
2,368
|
78
|
C
|
Mid
|
323
|
Diffuse sky radiation
|
2,363
|
78
|
C
|
Mid
|
324
|
Colorist
|
2,356
|
78
|
C
|
Low
|
325
|
Mahogany (color)
|
2,354
|
78
|
Stub
|
Low
|
326
|
Color chart
|
2,345
|
78
|
Start
|
Mid
|
327
|
History of Crayola crayons
|
2,345
|
78
|
C
|
Low
|
328
|
Color management
|
2,341
|
78
|
Start
|
Mid
|
329
|
Air Force blue
|
2,333
|
77
|
Start
|
Low
|
330
|
Fawn (colour)
|
2,332
|
77
|
Stub
|
Low
|
331
|
List of inorganic pigments
|
2,307
|
76
|
List
|
Low
|
332
|
Tawny (color)
|
2,280
|
76
|
Start
|
Low
|
333
|
Rec. 2100
|
2,262
|
75
|
Start
|
Low
|
334
|
Cream (colour)
|
2,243
|
74
|
Stub
|
Low
|
335
|
Glare (vision)
|
2,232
|
74
|
Start
|
Low
|
336
|
Solarized
|
2,227
|
74
|
Start
|
Low
|
337
|
Glaucous
|
2,226
|
74
|
Stub
|
Low
|
338
|
Red pigments
|
2,217
|
73
|
C
|
Low
|
339
|
Azure (heraldry)
|
2,215
|
73
|
Start
|
Low
|
340
|
New riddle of induction
|
2,213
|
73
|
Start
|
Low
|
341
|
School bus yellow
|
2,204
|
73
|
Start
|
Low
|
342
|
Hypercolor
|
2,187
|
72
|
C
|
Low
|
343
|
Oxblood
|
2,183
|
72
|
Start
|
Low
|
344
|
Or (heraldry)
|
2,178
|
72
|
Stub
|
Low
|
345
|
Safety orange
|
2,168
|
72
|
Start
|
Low
|
346
|
Russet (color)
|
2,166
|
72
|
Stub
|
Low
|
347
|
Rust (color)
|
2,165
|
72
|
Stub
|
Low
|
348
|
Rosso corsa
|
2,158
|
71
|
Start
|
Low
|
349
|
Powder blue
|
2,155
|
71
|
Stub
|
Low
|
350
|
Persian blue
|
2,124
|
70
|
Stub
|
Low
|
351
|
Image gradient
|
2,101
|
70
|
Stub
|
Mid
|
352
|
Falu red
|
2,098
|
69
|
Start
|
Low
|
353
|
Super black
|
2,092
|
69
|
Start
|
Mid
|
354
|
Von Luschan's chromatic scale
|
2,092
|
69
|
Start
|
Low
|
355
|
Shades of azure
|
2,072
|
69
|
NA
|
NA
|
356
|
Blue in culture
|
2,070
|
69
|
B
|
High
|
357
|
Color constancy
|
2,063
|
68
|
Start
|
Mid
|
358
|
Carolina blue
|
2,054
|
68
|
Start
|
Mid
|
359
|
LED strip light
|
2,026
|
67
|
C
|
Low
|
360
|
Dinosaur coloration
|
2,010
|
67
|
C
|
Mid
|
361
|
Columbia blue
|
2,008
|
66
|
Stub
|
Low
|
362
|
Relative luminance
|
2,007
|
66
|
Start
|
Mid
|
363
|
Ruby (color)
|
1,987
|
66
|
Start
|
Mid
|
364
|
Blood red
|
1,976
|
65
|
Stub
|
Low
|
365
|
Cambridge Blue (colour)
|
1,950
|
65
|
Start
|
Low
|
366
|
Maya blue
|
1,947
|
64
|
C
|
Low
|
367
|
Color printing
|
1,933
|
64
|
C
|
High
|
368
|
Basic Color Terms
|
1,926
|
64
|
Start
|
Mid
|
369
|
Color vision test
|
1,926
|
64
|
B
|
High
|
370
|
Palette (computing)
|
1,924
|
64
|
C
|
Mid
|
371
|
Forest green
|
1,923
|
64
|
Stub
|
Low
|
372
|
Slate gray
|
1,903
|
63
|
Stub
|
Low
|
373
|
Optical brightener
|
1,900
|
63
|
Start
|
Mid
|
374
|
Lightfastness
|
1,899
|
63
|
Start
|
Mid
|
375
|
Wine color
|
1,877
|
62
|
Start
|
Low
|
376
|
Young–Helmholtz theory
|
1,873
|
62
|
Stub
|
High
|
377
|
Color code
|
1,871
|
62
|
Start
|
Mid
|
378
|
Bleu de France (colour)
|
1,871
|
62
|
Start
|
Low
|
379
|
Complexion
|
1,866
|
62
|
Start
|
Low
|
380
|
Baby blue
|
1,861
|
62
|
Stub
|
Low
|
381
|
Gamboge
|
1,859
|
61
|
Start
|
Low
|
382
|
Han purple and Han blue
|
1,852
|
61
|
B
|
Mid
|
383
|
Byzantium (color)
|
1,852
|
61
|
Start
|
Low
|
384
|
Color science
|
1,834
|
61
|
Stub
|
Top
|
385
|
Color blind glasses
|
1,828
|
60
|
B
|
Mid
|
386
|
Hand-colouring of photographs
|
1,825
|
60
|
C
|
Mid
|
387
|
Rich black
|
1,819
|
60
|
C
|
Mid
|
388
|
Contrast effect
|
1,801
|
60
|
C
|
Mid
|
389
|
Soil color
|
1,799
|
59
|
Start
|
Low
|
390
|
Chrominance
|
1,792
|
59
|
Start
|
Mid
|
391
|
Spectral power distribution
|
1,779
|
59
|
Start
|
High
|
392
|
Orchid (color)
|
1,777
|
59
|
Stub
|
Low
|
393
|
Apricot (color)
|
1,758
|
58
|
Stub
|
Low
|
394
|
International Commission on Illumination
|
1,738
|
57
|
Start
|
High
|
395
|
Champagne (color)
|
1,738
|
57
|
Stub
|
Low
|
396
|
Dracula (color scheme)
|
1,733
|
57
|
C
|
Low
|
397
|
Color filter array
|
1,732
|
57
|
C
|
Low
|
398
|
Alizarin crimson (color)
|
1,730
|
57
|
Stub
|
Mid
|
399
|
Color correction
|
1,723
|
57
|
Start
|
Mid
|
400
|
Planckian locus
|
1,722
|
57
|
C
|
Mid
|
401
|
Cadet grey
|
1,708
|
56
|
Start
|
Low
|
402
|
Black-and-white dualism
|
1,707
|
56
|
Start
|
Low
|
403
|
Heliotrope (color)
|
1,706
|
56
|
Stub
|
Low
|
404
|
ProPhoto RGB color space
|
1,683
|
56
|
Start
|
Low
|
405
|
List of dyes
|
1,680
|
56
|
List
|
Mid
|
406
|
National colours of Australia
|
1,679
|
55
|
Start
|
Low
|
407
|
Domain coloring
|
1,650
|
55
|
C
|
Low
|
408
|
LMS color space
|
1,649
|
54
|
Start
|
Mid
|
409
|
Colour trade mark
|
1,646
|
54
|
Start
|
High
|
410
|
Dandelion (crayon color)
|
1,641
|
54
|
Start
|
Low
|
411
|
Harmony (color)
|
1,640
|
54
|
C
|
High
|
412
|
ISCC–NBS system
|
1,635
|
54
|
Start
|
High
|
413
|
Desert sand (color)
|
1,626
|
54
|
Start
|
Low
|
414
|
High color
|
1,624
|
54
|
Start
|
Low
|
415
|
Photochromism
|
1,616
|
53
|
C
|
Low
|
416
|
List of 16-bit computer color palettes
|
1,613
|
53
|
List
|
Low
|
417
|
Chrome yellow
|
1,604
|
53
|
Start
|
Mid
|
418
|
Color appearance model
|
1,602
|
53
|
Start
|
Mid
|
419
|
Mars surface color
|
1,574
|
52
|
B
|
Low
|
420
|
Payne's grey
|
1,570
|
52
|
Stub
|
Mid
|
421
|
Mountbatten pink
|
1,563
|
52
|
GA
|
Low
|
422
|
Indexed color
|
1,561
|
52
|
C
|
High
|
423
|
Cordovan (color)
|
1,554
|
51
|
Stub
|
Low
|
424
|
Old gold
|
1,551
|
51
|
Start
|
Low
|
425
|
YIQ
|
1,543
|
51
|
Start
|
Low
|
426
|
Gray card
|
1,540
|
51
|
Start
|
Low
|
427
|
Metallic color
|
1,529
|
50
|
Start
|
Mid
|
428
|
Majorelle Blue
|
1,523
|
50
|
Stub
|
Low
|
429
|
HCL color space
|
1,510
|
50
|
Start
|
Mid
|
430
|
Color quantization
|
1,496
|
49
|
C
|
High
|
431
|
Inverted spectrum
|
1,481
|
49
|
B
|
Low
|
432
|
Citrine (colour)
|
1,481
|
49
|
Stub
|
Low
|
433
|
Lüscher color test
|
1,479
|
49
|
Start
|
Low
|
434
|
Coquelicot
|
1,473
|
49
|
Start
|
Low
|
435
|
Vair
|
1,457
|
48
|
Stub
|
Low
|
436
|
History of red
|
1,453
|
48
|
C
|
Mid
|
437
|
Alcian blue stain
|
1,452
|
48
|
C
|
Low
|
438
|
Platinum (color)
|
1,446
|
48
|
Stub
|
Low
|
439
|
Coyote brown
|
1,435
|
47
|
Stub
|
Mid
|
440
|
Steel blue
|
1,425
|
47
|
Stub
|
Low
|
441
|
Duotone
|
1,423
|
47
|
Start
|
Low
|
442
|
Color preferences
|
1,412
|
47
|
Stub
|
Mid
|
443
|
Chocolate (color)
|
1,407
|
46
|
Start
|
Low
|
444
|
Hyaline
|
1,400
|
46
|
Stub
|
Low
|
445
|
Mysore Paints and Varnish
|
1,394
|
46
|
Start
|
Low
|
446
|
Caput mortuum (pigment)
|
1,394
|
46
|
Start
|
Low
|
447
|
White point
|
1,384
|
46
|
Start
|
High
|
448
|
Iron oxide red
|
1,383
|
46
|
Stub
|
Low
|
449
|
Line of purples
|
1,380
|
46
|
Start
|
Mid
|
450
|
St. Patrick's blue
|
1,374
|
45
|
Start
|
Low
|
451
|
Savoy blue
|
1,372
|
45
|
C
|
Low
|
452
|
List of historical sources for pink and blue as gender signifiers
|
1,361
|
45
|
List
|
Low
|
453
|
Channel (digital image)
|
1,354
|
45
|
C
|
Mid
|
454
|
Sepia tone
|
1,351
|
45
|
NA
|
Mid
|
455
|
APHA color
|
1,350
|
45
|
Start
|
Low
|
456
|
Colour Index International
|
1,345
|
44
|
Start
|
Mid
|
457
|
Eggplant (color)
|
1,342
|
44
|
Stub
|
Low
|
458
|
Eton blue
|
1,334
|
44
|
Stub
|
Low
|
459
|
Spectral sensitivity
|
1,317
|
43
|
Start
|
Mid
|
460
|
Correlated color temperature
|
1,308
|
43
|
C
|
Low
|
461
|
Cardinal (color)
|
1,304
|
43
|
Stub
|
Low
|
462
|
Color picker
|
1,279
|
42
|
Start
|
Low
|
463
|
Farnsworth–Munsell 100 hue test
|
1,276
|
42
|
C
|
Low
|
464
|
Tertiary color
|
1,273
|
42
|
NA
|
High
|
465
|
Bistre
|
1,271
|
42
|
Start
|
Mid
|
466
|
List of animals that can change color
|
1,271
|
42
|
List
|
Low
|
467
|
Fulvous
|
1,267
|
42
|
Start
|
Low
|
468
|
Standard-dynamic-range video
|
1,264
|
42
|
C
|
Mid
|
469
|
Xanthochromism
|
1,260
|
42
|
Stub
|
Low
|
470
|
List of people with color blindness
|
1,248
|
41
|
List
|
Low
|
471
|
Colour fastness
|
1,223
|
40
|
Start
|
Low
|
472
|
Selective yellow
|
1,221
|
40
|
C
|
Low
|
473
|
Rifle green
|
1,209
|
40
|
NA
|
Low
|
474
|
History of spectroscopy
|
1,205
|
40
|
B
|
Mid
|
475
|
Gray
|
1,202
|
40
|
NA
|
NA
|
476
|
Coffee (color)
|
1,202
|
40
|
Start
|
Low
|
477
|
Iris (color)
|
1,195
|
39
|
Stub
|
Low
|
478
|
Day-Glo Color Corp.
|
1,184
|
39
|
Start
|
Mid
|
479
|
Liver (color)
|
1,180
|
39
|
Stub
|
Low
|
480
|
Marengo (color)
|
1,167
|
38
|
Start
|
Low
|
481
|
Illuminant D65
|
1,156
|
38
|
NA
|
Mid
|
482
|
CIECAM02
|
1,155
|
38
|
B
|
High
|
483
|
Rufous
|
1,151
|
38
|
Start
|
Low
|
484
|
Non-photo blue
|
1,149
|
38
|
Start
|
Low
|
485
|
High Capacity Color Barcode
|
1,147
|
38
|
C
|
Low
|
486
|
Camel (color)
|
1,143
|
38
|
Start
|
Low
|
487
|
Calcein
|
1,142
|
38
|
Start
|
Low
|
488
|
CMY color model
|
1,140
|
38
|
NA
|
NA
|
489
|
Wide-gamut RGB color space
|
1,130
|
37
|
Start
|
Mid
|
490
|
Orcein
|
1,130
|
37
|
Start
|
Mid
|
491
|
List of color film systems
|
1,129
|
37
|
List
|
Low
|
492
|
X-Rite
|
1,120
|
37
|
Start
|
Low
|
493
|
Color of the day (police)
|
1,114
|
37
|
Start
|
Low
|
494
|
Flax (color)
|
1,109
|
36
|
Stub
|
Low
|
495
|
Blue light spectrum
|
1,100
|
36
|
C
|
Unknown
|
496
|
Electrochromism
|
1,093
|
36
|
C
|
Low
|
497
|
MacAdam ellipse
|
1,093
|
36
|
C
|
High
|
498
|
Abnormal urine color
|
1,090
|
36
|
Start
|
Low
|
499
|
Budgerigar colour genetics
|
1,087
|
36
|
Start
|
Low
|
500
|
Van Dyke brown
|
1,084
|
36
|
Stub
|
Low
|
501
|
Raspberry (color)
|
1,072
|
35
|
Start
|
Low
|
502
|
Color gel
|
1,065
|
35
|
Start
|
Low
|
503
|
Marigold (color)
|
1,059
|
35
|
Stub
|
Low
|
504
|
Fire engine red
|
1,056
|
35
|
Stub
|
Low
|
505
|
Yale Blue
|
1,056
|
35
|
Start
|
Low
|
506
|
Federal Standard 595
|
1,055
|
35
|
Stub
|
Low
|
507
|
List of chicken colours
|
1,055
|
35
|
List
|
Low
|
508
|
Venetian red
|
1,050
|
35
|
Stub
|
Low
|
509
|
Color histogram
|
1,046
|
34
|
Start
|
Mid
|
510
|
Goldenrod (color)
|
1,033
|
34
|
Start
|
Low
|
511
|
Solvatochromism
|
1,032
|
34
|
Start
|
Low
|
512
|
Color solid
|
1,031
|
34
|
Start
|
High
|
513
|
Chromatic adaptation
|
1,003
|
33
|
Start
|
Mid
|
514
|
Spot color
|
993
|
33
|
Start
|
High
|
515
|
PAL-M
|
989
|
32
|
Start
|
Low
|
516
|
Palatinate (colour)
|
987
|
32
|
Start
|
Low
|
517
|
Android green
|
985
|
32
|
Stub
|
Low
|
518
|
Visual processing
|
982
|
32
|
Start
|
Low
|
519
|
EnChroma
|
968
|
32
|
Start
|
Mid
|
520
|
Vert (heraldry)
|
961
|
32
|
Start
|
Low
|
521
|
Marian blue
|
949
|
31
|
Start
|
Low
|
522
|
Oren–Nayar reflectance model
|
945
|
31
|
C
|
Low
|
523
|
Dominant wavelength
|
943
|
31
|
Start
|
High
|
524
|
Purpure
|
941
|
31
|
Start
|
Low
|
525
|
Aureolin
|
936
|
31
|
Stub
|
Low
|
526
|
Candy apple red
|
932
|
31
|
Start
|
Low
|
527
|
RG color models
|
924
|
30
|
C
|
Mid
|
528
|
Drab (color)
|
920
|
30
|
Stub
|
Low
|
529
|
Bleu celeste
|
919
|
30
|
Start
|
Low
|
530
|
Cerebral achromatopsia
|
909
|
30
|
C
|
Low
|
531
|
Printing registration
|
898
|
29
|
C
|
Low
|
532
|
Sinopia
|
887
|
29
|
Start
|
Low
|
533
|
ICtCp
|
879
|
29
|
C
|
Mid
|
534
|
Mulberry (color)
|
876
|
29
|
Stub
|
Low
|
535
|
Evolution of color vision in primates
|
873
|
29
|
C
|
Mid
|
536
|
YCoCg
|
873
|
29
|
C
|
Mid
|
537
|
Colorburst
|
862
|
28
|
Start
|
Low
|
538
|
Sakura Color Products Corporation
|
852
|
28
|
Stub
|
Low
|
539
|
Colourant
|
846
|
28
|
Stub
|
High
|
540
|
Eggshell (color)
|
830
|
27
|
Stub
|
Low
|
541
|
Mexican pink
|
828
|
27
|
Start
|
Low
|
542
|
Pearl (color)
|
821
|
27
|
Stub
|
Low
|
543
|
Mired
|
810
|
27
|
Start
|
Mid
|
544
|
Magnolia (color)
|
806
|
26
|
Stub
|
Low
|
545
|
Color triangle
|
797
|
26
|
Start
|
High
|
546
|
Kruithof curve
|
787
|
26
|
C
|
Mid
|
547
|
Color organ
|
774
|
25
|
C
|
Low
|
548
|
Citron (color)
|
768
|
25
|
Stub
|
Low
|
549
|
Tenné
|
763
|
25
|
B
|
Low
|
550
|
Color calibration
|
763
|
25
|
Start
|
Mid
|
551
|
Evolution of color vision
|
754
|
25
|
Start
|
Mid
|
552
|
ScRGB
|
753
|
25
|
Start
|
Mid
|
553
|
Color print film
|
747
|
24
|
Start
|
Low
|
554
|
Abney effect
|
742
|
24
|
B
|
Mid
|
555
|
Vision science
|
737
|
24
|
Start
|
Mid
|
556
|
Philosophy of color
|
736
|
24
|
Start
|
High
|
557
|
Rose pink
|
733
|
24
|
Stub
|
Low
|
558
|
Olive drab
|
721
|
24
|
NA
|
NA
|
559
|
Vanilla (color)
|
720
|
24
|
Start
|
Mid
|
560
|
Tricolour
|
718
|
23
|
NA
|
NA
|
561
|
Albert Henry Munsell
|
717
|
23
|
Start
|
Mid
|
562
|
Straw (colour)
|
711
|
23
|
Stub
|
Low
|
563
|
Unique hues
|
710
|
23
|
C
|
Mid
|
564
|
Standard Reference Method
|
688
|
22
|
C
|
Low
|
565
|
Navajo white
|
683
|
22
|
Stub
|
Low
|
566
|
Synthetic colorant
|
681
|
22
|
C
|
Low
|
567
|
Murrey
|
674
|
22
|
Stub
|
Low
|
568
|
Eyeborg
|
668
|
22
|
Start
|
Low
|
569
|
Dichroic filter
|
664
|
22
|
NA
|
NA
|
570
|
Arylide yellow
|
659
|
21
|
Stub
|
Low
|
571
|
Lion (color)
|
653
|
21
|
Stub
|
Low
|
572
|
Composite artifact colors
|
653
|
21
|
C
|
Low
|
573
|
MERDC camouflage
|
652
|
21
|
Stub
|
Low
|
574
|
Maize (color)
|
650
|
21
|
Stub
|
Low
|
575
|
Jonquil (color)
|
631
|
21
|
Stub
|
Low
|
576
|
Index of color-related articles
|
631
|
21
|
Start
|
Mid
|
577
|
Acid green
|
629
|
20
|
Stub
|
Low
|
578
|
On Vision and Colours
|
626
|
20
|
Start
|
Low
|
579
|
Utility location
|
624
|
20
|
Start
|
Mid
|
580
|
HSV color space
|
620
|
20
|
NA
|
High
|
581
|
Fechner color
|
616
|
20
|
Start
|
Low
|
582
|
Hexachrome
|
609
|
20
|
Start
|
Low
|
583
|
Beta movement
|
603
|
20
|
C
|
Low
|
584
|
Zinc white
|
599
|
19
|
C
|
Mid
|
585
|
Jungle green
|
596
|
19
|
C
|
Low
|
586
|
Erin (color)
|
576
|
19
|
Stub
|
Low
|
587
|
Map coloring
|
575
|
19
|
Start
|
Low
|
588
|
Cinereous
|
571
|
19
|
Stub
|
Low
|
589
|
Grassmann's laws (color science)
|
564
|
18
|
Start
|
Mid
|
590
|
Capri (color)
|
564
|
18
|
Stub
|
Low
|
591
|
Brunswick green
|
560
|
18
|
NA
|
Low
|
592
|
Jasmine (color)
|
560
|
18
|
Stub
|
Low
|
593
|
Image color transfer
|
551
|
18
|
Start
|
Low
|
594
|
Floral color change
|
550
|
18
|
C
|
Low
|
595
|
Field-sequential color system
|
547
|
18
|
C
|
Low
|
596
|
Duke blue
|
545
|
18
|
Stub
|
Low
|
597
|
Red in culture
|
543
|
18
|
C
|
High
|
598
|
Cyanometer
|
542
|
18
|
Stub
|
Low
|
599
|
Zaffre
|
541
|
18
|
Stub
|
Mid
|
600
|
Tristimulus colorimeter
|
535
|
17
|
Stub
|
Low
|
601
|
Carnelian (color)
|
529
|
17
|
Stub
|
Low
|
602
|
Wheat (color)
|
528
|
17
|
Stub
|
Low
|
603
|
PALplus
|
526
|
17
|
C
|
Low
|
604
|
Lava (color)
|
520
|
17
|
Stub
|
Low
|
605
|
International Color Consortium
|
519
|
17
|
Start
|
Mid
|
606
|
Blue Wool Scale
|
517
|
17
|
Stub
|
Low
|
607
|
Gene therapy for color blindness
|
513
|
17
|
C
|
Low
|
608
|
Tangerine (color)
|
512
|
17
|
Stub
|
Low
|
609
|
CcMmYK color model
|
511
|
17
|
Stub
|
Low
|
610
|
XvYCC
|
510
|
17
|
Start
|
Low
|
611
|
Ostwald color system
|
506
|
16
|
C
|
High
|
612
|
Persian red
|
499
|
16
|
Stub
|
Low
|
613
|
Tuscan red
|
496
|
16
|
Start
|
Low
|
614
|
Blush (color)
|
491
|
16
|
Stub
|
Low
|
615
|
On Colors
|
485
|
16
|
Start
|
Low
|
616
|
The Secret Lives of Colour
|
473
|
15
|
C
|
Low
|
617
|
Colored smoke
|
471
|
15
|
Stub
|
Mid
|
618
|
Seal brown
|
465
|
15
|
Stub
|
Low
|
619
|
HWB color model
|
465
|
15
|
Stub
|
Low
|
620
|
CIE 1960 color space
|
456
|
15
|
Start
|
Low
|
621
|
Colour cast
|
453
|
15
|
Start
|
Mid
|
622
|
Mars Black (pigment)
|
442
|
14
|
Stub
|
Low
|
623
|
Bastard color
|
441
|
14
|
Stub
|
Low
|
624
|
Color cycling
|
435
|
14
|
Start
|
Low
|
625
|
Local color (visual art)
|
433
|
14
|
Stub
|
Low
|
626
|
Reseda green
|
433
|
14
|
Stub
|
Low
|
627
|
Color of clothing
|
432
|
14
|
Start
|
Mid
|
628
|
Ewald Hering
|
427
|
14
|
Start
|
Mid
|
629
|
Chromism
|
427
|
14
|
C
|
Low
|
630
|
ColorADD
|
425
|
14
|
Start
|
Low
|
631
|
Cream (color)
|
411
|
13
|
NA
|
Low
|
632
|
Gardner color scale
|
407
|
13
|
Stub
|
Mid
|
633
|
Colorpuncture
|
400
|
13
|
C
|
Low
|
634
|
CIE 1964 color space
|
398
|
13
|
Stub
|
Low
|
635
|
Color rendering
|
397
|
13
|
Start
|
Mid
|
636
|
Seashell (color)
|
395
|
13
|
Stub
|
Low
|
637
|
Colour recovery
|
395
|
13
|
C
|
Low
|
638
|
Bezold–Brücke shift
|
390
|
13
|
Stub
|
Low
|
639
|
Harvest gold
|
386
|
12
|
Stub
|
Low
|
640
|
Azure spar
|
381
|
12
|
List
|
Low
|
641
|
Azurite (pigment)
|
379
|
12
|
Stub
|
Low
|
642
|
Color war
|
376
|
12
|
Stub
|
Low
|
643
|
Coventry blue
|
373
|
12
|
Stub
|
Low
|
644
|
Color reproduction
|
371
|
12
|
Stub
|
High
|
645
|
Orange (heraldry)
|
366
|
12
|
Stub
|
Low
|
646
|
Marrs green
|
366
|
12
|
Stub
|
Low
|
647
|
Carnation (heraldry)
|
364
|
12
|
Stub
|
Low
|
648
|
Double cone (biology)
|
357
|
11
|
Start
|
Low
|
649
|
Bice
|
356
|
11
|
Stub
|
Low
|
650
|
Sanguine (heraldry)
|
355
|
11
|
Stub
|
Low
|
651
|
Bole (color)
|
355
|
11
|
Start
|
Low
|
652
|
Cerulean blue
|
351
|
11
|
NA
|
NA
|
653
|
Spring bud
|
345
|
11
|
C
|
Low
|
654
|
Continuous tone image
|
340
|
11
|
Start
|
Low
|
655
|
Werner's Nomenclature of Colours
|
339
|
11
|
Stub
|
Low
|
656
|
Fallow (color)
|
338
|
11
|
Stub
|
Low
|
657
|
IT8
|
337
|
11
|
Start
|
Low
|
658
|
Cynthia Brewer
|
336
|
11
|
Start
|
Low
|
659
|
Rg chromaticity
|
329
|
10
|
Stub
|
Low
|
660
|
Pompeian red
|
329
|
10
|
B
|
Low
|
661
|
ASC CDL
|
322
|
10
|
Start
|
Low
|
662
|
HKS (colour system)
|
320
|
10
|
Stub
|
Low
|
663
|
Halochromism
|
318
|
10
|
Stub
|
Low
|
664
|
French gray
|
314
|
10
|
Stub
|
Low
|
665
|
Color phi phenomenon
|
310
|
10
|
Start
|
Low
|
666
|
International Colour Day
|
310
|
10
|
Start
|
Mid
|
667
|
Margaret Hayden Rorke
|
308
|
10
|
C
|
Low
|
668
|
Hunter Lab
|
296
|
9
|
Start
|
Low
|
669
|
Memory color effect
|
293
|
9
|
C
|
Mid
|
670
|
Color Association of the United States
|
292
|
9
|
Start
|
Mid
|
671
|
Jacob Christoph Le Blon
|
290
|
9
|
Start
|
Low
|
672
|
Bondi blue
|
289
|
9
|
NA
|
NA
|
673
|
Burnt umber
|
288
|
9
|
NA
|
Mid
|
674
|
Neugebauer equations
|
286
|
9
|
Stub
|
Mid
|
675
|
Iron ochre
|
284
|
9
|
List
|
Low
|
676
|
Icterine
|
279
|
9
|
Stub
|
Low
|
677
|
American Association of Textile Chemists and Colorists
|
275
|
9
|
Stub
|
Mid
|
678
|
Specifications for Web Offset Publications
|
275
|
9
|
Start
|
Low
|
679
|
TSL color space
|
273
|
9
|
Stub
|
Low
|
680
|
Bipack color
|
271
|
9
|
C
|
Low
|
681
|
Cyclamen (color)
|
268
|
8
|
NA
|
Low
|
682
|
ColorZilla
|
264
|
8
|
Stub
|
Low
|
683
|
Burnt sienna
|
262
|
8
|
NA
|
Mid
|
684
|
National colours of Portugal
|
260
|
8
|
Start
|
Low
|
685
|
Titanium yellow
|
255
|
8
|
Stub
|
Low
|
686
|
Whiteness (colorimetry)
|
250
|
8
|
Start
|
Low
|
687
|
Dark blue (color)
|
248
|
8
|
NA
|
Low
|
688
|
Rose (heraldic tincture)
|
248
|
8
|
Start
|
Low
|
689
|
Moses Harris
|
238
|
7
|
Start
|
Mid
|
690
|
Color suite
|
237
|
7
|
Start
|
Low
|
691
|
Colors (Ken Nordine album)
|
237
|
7
|
Start
|
Low
|
692
|
Cendrée
|
236
|
7
|
Stub
|
Low
|
693
|
Spring green (color)
|
235
|
7
|
NA
|
NA
|
694
|
Ao (color)
|
233
|
7
|
NA
|
Low
|
695
|
Color normalization
|
226
|
7
|
Start
|
Mid
|
696
|
ColorCode 3-D
|
219
|
7
|
Start
|
Low
|
697
|
Grey component replacement
|
217
|
7
|
Stub
|
Low
|
698
|
Hunt effect (color)
|
216
|
7
|
Stub
|
Low
|
699
|
YDbDr
|
206
|
6
|
Start
|
Low
|
700
|
Teal (color)
|
202
|
6
|
NA
|
NA
|
701
|
Amethyst (color)
|
201
|
6
|
NA
|
NA
|
702
|
Ruddy
|
200
|
6
|
NA
|
NA
|
703
|
Polka-dot paint
|
198
|
6
|
Start
|
Low
|
704
|
Coloroid
|
192
|
6
|
Stub
|
Low
|
705
|
Standard Color Reference of America
|
191
|
6
|
Start
|
Low
|
706
|
Pterobilin
|
191
|
6
|
Start
|
Low
|
707
|
International Colour Association
|
190
|
6
|
C
|
Mid
|
708
|
Mikado yellow
|
188
|
6
|
Stub
|
Low
|
709
|
PAL-S
|
188
|
6
|
Start
|
Low
|
710
|
Golden ochre
|
185
|
6
|
C
|
Low
|
711
|
Zinzolin
|
182
|
6
|
B
|
Low
|
712
|
Alumina effect pigment
|
180
|
6
|
Start
|
Low
|
713
|
Color Naming System
|
179
|
5
|
Start
|
Low
|
714
|
Color reaction
|
177
|
5
|
Stub
|
Mid
|
715
|
Color coding in data visualization
|
177
|
5
|
NA
|
High
|
716
|
Coloured Book protocols
|
170
|
5
|
C
|
Low
|
717
|
Coloured hat
|
170
|
5
|
Start
|
Low
|
718
|
OSA-UCS
|
168
|
5
|
Stub
|
Low
|
719
|
Jade (color)
|
166
|
5
|
NA
|
Low
|
720
|
Oil droplet
|
166
|
5
|
Start
|
Low
|
721
|
Color Marketing Group
|
165
|
5
|
Stub
|
Low
|
722
|
Practical Color Coordinate System
|
162
|
5
|
Stub
|
Low
|
723
|
Color task
|
161
|
5
|
B
|
Mid
|
724
|
European Color Initiative
|
159
|
5
|
Start
|
Low
|
725
|
Society of Dyers and Colourists
|
150
|
5
|
Stub
|
Mid
|
726
|
True Blue (color)
|
149
|
4
|
NA
|
Low
|
727
|
Sinople
|
147
|
4
|
NA
|
NA
|
728
|
Windows Color System
|
147
|
4
|
Start
|
Mid
|
729
|
Historic paint analysis
|
146
|
4
|
C
|
Low
|
730
|
Burned (image)
|
145
|
4
|
Start
|
Mid
|
731
|
Moss green
|
144
|
4
|
NA
|
Low
|
732
|
Principle of univariance
|
144
|
4
|
Stub
|
Low
|
733
|
David MacAdam
|
141
|
4
|
Start
|
Mid
|
734
|
Rail Blue
|
138
|
4
|
NA
|
NA
|
735
|
Multi-primary color display
|
136
|
4
|
Stub
|
Low
|
736
|
International Colour Authority
|
133
|
4
|
Stub
|
Low
|
737
|
Absolute color space
|
132
|
4
|
NA
|
Mid
|
738
|
Splash of color
|
129
|
4
|
Stub
|
Low
|
739
|
Color quality scale
|
128
|
4
|
Stub
|
Mid
|
740
|
Bernice Kentner
|
125
|
4
|
Start
|
Low
|
741
|
Lemon chiffon
|
124
|
4
|
NA
|
Low
|
742
|
Army green
|
124
|
4
|
NA
|
NA
|
743
|
Color wheel (optics)
|
124
|
4
|
Stub
|
Low
|
744
|
Portland Orange
|
120
|
4
|
Unknown
|
Unknown
|
745
|
Harlequin (color)
|
119
|
3
|
NA
|
NA
|
746
|
Attic ochre
|
119
|
3
|
C
|
Low
|
747
|
Raisin black
|
113
|
3
|
Stub
|
Low
|
748
|
Postage stamp color
|
112
|
3
|
C
|
Low
|
749
|
Von Kries coefficient law
|
111
|
3
|
C
|
Low
|
750
|
Colorway
|
109
|
3
|
NA
|
Low
|
751
|
Colorimeter
|
108
|
3
|
NA
|
NA
|
752
|
UCLA Blue
|
106
|
3
|
NA
|
Low
|
753
|
Hansa yellow
|
103
|
3
|
NA
|
Low
|
754
|
British Colour Council
|
103
|
3
|
Start
|
Mid
|
755
|
Munsell Color Company
|
99
|
3
|
Stub
|
Mid
|
756
|
Charcoal (color)
|
98
|
3
|
NA
|
NA
|
757
|
Emerald (color)
|
97
|
3
|
NA
|
Low
|
758
|
Lead ochre
|
97
|
3
|
List
|
Low
|
759
|
ICAM (color appearance model)
|
96
|
3
|
Start
|
Low
|
760
|
Battleship grey
|
94
|
3
|
NA
|
NA
|
761
|
Lusty gallant
|
90
|
3
|
Stub
|
Low
|
762
|
Leaf Color Chart
|
88
|
2
|
Stub
|
Low
|
763
|
Tristimulus value
|
82
|
2
|
NA
|
Mid
|
764
|
Deane B. Judd
|
82
|
2
|
Start
|
Low
|
765
|
Differential phase
|
81
|
2
|
Start
|
Low
|
766
|
Liquid color
|
79
|
2
|
C
|
Low
|
767
|
Skyscope
|
77
|
2
|
Stub
|
Unknown
|
768
|
Monochromatic colors
|
75
|
2
|
NA
|
Mid
|
769
|
Peach black
|
74
|
2
|
Stub
|
Low
|
770
|
The Color Association of the United States
|
73
|
2
|
NA
|
Mid
|
771
|
Color Light Output
|
72
|
2
|
Start
|
Low
|
772
|
Sea green
|
70
|
2
|
NA
|
Low
|
773
|
Pine green
|
68
|
2
|
NA
|
Low
|
774
|
Adams chromatic valence color space
|
67
|
2
|
Start
|
Mid
|
775
|
Cycolor
|
66
|
2
|
Stub
|
Low
|
776
|
Green-yellow
|
64
|
2
|
NA
|
Mid
|
777
|
Forensic colorimetry
|
64
|
2
|
Start
|
Low
|
778
|
Inter-Society Color Council
|
63
|
2
|
Start
|
Low
|
779
|
EciRGB
|
62
|
2
|
Stub
|
Low
|
780
|
Pinchin Johnson & Associates
|
61
|
2
|
Start
|
Low
|
781
|
Tekhelet in Judaism
|
60
|
2
|
NA
|
Low
|
782
|
Tufts Blue
|
60
|
2
|
NA
|
Low
|
783
|
Tyros (nymph)
|
59
|
1
|
C
|
Low
|
784
|
Brandeis blue
|
56
|
1
|
NA
|
NA
|
785
|
Vantage theory
|
55
|
1
|
Start
|
Low
|
786
|
Ada Aline Urban
|
55
|
1
|
C
|
Low
|
787
|
Registration black
|
54
|
1
|
NA
|
Mid
|
788
|
Klaer Lightende Spiegel der Verfkonst
|
52
|
1
|
Stub
|
Low
|
789
|
Lavender pink
|
52
|
1
|
NA
|
NA
|
790
|
Colour look-up table
|
47
|
1
|
NA
|
Low
|
791
|
Myrtle (color)
|
47
|
1
|
NA
|
Low
|
792
|
Carnation pink
|
46
|
1
|
NA
|
Low
|
793
|
Corn (color)
|
46
|
1
|
NA
|
Low
|
794
|
Color engraving
|
46
|
1
|
Stub
|
Low
|
795
|
Flame (color)
|
45
|
1
|
NA
|
NA
|
796
|
Hooker's green
|
45
|
1
|
NA
|
NA
|
797
|
Two-color system
|
44
|
1
|
Stub
|
Low
|
798
|
Descriptive Color Names Dictionary
|
43
|
1
|
Stub
|
Low
|
799
|
Ghost white
|
42
|
1
|
NA
|
NA
|
800
|
Robert Birmelin
|
42
|
1
|
C
|
Low
|
801
|
Papaya whip
|
41
|
1
|
NA
|
Low
|
802
|
Augusto Garau
|
41
|
1
|
Start
|
Low
|
803
|
The Colour Group
|
40
|
1
|
Stub
|
Low
|
804
|
Under color addition
|
39
|
1
|
Stub
|
Low
|
805
|
Upsdell red
|
39
|
1
|
Stub
|
Low
|
806
|
Nardo gray
|
37
|
1
|
NA
|
Low
|
807
|
Pumpkin (color)
|
35
|
1
|
NA
|
NA
|
808
|
Charles Albert Keeley
|
35
|
1
|
Start
|
Low
|
809
|
Hal Glicksman
|
34
|
1
|
Start
|
Low
|
810
|
Salmon pink
|
33
|
1
|
NA
|
Low
|
811
|
Magic Pink
|
32
|
1
|
NA
|
Low
|
812
|
Peach-yellow
|
32
|
1
|
NA
|
Low
|
813
|
Sap green
|
31
|
1
|
NA
|
Low
|
814
|
Amber shift
|
31
|
1
|
Stub
|
Low
|
815
|
Bright green
|
29
|
0
|
NA
|
NA
|
816
|
Rendering intent
|
29
|
0
|
NA
|
Mid
|
817
|
Lavender blush
|
27
|
0
|
NA
|
NA
|
818
|
Autotype (printing)
|
27
|
0
|
NA
|
NA
|
819
|
Redwood (color)
|
26
|
0
|
NA
|
NA
|
820
|
Theostein
|
26
|
0
|
NA
|
NA
|
821
|
Fern green
|
25
|
0
|
NA
|
Low
|
822
|
Davy's grey
|
25
|
0
|
NA
|
Low
|
823
|
Wenge (colour)
|
24
|
0
|
NA
|
Low
|
824
|
Pinkish
|
24
|
0
|
NA
|
NA
|
825
|
Hermann Alfred Tanner
|
23
|
0
|
GA
|
Low
|
826
|
Value (colorimetry)
|
22
|
0
|
NA
|
Mid
|
827
|
Deep sky blue
|
22
|
0
|
NA
|
Low
|
828
|
Pear (color)
|
21
|
0
|
NA
|
Low
|
829
|
George Palmer (colour theorist)
|
21
|
0
|
C
|
Low
|
830
|
Henry Hemmendinger
|
20
|
0
|
Start
|
Mid
|
831
|
Old lace (color)
|
18
|
0
|
NA
|
Low
|
832
|
Blue Violet
|
18
|
0
|
NA
|
NA
|
833
|
Dark purple
|
17
|
0
|
NA
|
Low
|
834
|
Jorrit Tornquist
|
17
|
0
|
Stub
|
Low
|
835
|
Spray booth
|
16
|
0
|
NA
|
NA
|
836
|
Alexis Spectral Data
|
16
|
0
|
Stub
|
Low
|
837
|
Variations of gray
|
16
|
0
|
NA
|
NA
|
838
|
Fluorescence intensity decay shape microscopy
|
15
|
0
|
Start
|
Low
|
839
|
Color volume
|
13
|
0
|
NA
|
NA
|
840
|
Saffron in Hinduism
|
13
|
0
|
NA
|
Low
|
841
|
Dark-on-light color scheme
|
12
|
0
|
NA
|
Low
|
842
|
Ash grey
|
12
|
0
|
NA
|
Low
|
843
|
Mint cream
|
12
|
0
|
NA
|
NA
|
844
|
Pastel green
|
11
|
0
|
NA
|
Low
|
845
|
Color in Informatics and Media Technology
|
11
|
0
|
Start
|
Low
|
846
|
Tea green
|
10
|
0
|
NA
|
Low
|
847
|
Truecolor
|
9
|
0
|
NA
|
Mid
|
848
|
Persian orange
|
9
|
0
|
NA
|
NA
|
849
|
CG Red
|
9
|
0
|
NA
|
NA
|
850
|
Process blue
|
9
|
0
|
NA
|
NA
|
851
|
Gray-asparagus
|
8
|
0
|
NA
|
Low
|
852
|
Asparagus (color)
|
7
|
0
|
NA
|
NA
|
853
|
Sandy brown
|
6
|
0
|
NA
|
NA
|
854
|
Non-spectral color
|
5
|
0
|
NA
|
NA
|
855
|
Aramanth purple
|
5
|
0
|
NA
|
NA
|
856
|
Pale brown
|
4
|
0
|
NA
|
Low
|
857
|
Geru
|
3
|
0
|
NA
|
Low
|
858
|
Visible frequency
|
3
|
0
|
NA
|
NA
|
859
|
Peach-orange
|
2
|
0
|
NA
|
Low
|
860
|
Cool grey
|
2
|
0
|
NA
|
NA
|
861
|
Boysenberry (color)
|
2
|
0
|
NA
|
NA
|
862
|
Camouflage green
|
1
|
0
|
NA
|
NA
|
863
|
Raw umber (color)
|
1
|
0
|
NA
|
Low
|
864
|
(255, 0, 0)
|
1
|
0
|
NA
|
NA
|
865
|
LED ribbon
|
1
|
0
|
NA
|
Low
|
866
|
Blaze Orange
|
0
|
0
|
NA
|
Mid
|
867
|
Color Matching Method
|
0
|
0
|
NA
|
Low
|
868
|
Alice-Blue (color)
|
0
|
0
|
NA
|
Low
|
869
|
Wisteria (colour)
|
0
|
0
|
NA
|
NA
|
870
|
Ford Blue
|
0
|
0
|
NA
|
NA
|