Victory Through Air Power (film)

Victory Through Air Power
Theatrical release poster
Directed by	Animated sequences: James Algar Clyde Geronimi Jack Kinney de Seversky scenes: H.C. Potter
Written by	Story direction: Perce Pearce Story adaptation: T. Hee Erdman Penner Bill Cottrell James Brodero George Stallings Jose Rodriguez
Based on	Victory Through Air Power by Maj. Alexander P. Seversky
Produced by	Walt Disney
Starring	Alexander de Seversky
Narrated by	Art Baker
Cinematography	Ray Rennahan
Edited by	Jack Dennis
Music by	Edward H. Plumb Paul J. Smith Oliver Wallace
Production company	Walt Disney Productions
Distributed by	United Artists
Release date	July 17, 1943 (1943-07-17)
Running time	65 min
Country	United States
Language	English
Budget	$788,000
Box office	$799,000

Victory Through Air Power is an American animated documentary propaganda film produced by Walt Disney Productions and released by United Artists on July 17, 1943. It is based on the 1942 book Victory Through Air Power by Alexander P. de Seversky. De Seversky appeared in the film, an unusual departure from the Disney animated feature films of the time.

Edward H. Plumb, Paul J. Smith and Oliver Wallace were nominated for the Academy Award for Best Music Score of a Dramatic or Comedy Picture.

Production

Walt Disney read Victory through Air Power and felt that its message was so important that he personally financed the animated production of the book. The film was primarily created to express Seversky's theories to government officials and the public. Film critic Richard Schickel says that Disney "pushed the film out in a hurry, even setting aside his distrust of limited animation under the impulses of urgency" (the only obvious use of limited animation, however, is in diagrammatic illustrations of Seversky's talking points; these illustrations featured continuous flowing streams of iconic aircraft, forming bridges or shields, and munitions flowing along assembly lines). It was not until 1945 Disney was able to pay off his $1.2 million ($17m 2021) war film deficit. After Disney's main distributor at the time RKO Radio Pictures refused to release the film in theaters, Walt decided to have United Artists (the distributor of many of his shorts between 1932 and 1937) release it instead, making it the first and only Disney animated feature to be released by a different film studio other than RKO or Walt Disney Studios.

Reception

On July 11, 1943, the New York Times devoted a half page, "Victory from the Air", to a feature consisting of pictures of scenes from the film with short captions. This was possibly the first time that such skilled use of visual description had been placed at the service of an abstract political argument.

It is one thing to hear someone say that against modern bombers, 'bristling with armament ... small single-seater fighters will find themselves helpless, for their guns are not maneuverable—they are fixed and can only fire forward'. It is quite another to have this accompanied by vivid animations of swastika-tailed fighters jockeying for position and being shot down by beam-like animated blasts of fire from a bomber whose guns are "always in firing position".

Schickel quotes film critic James Agee as hoping that:

Major de Seversky and Walt Disney know what they are talking about, for I suspect that an awful lot of people who see Victory Through Air Power are going to think they do ... I had the feeling I was sold something under pretty high pressure, which I don't enjoy, and I am staggered at the ease with which such self-confidence, on matters of such importance, can be blared all over the nation, without cross-questioning.

Thesis and impact

A still from Victory Through Air Power, showing a rocket–bomb destroying a Nazi German U-boat pen.

On December 8, 1941, Disney studios were essentially converted into a propaganda machine for the United States government. While most World War II films were created for training purposes, films such as Victory Through Air Power were created to catch the attention of government officials and to build public morale among the U.S. and Allied powers. Among the notables who decided after seeing the film that Seversky and Disney knew what they were talking about were Winston Churchill and Franklin D. Roosevelt.

Trailer for the film

The Disney studio sent a print for them to view when they were attending the Quebec Conference. According to Leonard Maltin, "it changed FDR's way of thinking—he agreed that Seversky was right". Maltin also adds that "it was only after Roosevelt saw 'Victory Through Air Power' that our country made the commitment to long-range bombing", although that is incorrect as the Allied Combined Bomber Offensive had already begun on June 10, 1943, two months before Roosevelt saw the film. Roosevelt recognized that film was an effective way to teach and Disney could provide Washington with high quality information. The American people were becoming united and Disney was able to inform them of the situation without presenting excessive chaos, as cartoons often do. The animation was popular among soldiers and was superior to other documentary films and written instructions at the time.

The film played a significant role for the Disney Corporation because it was the true beginning of educational films. The educational films would be, and still are, continually produced and used for the military, schools, and factory instruction. The company learned how to effectively communicate their ideas and efficiently produce the films while introducing the Disney characters to millions of people worldwide. Throughout the rest of the war, Disney characters effectively acted as ambassadors to the world. In addition to Victory Through Air Power, Disney produced Donald Gets Drafted, Education for Death, Der Fuehrer's Face, and various training films for the military, reusing animation from Victory Through Air Power in some of them.

One scene showed a fictional rocket bomb destroying a fortified German submarine pen. According to anecdote, this directly inspired the British to develop a real rocket bomb to attack targets that were heavily protected with thick concrete. Due to its origin, the weapon became known as the Disney bomb, and saw limited use as a bunker buster before the war ended.

It also depicted the development of powerful ground-penetrating subterranean bombs which might trigger a seismic event to disable enemy factories, but in the event it was the above-ground atomic bomb that emerged to end the Pacific War. In retrospect, some of Seversky's proposals were derided as impractical, such as operating a major long-range air bombardment campaign from the Aleutians, a series of islands reaching westward from Alaska, which is a remote area with a highly volatile climate that makes for dangerous flying conditions.

Home media

After its release and re-release in 1943 and 1944, there was no theatrical release for 60 years, perhaps because it was seen as propaganda, or perhaps because it was deemed offensive to Germans and Japanese. It was, however, available in 16 mm prints and occasionally screened in film history retrospectives. Additionally, the introductory "history-of-aviation" scene was excerpted in various episodes of the Disney anthology series on TV. In 2004, the film was released on DVD as part of the Walt Disney Treasures collection Walt Disney on the Front Lines. After the war, Disney's characters, especially Mickey Mouse and Donald Duck, were enthusiastically received in Japan and Germany, where they remain immensely popular today.

See also

• Walt Disney's World War II propaganda production
• Bombing of Tokyo, and the devastating Operation Meetinghouse raid (9/10 March 1945)
• Red Tails

References

Bibliography

• Artz, Lee. "The Righteousness of Self-Centered Royals: the World According to Disney Animation". Critical Arts 18 (2004): 116–31. Literature Resource Center, October 30, 2006.
• Combs, James. Film Propaganda and American Politics: Analysis and Filmography. New York: Garland Publishing, 1994. ISBN 0-8153-1322-5.
• Delehanty, Thorton. "The Disney Studio At War". Theatre Arts: the International Magazine of Theatre and Screen, January 1943, pp. 31–39.
• Gabler, Neal. Walt Disney: The Triumph of the American Imagination. New York: Vantage Books, 2006. ISBN 978-0-679-75747-4.
• Gooch, John, ed. Airpower: Theory and Practice (Strategic Studies Series). London: Frank Cass and Co. Ltd., 1995. ISBN 978-0-7146-4657-2.
• Grant, Joe. "A Conversation with Joe Grant" in Victory Through Air Power in Walt Disney Treasures: On the Front Lines, [Collector's Tin], Dir. Walt Disney, 1941–44, DVD, Disney, 2004.
• Hagen, Sheila. "Wartime Animation Exhibit: Panel Discussion on 'Victory Through Air Power'", Mouse Planet, November 6, 2003. Retrieved: 19 August 2010.
• Hench, John. "A Conversation with John Hench" in Victory Through Air Power in Walt Disney Treasures: On the Front Lines, [Collector's Tin], Dir. Walt Disney, 1941–44, DVD, Disney, 2004.
• Lesjak, David. "When Disney Went to War". World War II 20, 2005, pp. 22–56. Academic Search Premier. EBSCO. Augustana Tredway Library, October 30, 2006.
• Ross, Sherwood. "How the United States Reversed Its Policy on Bombing Civilians". The Humanist 65, 2005. Retrieved: November 2, 2006.
• Schickel, Richard. The Disney Version. New York: Simon and Schuster, 1968.
• Spillman, Pat. 92nd Bomb Group (H): Fame's Favored Few. New York: Turner Publishing Company, 1997. ISBN 978-1-56311-241-6.
• Tillman, Barrett. Whirlwind: The Air War Against Japan 1942-1945. New York: Simon & Schuster, 2010. ISBN 978-1-4165-8440-7.
• Victory Through Air Power in Walt Disney Treasures: On the Front Lines, [Collector's Tin]. Disney Studios: Dir. Walt Disney, 1941–44, DVD, 2004.

External links

• Victory Through Air Power at the AFI Catalog of Feature Films
• Victory Through Air Power at Don Markstein's Toonopedia
• Victory Through Air Power at IMDb
• Victory Through Air Power at the Internet Archive