Jump to content

Mediterraneo

From Wikipedia, the free encyclopedia
(Redirected from Mediterraneo (film))
For other uses, see Mediterraneo (disambiguation).

Mediterraneo
Original release poster
Directed byGabriele Salvatores
Written byEnzo Monteleone
Based onThe novel Sagapò by Renzo Biasion[1]
Produced by
Starring
CinematographyItalo Petriccione
Edited byNino Baragli
Music by
Distributed byVariety Distribution
Release date
  • 31 January 1991 (1991-01-31)
Running time
96 minutes
CountryItaly
Languages
  • Italian
  • English
  • Greek
Box office$4.5 million[2]

Mediterraneo is a 1991 Italian war comedy-drama film directed by Gabriele Salvatores and written by Enzo Monteleone. The film is set during World War II and concerns a group of Italian soldiers who become stranded on an island of the Italian Dodecanese in the Aegean Sea, and are left behind by the war. It won the Academy Award for Best Foreign Language Film in 1992.[3]

Plot

[edit]

In 1941, one year after Italy joined Germany against the Allies in World War II, a small group of misfit Italian soldiers is sent to Megísti, a small Greek island in the Aegean Sea, for four months of lookout duty. The soldiers include a lieutenant who likes art, a macho sergeant, a ski instructor accompanied by his beloved donkey Silvana, and other quirky people. They are not very good soldiers, but a cross section of average, independent men, who like the Greeks (and the occasional visiting Turk), are Mediterraneans, who greatly resemble the locals in appearance and culture: the catchphrase "One face, one race" occurs throughout the story.

The soldiers anticipate attack from outside and on the island, and take all sorts of inept precautions. They find a small town with no people. That night, they see bombing on the horizon and by radio interception, discover that the ship that was intended to pick them up has been destroyed. Mysteriously, people reappear in the village: the villagers say they hid because the Germans had taken all the men, but having seen that the Italians are absolutely harmless they have decided to return to their lives. It's not long before everyone's sunny nature appears. The Italian soldiers, unacquainted with a war they clearly do not sense as theirs, are absorbed into the life, heat and landscape of the idyllic island.

The local orthodox priest befriends the lieutenant, an amateur painter, and asks him to restore the murals in his church. Meanwhile two soldiers, who are brothers, befriend a lovely young woman, who is a shepherdess. They eventually consummate their friendship with the shepherdess who in turn loves them both equally. Sergeant Lo Russo, the only member of the crew with a fiery spirit for war, takes up folk dancing and begins to reflect on his place in the universe. Meanwhile, the shyest soldier, Farina, falls in love with the island's prostitute, named Vasilissa.[note 1] The two get married and stay on the island while the rest of the group returns to Italy.

In their old age, three of the men are reunited on the island.[4] They find out that Vasilissa and Farina had opened a restaurant, and that she is dead.

Cast

[edit]

Production

[edit]

The film's producers are Penta Film [it], A.M.A. Film, Silvio Berlusconi Communications and Cecchi Gori Group Tiger Cinematografica [it].

The script was written by Enzo Monteleone and is loosely based on the 1954 autobiographical novel Sagapò by Renzo Biasion (Sagapò means "I love you" in the greek language); the script and the novel show marked differences in how they portray the Italian army in Greece, with the novel giving a more realistic account of both.[5]

Filming took place on the Greek island of Kastellórizo, in the Dodecanese island complex.

Release

[edit]

Mediterraneo was released in Italy on 31 January 1991 by Penta Distribuzione before premiering at the 1991 Toronto International Film Festival on 9 September 1991, where its North American distribution rights were purchased by Miramax Films. Internationally, the film was truncated by 10 minutes, resulting in an 86-minute cut.

The film was submitted as the Italian entry for the Academy Award for Best Foreign Language Film in November 1991.[6] It was released in the United States in March 1992, a week before the Academy Awards[2] and made its worldwide run over the next two years.

Reception

[edit]

Box office

[edit]

The film grossed $4.5 million in the United States and Canada,[2] and was the highest-grossing non-English language film at the US box office that year[7] but was later surpassed by Indochine which was released at Christmas 1992 and grossed most of its revenue in 1993.[8]

Critical response

[edit]

Mediterraneo was received mostly positively by film critics. On the review aggregator website Rotten Tomatoes, the film has an 80% score, based on 15 reviews, with an average rating of 6.4/10.[9]

Several critics linked the movie to the tradition of Italian neorealism. Nevertheless, the victory of the Academy Award raised some eyebrows, with The Washington Post describing the movie as a "schmaltzy island fantasy", and the Film Journal calling it a "clichéd number".[10] Roger Ebert claimed that this was the only film he ever walked out of because it was "utterly without redeeming merit".[11] However, he previously wrote that he had walked out of films like Jonathan Livingston Seagull[12] and Caligula.[13]

Among historians the movie was discussed as a prime example of the myth of Italiani brava gente, the popular Italian belief that Italian soldiers were not complicit in war crimes and had distinguished themselves through humanity and compassion during World War II — in stark contrast to their ideologically motivated and brutal German allies. The movie fails to give any reference to the atrocities committed by Italians during the Axis occupation of Greece, while portraying Royal Italian Army soldiers as essentially good-natured people, if not, innocent buffoons. In reality the burning of villages, the shooting of civilians and rapes were common features of the Italian occupation. However, the film goes so far as to show Italian aggressors happily mingling with the locals and even establishing consensual erotic relationships with Greek women.[14][15][16]

Awards

[edit]

It won the Academy Award for Best Foreign Language Film in 1992.[3]

See also

[edit]

Notes

[edit]
  1. ^ Vasilissa is the Greek word for queen

References

[edit]
  1. ^ Sagapò ("I Love You") Acantilado Publishing House (In Spanish)
  2. ^ a b c "Mediterraneo (1992)". Box Office Mojo.
  3. ^ a b "The 64th Academy Awards (1992) Nominees and Winners". oscars.org. 9 October 2014. Retrieved 15 September 2015.
  4. ^ Mediterraneo (1991). March 22, 1992. Review/Film Festival; Roundelay Of Love On an Isle In Wartime
  5. ^ Saverio Giovacchini, Soccer with the Dead: Mediterraneo and the Myth of Italiani Brava Gente, in Repicturing the Second World War, ed. Michael Paris (London: Palgrave Macmillan, 2008), p. 55-69, here p. 61
  6. ^ "Spain, Italy Name Oscar Submissions". Variety. 10 November 1991. Archived from the original on 12 October 2019. Retrieved 12 October 2019.
  7. ^ Cohn, Lawrence (12 January 1993). "'Mediterraneo' Top Foreign-language Film of 1992". Variety. Retrieved 12 October 2019.
  8. ^ "Foreign Language". Box Office Mojo. Retrieved 12 October 2019.
  9. ^ "Mediterraneo". Rotten Tomatoes.
  10. ^ Saverio Giovacchini, Soccer with the Dead: Mediterraneo and the Myth of Italiani Brava Gente, in Repicturing the Second World War, ed. Michael Paris (London: Palgrave Macmillan, 2008), p. 55-69
  11. ^ Watson, Bret (17 May 1996). "Siskel and Ebert answer 10 Stupid Questions". Entertainment Weekly. Retrieved 1 July 2017.
  12. ^ Ebert, Roger (8 November 1973). "Jonathan Livingston Seagull". RogerEbert.com. Retrieved 12 June 2023.
  13. ^ Ebert, Roger (22 September 1980). "Caligula". RogerEbert.com. Retrieved 12 June 2023.
  14. ^ Saverio Giovacchini, Soccer with the Dead: Mediterraneo and the Myth of Italiani Brava Gente in Repicturing the Second World War, ed. Michael Paris (London: Palgrave Macmillan, 2008), p. 55-69
  15. ^ Filippo Focardi, Il cattivo tedesco e il bravo italiano. La rimozione delle colpe della seconda guerra mondiale, Roma-Bari, Laterza, 2013
  16. ^ Paolo Favero, Blessed be the Good Soldier: Cinema, Media and the Manufacturing of Nationhood in Post 9/11 Italy in Archivio Antropologico Mediterraneo, XII/XIII (2011), no. 13 (1), p. 55-66
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Mediterraneo&oldid=1265835959"