File:Whole tone scales diagram.svg
Size of this PNG preview of this SVG file: 776 × 600 pixels. Other resolutions: 311 × 240 pixels | 621 × 480 pixels | 994 × 768 pixels | 1,280 × 989 pixels | 2,560 × 1,978 pixels | 990 × 765 pixels.
Original file (SVG file, nominally 990 × 765 pixels, file size: 17 KB)
 | This is a file from the Wikimedia Commons. Information from its description page there is shown below. Commons is a freely licensed media file repository. You can help. |
Summary
| Description |
English: Diagram of the two whole tone scales, a symmetrical partitioning of the chromatic scale. If C=0, then the top stave has even notes (02468t) and the bottom has odd notes (134579e). |
| Date | |
| Source | Own work |
| Author | Hyacinth |
| Other versions | File:Whole tone scales diagram.png |
| SVG development |  This W3C-invalid diagram was created with an unknown SVG tool.  This diagram uses embedded text that can be easily translated using a text editor. |
Licensing
|
This media depicts a musical scale outside of a specific musical context. Scales, consisting of an ordering outside of time by pitch class (no "distinctiveness"), may be used in compositions by multiple composers ("common material"), and may not be readily apparent in compositions. As such, a musical scale is a musical concept or technique, which is considered too simple to be eligible for copyright protection, or which consists only of technique, with no original creative input. |  |
|
This media depicts a musical concept or technique, which is considered too simple to be eligible for copyright protection, or which consists only of technique, with no original creative input. |  |
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 01:11, 15 October 2019 | | 990 × 765 (17 KB) | Hyacinth | User created page with UploadWizard |
File usage
No pages on the English Wikipedia use this file (pages on other projects are not listed).
