File:Mia Westerlund Roosen Muro Series lX 1978.jpg
Mia_Westerlund_Roosen_Muro_Series_lX_1978.jpg (300 × 332 pixels, file size: 95 KB, MIME type: image/jpeg)
Summary
[edit]This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. | |
Description |
Sculpture by Mia Westerlund Roosen, Muro Series lX (concrete and steel, 210" x 105" x 22.5". 1978). The image illustrates a key early body of work in Mia Westerlund Roosen's career in the 1970s, when she produced her monolithic "Muro" series of sculptures, which brought her first wide recognition. The wedge-like sculptures combined minimalist, largely monochromatic form—poured concrete or asphalt slabs stood side by side or back to back—and post-minimalist handmade surfaces created with trowels and, as in this case, embellished with roofing copper or heavy plates of oxidized metal. This work was publicly exhibited in prominent exhibitions, discussed in major art journals and daily press publications and acquired by a major museum. |
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Source |
Artist Mia Westerlund Roosen. Copyright held by the artist. |
Article | |
Portion used |
Entire artwork |
Low resolution? |
Yes |
Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a key early body of work in Mia Westerlund Roosen's career in the 1970s: the large-scale "Muro" sculptures, her first major body of work, which melded minimalist objecthood, aspects of monochromatic and shaped-canvas painting, and more post-minimalist handmade, trowel-textured surfaces. She produced them by pouring concrete or asphalt to form thin horizontal slabs that became monolithic vertical surfaces when stood side by side or back to back. Critics described them as eloquent and emotive, with an appearance that was both flexible and stationary, and playful and serene, with a sense of having sprouted full-grown. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to understand this early, foundational body of work, which brought Westerlund Roosen initial recognition through exhibitions and coverage by major critics and publications. Westerlund Roosen's work of this type and this series is discussed in the article and by critics cited in the article. |
Replaceable? |
There is no free equivalent of this or any other of this series by Mia Westerlund Roosen, so the image cannot be replaced by a free image. |
Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
Fair useFair use of copyrighted material in the context of Mia Westerlund Roosen//en.wikipedia.org/wiki/File:Mia_Westerlund_Roosen_Muro_Series_lX_1978.jpgtrue |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 14:55, 7 April 2022 | 300 × 332 (95 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Mia Westerlund Roosen | Description = Sculpture by Mia Westerlund Roosen, ''Muro Series lX'' (concrete and steel, 210" x 105" x 22.5". 1978). The image illustrates a key early body of work in Mia Westerlund Roosen's career in the 1970s, when she produced her monolithic "Muro" series of sculptures, which brought her first wide recognition. The wedge-like sculptures combined minimalist, largely mon... |
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