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File:Luigi Primo - Portrait of a Nobleman of Ancona - Walters 37660.jpg

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Summary

Luigi Primo: Portrait of Balthasar van der Goes  wikidata:Q18749195 reasonator:Q18749195
Artist
Luigi Primo  (circa 1606
date QS:P,+1606–00–00T00:00:00Z/9,P1480,Q5727902
–circa 1667
date QS:P,+1667–00–00T00:00:00Z/9,P1480,Q5727902
 wikidata:Q3840054
 
Alternative names
Lodewijk Cousin, Louis Cousin, Louis Primo, Lodewijk Cousin, Luigi Cousin, Lodovico Primo, Ludovicus Cousin, Gentiel, Luigi Gentile
Description Southern Netherlandish painter, miniaturist and drawer
Date of birth/death circa 1606
date QS:P,+1606-00-00T00:00:00Z/9,P1480,Q5727902
circa 1667
date QS:P,+1667-00-00T00:00:00Z/9,P1480,Q5727902
Location of birth/death City of Brussels City of Brussels Edit this at Wikidata
Work period circa 1617-1667
Work location
Authority file
artist QS:P170,Q3840054
image of artwork listed in title parameter on this page
Title
Portrait of Balthasar van der Goes (?-?) Edit this at Wikidata
title QS:P1476,en:"Portrait of Balthasar van der Goes (?-?) Edit this at Wikidata"
label QS:Len,"Portrait of Balthasar van der Goes (?-?) Edit this at Wikidata"
label QS:Lit,"Ritratto di Baldassare Van der Goes"
label QS:Lfr,"Portrait de Balthasar van der Goes"
label QS:Lde,"Porträt eines Adeligen von Ancona"
label QS:Lnl,"Portret van Balthasar van der Goes (?-?)"
Object type painting Edit this at Wikidata
Genre portrait Edit this at Wikidata
Description
English: The commanding view of the port of Ancona, Italy, as a backdrop for this imposing full-length portrait, suggests that this gentleman is a nobleman or possibly a wealthy merchant or official of that city. His elegant but assertive stance with his left hand on his hip, as well as his wife's bejeweled attire in the companion portrait (Walters 37.654), further convey his status. Such paintings were typically commissioned for one of the grand reception rooms of a lavish residence where the owners would greet their visitors. Luigi Primo (also known as Louis Cousin), was one of the many Flemish painters who sought the patronage of wealthy Italians. Flemish artists were thought to be skilled at imitating reality and were therefore in demand as portraitists.
Depicted people Balthasar van der Goes Edit this at Wikidata
Date between 1650 and 1660
date QS:P571,+1650-00-00T00:00:00Z/7,P1319,+1650-00-00T00:00:00Z/9,P1326,+1660-00-00T00:00:00Z/9
(Baroque
era QS:P2348,Q37853
)
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions Painted surface height: 215 cm (84.6 in); width: 144.5 cm (56.8 in)
dimensions QS:P2048,215U174728
dimensions QS:P2049,144.5U174728
institution QS:P195,Q210081
Accession number
37.660
Place of creation Italy
Object history
Credit line Acquired by Henry Walters with the Massarenti Collection, 1902
References Federico Zeri (1976) (in English) Italian paintings in the Walters Art Gallery, Baltimore: Walters Art Gallery, no. 362 , pp. 481 OCLC: 2463997.
Source Walters Art Museum: Home page  Info about artwork
Permission
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Date/TimeThumbnailDimensionsUserComment
current04:11, 26 March 2012Thumbnail for version as of 04:11, 26 March 20121,214 × 1,800 (2.26 MB)File Upload Bot (Kaldari)== {{int:filedesc}} == {{Walters Art Museum artwork |artist = Luigi Primo (Flemish, born ca. 1606, died ca. 1667-1668) |title = ''Portrait of a Nobleman of Ancona'' |description = {{en|The commanding view of the port of Ancona...

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