File:Judith Barry Model 1987.jpg
Judith_Barry_Model_1987.jpg (353 × 282 pixels, file size: 35 KB, MIME type: image/jpeg)
Summary
[edit]This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. | |
Description |
Installation by Judith Barry, Model for Stage and Screen (installation view, 1987). The image illustrates a key body of work by multimedia artist Judith Barry in the 1980s when she produced art installations that emphasized kinesthetic and perceptual experience rather than idealized visual paradigm. In the pictured installation, she considered the functional effects of architecture, requiring spectators to step into a large circular chamber containing a glowing pillar of green light, which upon exiting created a purely perceptual, intense series of afterimages, suspending them between different ways of "seeing. This work and body of work has been publicly exhibited in prominent exhibitions at major venues, and discussed in major art journals and daily press publications. |
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Source |
Artist Judith Barry. Copyright held by the artist. |
Article | |
Portion used |
Installation view |
Low resolution? |
Yes |
Purpose of use |
The image has contextual significance in that it serves an informational and educational purpose as the primary means of illustrating a key earlier body of work in Judith Barry's career in the 1980s: her installation works, which often used contradictory vantage points inside and outside the same physical and visual spaces to emphasize kinesthetic and perceptual experience rather than idealized visual paradigm. These works often required spectators to navigate physical parameters in their attempts at meaning-making. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's ability to understand this distinct body of work in her practice, which brought Barry early recognition through public exhibitions, commissions and coverage by major critics and publications. Barry's work of this type and this work itself is discussed in the article and by critics cited in the article. |
Replaceable? |
There is no free equivalent of this or any other of this series by Judith Barry, so the image cannot be replaced by a free image. |
Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
Fair useFair use of copyrighted material in the context of Judith Barry//en.wikipedia.org/wiki/File:Judith_Barry_Model_1987.jpgtrue |
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 17:00, 1 August 2024 | 353 × 282 (35 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Judith Barry | Description = Installation by Judith Barry, ''Model for Stage and Screen'' (installation view, 1987). The image illustrates a key body of work by sculptor Judith Barry in the 1980s when she produced art installations that emphasized kinesthetic and perceptual experience rather than idealized visual paradigm. In the pictured installation, she considered the functional effects of arc... |
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