File:Ellen Harvey Repeat 2013.JPG
Ellen_Harvey_Repeat_2013.JPG (273 × 364 pixels, file size: 123 KB, MIME type: image/jpeg)
Summary
[edit]
 | This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. |
| Description |
Public art by Ellen Harvey, Repeat (inside view) (partially demolished church with terrazzo floor, 112' 2 3/8" x 53' 9 9/16", 2013. Photograph: Nino Tondat). The installation image illustrates both a key body of work (commissioned public art), strategy (architectural intervention), and thematic focus in Ellen Harvey's career in the 2000s and 2010s—ruins and fragments, through which she explores fallacies and failures involving representation, communication, permanence, and ideology. These works, which have taken the form of interventions and (in this case) reconstructions, installations, and two- and three-dimensional works, have been exhibited in prominent institutions and discussed widely by prominent art publications and critics. |
|---|---|
| Source |
Artist Ellen Harvey. Copyright held by the artist. |
| Article | |
| Portion used |
Installation view, detail |
| Low resolution? |
Yes |
| Purpose of use |
The public art detail image serves an informational and educational purpose as the primary means of illustrating a key body of work (commissioned public art), strategy (architectural intervention), and thematic focus in Ellen Harvey's career in the 2000s and 2010s: her exploration of the Romantic tradition's idealization of ruins and fragments, through which she explores fallacies and failures involving representation, communication, permanence, and ideology. These works have taken the form of interventions and reconstructions, installations, and two- and three-dimensional works and have been commissioned by and exhibited in institutions such as the Pennsylvania Academy of Fine Arts and Ujadzowski Castle (Warsaw). Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to unique type of work and strategy in her practice. Harvey's work of this type and this work in particular are discussed in the article and discussed by prominent critics cited in the article; this work won an international prize for public art. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Ellen Harvey, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Ellen Harvey//en.wikipedia.org/wiki/File:Ellen_Harvey_Repeat_2013.JPGtrue | |
File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 20:52, 14 November 2019 | | 273 × 364 (123 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Ellen Harvey | Description = Installation by Ellen Harvey, ''Repeat'' (inside view) (partially demolished church with terrazzo floor, 112' 2 3/8" x 53' 9 9/16", 2013. Photograph: Nino Tondat). The installation image illustrates both a key body of work (commissioned public art), strategy (architectural intervention), and thematic focus in Ellen Harvey's career in the 2000s and 2010s—ruins and fra... |
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