File:Armpit Urban Totems 1994.jpg
Armpit_Urban_Totems_1994.jpg (261 × 383 pixels, file size: 154 KB, MIME type: image/jpeg)
Summary
[edit]This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. | |
Description |
Sculpture installation by Armpit ( Urban Totems (Installation detail), 1400 South Wabash Avenue, Chicago, Illinois, August 5–November 15, 1994). The sculpture illustrates a key early period in Chester Alamo-Costello's career in the 1990s, when he worked as a member of "Armpit" (1992–8), a performance and public art group that explored ephemeral works in non-traditional, often public spaces. This work and similar works from the group were publicly exhibited and discussed in various press publications as well as in the article. |
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Source |
Artist Chester Alamo-Costello. Copyright held by the artists. |
Article | |
Portion used |
Detail |
Low resolution? |
Yes |
Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating an early period in Chester Alamo-Costello's career in the 1990s, when he worked as a member of "Armpit" (1992–8), a performance and public art group that explored ephemeral works in non-traditional, often public spaces. The image depicts a specific body of work, the "urban drop-offs" or "urban totems" created in empty Chicago city lots that were made from refuse found on-site. Because the article is about an artist and his work, the omission of the image would significantly limit a reader's understanding and ability to visualize this key developmental phase of work in his career. The group's work of this type and this work in particular is discussed in the article and by critics cited in the article. |
Replaceable? |
There is no free equivalent of this or any other of this series by Chester Alamo-Costello or Armpit, and the work no longer is viewable, so the image cannot be replaced by a free image. |
Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
Fair useFair use of copyrighted material in the context of Chester Alamo-Costello//en.wikipedia.org/wiki/File:Armpit_Urban_Totems_1994.jpgtrue |
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 11:45, 5 April 2019 | 261 × 383 (154 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Chester Alamo-Costello | Description = Sculpture installation by Armpit ('' Urban Totems'' (Installation detail), 1400 South Wabash Avenue, Chicago, Illinois, August 5–November 15, 1994). The sculpture illustrates a key early period in Chester Alamo-Costello's career in the 1990s, when he worked as a member of "Armpit" (1992–8), a performance and public art group that explored ephemeral works in... |
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File usage
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