In the middle of the first order, there is the Doge wearing a golden mantle flanked by Faith on one side and Charity on the other. In the second order there is an epigraph with two children on either side who are holding a bunch of grapes and, at the ends, two well-sculpted warriors, holding shields with the Tron family insignia. In the third order there is the urn, adorned with medals and little statues, on which the Doge lies. On either side there is a statue, one singing and the other playing an instrument. In the fourth order, there are seven women who represent the Virtues. In the lunette, in the middle, there is Christ Resurrected, the Annunciation on either side and on the top of the arch with a lacunared intrados, the Eternal Father.
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RIZZO, Antonio
(b. ca. 1430, Verona, d. ca. 1499)
Monument of Niccolò Tron
1476
Marble
Santa Maria Gloriosa dei Frari, Venice
Niccolò Tron was the Doge of Venice between 1466 and 1473. His funeral monument is on the left wall of the presbytery of the Frari's Basilica. A rich merchant, Tron donated his wealth to the Venetian Republic to help it in time of crisis, meriting, beyond the dogate, an everlasting memorial. He was the first Doge to be represented as in life, standing on his funeral monument, whereas previously all had been portrayed lying in death. The monument, in size and structure, is the grandest work of the Venetian Renaissance. It was conceived and executed by the Veronese Antonio Rizzo.
22 statues, divided into four orders, lighten the bulk of the monument. In the first order, at the centre, is the Doge, standing, with Faith on his left and Charity on his right. These two are exquisitely worked, worthy sisters to the famous Eve by the same Rizzo in the Ducal Palace. In the second, at the sides, two warriors hold the shield of the Tron family with the epigraph in the centre and two bas-reliefs on either side. In the third the Doge rests on the sarcophagus that is adorned by the three statues of Prudence, Wisdom and Fortitude, and on the sides are Song and Harmony. In the fourth are seven other statues embodying other virtues or allegories. The great round arch cuts off any upward line and encloses in solemn grandeur the entire new Renaissance concept.
In the lunette is the Risen Christ, with the Annunciation at the sides.
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Author: RIZZO, Antonio
Title: Monument of Niccolò Tron
Time-line: 1451-1500
School: Italian
Form: sculpture