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File:(Venice) Allegory of Astrology by Alessandro Varotari - Biblioteca Nazionale Marciana.jpg

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Summary

Biblioteca Nazionale Marciana (Venice) - Interior - Allegory of Astrology by Alessandro Varotari


Object

Alessandro Varotari: Italian: Allegoria dell'Astrologia

French: Allegorie de l'Astrologie

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Artist
Alessandro Varotari  (1588–1649)  wikidata:Q1727824
 
Alessandro Varotari
Alternative names
Padovanino
Description Italian painter
Date of birth/death 4 April 1588 Edit this at Wikidata 20 July 1649 / 29 July 1649 Edit this at Wikidata
Location of birth/death Padua Edit this at Wikidata Venice Edit this at Wikidata
Work location
Venice (1614–1648) Edit this at Wikidata
Authority file
artist QS:P170,Q1727824
Title
Italian:
Allegoria dell'Astrologia
French:
Allegorie de l'Astrologie
label QS:Lit,"Allegoria dell'Astrologia"
label QS:Lfr,"Allegorie de l'Astrologie"
Object type painting
object_type QS:P31,Q3305213
Date 1635
date QS:P571,+1635-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions diameter: 230 cm (90.5 in)
dimensions QS:P2386,230U174728
institution QS:P195,Q578460
Place of creation Venice
Object history
English: Roundel by Alessandro Varotari, called Padovanino, commissioned in 1635 by the Procurators of Saint Mark de supra for the ceiling of the Reading Room of the Biblioteca Marciana in substitution of the damaged roundel by Giambattista Zelotti.[1] All of the roundels (21) were removed by the Austrians at the end of the second period of Austrian occupation (1815–1866) and transported to Vienna. The roundels were restituted as per the Treaty of Vienna of 3 October 1866 between Italy and Austria.
Français : Tableau d'Alessandro Varotari, dit Padovanino, commandée en 1635 par les procureurs de Saint-Marc de supra pour le plafond de la salle de lecture de la Biblioteca Marciana en remplacement de la cocarde endommagée de Giambattista Zelotti.[2] Tous les les cocardes (21) ont été enlevées par les Autrichiens à la fin de la deuxième période d'occupation autrichienne (1815-1866) et transportées à Vienne. Les cocardes ont été restituées conformément au Traité de Vienne du 3 octobre 1866 entre l'Italie et l'Autriche.
Italiano: Dipinto di Alessandro Varotari, detto il Padovanino, commissionato nel 1635 dai Procuratori di San Marco de supra per il soffitto della Sala di Lettura della Biblioteca Marciana in sostituzione del tondo danneggiato di Giambattista Zelotti.[3] Tutti i i tondi (21) furono rimossi dagli austriaci alla fine del secondo periodo di occupazione austriaca (1815–1866) e trasportati a Vienna. I tondi furono restituiti in base al Trattato di Vienna del 3 ottobre 1866 tra Italia e Austria.
Permission
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Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.

Photograph

Date Taken on 12 May 2023
Source Own work
Author Didier Descouens
Permission
(Reusing this file)
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Object location45° 26′ 01.08″ N, 12° 20′ 14.08″ E Kartographer map based on OpenStreetMap.View this and other nearby images on: OpenStreetMapinfo
  1. ↑ The deliberation of the procurators de supra (Archives, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1634, 12 aprile) states the intention to copy two damaged roundels. The originals were by Giulio Licinio and Giambattista Zelotti for which commissions were given to Bernardo Strozzi and Padovanino respectively. Padovanino received higher payment due to the greater number of figures involved (see Archives, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1635, 26 November).
  2. ↑ La délibération de les procureurs de supra (Archives, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1634, 12 avril) déclare l'intention de copier deux cocardes endommagées. Les originaux étaient de Giulio Licinio et Giambattista Zelotti pour lesquels les commandes furent respectivement confiées à Bernardo Strozzi et Padovanino. Padovanino a reçu un paiement plus élevé en raison du plus grand nombre de personnages impliqués (voir Archives, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1635, 26 novembre).
  3. ↑ La deliberazione di i procuratori de supra (Archivio, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1634, 12 aprile) dichiarano l'intenzione di copiare due tondi danneggiati. Gli originali erano di Giulio Licinio e Giambattista Zelotti per i quali furono commissionati rispettivamente Bernardo Strozzi e Padovanino. Padovanino ricevette compensi maggiori per il maggior numero di personaggi coinvolti (vedi Archivio, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1635, 26 novembre).

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Allegory of Astrology

coordinates of depicted place

45°26'1.08047690950"N, 12°20'14.08370083747"E

exposure time

0.03333333333333333333 second

focal length

50 millimetre

ISO speed

10,000

media type

image/jpeg

checksum

5a18411c27537d3d25eea05d2dae26d24cbf2e48

determination method or standard: SHA-1

data size

19,384,401 byte

height

4,901 pixel

width

4,786 pixel

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