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Back-Room Boy
DVD cover, with Withers in the centre and Askey at the far right
Directed byHerbert Mason
Screenplay byMarriott Edgar
Val Guest
J.O.C. Orton
Story byJ.O.C. Orton
Produced byEdward Black
StarringArthur Askey
Moore Marriott
Graham Moffatt
CinematographyJack E. Cox
Edited byR. E. Dearing
Music byHans May
Production
company
Distributed byGeneral Film Distributors
Release dates
  • 17 April 1942 (1942-04-17) (United Kingdom)
  • 10 February 1947 (1947-02-10) (Sweden)
Running time
82 minutes
CountryUnited Kingdom
LanguagesEnglish
German

Back-Room Boy is a 1942 British comedy mystery film directed by Herbert Mason, produced by Edward Black for Gainsborough Pictures and distributed by General Film Distributors.[1] The cast includes Arthur Askey, Googie Withers, Graham Moffatt and Moore Marriott.[2][3] It marked the film debut of Vera Frances. The original story was written by J.O.C. Orton, Marriott Edgar and Val Guest. A man from the Met Office is sent to a lighthouse on a remote Scottish island to monitor the weather, where he hopes to escape from women, but soon finds the island overrun by them.

Back-Room Boy was released to cinemas in the United Kingdom on 17 April 1942.[4]

Plot

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Meteorologist Arthur Pilbeam's fiancée Betty, breaks their engagement because he does not spend enough time with her due to having to attend at the BBC every hour, on the hour, for his vital job of creating the BBC pips. He is so upset, he uses the pips to play "Shave and a Haircut". When he is reprimanded, he tries to resign, but this is refused, but when he says he wants to avoid all women, he is posted to a remote Scottish lighthouse to make weather reports. Before taking a boat from the mainland, he is warned by the locals that he will go mad from the isolation and the curse of a mermaid within a month, as his predecessors have. He still goes to the island, but as soon as he lands he is disturbed as most of his baggage disappears.

Pilbeam realises he is not as isolated as he thought and meets Jane, a young girl who stowed away on the boat that brought him to the island, and then Bobbie, a model and the sole survivor of a torpedoed ship. His radio disappears and Bobbie sees a man tied up in a cupboard, but he also seems to disappear when she shows Pilbeam. Another boatload of women plus some crewmen, arrive from Bobbie's ship. This makes it very crowded in the lighthouse, until people start to mysteriously disappear during the night, leaving an anxious Pilbeam trying to discover what has happened to everyone.

It turns out that Nazi agents have been secretly sweeping the nearby waters of mines and have taken everyone else prisoner. They leave Pilbeam free and force him to send away a rescue party without arousing suspicion. But between Pilbeam, Jane's uncle (from the neighbouring island) and the women, they manage to turn the tables on their captors. They tie the Germans up and set out on the German boat. On the way back to the mainland, however, they come across an enemy warship in the fog. The Germans mistake them for their own spies and order them to guide them through the minefield. Their small boat is able to avoid the mines but the ship strikes a mine and sinks.

Pilbeam returns to London a hero, to find Betty has been given his old job on the pips. Having apparently rebuffed him, she plays "Shave and a Haircut" and he rushes off to see her.

Cast

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Production

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Arthur Askey replaced Will Hay when Hay moved from Gainsborough to Ealing Studios before the Second World War.[5] Filming took place at Gaunt-British Studios, Lime Grove Studios and Shepherd's Bush, London, England. The films sets were designed by the art director Walter Murton.

Reception

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In his book about 1940s British cinema, Realism and Tinsel, Robert Murphy describes the film as "the funniest if the least original of the Askey comedies".[6] Halliwell's Film Video & DVD Guide describes the film as a "[fairly] spirited star comedy of interest as a shameless rip-off of The Ghost Train and Oh Mr Porter!."[7] In Beacons in the Dark, film historian Robyn Ludwig critiques the film as "symptomatic of homophobic and chauvinistic undercurrents in Great Britain during the war".[8] David Parkinson in Radio Times said, "The main problem is the film's insistence on hammering home every gag, with Askey particularly at fault."[4] However, he praised the subsidiary action between Moffatt and Marriott and Googie Withers' performance.[4]

Home media

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Back-Room Boy was released on DVD on 19 February 2007.[9] The film was also released in the Arthur Askey Collection box set on DVD in 2007 in the United Kingdom, followed by another edition in 2012.

References

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  1. ^ Vagg, Stephen (1 December 2024). "Forgotten British Film Moguls: Ted Black". Filmink. Retrieved 1 December 2024.
  2. ^ "Back-Room Boy". British Film Institute Collections Search. Retrieved 28 July 2024.
  3. ^ "Back Room Boy 1942". YouTube. Archived from the original on 19 December 2021.
  4. ^ a b c David Parkinson. "Back Room Boy (1942)". radiotimes.com. RadioTimes.com. Retrieved 18 May 2022.
  5. ^ Mayer, 2003, p. 16
  6. ^ Murphy p.196
  7. ^ Walker, 2004, p. 55
  8. ^ "Beacons in the Dark: Lighthouse Iconography in Wartime British Cinema (1941-1942)". Governmentcheese.ca.
  9. ^ "Back Room Boy [DVD]". amazon.co.uk. Amazon.co.uk.

Bibliography

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  • Mayer, Geoff. (2003). Guide to British Cinema. Greenwood Publishing Group
  • Murphy, Robert. (1989). Realism and Tinsel: Cinema and Society in Britain, 1939-1949. Routledge
  • Walker, John. (ed). (2004). Halliwell's Film Video & DVD Guide 2004. HarperCollins Entertainment. 19th edition
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