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Hanan Hadžajlić

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Hanan Hadžajlić
Born (1991-08-16) August 16, 1991 (age 33)
Education
Occupation(s)composer, transdisiciplinary researcher, flutist, manager
OrganizationsINSAM Institute for Contemporary Artistic Music, Sarajevo Music Academy

Hanan Hadžajlić (born 16 August 1991) is a Bosnian composer, flutist, and researcher who is primarily known for her work in contemporary music.[1] Hadžajlić co-founded the INSAM Institute for Contemporary Artistic Music and serves as its director.

The INSAM Institute for Contemporary Artistic Music is an organization dedicated to promoting and advancing contemporary music in Bosnia and Herzegovina.[2] Hadžajlić is the Institute's co-founder and director.

Education

Hadžajlić studied composition with Ališer Sijarić and flute with Ljubiša Jovanović and Sakib Lačević. She holds a Doctor of Musical Arts degree in flute performance (Faculty of Music Arts, University of Arts in Belgrade, 2015-2019),[3] Master's Degree in composition (Sarajevo Music Academy, University of Sarajevo, 2012-2018) and Master's Degree in flute performance (Sarajevo Music Academy, University of Sarajevo, 2010-2015).

She has a PhD in Transdisciplinary Studies in Contemporary Art and Media from Singidunum University located in Belgrade.[3][4]

Hadžajlić participated in composition courses led by Heiner Goebbels, Wolfgang Rihm, Philippe Manoury, Vinko Globokar, Peter Ablinger, Dieter Ammann, Michel van der Aa.

Research fields

  • Composition, Contemporary Improvisation and Electroacoustic Music Performance
  • Transhumanist Music (machine music for acoustic instruments)[5] and Artificial Musical Intelligence (AMI),[6] the theory developed as a part DMA thesis Flute as 'metainterface' of modular systems in contemporary electroacoustic music
  • Transculturality, Nomadism and Globalization
  • Management

Her scientific papers have been published by AM Journal of Art and Media Studies[7] and INSAM Journal[8]

Academic career

Since 2018, Hadžajlić works as a Teaching Assistant at the Composition Department of the Sarajevo Music Academy (University of Sarajevo).[9]

Memberships

  • INSAM Institute of Contemporary Artistic Music (2015)
  • Ensemble SONEMUS (2012)[10]
  • Musicological Society of Federation of Bosnia and Herzegovina (2019)[11]

International performances and cooperation

Her music has been performed in Europe, Israel and United States at festivals such as Lucerne Festival, Women Composers Festival of Hartford, Vox Feminae - Israeli Women Composers and Performers Forum, SONEMUS Fest, Sarajevo Chamber Music Festival, Sarajevo Sonic Studio, Reconstruction – Contemporary Music Festival Belgrade, Flauta & Me and institutions such as University of Maryland Baltimore County, Jan Hus Presbyterian Church New York, Charter Oak Cultural Center Hartford, Conservatory of Music Tel Aviv, Kunstmuseum Luzern - KKL, Hochschule der Künste Bern, Utzon Center Aalborg, Henrietta St Dublin, Bosniak Institute Sarajevo, Army Hall Sarajevo, Musem of the National Theatre Belgrade, Faculty of Music Belgrade, Zavod za kulturu Vojvodine, Music Academy Zagreb etc. She has cooperated with ensembles such as Mosaik, New Thread Quartet, Lucerne Festival Alumni Ensemble, SONEMUS, Neofonia, Impro Ensemble MAS, String Orchestra MAS, etc.

As a flutist, she has performed in Switzerland, Germany, Ireland, Slovenia, Israel, Italy, Bosnia and Herzegovina, Serbia, Montenegro at festivals such as Lucerne Festival,[12] Culturscapes Basel,[13] SONEMUS Fest, Sarajevo Chamber Music Festival, Sarajevo Sonic Studio, Hvar Town Cultural Summer Programme, and Ljubljana Festival.

She has also performed at institutions such as , Yehudi Menuhin Forum Bern, Wolfgang Rihm Forum Karlsruhe, Henrietta St. Dublin, Knight's Hall of the Castle Brežice, St. Gabriel's Church Nazareth, National Theatre Sarajevo, University of Sarajevo Hall - Rectorate, and Musem of the National Theatre Belgrade.

She cooperated with composers such as Ališer Sijarić, Dino Residbegovic, Philippe Manoury, Louis Franz Aguirre, and, Ailís Ní Ríain. As a soloist she performed with Sarajevo Philharmonic Orchestra and String Orchestra MAS and as a chamber musician, she performed with ensembles such as SONEMUS, Studio 6, AMAS, 2K+, and Impro Ensemble MAS.

Awards and recognition

She has won awards at regional and international musical interpretation competitions such as first prize (Reconstruction – Contemporary Music Interpretation Competition, Serbia - flute), first prize (Reconstruction – Contemporary Music Interpretation Competition, Serbia – chamber music), first prize (International Flautist Gathering - Tahir Kulenović, Serbia - flute), first prize (Yamaha EU Foundation, Bosnia and Herzegovina - flute), first prize (TEMSIG, Slovenia - flute).[14] Her composition Freezing Moon is included in the book The 21st Century Voice: Contemporary and Traditional Extra-normal Voice by Michael Edward Edgerton.[15]

Contribution to Bosnian and Herzegovinian artistic music scene

Hadžajlić is the pioneer of transdisciplinary research in music and scientific approach to free improvisation in composition, in Bosnia and Herzegovina.

She is an artistic director and coordinator of the "INSAM Competition" for young Bosnian composers and performers of contemporary music, which is the only contemporary music competition in Bosnia and Herzegovina.[16]

She is a co-founder and editorial team member of the INSAM Journal of Contemporary Music, Art and Technology,[17] the first and only international, scientific, peer-reviewed journal dedicated to contemporary music, artistic practices and technology, in Bosnia and Herzegovina.

References

  1. ^ Krajišnik, Đorđe (4 November 2018). "Hanan Hadžajlić: Svijet treba krojiti prema čovjeku". Oslobođenje.ba.
  2. ^ "Administracija". Insam-institute.com. August 3, 2018.
  3. ^ a b "Music Academy Assistant Hanan Hadžajlić is the first PhD in Flute Arts in BiH". University of Sarajevo.
  4. ^ "Hadžajlić Hanan | Muzička akademija Univerziteta u Sarajevu". www.mas.unsa.ba. Retrieved 2022-11-01.
  5. ^ Kaniža, Piše: Rijad (25 April 2019). "SONEMUS Festival: Muzika za pozitivan životni puls". Oslobođenje.ba.
  6. ^ "Insam Journal" (PDF). Insam-institute.com. Retrieved 21 July 2019.
  7. ^ Hadžajlić, Hanan (October 16, 2018). "Heavy Metal and Globalization". AM Journal of Art and Media Studies (17): 129–137. doi:10.25038/am.v0i17.276.
  8. ^ "Insam Journal" (PDF). Insam-institute.com. Retrieved 21 July 2019.
  9. ^ "Hadžajlić Hanan | Muzička akademija Univerziteta u Sarajevu". Mas.unsa.ba. Retrieved 21 July 2019.
  10. ^ "Ensemble — Sonemus". Sonemus.com. Retrieved 21 July 2019.
  11. ^ "ODRŽANA GODIŠNJA SKUPŠTINA MUZIKOLOŠKOG DRUŠTVA | Muzikološko Društvo Federacije Bosne i Hercegovine". Muzikolosko-drustvo.ba. Retrieved 21 July 2019.
  12. ^ "16.09.2018 Hanan Hadžajlic | Strotter Inst. | Christoph Erb - Summer Festival". Lucernefestival.ch.
  13. ^ "CULTURESCAPES | POLEN". Culturescapes.ch.
  14. ^ "results of the 11th competition". Pre-art.ch.
  15. ^ Edgerton, Michael Edward (April 16, 2015). The 21st-Century Voice: Contemporary and Traditional Extra-Normal Voice. Scarecrow Press. ISBN 9780810888418 – via Google Books.
  16. ^ "INSAM TAKMIČENJE". Insam-institute.com. March 16, 2019.
  17. ^ "INSAM Journal Editorial Team". Insam-institute.com. May 1, 2019.
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